CHAPTER I

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CLEEK, THE MASTER DETECTIVE

by

T. W. HANSHEW

Author of

"Cleek's Government Cases," "Cleek of Scotland Yard,"

"Fate and the Man," "The Riddle of the Night"

Illustrated by Gordon Grant

[Illustration: "OF A TRUTH YOU ARE A CHARMING FELLOW, MONSIEUR.... WHAT

A PITY YOU SHOULD BE A POLICE SPY AND UPON SO HOPELESS A CASE"]

Garden City New York

Doubleday, Page & Company 1918

Copyright, 1918, by

Doubleday, Page & Company

All rights reserved, including that of

translation into foreign languages,

including the Scandinavian

TO

NEWMAN FLOWER

WITH THAT SORT OF ESTEEM A MAN HAS FOR A FRIEND

HE RESPECTS, AND THAT SORT OF LOVE HE GIVES

TO A COMRADE HE ADMIRES

CONTENTS

CHAPTER

I. THE AFFAIR OF THE MAN WHO CALLED

HIMSELF HAMILTON CLEEK

II. THE PROBLEM OF THE RED CRAWL

III. THE RIDDLE OF THE SACRED SON

IV. THE CALIPH'S DAUGHTER

V. THE RIDDLE OF THE NINTH FINGER

VI. THE WIZARD'S BELT

VII. THE RIDDLE OF THE 5.28

VIII. THE LION'S SMILE

IX. THE MYSTERY OF THE STEEL ROOM

X. THE RIDDLE OF THE SIVA STONES

XI. THE DIVIDED HOUSE

XII. THE RIDDLE OF THE RAINBOW PEARL

LIST OF ILLUSTRATIONS

"Of a truth you are a charming fellow, monsieur....

What a pity you should be a police spy and upon so

hopeless a case."

Pulling their hair--rubbing their faces with a clean

handkerchief in quest of any trace of "make-up" or

disguise of any sort

Swinging the hammer, he struck at the nymph with a

force that shattered the monstrous thing to atoms

With that he stripped down the counterpane, lifted

the water-jug from its washstand and emptied

its contents over the mattresses

CLEEK, THE MASTER DETECTIVE

CHAPTER I

THE AFFAIR OF THE MAN WHO CALLED HIMSELF HAMILTON CLEEK

The thing wouldn't have happened if any other constable than Collins had

been put on point duty at Blackfriars Bridge that morning. For Collins

was young, good-looking, and knew it. Nature had gifted him with a

susceptible heart and a fond eye for the beauties of femininity. So when

he looked round and saw the woman threading her way through the maze of

vehicles at "Dead Man's Corner," with her skirt held up just enough to

show two twinkling little feet in French shoes, and over them a

graceful, willowy figure, and over that an enchanting, if rather too

highly tinted, face, with almond eyes and a fluff of shining hair under

the screen of a big Parisian hat--that did for him on the spot.

He saw at a glance that she was French--exceedingly French--and he

preferred English beauty, as a rule. But, French or English, beauty is

beauty, and here undeniably was a perfect type, so he unhesitatingly

sprang to her assistance and piloted her safely to the kerb, revelling

in her voluble thanks and tingling as she clung timidly but rather

firmly to him.

"Sair, I have to give you much gratitude," she said in a pretty, wistful

sort of way, as they stepped on to the pavement. Then she dropped her

hand from his sleeve, looked up at him, and shyly drooped her head, as

if overcome with confusion and surprise at the youth and good looks of

him. "Ah, it is nowhere in the world but Londres one finds these

delicate attentions, these splendid sergeants de ville," she added, with

a sort of sigh. "You are wonnerful, you are mos' wonnerful, you Anglais

poliss. Sair, I am a stranger; I know not ze ways of this city of

amazement, and if monsieur would so kindly direct me where to find the

Abbey of the Ves'minster----"

Before P. C. Collins could tell her that if that were her destination,

she was a good deal out of her latitude, indeed, even before she

concluded what she was saying, over the rumble of the traffic there rose

a thin, shrill, piping sound, which to ears trained to its call

possessed a startling significance.

It was the shrilling of a police whistle far off down the Embankment.

"Hullo! That's a call to the man on point," exclaimed Collins, all alert

at once. "Excuse me, mum. See you presently. Something's up. One of my

mates is a-signalling me."

"Mates, monsieur? Mates? Signalling? I shall not unnerstand the vords.

But yes, vat shall that mean--eh?"

"Good Lord, don't bother me now! I--I mean, wait a bit. That's the call

to 'head off' some one, and---- By George! there he is now, coming head

on, the hound, and running like the wind!"

For of a sudden, through a break in the traffic, a scudding figure had

sprung into sight. It was the figure of a man in a gray frock-coat and a

shining "topper," a well-groomed, well-set-up man, with a small,

turned-up moustache and hair of a peculiar reddish shade. As he swung

into sight, the distant whistle shrilled again; far off in the distance

voices sent up cries of "Head him off!" "Stop that man!" etcetera; then

those on the pavement near to the fugitive took up the cry, joined in

pursuit, and in a twinkling, what with cabmen, tram-men, draymen, and

pedestrians all shouting, there was hubbub enough for Hades.

"A swell pickpocket, I'll lay my life," commented Collins, as he squared

himself for an encounter and made ready to leap on the man when he came

within gripping distance. "Here! get out of the way, madmazelly.

Business before pleasure. And, besides, you're like to get bowled over

in the rush. Here, chauffeur!"--this to the driver of a big, black

motor-car which swept round the angle of the bridge at that moment, and

made as though to scud down the Embankment into the thick of the

chase--"pull that thing up sharp! Stop where you are! Dead still! At

once, at once, do you hear? We don't want you getting in the way. Now,

then"--nodding his head in the direction of the running man--"come on,

you bounder; I'm ready for you!"

