CHAPTER II.

A DREARY BANQUET.

After the mother had left the room, her daughter seemed in no hurry to

get ready for dinner; she turned back to the window, and, taking up her

old position on the wide window-seat, sat gazing down at the hideous view

of the big manufacturing town, with blackened buildings and tall, smoky

chimneys, which lay at the bottom of the hill, and seemed to have a weird

fascination for her. It must certainly have been from choice that Sarah

Clay looked at them, for she had only to sit at the other side of the

broad window-seat, turn her back on Ousebank, and, looking out on the

other side of the hill, she would have had a beautiful view over the hill

of pretty vales and villages and smiling pasture, and their own fine

park; but the girl deliberately turned her back upon nature, and looked

not upon art--for art there was not in Ousebank except what was produced

in the mills--but upon nature perverted by man, who had turned the

beautiful vale into a Black Country with its big factories, which

polluted earth and sky, air and water.

She was still staring out with a frown on her face when a knock came to

the door, and she called out, 'Come in,' without turning her head to see

who the new-comer was.

'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me

with this, and you'll best be getting ready for dinner, for it's late.'

Sarah turned her head, with the air that her mother declared was like

that of a duchess's daughter, and looked at the large cardboard box which

her maid held in her arms, with a gaze which, to do her justice, she was

quite unconscious was haughty. 'What is it?' she asked shortly.

'You just come and see, Miss Sarah,' replied the maid quite politely, but

with Yorkshire independence.

Sarah did not resent the tone of the advice, but came slowly from her

window-seat, and watched the maid undo the string of the box and take

out, with many exclamations of admiration, a beautiful white silk frock

elaborately trimmed with lace and ribbons.

'It's grand! Oh miss, make haste and let me do your hair, and put it on

you!' cried the maid.

'Now? I have no time. Put it away, and get out my white muslin, Naomi,'

replied Sarah, and she turned away after hardly a glance at the pretty

dress.

'But you are to wear it to-night. At least, the mistress said would you,

please, put it on,' corrected Naomi, as she saw her young mistress's look

of indignation at the peremptory order.

Sarah was just going to refuse decidedly; but the thought of her mother's

disappointment made her hesitate. The girl had good enough taste to feel

that the dress was far too smart for an ordinary family dinner; but,

then, as she reflected, it would be in keeping with the rest, which was

far too smart, all of it. So she said, 'Very well. Make haste, Naomi.'

'There, miss, you look just like a queen, and fit to live in a palace;

though, to be sure, ours is one, or as good as one. Now, just look in the

glass and see if you aren't lovely.'

'Yes; it's very pretty,' said Sarah impatiently.

'Are you ill, miss? You don't seem a bit pleased to have such beautiful

things. I'm sure if I had everything I could wish for like you I'd be as

happy as a queen,' observed Naomi, whom Sarah allowed to say what she

liked; in the first place, because she was the daughter of the head

mill-watchman, and her family had all--some still did--worked in Clay's

Mills; and, in the second place, because they had played together as

little children.

'I dare say you would; so am I, because a queen is not at all a happy

person; at least, if she is, it's not because she is a queen and can have

lots of new dresses and things,' remarked Sarah.

'You wouldn't talk like that if you'd ever had to do without them,'

replied the girl.

Sarah turned round and faced the girl. 'Naomi,' she said passionately,

'I'd give anything on earth to be poor and work for my living as you do.'

'Oh miss!' cried Naomi, and 'Oh Sal!' cried another voice, whose owner

had overheard this last remark.

For Mrs Clay had just entered the room, and had forgotten that her

daughter objected strongly to this shortening of her name, which it was

one of her father's aggravating habits to do. 'Oh Sarah,' she cried,

'don't talk such nonsense, and before Naomi, too! Some must be poor an'

some rich. It's always been so, and always will be so, an' it's flyin' in

the face o' Providence not to be thankful that you're not poor; an' with

that lovely gown on, too. 'Ow could you earn enough money to buy a gown

like that, do you suppose? W'y, Naomi doesn't earn enough in a year to

pay for it, I'd have you to know.'

'Then she ought to,' began Sarah; whereupon Mrs Clay cleared her throat

noisily, and said in quite a decided tone for her, 'That'll do, Naomi;

you can leave the room.' And when Naomi had done so, she continued in a

tone of reproof to her daughter,'What are you thinkin' of, wishin' you

earned your own livin' like Naomi? A nice one you'd be if such a dreadful

thing 'appened to you, wi' your 'aughty airs an' scornful ways that no

one would put up wi', let alone that you could never earn a penny if you

tried.'

'I'm not so sure about that. I've a good mind to try, to show you that

you're wrong,' said Sarah meditatively.

Her mother cast a frightened glance at her, and said soothingly, 'There,

my dearie, there's no need to think about it; you're far too pretty even

to do such a thing. You were born for a mansion, an' I 'ope you'll always

'ave one to live in.'

'I don't. I hope I shall one day have to work for my living, and I shall

do it whether it is necessary or not, you'll see,' she declared.

Fortunately both the dinner-gong and an elaborate set of chimes rang out

through the house, and Mrs Clay, with a nervous start, said hurriedly,

'There's the chimes! Well, we must be goin'. Don't you look grand

to-night, Sairey?'

'That's just what I feel, mother--a great deal too grand for a quiet

family dinner; and so are you,' she added, as she looked critically at

her mother in the elaborately trimmed, plum-coloured silk dress, so rich

that it seemed to prop up the delicate little woman and almost stifle her

with its heavy gold trimmings and fringes.

