One other mountainous district in Britain--that of the English

Lakes--claims our attention for its influence on the progress of the

national literature. Of all the isolated tracts of higher ground in

these islands, that of the Lake District is the most eminently highland

in character. It is divisible into two entirely distinct portions

by a line drawn in a north-easterly direction from Duddon Sands to

Shap Fells. South of that line the hills are comparatively low and

featureless, though they enclose the largest of the lakes. They are

there built up of ancient sedimentary strata, like those that form so

much of the similar scenery in the uplands of Wales and the South of

Scotland. But to the north of the line, most of the rocks are of a

different nature, and have given rise to a totally distinct character

of landscape. They consist of various volcanic materials which in early

Palaeozoic time were piled up around submarine vents, and accumulated

over the sea-floor to a thickness of many thousand feet. They were

subsequently buried under the sediments that lie to the south, but, in

after ages uplifted into land, their now diversified topography has

been carved out of them by the meteoric agents of denudation. Thus pike

and fell, crag and scar, mere and dale, owe their several forms to

the varied degrees of resistance to the general waste offered by the

ancient lavas and ashes. The upheaval of the district seems to have

produced a dome-shaped elevation, culminating in a summit that lay

somewhere between Helvellyn and Grasmere. At least from that centre

the several dales diverge, like the ribs from the top of a half-opened

umbrella.

The mountainous tract of the Lakes, though it measures only some

thirty-two miles from west to east by twenty-three from north to south,

rises to heights of more than 3,000 feet, and as it springs almost

directly from the margin of the Irish Sea, it loses none of the full

effect of its elevation. Its fells present a thoroughly highland type

of scenery, and have much of the dignity of far loftier mountains.

Their sky-line often displays notched crests and rocky peaks, while

their craggy sides have been carved into dark cliff-girt recesses,

often filled with tarns, and into precipitous scars, which send long

trails of purple scree down the grassy slopes.

Moreover, a mild climate and copious rainfall have tempered this

natural asperity of surface by spreading over the lower parts of the

fells and the bottoms of the dales a greener mantle than is to be seen

among the mountains further north. Though the naked rock abundantly

shows itself, it has been so widely draped with herbage and woodland as

to combine the luxuriance of the lowlands with the near neighbourhood

of bare cliff and craggy scar.

Such was the scenery amidst which William Wordsworth was born and

spent most of his long life. Thence he drew the inspiration which did

so much to quicken the English poetry of the nineteenth century, and

which has given to his dales and hills so cherished a place in our

literature. The scenes familiar to him from infancy were loved by him

to the end with an ardent and grateful affection which he never wearied

of publishing to the world. No mountain-landscapes had ever before

been drawn so fully, so accurately, and in such felicitous language.

Every lineament of his hills and dales is depicted as luminously and

faithfully in his verse as it is reflected on the placid surface of

his beloved meres, but suffused by him with an ethereal glow of human

sympathy. He drew from his mountain-landscape everything that

'Can give an inward help, can purify

And elevate, and harmonize and soothe.'

It brought to him 'authentic tidings of invisible things'; and filled

him with

'The sense

Of majesty and beauty and repose,

A blended holiness of earth and sky.'

For his obligations to that native scenery he found continual

expression.

'Ye mountains and ye lakes,

And sounding cataracts, ye mists and winds

That dwell among the hills where I was born,

If in my youth I have been pure in heart,

If, mingling with the world, I am content

With my own modest pleasures, and have lived

With God and Nature communing, removed

From little enmities and low desires--

The gift is yours.'

Not only did his observant eye catch each variety of form, each passing

tint of colour on his hills and valleys, he felt, as no poet before

his time had done, the might and majesty of the forces by which, in

the mountain-world, we are shown how the surface of the world is

continually modified.

'To him was given

Full many a glimpse of Nature's processes

Upon the exalted hills.'

The thought of these glimpses led to one of the noblest outbursts in the

whole range of his poetry, where he gives way to the exuberance of his

delight in feeling himself, to use Byron's expression, 'a portion of

the tempest'--

'To roam at large among unpeopled glens

And mountainous retirements, only trod

By devious footsteps; regions consecrate

To oldest time; and reckless of the storm,

... while the mists

Flying, and rainy vapours, call out shapes

And phantoms from the crags and solid earth,

... and while the streams

Descending from the region of the clouds,

And starting from the hollows of the earth,

More multitudinous every moment, rend

Their way before them--what a joy to roam

An equal among mightiest energies!'

