“You'll just stay where ye are, Salomy,” said her father decisively.

“This ain't no woman's work--though I ain't sayin' you haven't got more

head for it than some men I know.”

Nevertheless, that night, after her father had gone to bed, Salomy Jane

sat by the open window of the sitting-room in an apparent attitude of

languid contemplation, but alert and intent of eye and ear. It was a

fine moonlit night. Two pines near the door, solitary pickets of the

serried ranks of distant forest, cast long shadows like paths to the

cottage, and sighed their spiced breath in the windows. For there was no

frivolity of vine or flower round Salomy Jane's bower. The clearing was

too recent, the life too practical for vanities like these. But the moon

added a vague elusiveness to everything, softened the rigid outlines

of the sheds, gave shadows to the lidless windows, and touched with

merciful indirectness the hideous debris of refuse gravel and the gaunt

scars of burnt vegetation before the door. Even Salomy Jane was affected

by it, and exhaled something between a sigh and a yawn with the breath

of the pines. Then she suddenly sat upright.

Her quick ear had caught a faint “click, click,” in the direction of the

wood; her quicker instinct and rustic training enabled her to determine

that it was the ring of a horse's shoe on flinty ground; her knowledge

of the locality told her it came from the spot where the trail passed

over an outcrop of flint scarcely a quarter of a mile from where she

sat, and within the clearing. It was no errant “stock,” for the foot was

shod with iron; it was a mounted trespasser by night, and boded no good

to a man like Clay.

She rose, threw her shawl over her head, more for disguise than shelter,

and passed out of the door. A sudden impulse made her seize her father's

shotgun from the corner where it stood,--not that she feared any danger

to herself, but that it was an excuse. She made directly for the wood,

keeping in the shadow of the pines as long as she could. At the fringe

she halted; whoever was there must pass her before reaching the house.

Then there seemed to be a suspense of all nature. Everything was deadly

still--even the moonbeams appeared no longer tremulous; soon there was a

rustle as of some stealthy animal among the ferns, and then a dismounted

man stepped into the moonlight. It was the horse-thief--the man she had

kissed!

For a wild moment a strange fancy seized her usually sane intellect and

stirred her temperate blood. The news they had told her was NOT true;

he had been hung, and this was his ghost! He looked as white and

spirit-like in the moonlight, dressed in the same clothes, as when she

saw him last. He had evidently seen her approaching, and moved quickly

to meet her. But in his haste he stumbled slightly; she reflected

suddenly that ghosts did not stumble, and a feeling of relief came

over her. And it was no assassin of her father that had been prowling

around--only this unhappy fugitive. A momentary color came into her

cheek; her coolness and hardihood returned; it was with a tinge of

sauciness in her voice that she said:--

“I reckoned you were a ghost.”

“I mout have been,” he said, looking at her fixedly; “but I reckon I'd

have come back here all the same.”

“It's a little riskier comin' back alive,” she said, with a levity

that died on her lips, for a singular nervousness, half fear and half

expectation, was beginning to take the place of her relief of a moment

ago. “Then it was YOU who was prowlin' round and makin' tracks in the

far pasture?”

“Yes; I came straight here when I got away.”

She felt his eyes were burning her, but did not dare to raise her own.

“Why,” she began, hesitated, and ended vaguely. “HOW did you get here?”

“You helped me!”

“I?”

“Yes. That kiss you gave me put life into me--gave me strength to get

away. I swore to myself I'd come back and thank you, alive or dead.”

Every word he said she could have anticipated, so plain the situation

seemed to her now. And every word he said she knew was the truth. Yet

her cool common sense struggled against it.

“What's the use of your escaping, ef you're comin' back here to be

ketched again?” she said pertly.

He drew a little nearer to her, but seemed to her the more awkward as

she resumed her self-possession. His voice, too, was broken, as if by

exhaustion, as he said, catching his breath at intervals:--

“I'll tell you. You did more for me than you think. You made another man

o' me. I never had a man, woman, or child do to me what you did. I never

had a friend--only a pal like Red Pete, who picked me up 'on shares.'

