CHAPTER IX.

ALLOYS.

THE AGE OF BRONZE—AN INTERMEDIATE COPPER AGE—EUROPEAN COPPER

IMPLEMENTS—NATIVE SILVER AND COPPER—TIN AND COPPER ORES—THE

CASSITERIDES—ANCIENT SOURCES OF TIN—ARTS OF YUCATAN—ALLOYED

COPPER AXE-BLADES—BRONZE SILVER-MINING TOOL—PERUVIAN BRONZES—

PRIMITIVE MINING TOOLS—NATIVE METALLURGIC PROCESSES—METALLIC

TREASURES OF THE INCAS—TRACES OF AN OLDER RACE—PERUVIAN

HISTORY—THE TOLTECS AND MEXICANS—ADJUSTMENT OF CALENDAR—

BARBARIAN EXCESSES—NATIVE GOLDSMITH’S WORK—PANAMA GOLD RELICS

—MEXICAN METALLIC CURRENCY—EXPERIMENTAL PROCESSES—ANCIENT

EUROPEAN BRONZES—TESTS OF CIVILISATION—ANCIENT AMERICAN

BRONZES—THE NATIVE METALLURGIST.

The age of bronze in the archæological history of European civilisation

symbolises a transitional stage of very partial development, and

imperfect materials and arts, through which the Old World passed in its

progress towards the maturity of true historic times; but the Bronze

Period of the New World is the highest stage of its self-developed

civilisation, prior to the intrusion of European arts. Whether we regard

the bronze implements of Britain and the North of Europe as concomitant

with the intrusion of new races, or only as proofs of the discovery or

introduction of a new art pregnant with many civilising and elevating

tendencies, they constitute an important element in primitive ethnology.

For a time they necessarily coincide with many monuments and works of

art pertaining in character to the stone-period; just as the stone

implements and weapons still manufactured by the Indians and Esquimaux

are contemporaneous with many products of foreign metallurgy, but

nevertheless are the perpetuation of processes developed in a period

when metallurgic arts were entirely unknown. The evidence that the

British Bronze Period followed a simpler and ruder one of stone is such

as scarcely to admit of challenge, independent of the _à priori_

likelihood in favour of this order of succession. The question however

suggests itself whether metallurgy did not find its natural beginning

there, as elsewhere, in the easy working of the virgin copper, and so

intercalate a copper age between Europe’s stone, and its true Bronze

Period. On this subject Dr. Latham remarks, in his _Ethnology of the

British Islands_, “Copper is a metal of which, in its unalloyed state,

no relics have been found in England. Stone and bone first; then bronze,

or copper and tin combined; but no copper alone. I cannot get over this

hiatus; cannot imagine a metallurgic industry beginning with the use of

alloys.” It is a mistake, however, to say that no unalloyed British

copper relics have been found. No very special attention was directed

till recently to the distinction. Nearly all the earlier writers who

refer to the metallic weapons and tools of ancient Mexico and Central

America, apply the term “copper” to the mixed metal of which these were

made; while among European antiquaries the corresponding relics of the

Old World are no less invariably designated bronze, though in many cases

thus taking for granted what analysis can alone determine. It is an

error, however, that the later nomenclature of archæological periods has

tended to strengthen: partly from the lack of appreciation of the

importance of the argument in favour of the first use of the metals in a

condition corresponding to the most primitive arts, and the discovery of

scientific processes at later stages.

This peculiar interest attaches to the metallurgy of the New World, that

there all the earlier stages are clearly defined: the pure native metal,

wrought by the hammer without the aid of fire; the melted and moulded

copper; the alloyed bronze; and then the smelting, soldering, graving,

and other processes resulting from accumulating experience and matured

skill. But examples of British implements of pure copper have also been

noted. In a valuable paper by Mr. J. A. Phillips, on the metals and

alloys known to the ancients,[78] the results of analyses of

thirty-seven ancient bronzes are given. Among these are included three

swords, one from the Thames, the others from Ireland; a spear-head, two

celts, and two axe-heads: all of types well-known among the weapons of

the “Bronze Period.” Yet of the eight articles thus selected as examples

of “bronze” weapons, one, the spear-head, proved on analysis to be of

impure but unalloyed copper. Its composition is given as copper, 99·71;

