PAINTING IN IMITATION OF ROSE-WOOD.

(By the particular request of a "Mechanic" in Cherryfield, Me.)--In

this art the process is various according to the circumstances, and

the ground on subjects to which it is applied. In painting common

chairs, the ground is prepared by a coat of paint composed of ivory

black and rose-pink,--equal quantities, ground in a mixture of equal

parts of linseed oil, drying japan and spirits of turpentine.--When

this is dry, the graining color, consisting of three parts of

rose-pink with one of vermillion, ground in a mixture of oil, japan

and spirits of turpentine, is applied with a common flat graining

brush. Fancy boxes and cabinet furniture are painted by a different

process, by which a better imitation is produced. The ground is

prepared by one or more coats of white lead changed two or three

shades with yellow ochre. When dry, a thin staining of burnt

terra-de-sienna ground in water, containing a very little sugar or

gumarabic is laid on the work, and while this continues moist and

flowing, the graining is applied. The graining should consist of a

mixture of black and rose pink, ground in the staining compound. This

must be varnished when dry, with copal varnish. Some prefer, however,

to grind the staining and graining in oil, diluted with spirits of

turpentine. The learner must have some sample pieces of varnished

rosewood before him when graining.

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Scientific American magazine, Vol. 2 Issue 1 The advocate of Industry and Journal of Scientific, Mechanical and Other Improvements · 第 84 / 93 题