I want to quit this yer--what I'm doin'. I want to begin by doin' the

square thing to you”--He stopped, breathed hard, and then said brokenly,

“My hoss is over thar, staked out. I want to give him to you. Judge

Boompointer will give you a thousand dollars for him. I ain't lyin';

it's God's truth! I saw it on the handbill agin a tree. Take him, and

I'll get away afoot. Take him. It's the only thing I can do for you, and

I know it don't half pay for what you did. Take it; your father can get

a reward for you, if you can't.”

Such were the ethics of this strange locality that neither the man who

made the offer nor the girl to whom it was made was struck by anything

that seemed illogical or indelicate, or at all inconsistent with

justice or the horse-thief's real conversion. Salomy Jane nevertheless

dissented, from another and weaker reason.

“I don't want your hoss, though I reckon dad might; but you're just

starvin'. I'll get suthin'.” She turned towards the house.

“Say you'll take the hoss first,” he said, grasping her hand. At the

touch she felt herself coloring and struggled, expecting perhaps another

kiss. But he dropped her hand. She turned again with a saucy gesture,

said, “Hol' on; I'll come right back,” and slipped away, the mere shadow

of a coy and flying nymph in the moonlight, until she reached the house.

Here she not only procured food and whiskey, but added a long dust-coat

and hat of her father's to her burden. They would serve as a disguise

for him and hide that heroic figure, which she thought everybody must

now know as she did. Then she rejoined him breathlessly. But he put the

food and whiskey aside.

“Listen,” he said; “I've turned the hoss into your corral. You'll find

him there in the morning, and no one will know but that he got lost and

joined the other hosses.”

Then she burst out. “But you--YOU--what will become of you? You'll be

ketched!”

“I'll manage to get away,” he said in a low voice, “ef--ef”--

“Ef what?” she said tremblingly. “Ef you'll put the heart in me

again,--as you did!” he gasped.

She tried to laugh--to move away. She could do neither. Suddenly he

caught her in his arms, with a long kiss, which she returned again and

again. Then they stood embraced as they had embraced two days before,

but no longer the same. For the cool, lazy Salomy Jane had been

transformed into another woman--a passionate, clinging savage. Perhaps

something of her father's blood had surged within her at that supreme

moment. The man stood erect and determined.

“Wot's your name?” she whispered quickly. It was a woman's quickest way

of defining her feelings.

“Dart.”

“Yer first name?”

“Jack.”

“Let me go now, Jack. Lie low in the woods till to-morrow sunup. I'll

come again.”

He released her. Yet she lingered a moment. “Put on those things,” she

said, with a sudden happy flash of eyes and teeth, “and lie close till I

come.” And then she sped away home.

But midway up the distance she felt her feet going slower, and something

at her heartstrings seemed to be pulling her back. She stopped, turned,

and glanced to where he had been standing. Had she seen him then, she

might have returned. But he had disappeared. She gave her first sigh,

and then ran quickly again. It must be nearly ten o'clock! It was not

very long to morning!

She was within a few steps of her own door, when the sleeping woods and

silent air appeared to suddenly awake with a sharp “crack!”

She stopped, paralyzed. Another “crack!” followed, that echoed over to

the far corral. She recalled herself instantly and dashed off wildly to

the woods again.

As she ran she thought of one thing only. He had been “dogged” by one

of his old pursuers and attacked. But there were two shots, and he was

unarmed. Suddenly she remembered that she had left her father's gun

standing against the tree where they were talking. Thank God! she may

again have saved him. She ran to the tree; the gun was gone. She ran

hither and thither, dreading at every step to fall upon his lifeless

body. A new thought struck her; she ran to the corral. The horse was not

there! He must have been able to regain it, and escaped, AFTER the shots

had been fired. She drew a long breath of relief, but it was caught up

in an apprehension of alarm. Her father, awakened from his sleep by the

shots, was hurriedly approaching her.

“What's up now, Salomy Jane?” he demanded excitedly.

“Nothin',” said the girl with an effort. “Nothin', at least, that I can

find.” She was usually truthful because fearless, and a lie stuck in her

throat; but she was no longer fearless, thinking of HIM. “I wasn't abed;

so I ran out as soon as I heard the shots fired,” she answered in return

to his curious gaze.

“And you've hid my gun somewhere where it can't be found,” he said

reproachfully. “Ef it was that sneak Larrabee, and he fired them shots

to lure me out, he might have potted me, without a show, a dozen times

in the last five minutes.”

