"My sister was about to finish with the creature when a new idea took

her, and she said, looking at It as before:--'Of all thy crimes which

one is the worst? Speak, I command thee!'

"Then the fiend told how once It had killed every soul in a house of

holy women and buried the bodies in a cellar under a heavy door.

"Where was the house?'

"'At No. 19 Rue Picpus, next to the old graveyard.'

"'And when was this?'

"Here the fiend seemed to break into fierce rebellion, writhing on the

floor with hideous contortions, and pouring forth words that meant

nothing to me, but seemed to reach my sister's understanding, for she

interrupted from time to time, with quick, stern words that finally

brought It to subjection.

"'Enough,' she said, 'I know all,' and then she spoke some words again,

her eyes fixed as before, and the reverse change came. Before us stood

once more the honest-looking, fine-appearing gentleman, Richard Burwell,

of New York.

"'Excuse me, madame,' he said, awkwardly, but with deference; 'I must

have dosed a little. I am not myself to-night.'

"'No,' said my sister, 'you have not been yourself to-night.'

"A little later I accompanied the man to the Continental Hotel, where he

was stopping, and, returning to my sister, I talked with her until late

into the night. I was alarmed to see that she was wrought to a nervous

tension that augured ill for her health. I urged her to sleep, but she

would not.

"'No,' she said, 'think of the awful responsibility that rests upon me.'

And then she went on with her strange theories and explanations, of

which I understood only that here was a power for evil more terrible

than a pestilence, menacing all humanity.

"'Once in many cycles it happens,' she said, 'that a _kulos_-soul pushes

itself within the body of a new-born child, when the pure soul waiting

to enter is delayed. Then the two live together through that life, and

this hideous principle of evil has a chance upon the earth. It is my

will, as I feel it my duty, to see this poor man again. The chances are

that he will never know us, for the shock of this night to his normal

soul is so great as to wipe out memory.'

"The next evening, about the same hour, my sister insisted that I should

go with her to the _Folies Bergere_, a concert garden, none too well

frequented, and when I remonstrated, she said: 'I must go,--It is

there,' and the words sent a shiver through me.

"We drove to this place, and passing into the garden, presently

discovered Richard Burwell seated at a little table, enjoying the scene

of pleasure, which was plainly new to him. My sister hesitated a moment

what to do, and then, leaving my arm, she advanced to the table and

dropped before Burwell's eyes the card she had prepared. A moment later,

with a look of pity on her beautiful face, she rejoined me and we went

away. It was plain he did not know us."

To so much of the savant's strange recital I had listened with absorbed

interest, though without a word, but now I burst in with questions.

"What was your sister's idea in giving Burwell the card?" I asked.

"It was in the hope that she might make the man understand his terrible

condition, that is, teach the pure soul to know its loathsome

companion."

"And did her effort succeed?"

"Alas! it did not; my sister's purpose was defeated by the man's

inability to see the pictures that were plain to every other eye. It is

impossible for the _kulos_-man to know his own degradation."

"And yet this man has for years been leading a most exemplary life?"

My visitor shook his head. "I grant you there has been improvement, due

largely to experiments I have conducted upon him according to my

sister's wishes. But the fiend soul was never driven out. It grieves me

to tell you, doctor, that not only was this man the Water Street

assassin, but he was the mysterious murderer, the long-sought-for

mutilator of women, whose red crimes have baffled the police of Europe

and America for the past ten years."

"You know this," said I, starting up, "and yet did not denounce him?"

"It would have been impossible to prove such a charge, and besides, I

had made oath to my sister that I would use the man only for these

soul-experiments. What are his crimes compared with the great secret of

knowledge I am now able to give the world?"

"A secret of knowledge?"

"Yes," said the savant, with intense earnestness, "I may tell you now,

doctor, what the whole world will know, ere long, that it is possible to

compel every living person to reveal the innermost secrets of his or her

life, so long as memory remains, for memory is only the power of

producing in the brain material pictures that may be projected

externally by the thought rays and made to impress themselves upon the

photographic plate, precisely as ordinary pictures do."

"You mean," I exclaimed, "that you can photograph the two principles of

good and evil that exist in us?"