sulphur, ·28. In 1822, Sir David Brewster described a large battle-axe

of pure copper, found at a depth of twenty feet in Ratho Bog, near

Edinburgh, under circumstances scarcely less remarkable than some of the

discoveries of works of art in the drift. The workmen dug down through

nine feet of moss and seven feet of sand, before they came to the hard

black till-clay; and at a depth of four feet in the clay the axe was

found. The author accordingly remarks: “It must have been deposited

along with the blue clay prior to the formation of the superincumbent

stratum of sand, and must have existed before the diluvial operations by

which that stratum was formed. This opinion of its antiquity is strongly

confirmed by the peculiarity of its shape, and the nature of its

composition.”[79] In 1850, my brother, Dr. George Wilson, undertook a

series of analyses of ancient British bronzes for me, and out of seven

specimens selected for experiment, one Scottish axe-head, rudely cast,

apparently in sand, was of nearly pure copper.[80] Of eight specimens of

metal implements selected for me by Mr. Thomas Ewbank, of New York, as

examples of Peruvian bronze; four of them, on analysis, proved to be of

unalloyed copper. The rich collections of the Royal Irish Academy

furnish interesting confirmation of this idea of a transitional copper

era. Dr. Wilde remarks, in his Catalogue of Antiquities, “Upon careful

examination, it has been found that thirty of the rudest, and apparently

the very oldest celts, are of red, almost unalloyed copper.” In addition

to those there are also two battle-axes, a sword-blade, a trumpet,

several fibulæ, and some rudely formed tools, all of copper; and now

that attention has been directed to the subject, further examples of the

same class will doubtless accumulate.

A very important difference, however, distinguishes the mineral

resources of the British and the North American copper regions. Copper,

as we have seen, occurs in the trappean rocks of Keweenaw and Ontonagon,

in masses of many tons weight; and detached blocks of various sizes lie

scattered about in the superficial soil or exposed along the lake shore,

ready for use without any preparatory skill, or the slightest knowledge

of metallurgy. Nature in her own vast crucibles had carried the metal

ores through all their preparatory stages, and left them there for man

to shape into such forms as his convenience or simplest wants suggested.

The native silver had undergone the like preparation, and is of frequent

occurrence as a perfectly pure metal, being found, even when

interspersed in the mass of copper, still in distinct crystals, entirely

free from alloy with it. But neither tin nor zinc occurs throughout the

whole northern region to suggest to the native metallurgist the

production of that valuable alloy which is indissolubly associated with

the civilisation of Europe’s Bronze age. In Britain it is altogether

different. The tin and copper lie together, ready for alloy, but both

occur in the state of impure ores, inviting and necessitating the

development of metallurgy before they can be turned to economic uses.

Tin is obtained in Cornwall almost entirely from its peroxide; and

copper occurs there chiefly combined with sulphur and iron, forming the

double sulphuret which is commonly called copper pyrites or yellow

copper ore. The smelting process to which it has to be subjected is a

laborious and complicated one; and if we are prepared to believe in the

civilisation of Britain’s Bronze Period as a thing of native growth, the

early discovery and use of alloys very slightly affects the question.

The ancient American miner of Lake Superior never learned to subject his

wealth of copper to the action of fire, and transfer it from the

crucible to the shapely mould. No such process was needed where it

abounded in inexhaustible quantities in a pure metallic state. If, in

the midst of such readily available metallic resources, he was found to

have used tools of bronze or brass, to have transported the tin or zinc

of other regions to his furnaces, and to have laboriously converted the

whole into a preferable substitute for the simpler metal that lay ready

for his use, it would be difficult indeed to conceive of such as the

initial stage in his metallurgy industry. But Britain presents no

analogy to this in its development of metallurgy arts. Tin, one of the

least widely-diffused of metals, is found there in the greatest

abundance, and easily accessible, not as a pure metal, but as an ore

which is readily reduced by charcoal and a moderate degree of heat to

that condition. This was the metallic wealth for which Britain was

sought by the ancient traders of Massilia, and the fleets of the

Mediterranean; and on it we may therefore assume her primitive

metallurgists to have first tried their simple arts. But alongside of

it, and even in natural combination with it, as in tin pyrites and the

double sulphuret, lies the copper, also in the condition of an ore, and

requiring the application of the metallurgist’s skill before it can be

turned to account. We know that at the very dawn of history tin was

exported from Britain. Copper also appears to have been wrought, from

very early times, in North Wales as well as in Cornwall. Both metals

were found rarely, and in small quantities, in the native state, but

these may have sufficed to suggest the next step of supplying them in

larger quantities from the ores. To seek in some unknown foreign source

for the origin of metallurgic arts, which had there all the requisite

elements for evoking them, seems wholly gratuitous; and, if once the

native metallurgist learned to smelt the tin and copper ores, and so had

been necessitated to subject them to preparatory processes of fire, the

next stage in progressive metallurgy, the use of alloys, was a simple

one. It might further be assumed that, with the discovery of the

valuable results arising from the admixture of tin with copper, the few

pure copper implements—excepting where already deposited among

sepulchral offerings,—would for the most part be returned to the

melting-pot, and reproduced in the more perfect and useful condition of

the bronze alloy. There seems, however, greater probability in the

supposition that if Britain had a copper period, or age of unalloyed

metals, it was of brief duration.