And, as if he really heard that invitation, and really were eager to

accept it, the red-headed man did "come on" with a vengeance. And all

the time, "madmazelly," unheeding Collins's advice, stood calmly and

silently waiting.

Onward came the runner, with the whole roaring pack in his wake, dodging

in and out among the vehicles, "flooring" people who got in his way,

scudding, dodging, leaping, like a fox hard pressed by the hounds,

until, all of a moment, he spied a break in the traffic, leapt through

it, and--then there was mischief. For Collins sprang at him like a cat,

gripped two big, strong-as-iron hands on his shoulders, and had him

tight and fast.

"Got you, you ass!" snapped he, with a short, crisp, self-satisfied

laugh. "None of your blessed squirming now. Keep still. You'll get out

of your coffin, you bounder, as soon as out of my grip. Got you, got

you! Do you understand?"

The response to this fairly took the wind out of him.

"Of course I do," said the captive gaily; "it's part of the programme

that you should get me. Only, for Heaven's sake, don't spoil the film by

remaining inactive, you goat! Struggle with me, handle me roughly, throw

me about. Make it look real; make it look as though I actually did get

away from you, not as though you let me. You chaps behind there, don't

get in the way of the camera--it's in one of those cabs. Now, then,

Bobby, don't be wooden! Struggle, struggle, you goat, and save the

film!"

"Save the what?" gasped Collins. "Here! Good Lord! Do you mean to

say----?"

"Struggle--struggle--struggle!" cut in the man impatiently. "Can't you

grasp the situation? It's a put-up thing: the taking of a kinematograph

film, a living picture, for the Alhambra to-night! Heavens above,

Marguerite, didn't you tell him?"

"Non, non! There was not ze time. You come so quick, I could not. And

he--ah, le bon Dieu!--he gif me no chance. Officair, I beg, I entreat of

you, make it real! Struggle, fight, keep on ze constant move.

Zere!"--something tinkled on the pavement with the unmistakable sound of

gold--"zere, monsieur, zere is de half-sovereign to pay you for ze

trouble, only, for ze lof of goodness, do not pick it up while the

instrument, ze camera, he is going. It is ze kinematograph, and you

would spoil everything!"

The chop-fallen cry that Collins gave was lost in a roar of laughter

from the pursuing crowd.

"Struggle, struggle! Don't you hear, you idiot?" broke in the red-headed

man irritably. "You are being devilishly well paid for it, so for

goodness' sake make it look real. That's it! Bully boy! Now, once more

to the right, then loosen your grip so that I can push you away and

make a feint of punching you off. All ready there, Marguerite? Keep a

clear space about her, gentlemen. Ready with the motor, chauffeur? All

right. Now, then, Bobby, fall back, and mind your eye when I hit out,

old chap. One, two, three--here goes!"

With that he pushed the crest-fallen Collins from him, made a feint of

punching his head as he reeled back, then sprang toward the spot where

the Frenchwoman stood, and gave a finish to the adventure that was

highly dramatic and decidedly theatrical. For "mademoiselle," seeing him

approach her, struck a pose, threw out her arms, gathered him into them,

to the exceeding enjoyment of the laughing throng, then both looked back

and behaved as people do on the stage when "pursued," gesticulated

extravagantly, and rushing to the waiting motor, jumped into it.

"Many thanks, Bobby; many thanks, everybody!" sang out the red-headed

man. "Let her go, chauffeur. The camera men will pick us up again at

Whitehall in a few minutes' time."

"Right you are, sir," responded the chauffeur gaily. Then "toot-toot"

went the motor-horn as the gentleman in gray closed the door upon

himself and his companion, and the vehicle, darting forward, sped down

the Embankment in the exact direction whence the man himself had

originally come, and, passing directly through that belated portion of

the hurrying crowd to whom the end of the adventure was not yet known,

flew on and--vanished.

And Collins, stooping to pick up the half-sovereign that had been thrown

him, felt that after all it was a poor price to receive for all the

jeers and gibes of the assembled onlookers.

"Smart capture, Bobby, wasn't it?" sang out a deriding voice that set

the crowd jeering anew. "You'll git promoted, you will! See it in all

the evenin' papers--oh, yus! ''Orrible hand-to-hand struggle with a

desperado. Brave constable has 'arf a quid's worth out of an infuriated

ruffian!' My hat! won't your missis be proud when you take her to see

that bloomin' film?"

"Move on, now, move on!" said Collins, recovering his dignity and

asserting it with a vim. "Look here, cabby, I don't take it kind of you

to laugh like that; they had you just as bad as they had me. Blow that

Frenchy! She might have tipped me off before I made such an ass of

myself. I don't say that I'd have done it so natural if I had known,

but---- Hullo! What's that? Blowed if it ain't that blessed whistle

again, and another crowd a-pelting this way; and--no!--yes, by Jupiter!

a couple of Scotland Yard chaps with 'em. My hat! what do you suppose

that means?"

He knew in the next moment. Panting and puffing, a crowd at their heels,

and people from all sides stringing out from the pavement and trooping

after them, the two "plain-clothes" men came racing through the grinning

gathering and bore down on P. C. Collins.

"Hullo, Smathers, you in this, too?" began he, his feelings softened by

the knowledge that other arms of the law would figure on that film with

him at the Alhambra to-night. "Now, what are you after, you goat? That

French lady, or the red-headed party in the gray suit?"

"Yes, yes, of course I am. You heard me signal you to head him off,

didn't you?" replied Smathers, looking round and growing suddenly

excited when he realized that Collins was empty-handed and that the

red-headed man was not there. "Heavens! you never let him get away, did

you? You grabbed him, didn't you--eh?"

"Of course I grabbed him. Come out of it. What are you giving me, you

josser?" said Collins, with a wink and a grin. "Ain't you found out even

yet, you silly? Why, it was only a faked-up thing, the taking of a

kinematograph picture for the Alhambra. You and Petrie ought to have

been here sooner and got your wages, you goats. I got half a quid for my

share when I let him go."