She had not thought since of her father's enemy! It might indeed

have been he who had attacked Jack. But she made a quick point of the

suggestion. “Run in, dad, run in and find the gun; you've got no show

out here without it.” She seized him by the shoulders from behind,

shielding him from the woods, and hurried him, half expostulating, half

struggling, to the house.

But there no gun was to be found. It was strange; it must have been

mislaid in some corner! Was he sure he had not left it in the barn? But

no matter now. The danger was over; the Larrabee trick had failed;

he must go to bed now, and in the morning they would make a search

together. At the same time she had inwardly resolved to rise before him

and make another search of the wood, and perhaps--fearful joy as she

recalled her promise!--find Jack alive and well, awaiting her!

Salomy Jane slept little that night, nor did her father. But towards

morning he fell into a tired man's slumber until the sun was well up the

horizon. Far different was it with his daughter: she lay with her face

to the window, her head half lifted to catch every sound, from the

creaking of the sun-warped shingles above her head to the far-off

moan of the rising wind in the pine trees. Sometimes she fell into a

breathless, half-ecstatic trance, living over every moment of the stolen

interview; feeling the fugitive's arm still around her, his kisses on

her lips; hearing his whispered voice in her ears--the birth of her new

life! This was followed again by a period of agonizing dread--that he

might even then be lying, his life ebbing away, in the woods, with her

name on his lips, and she resting here inactive, until she half started

from her bed to go to his succor. And this went on until a pale opal

glow came into the sky, followed by a still paler pink on the summit of

the white Sierras, when she rose and hurriedly began to dress. Still so

sanguine was her hope of meeting him, that she lingered yet a moment to

select the brown holland skirt and yellow sunbonnet she had worn when

she first saw him. And she had only seen him twice! Only TWICE! It would

be cruel, too cruel, not to see him again!

She crept softly down the stairs, listening to the long-drawn breathing

of her father in his bedroom, and then, by the light of a guttering

candle, scrawled a note to him, begging him not to trust himself out of

the house until she returned from her search, and leaving the note open

on the table, swiftly ran out into the growing day.

Three hours afterwards Mr. Madison Clay awoke to the sound of loud

knocking. At first this forced itself upon his consciousness as his

daughter's regular morning summons, and was responded to by a grunt of

recognition and a nestling closer in the blankets. Then he awoke with a

start and a muttered oath, remembering the events of last night, and his

intention to get up early, and rolled out of bed. Becoming aware by this

time that the knocking was at the outer door, and hearing the shout of

a familiar voice, he hastily pulled on his boots, his jean trousers,

and fastening a single suspender over his shoulder as he clattered

downstairs, stood in the lower room. The door was open, and waiting

upon the threshold was his kinsman, an old ally in many a

blood-feud--Breckenridge Clay!

“You ARE a cool one, Mad!” said the latter in half-admiring indignation.

“What's up?” said the bewildered Madison.

“YOU ought to be, and scootin' out o' this,” said Breckenridge grimly.

“It's all very well to 'know nothin';' but here Phil Larrabee's friends

hev just picked him up, drilled through with slugs and deader nor a

crow, and now they're lettin' loose Larrabee's two half-brothers on you.

And you must go like a derned fool and leave these yer things behind you

in the bresh,” he went on querulously, lifting Madison Clay's dust-coat,

hat, and shotgun from his horse, which stood saddled at the door.

“Luckily I picked them up in the woods comin' here. Ye ain't got more

than time to get over the state line and among your folks thar afore

they'll be down on you. Hustle, old man! What are you gawkin' and

starin' at?”

Madison Clay had stared amazed and bewildered--horror-stricken.

The incidents of the past night for the first time flashed upon him

clearly--hopelessly! The shot; his finding Salomy Jane alone in

the woods; her confusion and anxiety to rid herself of him; the

disappearance of the shotgun; and now this new discovery of the taking

of his hat and coat for a disguise! SHE had killed Phil Larrabee in that

disguise, after provoking his first harmless shot! She, his own child,

Salomy Jane, had disgraced herself by a man's crime; had disgraced him

by usurping his right, and taking a mean advantage, by deceit, of a foe!