"Exactly that. The great truth of a dual soul existence, that was dimly

apprehended by one of your Western novelists, has been demonstrated by

me in the laboratory with my camera. It is my purpose, at the proper

time, to entrust this precious knowledge to a chosen few who will

perpetuate it and use it worthily."

"Wonderful, wonderful!" I cried, "and now tell me, if you will, about

the house on the Rue Picpus. Did you ever visit the place?"

"We did, and found that no buildings had stood there for fifty years, so

we did not pursue the search."[1]

[Footnote 1: Years later, some workmen in Paris, making excavations in

the Rue Picpus, came upon a heavy door buried under a mass of debris,

under an old cemetery. On lifting the door they found a vault-like

chamber in which were a number of female skeletons, and graven on the

walls were blasphemous words written in French, which experts declared

dated from fully two hundred years before. They also declared this

handwriting identical with that found on the door at the Water Street

murder in New York. Thus we may deduce a theory of fiend reincarnation;

for it would seem clear, almost to the point of demonstration, that this

murder of the seventeenth century was the work of the same evil soul

that killed the poor woman on Water Street towards the end of the

nineteenth century.]

"And the writing on the card, have you any memory of it, for Burwell

told me that the words have faded?"

"I have something better than that; I have a photograph of both card and

writing, which my sister was careful to take. I had a notion that the

ink in my pocket pen would fade, for it was a poor affair. This

photograph I will bring you to-morrow."

"Bring it to Burwell's house," I said.

* * * * *

The next morning the stranger called as agreed upon.

"Here is the photograph of the card," he said.

"And here is the original card," I answered, breaking the seal of the

envelope I had taken from Burwell's iron box. "I have waited for your

arrival to look at it. Yes, the writing has indeed vanished; the card

seems quite blank."

"Not when you hold it this way," said the stranger, and as he tipped the

card I saw such a horrid revelation as I can never forget. In an instant

I realized how the shock of seeing that card had been too great for the

soul of wife or friend to bear. In these pictures was the secret of a

cursed life. The resemblance to Burwell was unmistakable, the proof

against him was overwhelming. In looking upon that piece of pasteboard

the wife had seen a crime which the mother could never forgive, the

partner had seen a crime which the friend could never forgive. Think of

a loved face suddenly melting before your eyes into a grinning skull,

then into a mass of putrefaction, then into the ugliest fiend of hell,

leering at you, distorted with all the marks of vice and shame. That is

what I saw, that is what they had seen!

"Let us lay these two cards in the coffin," said my companion

impressively, "we have done what we could."

Eager to be rid of the hateful piece of pasteboard (for who could say

that the curse was not still clinging about it?), I took the strange

man's arm, and together we advanced into the adjoining room where the

body lay. I had seen Burwell as he breathed his last, and knew that

there had been a peaceful look on his face as he died. But now, as we

laid the two white cards on the still, breast, the savant suddenly

touched my arm, and pointing to the dead man's face, now frightfully

distorted, whispered:--"See, even in death It followed him. Let us close

the coffin quickly."

THE GREAT VALDEZ SAPPHIRE

(ANONYMOUS)

I know more about it than anyone else in the world, its present owner

not excepted. I can give its whole history, from the Cingalese who found

it, the Spanish adventurer who stole it, the cardinal who bought it, the

Pope who graciously accepted it, the favoured son of the Church who

received it, the gay and giddy duchess who pawned it, down to the

eminent prelate who now holds it in trust as a family heirloom.

It will occupy a chapter to itself in my forthcoming work on "Historic

Stones," where full details of its weight, size, colour, and value may

be found. At present I am going to relate an incident in its history

which, for obvious reasons, will not be published--which, in fact, I

trust the reader will consider related in strict confidence.

I had never seen the stone itself when I began to write about it, and it

was not till one evening last spring, while staying with my nephew, Sir

Thomas Acton, that I came within measurable distance of it. A dinner

party was impending, and, at my instigation, the Bishop of Northchurch

and Miss Panton, his daughter and heiress, were among the invited

guests.

The dinner was a particularly good one, I remember that distinctly. In

fact, I felt myself partly responsible for it, having engaged the new

cook--a talented young Italian, pupil of the admirable old _chef_ at my

club. We had gone over the _menu_ carefully together, with a result

refreshing in its novelty, but not so daring as to disturb the minds of

the innocent country guests who were bidden thereto.