Smathers and Petrie lifted up their voices in one despairing howl.

"When you what?" fairly yelled Smathers. "You fool! You don't mean to

tell me that you let them take you in like that--those two? You don't

mean to tell me that you had him, had him in your hands, and then let

him go? You did? Oh, you seventy-seven kinds of a double-barrelled ass!

Had him--think of it!--had him, and let him go! Did yourself out of a

share in a reward of two hundred quid when you'd only to shut your hands

and hold on to it!"

"Two hundred quid? Two hun---- W--what are you talking about? Wasn't it

true? Wasn't it a kinematograph picture, after all?"

"No, you fool, no!" howled Smathers, fairly dancing with despair. "Oh,

you blithering idiot! You ninety-seven varieties of a fool! Do you know

who you had in your hands? Do you know who you let go? It was that devil

'Forty Faces,' the 'Vanishing Cracksman,' 'The Man Who Calls Himself

Hamilton Cleek'; and the woman was his pal, his confederate, his blessed

stool pigeon, 'Margot, the Queen of the Apaches'; and she came over from

Paris to help him in that clean scoop of Lady Dresmer's jewels last

week!"

"Heavens!" gulped Collins, too far gone to say anything else, too deeply

dejected to think of anything but that he had had the man for whom

Scotland Yard had been groping for a year; the man over whom all

England, all France, all Germany wondered, close shut in the grip of his

hands and then had let him go. He was the biggest and the boldest

criminal the police had ever had to cope with, the almost supernatural

genius of crime, who defied all systems, laughed at all laws, mocked at

all the Vidocqs, and Lupins, and Sherlock Holmeses, whether amateur or

professional, French or English, German or American, that ever had or

ever could be pitted against him, and who, for sheer devilry, for

diabolical ingenuity, and for colossal impudence, as well as for a

nature-bestowed power that was simply amazing, had not his match in all

the universe.

Who or what he really was, whence he came, whether he was English,

Irish, French, German, Yankee, Canadian, Italian, or Dutchman, no man

knew and no man might ever hope to know unless he himself chose to

reveal it. In his many encounters with the police he had assumed the

speech, the characteristics, and, indeed, the facial attributes of each

in turn, and assumed them with an ease and a perfection that were simply

marvellous and had gained for him the sobriquet of "Forty Faces" among

the police and of the "Vanishing Cracksman" among the scribes and

reporters of newspaperdom. That he came in time to possess another name

than these was due to his own whim and caprice, his own bald, unblushing

impudence; for, of a sudden, whilst London was in a fever of excitement

and all the newspapers up in arms over one of his most daring and

successful coups, he chose to write boldly to both editors and police

complaining that the title given him by each was both vulgar and cheap.

"You would not think of calling a great violinist like Paganini a

'fiddler,'" he wrote; "why, then, should you degrade me with the coarse

term of 'cracksman'? I claim to be as much an artist in my profession as

Paganini was in his, and I claim also a like courtesy from you. So,

then, if in the future it becomes necessary to allude to me, and I fear

it often will, I shall be obliged if you do so as 'The Man Who Calls

Himself Hamilton Cleek.' In return for the courtesy, gentlemen, I

promise to alter my mode of procedure, to turn over a new leaf, as it

were, to give you at all times hereafter distinct information, in

advance, of such places as I select for the field of my operations, and

of the time when I shall pay my respects to them, and, on the morning

after each such visit, to bestow some small portion of the loot upon

Scotland Yard as a souvenir of the event."

And to that remarkable programme he rigidly adhered from that time

forth, always giving the police twelve hours' notice, always evading

their traps and snares, always carrying out his plans in spite of them,

and always, on the morning after, sending some trinket or trifle to

Superintendent Narkom at Scotland Yard. This trifle would be in a little

pink cardboard box, tied up with rose-coloured ribbon, and marked, "With

the compliments of The Man Who Calls Himself Hamilton Cleek."

The detectives of the United Kingdom, the detectives of the Continent,

the detectives of America--each and all had measured swords with him,

tried wits with him, spread snares and laid traps for him, and each and

all had retired from the field vanquished.

And this was the man that he, Police Constable Samuel James Collins, had

actually had in his hands, nay, in his very arms, and then had given up

for half a sovereign and let go!

"Oh, so help me! You make my head swim, Smathers, that you do!" he

managed to say at last. "I had him--I had the Vanishing Cracksman in my

blessed paws and then went and let that French hussy---- But look here;

I say, now, how do you know it was him? Nobody can go by his looks; so

how do you know?"

"Know, you footler!" growled Smathers disgustedly. "Why shouldn't I know

when I've been after him ever since he left Scotland Yard half an hour

ago?"

"Left what? My hat! You ain't a-going to tell me that he's been there?

When? Why? What for?"

"To leave one of his blessed notices, the dare-devil. What a detective

he'd 'a' made, wouldn't he, if he'd only a-turned his attention that

way, and been on the side of the law instead of against it? He walked in

bold as brass, sat down and talked with the superintendent over some

cock-and-bull yarn about a 'Black Hand' letter that he said had been

sent to him, and asked if he couldn't have police protection whilst he

was in town. It wasn't until after he'd left that the superintendent he

sees a note on the chair where the blighter had been sitting, and when

he opened it, there it was in black and white, something like this:

"The list of presents that have been sent for the wedding

to-morrow of Sir Horace Wyvern's eldest daughter make

interesting reading, particularly that part which describes

the jewels sent--no doubt as a tribute to her father's

position as the greatest brain specialist in the world--from

the Austrian Court and the Continental principalities. The

care of such gems is too great a responsibility for the bride.