In this passage Wordsworth seems to have had what he would have called

'a foretaste, a dim earnest' of that marvellous enlargement of the

charm and interest of scenery due to the progress of modern science.

When he speaks of 'regions consecrate to oldest time,' he has a vague

feeling that somehow his glens and mountains belonged to a hoary

antiquity, such as could be claimed by none of the verdant plains

around. Had he written half a century later he would have enjoyed a

clearer perception of the vastness of that antiquity and of the long

succession of events with which it was crowded.[51]

It is curious to remember that three of the poets whom I have singled

out as illustrations of the influence of our lowland, upland, and

highland scenery upon our literature have held up the geologist to

ridicule. Cowper put that votary of science into the pillory among

the irreligious crowd, about whose ears the poet loved to 'crack the

satiric thong.'[52] Wordsworth treated the geological enthusiast with

withering scorn.[53] Scott, with characteristic good humour, only poked

fun at him.[54] It was reserved for a poet of our own day to look below

the technical jargon of the schools, and to descry something of this

wealth of new interest which the landscape derives from a knowledge of

the history of its several parts. But Tennyson only entered a little

way into this enlarged conception of nature. There remains a boundless

field for some future poetic seer, who letting his vision pierce into

the past, will set before the eyes of men the inner meaning of mountain

and glen.

And thus, while we recognise the potent influence which the scenery

of the country has exerted on the progress of our literature, we can

look forward to a fresh extension of this influence as the outcome of

geological investigation. Already the result of this widening of the

outlook has made itself felt alike in prose and verse. The terrestrial

revolutions of which each hill and dale is a witness; the contrasts

presented between the present aspect and past history of every crag

and peak; the slow, silent sculpturing that has carved out all this

marvellous array of mountain-forms--appeal vividly to the imagination,

and furnish themes that well deserve poetic treatment. That they will

be seized upon by some Wordsworth of the future, I cannot doubt. The

bond between landscape and literature will thus be drawn closer than

ever. Men will be taught that beneath and behind all the outward

beauty of our lowlands, our uplands, and our highlands there lies an

inner history which, when revealed, will give to that beauty a fuller

significance and an added charm.

FOOTNOTES:

[20] _Types of Scenery and Their Influence on Literature_, the Romanes

Lecture, delivered in the Sheldonian Theatre, Oxford, June 1, 1898.

[21] See the preceding essay for a fuller discussion of this part of

the subject.

[22] See p. 24.

[23] _The Task_, bk. i. 154-176.

[24] _Ibid._, i. 177.

[25] _The Task_, iii. 357.

[26] _Ibid._, iv. 246.

[27] _Ibid._, vi. 112.

[28] _Winter_, 8.

[29] _Summer_, 192.

[30] _Ibid._, 89.

[31] _Autumn_, 476.

[32] _Spring_, 381, 400, 402; _Summer_, 13.

[33] _Autumn_, 337.

[34] _To William Simpson_, stanza 15.

[35] _Elegy on Captain Matthew Henderson._

[36] _Poem on Pastoral Poetry._

[37] _Winter, a Dirge._

[38] _A Winter Night._

[39] _The gloomy night is gathering fast._

[40] _To Mary in Heaven._

[41] This was remarked by Wordsworth in the prefatory note to his lines

on Mossgiel.

[42] _The Vision._

[43] Scott was familiar with this natural trait. '"That's the Forth,"

said the Bailie, with an air of reverence, which I have observed the

Scotch usually pay to their distinguished rivers. The Clyde, the

Tweed, the Forth, the Spey, are usually named by those who dwell on

their banks with a sort of respect and pride, and I have known duels

occasioned by any word of disparagement.'--_Rob Roy_, vol. ii., chap.

xi.

[44] Arnold, _On the Study of Celtic Literature_, 1867, p. 152.