'It's to please your father and George, and nothing's too grand to do

that,' said Mrs Clay, as she went out of the room, making a rustle as she

passed along the richly carpeted passages and down the grand marble

staircase into the drawing-room. Mr Clay did not trouble himself to go

into the drawing-room to fetch his wife, but always walked straight to

the dining-room at the first note of the chimes.

George was waiting, as he did every evening, to give his arm to escort

his mother to the dining-room, and took her to the dinner-table, where

his wife and children found Mark Clay sitting at the top of the large

table which groaned under its massive gold ornaments and plate. He was a

big, bull-faced man; at first sight so different from his son and

daughter that the latter might almost be forgiven her extraordinary

suggestion to her mother that perhaps he was not her father at all! It

would require a closer observer than Sarah to see a certain set of the

chin which was common to him and his two children, though hers took the

form of haughtiness, and her brother's had such a pleasant, if indolent,

expression that his father had never discovered this hidden

characteristic.

'Well, lass, thee'rt grand to-night. How much did tha gown cost? A pretty

penny, I'll be bound. Well, lasses will be lasses, and the mills can give

as many on 'em as ye like. An' your mother, too, though she's a bit old

for such vanity; it's the young uns as want fine feathers. Now then, what

are ye scowling at?' cried her father, all in the broadest Yorkshire.

'It's the fashion to scowl at personal remarks, my dear father,' remarked

George, as he 'played,' in his mother's words, with his food.

'Then it's one fashion thee'll ha' to onlearn, dost hear? I'll ha' no

lass o' mine scowling at me at my own table,' replied her father, as he

brought his fist down on the table with a thump, which made his poor wife

jump as well as the crystal and glass, 'which it's a wonder he don't have

of gold too,' his well-bred butler observed, with a touch of contempt for

his master, which he allowed himself to vent to the equally well-bred

housekeeper, and to her only.

George stepped into the breach again. 'How's the market, dad?' he

inquired. 'Wool's going up, I hear.'

'Wool's going up, you hear? An' what might you know about wool? Nought as

I know of. I wish you did; but there, thee'rt too fine for t' wool-trade,

and thou'll never need to know about it, only to spend money,' said the

millionaire, purposely, as his son believed, talking in such broad

Yorkshire as is not often heard nowadays, and so broad as to be

unintelligible to the reader of this tale, for which reason it must be

taken for granted, as perhaps his wife's cockney dialect had better be.

However, the inquiry had turned the mill-owner's attention from his

daughter and her unbending attitude, and had apparently produced a good

effect, for Mr Clay, senior, seemed to be in a better temper for the

rest of the dinner, the long, wearisome dinner which he was the only one

who seemed to appreciate.

There was no conversation but the remarks made in a gentle tone by George

to his mother, to whom he was as attentive as he would have been to the

highest and most beautiful lady in the land.

Sarah kept a silence which might have been considered either sulky or

dignified, and Mrs Clay responded in low tones to her son's remarks.

Mr Clay did not condescend to talk to any of them. His wife he never

considered as a companion or a person to be conversed with, women being

inferior beings in his eyes, and for this reason he did not talk to

Sarah, whom he treated with the same contempt, in spite of being very

proud of her looks and bearing; while George he considered a nincompoop

and weakling, though he was secretly proud, too, of his fine manners and

aristocratic appearance.

And so the four ill-sorted people sat each at a different side of the

table, with a long stretch of gold-decked and flower-laden cloth between

them. 'And a good thing, too, or I think we should fight,' announced

Sarah one day.

Poor Mrs Clay put her hand to her head once or twice, and her

ever-observant son bent towards her with solicitude as he inquired,

'Don't you feel well, mother?'

'It's only the smell of all these flowers; they make me feel faint-like,'

she said.

'It's these lilies; they are too strong for a dining-table; just take

them away, Sykes,' he said to the butler, who happened to be close behind

George Clay's chair.

The man looked hesitatingly at his master, and then at the young man, and

apparently decided to obey the younger one, whom he, like the rest of the

staff, liked and respected, instead of the father, whom he detested, and

who now cried in a voice of thunder, 'Leave 'em alone, I say! I don't pay

for lilies to be thrown away for a woman's whim. Leave 'em alone.'

'They're cheap enough, and they really never are used for

table-decorating. It must have been a mistake of the maid's. Sykes had

better remove them, if you don't mind,' said George.

Sykes, being of the same opinion, swiftly removed the vase and handed it

to one of the footmen.

Mr Clay, awed by his son's superior knowledge of what was done and not

done (in society, he supposed), remained silent, and at last the banquet

came to an end, and with suspicious alacrity Mrs Clay and her daughter

rose and left the room, followed by George after his usual murmured

apology to his father for not staying with him; for George Clay was as

polite, in an indolent way, to his father as he was to every one else.

'Phew, I breathe again!' cried Sarah, as she stamped her feet outside the

dining-room door.

'Sh, sh, my dear! Your father might 'ear you. The flowers did make the

air sickly.'

'Flowers! It wasn't the flowers. It was everything. I always think of

Miss Kilmansegg and her "Gold, gold; nothing but gold!" Phew! how I

loathe and detest it all!'

'Draw it mild, Sarah! Even gold has its advantages.'

'It mayn't have to every one's mind. Look what an effeminate creature

it's made of you!' she cried.

George Clay lit a cigarette, with a 'May I?' to his mother, and only

smiled as he leant back in an armchair and puffed contentedly away.

Clearly Sarah was not able to rouse her brother by her criticism.

Sarah's School Friend · 第 2 / 30 章