The first spoonful of soup was reassuring, and I looked to the end of

the table to exchange a congratulatory glance with Leta. What was amiss?

No response. Her pretty face was flushed, her smile constrained, she was

talking with quite unnecessary _empressement_ to her neighbour, Sir

Harry Landor, though Leta is one of those few women who understand the

importance of letting a man settle down tranquilly and with an

undisturbed mind to the business of dining, allowing no topic of serious

interest to come on before the _releves_, and reserving mere

conversational brilliancy for the _entremets_.

Guests all right? No disappointments? I had gone through the list with

her, selecting just the right people to be asked to meet the Landors,

our new neighbours. Not a mere cumbrous county gathering, nor yet a

showy imported party from town, but a skillful blending of both. Had

anything happened already? I had been late for dinner and missed the

arrivals in the drawing-room. It was Leta's fault. She has got into a

way of coming into my room and putting the last touches to my toilet. I

let her, for I am doubtful of myself nowadays after many years'

dependence on the best of valets. Her taste is generally beyond dispute,

but to-day she had indulged in a feminine vagary that provoked me and

made me late for dinner.

"Are you going to wear your sapphire, Uncle Paul!" she cried in a tone

of dismay. "Oh, why not the ruby?"

"You _would_ have your way about the table decorations," I gently

reminded her. "With that service of Crown Derby _repousse_ and orchids,

the ruby would look absolutely barbaric. Now if you would have had the

Limoges set, white candles, and a yellow silk centre--"

"Oh, but--I'm _so_ disappointed--I wanted the bishop to see your

ruby--or one of your engraved gems--"

"My dear, it is on the bishop's account I put this on. You know his

daughter is heiress of the great Valdez sapphire--"

"Of course she is, and when he has the charge of a stone three times as

big as yours, what's the use of wearing it? The ruby, dear Uncle Paul,

_please_!"

She was desperately in earnest I could see, and considering the

obligations which I am supposed to be under to her and Tom, it was but a

little matter to yield, but it involved a good deal of extra trouble.

Studs, sleeve-links, watch-guard, all carefully selected to go with the

sapphire, had to be changed, the emerald which I chose as a compromise

requiring more florid accompaniments of a deeper tone of gold; and the

dinner hour struck as I replaced my jewel case, the one relic left me of

a once handsome fortune, in my fireproof safe.

The emerald looked very well that evening, however. I kept my eyes upon

it for comfort when Miss Panton proved trying.

She was a lean, yellow, dictatorial young person with no conversation. I

spoke of her father's celebrated sapphires. "_My_ sapphires," she

amended sourly; "though I am legally debarred from making any profitable

use of them." She furthermore informed me that she viewed them as

useless gauds, which ought to be disposed of for the benefit of the

heathen. I gave the subject up, and while she discoursed of the work of

the Blue Ribbon Army among the Bosjesmans I tried to understand a

certain dislocation in the arrangement of the table. Surely we were more

or less in number than we should be? Opposite side all right. Who was

extra on ours? I leaned forward. Lady Landor on one side of Tom, on the

other who? I caught glimpses of plumes pink and green nodding over a

dinner plate, and beneath them a pink nose in a green visage with a

nutcracker chin altogether unknown to me. A sharp gray eye shot a

sideway glance down the table and caught me peeping, and I retreated,

having only marked in addition two clawlike hands, with pointed ruffles

and a mass of brilliant rings, making good play with a knife and fork.

Who was she? At intervals a high acid voice could be heard addressing

Tom, and a laugh that made me shudder; it had the quality of the scream

of a bird of prey or the yell of a jackal. I had heard that sort of

laugh before, and it always made me feel like a defenseless rabbit.

Every time it sounded I saw Leta's fan flutter more furiously and her

manner grow more nervously animated. Poor dear girl! I never in all my

recollection wished a dinner at an end so earnestly so as to assure her

of my support and sympathy, though without the faintest conception why

either should be required.

The ices at last. A _menu_ card folded in two was laid beside me. I read

it unobserved. "Keep the B. from joining us in the drawing-room." The

B.--? The bishop, of course. With pleasure. But why? And how? _That's_

the question, never mind "why." Could I lure him into the library--the

billiard room--the conservatory? I doubted it, and I doubted still more

what I should do with him when I got him there.