[45] The quotations here given are from Dr. Clerk's translation of

Macpherson's Gaelic version of the Poems. The question has been much

disputed whether his English or Gaelic is the original. There can

be no doubt that, on the whole, the Gaelic shows greater vividness

and accuracy in the description of landscape than the more vague and

bombastic English of Macpherson. Dr. Clerk, who has given a literal

rendering of the Gaelic line for line, remarks: 'I believe that a

careful analysis would resolve very much of Ossian's most weird imagery

into idealised representations of the ever-varying and truly wonderful

aspects of cloud and mist, of sea and mountain, which may be seen by

every observant eye in the Highlands, and it is no fancy to say that

the perusal of these poems, as we have them, may be well illustrated

by travelling a range of the Highland mountains.'--_Poems of Ossian_,

Dissertation, vol. i. p. lxv.

[46] _Fingal_, iii. 3.

[47] _Fingal_, i. 211.

[48] In Burt's _Letters_, which give so graphic a picture of the

condition of the Highlands of Scotland between the two risings of 1715

and 1745, the general impression made at that time on the mind of an

intelligent stranger by the scenery of the region may be gathered from

the following quotations: 'I shall soon conclude this description of

the outward appearance of the mountains, which I am already tired of,

as a disagreeable subject.... There is not much variety, but gloomy

spaces, different rocks, heath, and high and low, ... the whole of

a dismal gloomy brown drawing upon a dirty purple; and most of all

disagreeable when the heath is in bloom. But of all the views, I think

the most horrid is, to look at the hills from east to west, or _vice

versa_; for then the eye penetrates far among them, and sees more

particularly their stupendous bulk, frightful irregularity, and horrid

gloom, made yet more sombrous by the shades and faint reflections they

communicate one to another.'--_Letters from a Gentleman in the North of

Scotland to his Friend in London._ Fifth edit., vol. i. p. 285.

[49] In writing to Mason he says: 'I am returned from Scotland charmed

with my expedition: it is of the Highlands I speak; the Lowlands

are worth seeing once, but the mountains are ecstatic, and ought

to be visited in pilgrimage once a year. None but those monstrous

creatures of God know how to join so much beauty with so much

horror. A fig for your poets, painters, gardeners, and clergymen,

that have not been among them, their imagination can be made up of

nothing but bowling-greens, flowering shrubs, horse-ponds, Fleet

ditches, shell-grottoes, and Chinese rails. Then I had so beautiful

an autumn; Italy could hardly produce a nobler scene, and this so

sweetly contrasted with that perfection of nastiness and total want of

accommodation, that Scotland only can supply.'--Gray's _Works_, edit.

E. Gosse, vol. iii. p. 223.

[50] _Journey to the Western Islands of Scotland_, 1775, p. 84.

[51] Sedgwick did his best to enlighten the poet by his famous _Four

Letters on the Geology of the Lake District_; but these came too late.

They were published at Kendal in 1846, and Wordsworth died in 1850.

[52]

Some drill and bore

The solid earth, and from the strata there

Extract a register, by which we learn,

That He who made it, and revealed its date

To Moses, was mistaken in its age.

--_The Task_, bk. iii. 150.

[53]

You may trace him oft

By scars which his activity has left

Beside our roads and pathways, though, thank Heaven,

This covert nook reports not of his hand--

He who with pocket-hammer smites the edge

Of luckless rock or prominent stone, disguised

In weather-stains or crusted o'er by Nature

With her first growths, detaching by the stroke

A chip or splinter--to resolve his doubts:

And, with that ready answer satisfied,

The substance classes by some barbarous name,

And hurries on; or from the fragments picks

His specimen, if but haply interveined

With sparkling mineral, or should crystal cube

Lurk in its cells--and thinks himself enriched,

Wealthier, and doubtless wiser, than before!

_The Excursion_, bk. iii.

[54] _St. Ronan's Well_, chap. ii. The passage is quoted postea p. 166.

IV

The Origin of the Scenery of the British Islands[55]

The insular position of these islands, which we are apt to regard as

an essential and aboriginal feature, is merely accidental, and has

not always been maintained. The intimate relation of Britain with

the Continent is well shown by the Admiralty charts. If the west of

Europe were elevated 200 feet--that is, the height of the London

Monument--the Straits of Dover, half of the North Sea, and a large part

of the English Channel would be turned into dry land. If the elevation

extended to 600 feet--that is, merely the united heights of St. Paul's

and the Monument--the whole of the North Sea, the Baltic, and the

English Channel would become land. There would likewise be added to

the European area a belt of territory from 100 to 150 miles broad,

stretching to the west of Ireland and Scotland.