I propose, therefore, to relieve her of it to-night, and to

send you the customary souvenir of the event to-morrow

morning. Yours faithfully,

"THE MAN WHO CALLS HIMSELF HAMILTON CLEEK.

"That's how I know, dash you! Superintendent sent me out after him, hot

foot; and after a bit I picked him up in the Strand, toddling along with

that French hussy as cool as you please. But, blow him! he must have

eyes all round his head, for he saw me just as soon as I saw him, and he

and Frenchy separated like a shot. She hopped into a taxi and flew off

in one direction; he dived into the crowd and bolted in another, and

before you could say Jack Robinson he was doubling and twisting, jumping

into cabs and jumping out again--all to gain time, of course, for the

woman to do what he'd put her up to doing--and leading me the devil's

own chase through the devil's own tangles till he was ready to bunk for

the Embankment. And you let him go, you blooming footler! Had him and

let him go, and chucked away a third of £200 for the price of half a

quid!"

And long after Smathers and Petrie had left him, the wondering crowd had

dispersed, and point duty at "Dead Man's Corner" was just point duty

again and nothing more, P. C. Collins stood there, chewing the cud of

bitter reflection over those words and trying to reckon up just how many

pounds and how much glory had been lost to him.

II

"But, damme, sir, the thing's an outrage! I don't mince my words, Mr.

Narkom. I say plump and plain the thing's an outrage, a disgrace to the

police, an indignity upon the community at large; and for Scotland Yard

to permit itself to be defied, bamboozled, mocked at in this appalling

fashion by a paltry burglar----"

"Uncle, dear, pray don't excite yourself in this manner. I am quite sure

that if Mr. Narkom could prevent the things----"

"Hold your tongue, Ailsa. I will not be interfered with! It's time that

somebody spoke out plainly and let this establishment know what the

public has a right to expect of it. What do I pay my rates and taxes

for--and devilish high ones they are, too, b'gad--if it's not to

maintain law and order and the proper protection of property? And to

have the whole blessed country terrorized, the police defied, and

people's houses invaded with impunity by a gutter-bred brute of a

cracksman is nothing short of a scandal and a shame! Call this sort of

tomfoolery being protected by the police? God bless my soul! one might

as well be in the charge of a parcel of doddering old women and be done

with it!"

It was an hour and a half after that exciting affair at "Dead Man's

Corner." The scene was Superintendent Narkom's private room at

headquarters, the dramatis personæ, Mr. Maverick Narkom himself, Sir

Horace Wyvern, and Miss Ailsa Lorne, his niece, a slight, fair-haired,

extremely attractive girl of twenty. She was the only and orphaned

daughter of a much-loved sister, who, up till a year ago, had known

nothing more exciting in the way of "life" than that which is to be

found in a small village in Suffolk and falls to the lot of an underpaid

vicar's only child. A railway accident had suddenly deprived her of both

parents, throwing her wholly upon her own resources without a penny in

the world. Sir Horace had gracefully come to the rescue and given her a

home and a refuge, being doubly repaid for it by the affection and care

she gave him and the manner in which she assumed control of a household

which, hitherto, had been left wholly to the attention of servants. Lady

Wyvern had long been dead, and her two daughters were of that type which

devotes itself entirely to the pleasures of society and the demands of

the world. A regular pepperbox of a man, testy, short-tempered,

exacting, Sir Horace had flown headlong to Superintendent Narkom's

office as soon as that gentleman's note, telling him of The Vanishing

Cracksman's latest threat, had been delivered, and, on Miss Lorne's

advice, had withheld all news of it from the members of his household,

and brought her with him.

"I tell you that Scotland Yard must do something--must! must! must!"

stormed he as Narkom, resenting that stigma upon the institution,

puckered up his lips and looked savage. "That fellow has always kept his

word, always, in spite of your precious band of muffs, and if you let

him keep it this time, when there's upward of £40,000 worth of jewels

in the house, it will be nothing less than a national disgrace, and you

and your wretched collection of bunglers will be covered with deserved

ridicule."

Narkom swung round, smarting under these continued taunts, these

"flings" at the efficiency of his prided department, his nostrils

dilated, his temper strained to the breaking-point.

"Well, he won't keep it this time--I promise you that!" he rapped out

sharply. "Sooner or later every criminal, no matter how clever, meets

his Waterloo, and this shall be his! I'll take this affair in hand

myself, Sir Horace. I'll not only send the pick of my men to guard the

jewels, but I'll go with them; and if that fellow crosses the threshold

of Wyvern House to-night, by the Lord, I'll have him. He will have to be

the devil himself to get away from me! Miss Lorne," recollecting himself

and bowing apologetically, "I ask your pardon for this strong

language--my temper got the better of my manners."

"It does not matter, Mr. Narkom, so that you preserve my cousin's

wedding gifts from that appalling man," she answered, with a gentle

inclination of the head and with a smile that made the superintendent

think she must certainly be the most beautiful creature in all the

world, it so irradiated her face and added to the magic of her glorious

eyes. "It does not matter what you say, what you do, so long as you

accomplish that."

"And I will accomplish it, as I'm a living man, I will! You may go home

feeling assured of that. Look for my men some time before dusk, Sir

Horace. I will arrive later. They will come in one at a time. See that

they are admitted by the area door, and that, once in, not one of them

leaves the house again before I put in an appearance. I'll look them

over when I arrive to be sure that there's no wolf in sheep's clothing

amongst them. With a fellow like that, a diabolical rascal with a

diabolical gift for impersonation, one can't be too careful. Meantime,

it is just as well not to have confided this news to your daughters,

who, naturally, would be nervous and upset; but I assume that you have

taken some one of the servants into your confidence, in order that

nobody may pass them and enter the house under any pretext whatsoever?"

"No, I have not. Miss Lorne advised against it, and, as I am always

guided by her, I said nothing of the matter to anybody."

