IV. Hakadah’s First Offering

“HAKADAH, coowah!” was the sonorous call that came from a large teepee

in the midst of the Indian encampment. In answer to the summons there

emerged from the woods, which were only a few steps away, a boy,

accompanied by a splendid black dog. There was little in the appearance

of the little fellow to distinguish him from the other Sioux boys.

He hastened to the tent from which he had been summoned, carrying in

his hands a bow and arrows gorgeously painted, while the small birds and

squirrels that he had killed with these weapons dangled from his belt.

Within the tent sat two old women, one on each side of the fire.

Uncheedah was the boy’s grandmother, who had brought up the motherless

child. Wahchewin was only a caller, but she had been invited to remain

and assist in the first personal offering of Hakadah to the “Great

Mystery.”

This was a matter which had, for several days, pretty much monopolized

Uncheedah’s mind. It was her custom to see to this when each of her

children attained the age of eight summers. They had all been celebrated

as warriors and hunters among their tribe, and she had not hesitated to

claim for herself a good share of the honors they had achieved, because

she had brought them early to the notice of the “Great Mystery.”

She believed that her influence had helped to regulate and develop the

characters of her sons to the height of savage nobility and strength of

manhood.

It had been whispered through the teepee village that Uncheedah intended

to give a feast in honor of her grandchild’s first sacrificial offering.

This was mere speculation, however, for the clearsighted old woman had

determined to keep this part of the matter secret until the offering

should be completed, believing that the “Great Mystery” should be met in

silence and dignity.

The boy came rushing into the lodge, followed by his dog Ohitika who was

wagging his tail promiscuously, as if to say: “Master and I are really

hunters!”

Hakadah breathlessly gave a descriptive narrative of the killing of each

bird and squirrel as he pulled them off his belt and threw them before

his grandmother.

“This blunt-headed arrow,” said he, “actually had eyes this morning.

Before the squirrel can dodge around the tree it strikes him in the

head, and, as he falls to the ground, my Ohitika is upon him.”

He knelt upon one knee as he talked, his black eyes shining like evening

stars.

“Sit down here,” said Uncheedah to the boy; “I have something to say to

you. You see that you are now almost a man. Observe the game you have

brought me! It will not be long before you will leave me, for a warrior

must seek opportunities to make him great among his people.

“You must endeavor to equal your father and grandfather,” she went on.

“They were warriors and feast-makers. But it is not the poor hunter who

makes many feasts. Do you not remember the ‘Legend of the Feast-Maker,’

who gave forty feasts in twelve moons? And have you forgotten the story

of the warrior who sought the will of the Great Mystery? To-day you will

make your first offering to him.”

The concluding sentence fairly dilated the eyes of the young hunter, for

he felt that a great event was about to occur, in which he would be the

principal actor. But Uncheedah resumed her speech.

“You must give up one of your belongings-whichever is dearest to

you--for this is to be a sacrificial offering.”

This somewhat confused the boy; not that he was selfish, but rather

uncertain as to what would be the most appropriate thing to give. Then,

too, he supposed that his grandmother referred to his ornaments and

playthings only. So he volunteered:

“I can give up my best bow and arrows, and all the paints I have,

and--and my bear’s claws necklace, grandmother!”

“Are these the things dearest to you?” she demanded.

“Not the bow and arrows, but the paints will be very hard to get, for

there are no white people near; and the necklace--it is not easy to get

one like it again. I will also give up my otterskin head-dress, if you

think that is not enough.”

“But think, my boy, you have not yet mentioned the thing that will be a

pleasant offering to the Great Mystery.”

The boy looked into the woman’s face with a puzzled expression.

“I have nothing else as good as those things I have named, grandmother,

unless it is my spotted pony; and I am sure that the Great Mystery will

not require a little boy to make him so large a gift. Besides, my uncle

gave three otter-skins and five eagle-feathers for him and I promised to

keep him a long while, if the Blackfeet or the Crows do not steal him.”

Uncheedah was not fully satisfied with the boy’s free offerings. Perhaps

it had not occurred to him what she really wanted. But Uncheedah

knew where his affection was vested. His faithful dog, his pet and

companion--Hakadah was almost inseparable from the loving beast.

She was sure that it would be difficult to obtain his consent to

sacrifice the animal, but she ventured upon a final appeal.

“You must remember,” she said, “that in this offering you will call

upon him who looks at you from every creation. In the wind you hear him

whisper to you. He gives his war-whoop in the thunder. He watches you

by day with his eye, the sun; at night, he gazes upon your sleeping

countenance through the moon. In short, it is the Mystery of Mysteries,

who controls all things to whom you will make your first offering. By

this act, you will ask him to grant to you what he has granted to few

men. I know you wish to be a great warrior and hunter. I am not prepared

to see my Hakadah show any cowardice, for the love of possessions is a

woman’s trait and not a brave’s.”

During this speech, the boy had been completely aroused to the spirit

of manliness, and in his excitement was willing to give up anything he

had--even his pony! But he was unmindful of his friend and companion,

Ohitika, the dog! So, scarcely had Uncheedah finished speaking, when he

almost shouted:

“Grandmother, I will give up any of my possessions for the offering to

the Great Mystery! You may select what you think will be most pleasing

to him.”

There were two silent spectators of this little dialogue. One was

Wahchewin; the other was Ohitika. The woman had been invited to stay,

although only a neighbor. The dog, by force of habit, had taken up his

usual position by the side of his master when they entered the teepee.