With an uprise of 600 feet a vast plain would unite Britain to

Denmark, Holland, and Belgium, and would present two platforms,[56] of

which the more southerly would stretch from what are now the Straits of

Dover northward to the northern edge of the Dogger Bank, where a steep

declivity, doubtless a prolongation of the Jurassic and Cretaceous

escarpments of Yorkshire, descends to the northern or lower platform.

This submarine escarpment is trenched towards the west by a magnificent

valley through which the united waters of the Rhine and Thames would

flow, between the Dogger Bank and the Yorkshire cliffs. Another gap

further east would allow the combined Elbe and Weser to escape into the

northern plain. Possibly all these rivers would unite on that plain,

but, in any case, they would fall into a noble fjord which would then

be revealed following the trend of the southern coast line of Norway.

Altogether an area more than thrice that of Britain would be added to

Europe. By a total rise of 1800 feet, Britain would be united to the

Faroe Islands and Iceland; while the Arctic and Atlantic Oceans would

be separated.

GEOLOGICAL CHARACTERISTICS OF BRITAIN.

From its position on the oceanic border of a continent, Britain has

been exposed to a great variety of geological change. In such a

position marine erosion and deposit are most active. A slight upheaval

or depression, which would have no sensible effect in the interior

of a continent, makes all the difference between land and water on

the coast-line. Moreover, there appears to be a tendency to special

disturbance along the edge of an ocean. America affords the most

marked proofs of this tendency, but in the structure of Scandinavia and

its prolongation into Scotland and Ireland there appear to be traces of

similar ancient ridging up of the oceanic border of Europe.

There is a remarkable convergence of geological formations in

Britain, each carrying with it its characteristic scenery. The rugged

crystalline rocks of Norway reappear in the Scottish Highlands; the

fertile chalk, with its smooth downs and gentle escarpment, stretches

across to us from the north of France; the great plain of North

Germany, strewn with the debris of the northern hills, extends into our

eastern lowlands; even the volcanic plateaux of Iceland and Faroe are

prolonged into the Inner Hebrides and the north of Ireland.

The present surface of Britain is the result of a long, complicated

process in which underground movements, though sometimes potent,

have only operated occasionally, while superficial erosion has been

continuous, so long as any land has remained above the sea. The order

of appearance of the existing features is not necessarily that of the

chronological sequence of the rocks. The oldest formations have all

been buried under later accumulations, and their re-emergence at the

surface has only been brought about after enormous denudation. In its

general growth, Britain like the rest of Europe has, on the whole,

increased from the north by successive additions along its southern

border. Some early upheavals ridged up the Palæozoic rocks into folds

running north-north-east and south-south-west, as may yet be seen in

Scotland, in the Lake Country, and in Wales. By a later series of

plications the younger Palæozoic rocks were thrown into north-and-south

and east-and-west ridges, the latter of which still powerfully affect

the topography in southern Ireland, and thence through South Wales and

Belgium. An east-and-west direction was followed by the more important

subsequent European disturbances, such as those that upheaved the

Pyrenees, Jura, and Alps.[57] Some of the latest movements that have

powerfully affected the development of our scenery were those that

gave the Secondary rocks their general tilt to south-east. It is very

doubtful if any part of the existing topography can be satisfactorily

traced back beyond Middle or Older Tertiary time.[58] The amount of

erosion of some of the hardest rocks of the country since that date has

been prodigious, as may be seen in the fragmentary condition of the

volcanic plateaux of the Inner Hebrides.

GENERAL TOPOGRAPHY.

The main topographical features of Britain may be arranged as

mountains, tablelands, valleys, and plains. All our Mountains are the

result of erosion on areas of land successively upheaved above the sea.

In the development of their forms, the general outlines have been

mainly determined by erosion, independent of geological structure;

while the details have been chiefly guided by structure, but partially

also by the rate and kind of erosion. Ruggedness, for example, has

resulted primarily from structure, but has been aggravated by greater

activity of erosion. The mountainous west, with a greater rainfall and

steeper slopes, is more rugged than the mountainous east.