The bishop is a grand and stately ecclesiastic of the mediaeval type,

broad-chested, deep-voiced, martial of bearing. I could picture him

charging mace in hand at the head of his vassals, or delivering over a

dissenter of the period to the rack and thumb-screw, but not pottering

among rare editions, tall copies and Grolier bindings, nor condescending

to a quiet cigar among the tree ferns and orchids. Leta must and should

be obeyed, I swore, nevertheless, even if I were driven to lock the door

in the fearless old fashion of a bygone day, and declare I'd shoot any

man who left while a drop remained in the bottles.

The ladies were rising. The lady at the head of the line smirked and

nodded her pink plumes coquettishly at Tom, while her hawk's eyes roved

keen and predatory over us all. She stopped suddenly, creating a block

and confusion.

"Ah, the dear bishop! _You_ there, and I never saw you! You must come

and have a nice long chat presently. By-by--!" She shook her fan at him

over my shoulder and tripped on. Leta, passing me last, gave me a look

of profound despair.

"Lady Carwitchet!" somebody exclaimed. "I couldn't believe my eyes."

"Thought she was dead or in penal servitude. Never should have expected

to see her _here_," said someone else behind me confidentially.

"What Carwitchet? Not the mother of the Carwitchet who--"

"Just so. The Carwitchet who--" Tom assented with a shrug. "We needn't

go farther, as she's my guest. Just my luck. I met them at Buxton,

thought them uncommonly good company--in fact, Carwitchet laid me under

a great obligation about a horse I was nearly let in for buying--and

gave them a general invitation here, as one does, you know. Never

expected her to turn up with her luggage this afternoon just before

dinner, to stay a week, or a fortnight if Carwitchet can join her." A

groan of sympathy ran round the table. "It can't be helped. I've told

you this just to show that I shouldn't have asked you here to meet this

sort of people of my own free will; but, as it is, please say no more

about them." The subject was not dropped by any means, and I took care

that it should not be. At our end of the table one story after another

went buzzing round--_sotto voce_, out of deference to Tom--but perfectly

audible.

"Carwitchet? Ah, yes. Mixed up in that Rawlings divorce case, wasn't he?

A bad lot. Turned out of the Dragoon Guards for cheating at cards, or

picking pockets, or something--remember the row at the Cerulean Club?

Scandalous exposure--and that forged letter business--oh, that was the

mother--prosecution hushed up somehow. Ought to be serving her fourteen

years--and that business of poor Farrars, the banker--got hold of some

of his secrets and blackmailed him till he blew his brains out--"

It was so exciting that I clean forgot the bishop, till a low gasp at my

elbow startled me. He was lying back in his chair, his mighty shaven

jowl a ghastly white, his fierce imperious eyebrows drooping limp over

his fishlike eyes, his splendid figure shrunk and contracted. He was

trying with a shaken hand to pour out wine. The decanter clattered

against the glass and the wine spilled on the cloth.

"I'm afraid you find the room too warm. Shall we go into the library?"

He rose hastily and followed me like a lamb.

He recovered himself once we got into the hall, and affably rejected all

my proffers of brandy and soda--medical advice--everything else my

limited experience could suggest. He only demanded his carriage

"directly" and that Miss Panton should be summoned forthwith.

I made the best use I could of the time left me.

"I'm uncommonly sorry you do not feel equal to staying a little longer,

my lord. I counted on showing you my few trifles of precious stones, the

salvage from the wreck of my possessions. Nothing in comparison with

your own collection."

The bishop clasped his hand over his heart. His breath came short and

quick.

"A return of that dizziness," he explained with a faint smile. "You are

thinking of the Valdez sapphire, are you not? Some day," he went on with

forced composure, "I may have the pleasure of showing it to you. It is

at my banker's just now."

Miss Panton's steps were heard in the hall. "You are well known as a

connoisseur, Mr. Acton," he went on hurriedly. "Is your collection

valuable? If so, _keep it safe; don' trust a ring off your hand, or the

key of your jewel-case out of your pocket till the house is clear

again_." The words rushed from his lips in an impetuous whisper, he gave

me a meaning glance, and departed with his daughter. I went back to the

drawing-room, my head swimming with bewilderment.