“Gimme that gun,” he said hoarsely.

Breckenridge handed him the gun in wonder and slowly gathering

suspicion. Madison examined nipple and muzzle; one barrel had been

discharged. It was true! The gun dropped from his hand.

“Look here, old man,” said Breckenridge, with a darkening face, “there's

bin no foul play here. Thar's bin no hiring of men, no deputy to do this

job. YOU did it fair and square--yourself?”

“Yes, by God!” burst out Madison Clay in a hoarse voice. “Who says I

didn't?”

Reassured, yet believing that Madison Clay had nerved himself for

the act by an over-draught of whiskey, which had affected his memory,

Breckenridge said curtly, “Then wake up and 'lite' out, ef ye want me to

stand by you.”

“Go to the corral and pick me out a hoss,” said Madison slowly, yet not

without a certain dignity of manner. “I've suthin' to say to Salomy

Jane afore I go.” He was holding her scribbled note, which he had just

discovered, in his shaking hand.

Struck by his kinsman's manner, and knowing the dependent relations

of father and daughter, Breckenridge nodded and hurried away. Left to

himself, Madison Clay ran his fingers through his hair, and straightened

out the paper on which Salomy Jane had scrawled her note, turned it

over, and wrote on the back:--

You might have told me you did it, and not leave your ole father to

find it out how you disgraced yourself and him, too, by a low-down,

underhanded, woman's trick! I've said I done it, and took the blame

myself, and all the sneakiness of it that folks suspect. If I get away

alive--and I don't care much which--you needn't foller. The house and

stock are yours; but you ain't any longer the daughter of your disgraced

father,

MADISON CLAY.

He had scarcely finished the note when, with a clatter of hoofs and a

led horse, Breckenridge reappeared at the door elate and triumphant.

“You're in nigger luck, Mad! I found that stole hoss of Judge

Boompointer's had got away and strayed among your stock in the corral.

Take him and you're safe; he can't be outrun this side of the state

line.”

“I ain't no hoss-thief,” said Madison grimly.

“Nobody sez ye are, but you'd be wuss--a fool--ef you didn't take him.

I'm testimony that you found him among your hosses; I'll tell Judge

Boompointer you've got him, and ye kin send him back when you're safe.

The judge will be mighty glad to get him back, and call it quits. So ef

you've writ to Salomy Jane, come.”

Madison Clay no longer hesitated. Salomy Jane might return at any

moment,--it would be part of her “fool womanishness,”--and he was in

no mood to see her before a third party. He laid the note on the table,

gave a hurried glance around the house, which he grimly believed he was

leaving forever, and, striding to the door, leaped on the stolen horse,

and swept away with his kinsman.

But that note lay for a week undisturbed on the table in full view of

the open door. The house was invaded by leaves, pine cones, birds,

and squirrels during the hot, silent, empty days, and at night by shy,

stealthy creatures, but never again, day or night, by any of the Clay

family. It was known in the district that Clay had flown across the

state line, his daughter was believed to have joined him the next day,

and the house was supposed to be locked up. It lay off the main road,

and few passed that way. The starving cattle in the corral at last broke

bounds and spread over the woods. And one night a stronger blast than

usual swept through the house, carried the note from the table to the

floor, where, whirled into a crack in the flooring, it slowly rotted.

But though the sting of her father's reproach was spared her, Salomy

Jane had no need of the letter to know what had happened. For as she

entered the woods in the dim light of that morning she saw the figure of

Dart gliding from the shadow of a pine towards her. The unaffected cry

of joy that rose from her lips died there as she caught sight of his

face in the open light.

“You are hurt,” she said, clutching his arm passionately.

“No,” he said. “But I wouldn't mind that if”--

“You're thinkin' I was afeard to come back last night when I heard the

shootin', but I DID come,” she went on feverishly. “I ran back here when

I heard the two shots, but you were gone. I went to the corral, but your

hoss wasn't there, and I thought you'd got away.”

“I DID get away,” said Dart gloomily. “I killed the man, thinkin' he

was huntin' ME, and forgettin' I was disguised. He thought I was your

father.”

“Yes,” said the girl joyfully, “he was after dad, and YOU--you killed

him.” She again caught his hand admiringly.