The Tablelands of Britain are of two orders--1, those of Deposit, which

may be either (_a_) of sedimentary rocks, horizontal or nearly so, as

in the Millstone Grit and Jurassic plateaux of Yorkshire, or (_b_) of

volcanic rocks, as in the wide plateaux of Antrim, Mull, and Skye; 2,

those of Erosion, where, as the result of long-continued degradation,

a series of plicated rocks has been cut down into a more or less

uniformly level surface, as in South Wales. By the elevation of such

a surface into a high plateau, erosion becomes more active, and the

plateau is eventually trenched into a system of ridges and isolated

hills, as has happened in the Highlands.

The Valleys of Britain are the result of erosion either (_a_) guided by

geological structure, as in what are called longitudinal valleys, that

is, valleys which run along the strike or outcrop of formations, as

the Great Glen and Glen Spey in Scotland and the valleys of the Trent

and Avon in England; or (_b_) independent of geological structure, as

in the transverse valleys which embrace the great majority of British

examples.

Our Plains are due to prolonged erosion, as in the Weald; to the

deposit, of _detritus_, as in river-terraces and alluvial plains; to

the action of the sea, as in raised beaches; and to ice, as in the

drift-covered lowlands.

The existing Watershed of Britain is profoundly significant, affording

a kind of epitome of the geological revolutions, through which the

surface of the country has passed. It lies nearer the west than the

east coast. The western slope being thus the steeper, as well as the

more rainy, erosion must be greater on that side, and consequently

the watershed must be slowly moving eastward. Probably the oldest

part of the watershed is to be found in the Highlands, where its

trend from north-north-east to south-south-west was determined by the

older Palæozoic upheaval. Its continuity has been interrupted by the

dislocation of the Great Glen. After quitting the Highlands it wanders

across the Scottish Lowlands and Southern Uplands, with no regard to

the dominant geological structure of these districts, as if, when its

course was originally determined, they had been buried under so vast

a mass of superincumbent rock that their structure did not affect the

surface. Running down the Pennine Chain, the watershed traverses a

region of enormous erosion, yet from its general coincidence with the

line of the axis of elevation, we may perhaps infer that the anticline

of the Pennine Chain has never been lost under an overlying sheet of

later undisturbed rocks. The remarkable change in the character of the

watershed south of the Pennine Chain carries us back to the time when

the great plain of the Secondary rocks of England was upraised with a

gentle inclination to east and south-east. The softer strata between

the harder escarpment-forming members of the Jurassic series and the

Palæozoic rocks of the Pennine Chain were worn away, and two rivers

carrying of the drainage of the southern end of that chain flowed

in opposite directions, the Avon turning south-west and the Trent

northwards. By degrees these streams moved away across the broadening

plain of softer strata, as the escarpments emerged and retreated. At

the same time, streams collected the drainage from the uprising slope

of Secondary rocks and flowed south-eastward. Successive lines of

escarpment have since been developed, and many minor watersheds have

arisen, while the early watershed has undergone much modification,

these various changes pointing to the continuous operation of running

water.

THE MOUNTAINS AND TABLELANDS.

A true mountain-chain is the result of plication of the earth's crust,

and its external form, in spite of sometimes enormous denudation,

bears a relation to the contours produced by the original uplift.

Tried by this standard, hardly any of the heights of Britain deserve

the name of mountains. With some notable exceptions in the south of

Ireland, they are due not to local but to general upheavals, and their

outlines have little or no connection with those due to underground

movement, but have been carved out of upheaved areas of unknown form

by the various forces of erosion. In the course of their denudation,

the nature of their component rocks has materially influenced the

elaboration of their contours, each well-marked type of rock having its

own characteristic variety of mountain forms.

The relative antiquity of our mountains must be decided not necessarily

by the geological age of their component materials, but by the date of

their upheaval or of their exposure by denudation. In many cases they

can be shown to be the result of more than one uplift. The Malvern

Hills, for example, which from their dignity of outline better deserve

the name of mountains than many higher eminences, bear internal

evidence of having been upheaved during at least four widely separated

geological periods, the earliest movement dating from before the time

of the Upper Cambrian, the latest coming down to some epoch later

probably than the Jurassic period.

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