"What! The dear bishop gone!" screamed Lady Carwitchet from the central

ottoman where she sat, surrounded by most of the gentlemen, all

apparently well entertained by her conversation. "And I wanted to talk

over old times with him so badly. His poor wife was my greatest friend.

Mira Montanaro, daughter of the great banker, you know. It's not

possible that that miserable little prig is my poor Mira's girl. The

heiress of all the Montanaros in a black-lace gown worth twopence! When

I think of her mother's beauty and her toilets! Does she ever wear the

sapphires? Has anyone ever seen her in them? Eleven large stones in a

lovely antique setting, and the great Valdez sapphire--worth thousands

and thousands--for the pendant." No one replied. "I wanted to get a rise

out of the bishop to-night. It used to make him so mad when I wore

this."

She fumbled among the laces at her throat, and clawed out a pendant that

hung to a velvet band around her neck. I fairly gasped when she removed

her hand. A sapphire of irregular shape flashed out its blue lightning

on us. Such a stone! A true, rich, cornflower blue even by that wretched

artificial light, with soft velvety depths of colour and dazzling

clearness of tint in its lights and shades--a stone to remember! I

stretched out my hand involuntarily, but Lady Carwitchet drew back with

a coquettish squeal. "No! no! You mustn't look any closer. Tell me what

you think of it now. Isn't it pretty?"

"Superb!" was all I could ejaculate, staring at the azure splendour of

that miraculous jewel in a sort of trance.

She gave a shrill cackling laugh of mockery.

"The great Mr. Acton taken in by a bit of Palais Royal gimcrackery! What

an advertisement for Bogaerts et Cie! They are perfect artists in

frauds. Don't you remember their stand at the first Paris Exhibition?

They had imitations there of every celebrated stone; but I never

expected anything made by man could delude Mr. Acton, never!" And she

went off into another mocking cackle, and all the idiots round her

haw-hawed knowingly, as if they had seen the joke all along. I was too

bewildered to reply, which was on the whole lucky. "I suppose I musn't

tell why I came to give quite a big sum in francs for this?" she went

on, tapping her closed lips with her closed fan, and cocking her eye at

us all like a parrot wanting to be coaxed to talk. "It's a queer story."

I didn't want to hear her anecdote, especially as I saw she wanted to

tell it. What I _did_ want was to see that pendant again. She had thrust

it back among her laces, only the loop which held it to the velvet being

visible. It was set with three small sapphires, and even from a distance

I clearly made them out to be imitations, and poor ones. I felt a queer

thrill of self-mistrust. Was the large stone no better? Could I, even

for an instant, have been dazzled by a sham, and a sham of that quality?

The events of the evening had flurried and confused me. I wished to

think them over in quiet. I would go to bed.

My rooms at the Manor are the best in the house. Leta will have it so. I

must explain their position for a reason to be understood later. My

bedroom is in the southeast angle of the house; it opens on one side

into a sitting-room in the east corridor, the rest of which is taken up

by the suite of rooms occupied by Tom and Leta; and on the other side

into my bathroom, the first room in the south corridor where the

principal guest chambers are, to one of which it was originally the

dressing-room. Passing this room I noticed a couple of housemaids

preparing it for the night, and discovered with a shiver that Lady

Carwitchet was to be my next-door neighbour. It gave me a turn.

The bishop's strange warning must have unnerved me. I was perfectly safe

from her ladyship. The disused door into her room was locked, and the

key safe on the housekeeper's bunch. It was also undiscoverable on her

side, the recess in which it stood being completely filled by a large

wardrobe. On my side hung a thick sound-proof _portiere_. Nevertheless,

I resolved not to use that room while she inhabited the next one. I

removed my possessions, fastened the door of communication with my

bedroom and dragged a heavy ottoman across it.

Then I stowed away my emerald in my strong-box. It is built into the

wall of my sitting-room, and masked by the lower part of an old carved

oak bureau. I put away even the rings I wore habitually, keeping out

only an inferior cat's-eye for workaday wear. I had just made all safe

when Leta tapped at the door and came in to wish me good night. She

looked flushed and harassed and ready to cry. "Uncle Paul," she began,

"I want you to go up to town at once, and stay away till I send for

you."

"My dear--!" I was too amazed to expostulate.

Masterpieces of Mystery in Four Volumes: Riddle Stories · 第 2 / 14 段