Without moving a muscle, save those of his eyes, he had been a very

close observer of what passed.

Had the dog but moved once to attract the attention of his little

friend, he might have been dissuaded from that impetuous exclamation:

“Grandmother, I will give up any of my possessions!”

It was hard for Uncheedah to tell the boy that he must part with his

dog, but she was equal to the situation.

“Hakadah,” she proceeded cautiously, “you are a young brave. I know,

though young, your heart is strong and your courage is great. You

will be pleased to give up the dearest thing you have for your first

offering. You must give up Ohitika. He is brave; and you, too,

are brave. He will not fear death; you will bear his loss bravely.

Come--here are four bundles of paints and a filled pipe--let us go to

the place.”

When the last words were uttered, Hakadah did not seem to hear them. He

was simply unable to speak. To a civilized eye, he would have appeared

at that moment like a little copper statue. His bright black eyes were

fast melting in floods of tears, when he caught his grandmother’s

eye and recollected her oft-repeated adage: “Tears for woman and the

war-whoop for man to drown sorrow!”

He swallowed two or three big mouthfuls of heart-ache and the little

warrior was master of the situation.

“Grandmother, my Brave will have to die! Let me tie together two of the

prettiest tails of the squirrels that he and I killed this morning, to

show to the Great Mystery what a hunter he has been. Let me paint him

myself.”

This request Uncheedah could not refuse and she left the pair alone for

a few minutes, while she went to ask Wacoota to execute Ohitika.

Every Indian boy knows that, when a warrior is about to meet death, he

must sing a death dirge. Hakadah thought of his Ohitika as a person who

would meet his death without a struggle, so he began to sing a dirge

for him, at the same time hugging him tight to himself. As if he were a

human being, he whispered in his ear:

“Be brave, my Ohitika! I shall remember you the first time I am upon the

war-path in the Ojibway country.”

At last he heard Uncheedah talking with a man outside the teepee, so he

quickly took up his paints. Ohitika was a jet-black dog, with a silver

tip on the end of his tail and on his nose, beside one white paw and a

white star upon a protuberance between his ears. Hakadah knew that a

man who prepares for death usually paints with red and black. Nature

had partially provided Ohitika in this respect, so that only red was

required and this Hakadah supplied generously.

Then he took off a piece of red cloth and tied it around the dog’s neck;

to this he fastened two of the squirrels’ tails and a wing from the

oriole they had killed that morning.

Just then it occurred to him that good warriors always mourn for their

departed friends and the usual mourning was black paint. He loosened his

black braided locks, ground a dead coal, mixed it with bear’s oil and

rubbed it on his entire face.

During this time every hole in the tent was occupied with an eye. Among

the lookers-on was his grandmother. She was very near relenting. Had she

not feared the wrath of the Great Mystery, she would have been happy to

call out to the boy: “Keep your dear dog, my child!”

As it was, Hakadah came out of the teepee with his face looking like an

eclipsed moon, leading his beautiful dog, who was even handsomer than

ever with the red touches on his specks of white.

It was now Uncheedah’s turn to struggle with the storm and burden in

her soul. But the boy was emboldened by the people’s admiration of his

bravery, and did not shed a tear. As soon as she was able to speak, the

loving grandmother said:

“No, my young brave, not so! You must not mourn for your first offering.

Wash your face and then we will go.”

The boy obeyed, submitted Ohitika to Wacoota with a smile, and walked

off with his grandmother and Wahchewin.

They followed a well-beaten foot-path leading along the bank of the

Assiniboine river, through a beautiful grove of oak, and finally around

and under a very high cliff. The murmuring of the river came up from

just below. On the opposite side was a perpendicular white cliff, from

which extended back a gradual slope of land, clothed with the majestic

mountain oak. The scene was impressive and wild.

Wahchewin had paused without a word when the little party reached the

edge of the cliff. It had been arranged between her and Uncheedah that

she should wait there for Wacoota, who was to bring as far as that the

portion of the offering with which he had been entrusted.

The boy and his grandmother descended the bank, following a tortuous

foot-path until they reached the water’s edge. Then they proceeded to

the mouth of an immense cave, some fifty feet above the river, under

the cliff. A little stream of limpid water trickled down from a spring

within the cave. The little watercourse served as a sort of natural

staircase for the visitors. A cool, pleasant atmosphere exhaled from

the mouth of the cavern. Really it was a shrine of nature and it is not

strange that it was so regarded by the tribe.

A feeling of awe and reverence came to the boy. “It is the home of the

Great Mystery,” he thought to himself; and the impressiveness of his

surroundings made him forget his sorrow.

Very soon Wahchewin came with some difficulty to the steps. She placed

the body of Ohitika upon the ground in a life-like position and again

left the two alone.

As soon as she disappeared from view, Uncheedah, with all solemnity

and reverence, unfastened the leather strings that held the four small

bundles of paints and one of tobacco, while the filled pipe was laid

beside the dead Ohitika.

She scattered paints and tobacco all about. Again they stood a few

moments silently; then she drew a deep breath and began her prayer to

the Great Mystery:

“O, Great Mystery, we hear thy voice in the rushing waters below us! We

hear thy whisper in the great oaks above! Our spirits are refreshed with

thy breath from within this cave. O, hear our prayer! Behold this little

boy and bless him! Make him a warrior and a hunter as great as thou

didst make his father and grandfather.”

And with this prayer the little warrior had completed his first

offering.

Indian Boyhood · 第 19 / 40 题