"Was that wrong, do you think, Mr. Narkom?" queried Ailsa anxiously. "I

feared that if they knew they might lose their heads, and that my

cousins, who are intensely nervous and highly emotional, might hear of

it, and add to our difficulties by becoming hysterical and demanding our

attention at a time when we ought to be giving every moment to watching

for the possible arrival of that man. And as he has always lived up to

the strict letter of his dreadful promises heretofore, I knew that he

was not to be expected before nightfall. Besides, the jewels are locked

up in the safe in Sir Horace's consulting-room, and his assistant, Mr.

Merfroy, has promised not to leave the room for one instant before we

return."

"Oh, well, that's all right, then. I dare say there is very little

likelihood of our man getting in whilst you and Sir Horace are here, and

taking such a risk as stopping in the house until nightfall to begin his

operations. Still, it was hardly wise, and I should advise hurrying back

as fast as possible and taking at least one servant--the one you feel

least likely to lose his head--into your confidence, Sir Horace, and

putting him on the watch for my men. Otherwise, keep the matter as quiet

as you have done, and look for me about nine o'clock. And rely upon this

as a certainty: The Vanishing Cracksman will never get away with even

one of those jewels if he enters that house to-night, and never get out

of it unshackled!"

[Illustration: PULLING THEIR HAIR--RUBBING THEIR FACES WITH A CLEAN

HANDKERCHIEF IN QUEST OF ANY TRACE OF "MAKE-UP" OR DISGUISE OF ANY

SORT]

With that, he suavely bowed his visitors out and rang up the pick of his

men without an instant's delay.

Promptly at nine o'clock he arrived, as he had promised, at Wyvern

House, and was shown into Sir Horace's consulting-room, where Sir Horace

himself and Miss Lorne were awaiting him and keeping close watch before

the locked door of a communicating apartment in which sat the six men

who had preceded him. He went in and put them all and severally through

a rigid examination in quest of any trace of "make-up" or disguise of

any sort, examining their badges and the marks on the handcuffs they

carried with them to make sure that they bore the sign which he himself

had scratched upon them in the privacy of his own room a couple of hours

ago.

"No mistake about this lot," he announced, with a smile. "Has anybody

else entered or attempted to enter the house?"

"Not a soul," replied Miss Lorne. "I didn't trust anybody to do the

watching, Mr. Narkom. I watched myself."

"Good. Where are the jewels? In that safe?"

"No," replied Sir Horace. "They are to be exhibited in the picture

gallery for the benefit of the guests at the wedding breakfast

to-morrow, and as Miss Wyvern wished to superintend the arrangement of

them herself, and there would be no time for that in the morning, she

and her sister are in there laying them out at this moment. As I could

not prevent that without telling them what we have to dread, I did not

protest against it; but if you think it will be safer to return them to

the safe after my daughters have gone to bed, Mr. Narkom----"

"Not at all necessary. If our man gets in, their lying there in full

view like that will prove a tempting bait, and--well, he'll find there's

a hook behind it. I shall be there waiting for him. Now go and join the

ladies, you and Miss Lorne, and act as though nothing out of the common

was in the wind. My men and I will stop here, and you had better put out

the light and lock us in, so that there's no danger of anybody finding

out that we are here. No doubt Miss Wyvern and her sister will go to bed

earlier than usual on this particular occasion. Let them do so. Send the

servants to bed, too. You and Miss Lorne go to your beds at the same

time as the others--or, at least, let them think that you have done so;

then come down and let us out."

To this Sir Horace assented, and, taking Miss Lorne with him, went at

once to the picture gallery and joined his daughters, with whom they

remained until eleven o'clock. Promptly at that hour, however, the house

was locked up, the bride-elect and her sister went to bed, the servants

having already gone to theirs, and stillness settled down over the

darkened house. At the end of a dozen minutes, however, it was faintly

disturbed by the sound of slippered feet coming along the passage

outside the consulting-room, then a key slipped into the lock, the door

was opened, the light switched on, and Sir Horace and Miss Lorne

appeared before the eager watchers.

"Now, then, lively, my men, look sharp!" whispered Narkom. "A man to

each window and each staircase, so that nobody may go up or down or in

or out without dropping into the arms of one of you. Confine your

attention to this particular floor, and if you hear anybody coming, lay

low until he's within reach, and you can drop on him before he bolts. Is

this the door of the picture gallery, Sir Horace?"

"Yes," answered Sir Horace, as he fitted a key to the lock. "But surely

you will need more men than you have brought, Mr. Narkom, if it is your

intention to guard every window individually, for there are four to this

room--see!"

With that he swung open the door, switched on the electric light, and

Narkom fairly blinked at the dazzling sight that confronted him. Three

long tables, laden with crystal and silver, cut glass and jewels, and

running the full length of the room, flashed and scintillated under the

glare of the electric bulbs which encircled the cornice of the gallery

and clustered in luminous splendour in the crystal and frosted silver of

a huge central chandelier. Spread out on the middle one of these, a

dazzle of splintered rainbows, a very plain of living light, lay caskets

and cases, boxes and trays, containing those royal gifts of which the

newspapers had made so much and the Vanishing Cracksman had sworn to

make so few.

Mr. Narkom went over and stood beside the glittering mass, resting his

hand against the table and feasting his eyes upon all that opulent

splendour.

"God bless my soul! it's superb, it's amazing," he commented. "No wonder

the fellow is willing to take risks for a prize like this. You are a

splendid temptation, a gorgeous bait, you beauties; but the fish that

snaps at you will find that there's a nasty hook underneath in the shape

of Maverick Narkom. Never mind the many windows, Sir Horace. Let him

come in by them, if that's his plan. I'll never leave these things for

one instant between now and the morning. Good-night, Miss Lorne. Go to

bed and to sleep. You do the same, Sir Horace. My 'lay' is here!"

