7. Practice harmoniously.

We should exercise all parts of the body in a similar way. If we

exercise, for example, the action of the feet it is well also to

practice rotary action of the arms, or at any rate, of the head.

We should see to it that when we practice one part of the body the

corresponding part of the body should be equally exercised. We should

not give more exercise to one side or part, except when there are

congested conditions. We should not give much more to the arms than to

the legs unless we have to walk a great deal.

8. Practice in such a way that every movement affects the central parts

of the body.

Hence the program takes first the expansion of the chest and breathing

and chuckling, also the transverse action of the torso. We should be

cautious about performing violent exercises with the arms, or even with

the feet, without simultaneous expansion of the torso because this is a

central action which is conditional to all proper action of the limbs.

Contraction of the torso while working upon the limbs may draw vitality

from the vital organs.

Gymnasts, as a class, die early because they are always performing

feats. Other dangers are found in the gymnasium, such as practicing

exercises perfunctorily, using quick jerks and too heavy and labored

movements which affect only the heavy muscles. The absence of rhythm and

co-ordination, the presence of too antagonistic movements, the desire to

make a show, too much work upon the superficial muscles are also

frequent faults.

Another reason for the beginning of the day's exercise with joy is the

fact that the positive emotions affect a man in the centre of his body.

They are all expressed by sympathy and right expansion of the torso.

This is not only central in expression, it is also central in training.

The muscles affecting the more central organs should in every exercise

in some sense cause co-ordinate actions in various parts. The expansive

action of the chest is one of the chief exercises because it not only

frees the vital organs but co-ordinates the normal actions of a man in

standing and walking.

Observe that harmony demands that all parts be equally exercised, but

unity demands that we begin our exercises at the center. The organic

centrality of the whole body is of first importance.

We should not only feel expansion of the chest in all exercises, but we

should begin with exercises for the torso rather than with exercises

for the limbs. We want to reach the deepest vital organs as a part of

all exercises.

Sometimes a man goes into a gymnasium and works for the muscles of the

arm, for example, while the muscles of his chest and around his stomach

and diaphragm are weak. In this case the central muscles may grow

weaker. Exercises, not properly centred, will decrease harmony.

I have found many people with lack of support of the voice and weakness

of the diaphragm and the muscles relating to the retention of breath,

but I have found very strong muscles in the arms, while the muscles in

the center of the body were surprisingly weak.

In following "external measurements" too much attention is often given

to the muscles of the limbs that can be measured. It is easy to discover

the fact that the lower limbs have more muscular development than the

arms, but this is of little consequence compared with the weakness of

internal and hidden muscles like the diaphragm.

It cannot be too often emphasized that an organism necessarily is one.

The parts sympathize with each other, and the higher the organism the

more is this true. The voice expresses the whole being and body, and it

not only calls for great activity of the central muscles, such as the

diaphragm, but every part of the body seems to share in voice

conditions.

A human being with his legs cut off can never sing or speak as well as

he could before he lost them.

9. As far as possible, always feel in all the muscles a sympathetic

action with certain opposite parts that support or naturally co-operate

with these.

Specific exercises must be directed to central and harmonious effects.

For example, expanding the chest and extending the balls of the feet

downward as far as possible co-ordinates the parts that are used in

standing, though in a different way. It gives extension to the parts;

and to extend muscles is often the best way to bring activity into them.

Formerly a horse was fed in a high trough in order to make him hold his

head high, but no horse carries his head so high or has such a beautiful

arch to the neck as the wild horse, that feeds on the ground.

Weak muscles may often be improved by giving them extension. This

eliminates constrictions and brings more rhythm or balanced activity in

opposition to other muscles or in union with them.

The co-ordination must be felt. When there are co-ordinations there will

be a sense of satisfaction in the vital organs. The exercises will not

weary. They will not be a strain or tax the strength. They accumulate

vitality rather than waste it.

Co-ordination must especially be studied and used consciously and

deliberatively with reference to the chest. In the start of every

exercise there should be, as has been said before, something of an

increase of activity in the chest and the breath.

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