But he did not respond. Possibly there were points of honor which this

horse-thief felt vaguely with her father. “Listen,” he said grimly.

“Others think it was your father killed him. When I did it--for he fired

at me first--I ran to the corral again and took my hoss, thinkin' I

might be follered. I made a clear circuit of the house, and when I found

he was the only one, and no one was follerin', I come back here and took

off my disguise. Then I heard his friends find him in the wood, and I

know they suspected your father. And then another man come through the

woods while I was hidin' and found the clothes and took them away.” He

stopped and stared at her gloomily.

But all this was unintelligible to the girl. “Dad would have got

the better of him ef you hadn't,” she said eagerly, “so what's the

difference?”

“All the same,” he said gloomily, “I must take his place.”

She did not understand, but turned her head to her master. “Then you'll

go back with me and tell him ALL?” she said obediently.

“Yes,” he said.

She put her hand in his, and they crept out of the wood together. She

foresaw a thousand difficulties, but, chiefest of all, that he did not

love as she did. SHE would not have taken these risks against their

happiness.

But alas for ethics and heroism. As they were issuing from the wood

they heard the sound of galloping hoofs, and had barely time to

hide themselves before Madison Clay, on the stolen horse of Judge

Boompointer, swept past them with his kinsman.

Salomy Jane turned to her lover.

*****

And here I might, as a moral romancer, pause, leaving the guilty,

passionate girl eloped with her disreputable lover, destined to lifelong

shame and misery, misunderstood to the last by a criminal, fastidious

parent. But I am confronted by certain facts, on which this romance is

based. A month later a handbill was posted on one of the sentinel pines,

announcing that the property would be sold by auction to the highest

bidder by Mrs. John Dart, daughter of Madison Clay, Esq., and it was

sold accordingly. Still later--by ten years--the chronicler of these

pages visited a certain “stock” or “breeding farm,” in the “Blue Grass

Country,” famous for the popular racers it has produced. He was told

that the owner was the “best judge of horse-flesh in the country.”

“Small wonder,” added his informant, “for they say as a young man out in

California he was a horse-thief, and only saved himself by eloping with

some rich farmer's daughter. But he's a straight-out and respectable man

now, whose word about horses can't be bought; and as for his wife, she's

a beauty! To see her at the 'Springs,' rigged out in the latest fashion,

you'd never think she had ever lived out of New York or wasn't the wife

of one of its millionaires.”

THE MAN AND THE MOUNTAIN

He was such a large, strong man that, when he first set foot in the

little parallelogram I called my garden, it seemed to shrink to half its

size and become preposterous. But I noticed at the same time that he was

holding in the open palm of his huge hand the roots of a violet, with

such infinite tenderness and delicacy that I would have engaged him as

my gardener on the spot. But this could not be, as he was already the

proud proprietor of a market-garden and nursery on the outskirts of the

suburban Californian town where I lived. He would, however, come for two

days in the week, stock and look after my garden, and impart to my

urban intellect such horticultural hints as were necessary. His name was

“Rutli,” which I presumed to be German, but which my neighbors rendered

as “Rootleigh,” possibly from some vague connection with his occupation.

His own knowledge of English was oral and phonetic. I have a delightful

recollection of a bill of his in which I was charged for “fioletz,” with

the vague addition of “maine cains.” Subsequent explanation proved it to

be “many kinds.”

Nevertheless, my little garden bourgeoned and blossomed under his

large, protecting hand. I became accustomed to walk around his feet

respectfully when they blocked the tiny paths, and to expect the total

eclipse of that garden-bed on which he worked, by his huge bulk. For the

tiniest and most reluctant rootlet seemed to respond to his caressing

paternal touch; it was a pretty sight to see his huge fingers tying up

some slender stalk to its stick with the smallest thread, and he had

a reverent way of laying a bulb or seed in the ground, and then gently

shaping and smoothing a small mound over it, which made the little

inscription on the stick above more like an affecting epitaph than

ever. Much of this gentleness may have been that apology for his great

strength, common with large men; but his face was distinctly amiable,

and his very light blue eyes were at times wistful and doglike in their

kindliness. I was soon to learn, however, that placability was not

entirely his nature.

Stories in Light and Shadow · 第 9 / 13 段