With that he stooped and, lifting the long drapery which covered the

table and swept down in heavy folds to the floor, crept out of sight

under it, and let it drop back into place again.

"Switch off the light and go," he called to them in a low-sunk voice.

"Don't worry yourselves, either of you. Go to bed, and to sleep if you

can."

"As if we could," answered Miss Lorne agitatedly. "I shan't be able to

close an eyelid. I'll try, of course, but I know I shall not succeed.

Come, uncle, come! Oh, do be careful, Mr. Narkom; and if that horrible

man does come----"

"I'll have him, so help me God!" he vowed. "Switch off the light, and

shut the door as you go out. This is 'Forty Faces'. Waterloo at last."

And in another moment the light snicked out, the door closed, and he was

alone in the silent room.

For ten or a dozen minutes not even the bare suggestion of a noise

disturbed the absolute stillness; then, of a sudden, his trained ear

caught a faint sound that made him suck in his breath and rise on his

elbow, the better to listen. The sound came, not from without the house,

but from within, from the dark hall where he had stationed his men. As

he listened he was conscious that some living creature had approached

the door, touched the handle, and by the swift, low rustle and the sound

of hard breathing, that it had been pounced upon and seized. He

scrambled out from beneath the table, snicked on the light, whirled open

the door, and was in time to hear the irritable voice of Sir Horace say,

testily, "Don't make an ass of yourself by your over-zealousness. I've

only come down to have a word with Mr. Narkom," and to see him standing

on the threshold, grotesque in a baggy suit of striped pyjamas, with one

wrist enclosed as in a steel band by the gripped fingers of Petrie.

"Why didn't you say it was you, sir?" exclaimed that crestfallen

individual, as the flashing light made manifest his mistake. "When I

heard you first, and see you come up out of that back passage, I made

sure it was him; and if you'd a-struggled, I'd have bashed your head as

sure as eggs."

"Thank you for nothing," he responded testily. "You might have

remembered, however, that the man's first got to get into the place

before he can come downstairs. Mr. Narkom," turning to the

superintendent, "I was just getting into bed when I thought of something

I'd neglected to tell you; and as my niece is sitting in her room with

the door open, and I wasn't anxious to parade myself before her in my

night clothes, I came down by the back staircase. I don't know how in

the world I came to overlook it, but I think you ought to know that

there's a way of getting into the picture gallery without using either

the windows or the stairs, and that way ought to be both searched and

guarded."

"Where is it? What is it? Why in the world didn't you tell me in the

first place?" exclaimed Narkom irritably, as he glanced round the place

searchingly. "Is it a panel? a secret door? or what? This is an old

house, and old houses are sometimes a very nest of such things."

"Happily, this one isn't. It's a modern innovation, not an ancient

relic, that offers the means of entrance in this case. A Yankee occupied

this house before I bought it from him, one of those blessed shivery

individuals his country breeds, who can't stand a breath of cold air

indoors after the passing of the autumn. The wretched man put one of

those wretched American inflictions, a hot-air furnace, in the cellar,

with huge pipes running to every room in the house, great tin

monstrosities bigger round than a man's body, ending in openings in the

wall, with what they call 'registers' to let the heat in or shut it out

as they please. I didn't have the wretched contrivance removed or those

blessed 'registers' plastered up. I simply had them papered over when

the rooms were done up (there's one over there near that settee), and if

a man got into this house, he could get into that furnace thing and hide

in one of those flues until he got ready to crawl up it as easily as

not. It struck me that perhaps it would be as well for you to examine

that furnace and those flues before matters go any further."

"Of course it would. Great Scott! Sir Horace, why didn't you think to

tell me of this thing before?" said Narkom excitedly. "The fellow may be

in it at this minute. Come, show me the wretched thing."

"It's in the cellar. We shall have to go down the kitchen stairs, and I

haven't a light."

"Here's one," said Petrie, unhitching a bull's-eye from his belt and

putting it into Narkom's hand. "Better go with Sir Horace at once, sir.

Leave the door of the gallery open and the light on. Fish and me will

stand guard over the stuff till you come back, so in case the man is in

one of them flues and tries to bolt out at this end, we can nab him

before he can get to the windows."

"A good idea," commented Narkom. "Come on, Sir Horace. Is this the way?"

"Yes, but you'll have to tread carefully, and mind you don't fall over

anything. A good deal of my paraphernalia--bottles, retorts, and the

like--is stored in the little recess at the foot of the staircase, and

my assistant is careless and leaves things lying about."

Evidently the caution was necessary, for a minute or so after they had

disappeared behind the door leading to the kitchen stairway, Petrie and

his colleagues heard a sound as of something being overturned and

smashed, and laughed softly to themselves. Evidently, too, the danger of

the furnace had been grossly exaggerated by Sir Horace, for when, a few

minutes later, the door opened and closed, and Narkom's men, glancing

toward it, saw the figure of their chief reappear, it was plain that he

was in no good temper. His features were knotted up into a scowl, and he

swore audibly as he snapped the shutter over the bull's-eye and handed

it back to Petrie.

"Nothing worth looking into, superintendent?"

"No, not a thing!" he replied. "The silly old josser! pulling me down

there amongst the coals and rubbish for an insane idea like that! Why,

the flues wouldn't admit the passage of a child; and, even then, there's

a bend, an abrupt 'elbow,' that nothing but a cat could crawl up. And

that's a man who's an authority on the human brain! I sent the old silly

back to bed by the way he came, and if----"

There he stopped, stopped short, and sucked in his breath with a sharp,

wheezing sound. For, of a sudden, a swift pattering footfall and a

glimmer of moving light had sprung into being and drawn his eyes upward.

There, overhead, was Miss Lorne coming down the stairs from the upper

floor in a state of nervous excitement, with a bedroom candle in her

shaking hand, a loose gown flung on over her nightdress, and her hair

streaming over her shoulders in glorious disarray.

