FOREWORD

The autobiographical information about Mr. Clark Field, which appears at

the end of this brochure, briefly tells the inspiring story of well over

four decades of dedication to—and sincere belief in—the American Indian

as a creative artist. The results of these many years of collecting

Indian baskets (and pottery) are on permanent display at Philbrook Art

Center, in the Clark Field Collection; in addition, many other specimens

are in storage and available to the scholar in the study collection.

This brochure is not intended as a catalogue of all of the baskets in

the Clark Field Collection, which includes more than a thousand

specimens. Rather, it serves as an introduction to Indian basketry and

tells the story of how baskets were made and used. About 90 of the more

important baskets are illustrated, including the most famous American

Indian basket, woven by Dotsolalee reproduced in color on the cover.

Mr. Field has combined his enthusiasm for the art of Indian basketry

with a high degree of scientific scholarship. He has kept careful

records, which will become increasingly valuable as old specimens become

even more rare and this Indian skill gradually dies out in this modern

world. His daughter, Dorothy Field Maxwell, has assisted Mr. and Mrs.

Field in their collection and with the preparation of this brochure.

Mrs. Jeanne Snodgrass, Curator of Indian Art at Philbrook, has also

assisted with the brochure in an editorial capacity.

Mr. Field has performed an invaluable service to humanity in his long

dedication to the preservation of this most important facet of the

original Americans, and Philbrook Art Center will be, for countless

generations, a mecca for those who wish to enjoy this fascinating

utilitarian, yet esthetically meaningful art form.

Donald G. Humphrey

Director

Philbrook Art Center

_Clark Field_

The Art and the Romance of Indian Basketry Clark Field Collection, Philbrook Art Center, Tulsa, 1964 · 第 1 / 47 题