He stood and looked at her, with ever-quickening breath, with

ever-widening eyes, as though the beauty of her had wakened some dormant

sense whose existence he had never suspected, as though, until now, he

had never known how fair it was possible for a woman to be, how much to

be desired. And whilst he was so looking she reached the foot of the

staircase and came pantingly toward him.

"Oh, Mr. Narkom, what was it--that noise I heard?" she said in a tone of

deepest agitation. "It sounded like a struggle, like the noise of

something breaking, and I dressed as hastily as I could and came down.

Did he come? Has he been here? Have you caught him? Oh! why don't you

answer me, instead of staring at me like this? Can't you see how

nervous, how frightened I am? Dear Heaven! will no one tell me what has

happened?"

"Nothing has happened, Miss," answered Petrie, catching her eye as she

flashed round on him. "You'd better go back to bed. Nobody's been here

but Sir Horace. The noise you heard was me a-grabbing of him, and he and

Mr. Narkom a-tumbling over something as they went down to look at the

furnace."

"Furnace? What furnace? What are you talking about?" she cried

agitatedly. "What do you mean by saying that Sir Horace came down?"

"Only what the superintendent himself will tell you, Miss, if you ask

him. Sir Horace came downstairs in his pyjamas a few minutes ago to say

as he'd recollected about the flues of the furnace in the cellar being

big enough to hold a man, and then him and Mr. Narkom went below to have

a look at it."

She gave a sharp and sudden cry, and her face went as pale as a dead

face.

"Sir Horace came down?" she repeated, moving back a step and leaning

heavily against the banister. "Sir Horace came down to look at the

furnace? We have no furnace!"

"What?"

"We have no furnace, I tell you, and Sir Horace did not come down. He is

up there still. I know, because I feared for his safety, and when he

went to his room I locked him in!"

"Superintendent!" The word was voiced by every man present and six pairs

of eyes turned toward Narkom with a look of despairing comprehension.

"Get to the cellar. Head the man off! It's he, the Cracksman!" he

shouted out. "Find him! Get him! Nab him, if you have to turn the house

upside down!"

They needed no second bidding, for each man grasped the situation

instantly, and in a twinkling there was a veritable pandemonium.

Shouting and scrambling like a band of madmen, they lurched to the door,

whirled it open, and went flying down the staircase to the kitchen and

so to a discovery which none might have foreseen. For almost as they

entered they saw lying on the floor a suit of striped pyjamas, and close

to it, gagged, bound, helpless, trussed up like a goose that was ready

for the oven, gyves on his wrists, gyves on his ankles, their chief,

their superintendent, Mr. Maverick Narkom, in a state of collapse and

with all his outer clothing gone!

"After him! After that devil, and a thousand pounds to the man that gets

him!" he managed to gasp as they rushed to him and ripped loose the gag.

"He was here when we came! He has been in the house for hours. Get him!

get him! get him!"

They surged from the room and up the stairs like a pack of stampeded

animals; they raced through the hall and bore down on the picture

gallery in a body, and, whirling open the now closed door, went tumbling

headlong in.

The light was still burning. At the far end of the room a window was

wide open, and the curtains of it fluttered in the wind. A collection of

empty cases and caskets lay on the middle table, but man and jewels were

alike gone! Once again the Vanishing Cracksman had lived up to his

promise, up to his reputation, up to the very letter of his name, and

for all Mr. Maverick Narkom's care and shrewdness, "Forty Faces" had

"turned the trick," and Scotland Yard was "done!"

III

Through all the night its best men sought him, its dragnets fished for

him, its tentacles groped into every hole and corner of London in quest

of him, but sought and fished and groped in vain. They might as well

have hoped to find last summer's partridges or last winter's snow as any

trace of him. He had vanished as mysteriously as he had appeared, and no

royal jewels graced the display of Miss Wyvern's wedding gifts on the

morrow.

But it was fruitful of other "gifts," fruitful of an even greater

surprise, that "morrow." For the first time since the day he had given

his promise, no "souvenir" from "The Man Who Called Himself Hamilton

Cleek," no part of last night's loot came to Scotland Yard; and it was

while the evening papers were making screaming "copy" and glaring

headlines out of this that the surprise in question came to pass.

Miss Wyvern's wedding was over, the day and the bride had gone, and it

was half-past ten at night, when Sir Horace, answering a hurry call from

headquarters, drove post haste to Superintendent Narkom's private room,

and, passing in under a red-and-green lamp which burned over the

doorway, met that "surprise."

Maverick Narkom was there alone, standing beside his desk. The curtains

of his window were drawn and pinned together, and at his elbow was an

unlighted lamp of violet-coloured glass. Narkom turned as his visitor

entered and made an open-handed gesture toward something which lay

before him.

"Look here," he said laconically, "what do you think of this?"

Sir Horace moved forward and looked; then stopped and gave a sort of

wondering cry. The electric bulbs overhead struck a glare of light on

the surface of the desk, and there, spread out on the shining oak, lay a

part of the royal jewels that had been stolen from Wyvern House last

night.

"Narkom! You got him then, got him after all?"

"No, I did not get him. I doubt if any man could, if he chose not to be

found," said Narkom bitterly. "I did not recover these jewels by any act

of my own. He sent them to me; gave them up voluntarily."

"Gave them up? After he had risked so much to get them? God bless my

soul, what a man! Why, there must be quite half here of what he took."

"There is half--an even half. He sent them to-night, and with them this

letter. Look at it, and you will understand why I sent for you and asked

you to come alone."

Sir Horace read:

There's some good in even the devil, I suppose, if one but

knows how to reach it and stir it up.

I have lived a life of crime from my very boyhood because I

couldn't help it, because it appealed to me, because I glory

in risks and revel in dangers. I never knew, I never thought,

never cared, where it would lead me, but I looked into the

gateway of heaven last night, and I can't go down the path to

hell any longer. Here is an even half of Miss Wyvern's jewels.

If you and her father would have me hand over the other half

to you, and would have The Vanishing Cracksman disappear

forever, and a useless life converted into a useful one, you

have only to say so to make it an accomplished thing. All I

ask in return is your word of honour (to be given to me by

signal) that you will send for Sir Horace Wyvern to be at your

office at eleven o'clock to-night, and that you and he will

grant me a private interview unknown to any other living

being. A red-and-green lantern hung over the doorway leading

to your office will be the signal that you agree, and a violet

light in your window will be the pledge of Sir Horace Wyvern.

When these two signals, these two pledges, are given, I shall

come in and hand over the remainder of the jewels, and you

will have looked for the first time in your life upon the real

face of The Man Who Calls Himself Hamilton Cleek.

"God bless my soul! what an amazing creature, what an astounding

request!" exclaimed Sir Horace, as he laid the letter down. "Willing to

give up £20,000 worth of jewels for the mere sake of a private

interview! What on earth can be his object? And why should he include

me?"

"I don't know," said Narkom in reply. "It's worth something, at all

events, to be rid of 'The Vanishing Cracksman' for good and all; and he

says that it rests with us to do that. It's close to eleven now. Shall

we give him the pledge he asks, Sir Horace? My signal is already hung

out; shall we agree to the conditions and give him yours?"

"Yes, yes, by all means," Sir Horace made answer. And, lighting the

violet lamp, Narkom flicked open the pinned curtains and set it in the

window.

For ten minutes nothing came of it, and the two men, talking in whispers

while they waited, began to grow nervous. Then somewhere in the distance

a clock started striking eleven, and, without so much as a warning

sound, the door flashed open, flashed shut again, a voice that was

undeniably the voice of breeding and refinement said quietly,

"Gentlemen, my compliments. Here are the diamonds and here am I!" and

the figure of a man, faultlessly dressed, faultlessly mannered, and with

the clear-cut features of the born aristocrat, stood in the room.

His age might lie anywhere between twenty-five and thirty-five, his eyes

were straight looking and clear, his fresh, clean-shaven face was

undeniably handsome, and, whatever his origin, whatever his history,

there was something about him, in look, in speech, in bearing, that

mutely stood sponsor for the thing called "birth."

"God bless my soul!" exclaimed Sir Horace, amazed and appalled to find

the reality so widely different from the image he had drawn. "What

monstrous juggle is this? Why, man alive, you're a gentleman! Who are

you? What's driven you to a dog's life like this?"

"A natural bent, perhaps; a supernatural gift, certainly, Sir Horace,"

he made reply. "Look here. Could any man resist the temptation to use it

when he was endowed by Nature with the power to do this?" His features

seemed to writhe and knot and assume in as many moments a dozen

different aspects. "I've had the knack of doing that since the hour I

could breathe. Could any man 'go straight' with a fateful gift like that

if the laws of Nature said that he should not?"

"And do they say that?"

"That's what I want you to tell me. That's why I have requested this

interview. I want you to examine me, Sir Horace, to put me through

those tests you use to determine the state of mind of the mentally fit

and mentally unfit. I want to know if it is my fault that I am what I

am, and if it is myself I have to fight in future or the devil that

lives within me. I'm tired of wallowing in the mire. A woman's eyes have

lit the way to heaven for me. I want to climb up to her, to win her, be

worthy of her, and to stand beside her in the light."

"Her? What 'her'?"

"That's my business, Mr. Narkom, and I'll take no man into my confidence

regarding that."

"Yes, my friend, but 'Margot'?"

"I'm done with her! We broke last night, when I returned, and she

learned---- Never mind what she learned! I'm done with her, done with

the lot of them. My life is changed forever."

"In the name of Heaven, man, who and what are you?"

"Cleek--just Cleek: let it go at that," he made reply. "Whether it's my

name or not is no man's business; who I am, what I am, whence I came, is

no man's business, either. Cleek will do, Cleek of the Forty Faces.

Never mind the past; my fight is with the future, and so---- Examine me,

Sir Horace, and let me know if I or Fate's to blame for what I am."

"Absolutely Fate," Sir Horace said, when, after a long examination, the

man put the question to him again. "It is the criminal brain fully

developed, horribly pronounced. God help you, my poor fellow; but a man

simply could not be other than a thief and a criminal with an organ like

that. There's no hope for you to escape your natural bent except by

death. You can't be honest. You can't rise. You never will rise: it's

useless to fight against it!"

"I will fight against it! I will rise! I will! I will! I will!" he cried

out vehemently. "There is a way to put such craft and cunning to

account; a way to fight the devil with his own weapons and crush him

under the weight of his own gifts, and that way I'll take!

"Mr. Narkom"--he whirled and walked toward the superintendent, his hand

outstretched, his eager face aglow--"Mr. Narkom, help me! Take me under

your wing. Give me a start, give me a chance, give me a lift on the way

up!"

"Good heaven, man, you--you don't mean----?"

"I do. I do. So help me Heaven, I do. All my life I've fought against

the law, now let me switch over and fight with it. I'm tired of being

Cleek, the thief; Cleek, the burglar. Make me Cleek, the detective, and

let us work together, hand in hand, for a common cause and for the

public good. Will you, Mr. Narkom? Will you?"

"Will I? Won't I!" said Narkom, springing forward and gripping his hand.

"Jove! what a detective you will make. Bully boy! Bully boy!"

"It's a compact, then?"

"It's a compact--Cleek."

"Thank you," he said in a choked voice. "You've given me my chance; now

watch me live up to it. The Vanishing Cracksman has vanished forever,

Mr. Narkom, and it's Cleek, the detective--Cleek of the Forty Faces from

this time on. Now, give me your riddles, I'll solve them one by one."

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