The _cassiteron_, or tin which made the British Islands famous among

Phœnician and Greek mariners, long before the Roman legions ventured to

cross the narrow seas, was derived, as has been noted, from the same

south-western peninsula, where copper is still wrought. The name of

Cassiterides, or Tin Islands, bestowed on Cornwall and the adjacent

isles, seems to imply that tin was the chief export, and was transported

to the Mediterranean, to be mixed with the copper of the Wady Maghara,

and other Asiatic mines, to form the Egyptian, Phœnician, and Assyrian

bronze. Tin, therefore, the easiest of all metals to subject to the

requisite processes, first engaged the skill of the British

metallurgist; and that mastered, the proximity of the copper ore in the

same mineral districts, inevitably suggests all the subsequent processes

of smelting, fusion, and alloy.

The practical value of the alloy of copper and tin was well-known both

to the Phœnicians and the Egyptians. Tin occurs in considerable

abundance, and in the purest state, in the peninsula of Malacca, and

thence, probably, it was first brought to give a new impetus to early

eastern civilisation. Britain is its next and its most abundant source;

and since America was embraced within the world’s sisterhood of nations,

Chili and Mexico have become known as productive sources of the same

useful metal. But the mineral wealth of Mexico and Peru was familiar to

nations of the New World long before it was made to contribute to

European commerce; and to a proximity of the metals best suited for the

first stages of human progress, corresponding in some degree to that to

which Britain’s ancient metallurgy has been traced, the curious phases

of a native and purely aboriginal civilisation may be ascribed, which

revealed itself to the wondering gaze of the first European adventurers

who followed in the steps of Columbus. Whatever doubts may arise

relative to the native origin of British metallurgy, and the works of

art of the European Bronze Period, in consequence of their most

characteristic illustrations being preserved in the mixed metal, bronze,

and not in pure copper: there is no room for any such doubts relative to

the primitive metallurgy of the New World. The American continent

appears to have had its two entirely independent centres of

self-originated metallurgic arts: its greatly prolonged but slight

progressive Copper Period; and apart from this, and in part at least

contemporaneous with it, a separate Bronze Period, with its distinct

centres of more advanced civilisation and better regulated metallurgic

industry, in which the value of metallic alloys was practically

understood.

The great copper region of North America lies along the shores of Lake

Superior, and on its larger islands between the 46th and 48th parallels

of north latitude; and from thence its metallic treasures were diffused

by primitive commercial exchanges, throughout the whole vast regions

watered by the Mississippi and its tributaries: including also the

Atlantic states, and the shores of the great lakes. But southward and

westward of this area of diffusion, the Rio Grande and its tributaries,

with the Rio Colorado, drain a country modified by very diverse

conditions of climate, and having a totally distinct centre of

metallurgic wealth and civilising influences. In this central region of

the twin continents of America, as well as independently in tropical

Peru, native civilisation had advanced a considerable way, before it was

arrested and destroyed by the aggressions of foreign intruders. The

peculiar advantages derivable from the proximity of the distinct metals

had been discovered, and metallurgy had been developed into the

practical arts of a true American Bronze Age.

When Columbus, during his fourth voyage, landed on one of the Guanaja

islands, before making the adjoining mainland of Honduras, it was

visited by a large trading canoe, the size and freight of which equally

attracted his notice. It was eight feet wide, and in magnitude like a

galley, though formed of the trunk of a single tree. In the centre a

raised awning covered and enclosed a cabin, in which sat a cacique with

his wives and children; and twenty-five rowers propelled it swiftly

through the water. The barque is believed to have come from the province

of Yucatan, then about forty leagues distant, through a sea the stormy

violence of which had daunted the most hardy Spanish seamen. It was

freighted with a great variety of articles of manufacture, and of the

natural produce of the neighbouring continent; and among them Herrara

specifies “small hatchets, made of copper, small bells and plates,

_crucibles to melt copper_, etc.” Here, at length, was the true answer

to that prophetic faith which upheld the great discoverer, when, peering

through the darkness, the New World revealed itself to his eye in the

glimmering torch, which told him of an unseen land inhabited by man.

Here was evidence of the intelligent service of fire. Well indeed might

it have been for Columbus had he been obedient to the voice that thus

directed his way. All the accompaniments of the voyagers furnished

evidence of civilisation. They were clothed with cotton mantles. Their

bread was made of Indian corn, and from it also they had brewed a

beverage resembling beer. They informed Columbus that they had just

arrived from a country, rich, populous, and industrious, situated to the

west; and urged him to steer in that direction. But his mind was bent on

the discovery of the imaginary strait that was to lead him directly into

the Indian seas, and it was left to Cortez to discover the singular

seats of native civilisation of Mexico and Central America.

When at length the mainland was reached, the abundance and extensive use

of the metals became apparent; and as further discoveries brought to the

knowledge of the Spaniards the opulent and civilised countries of

Yucatan, Mexico, and Peru, they were more and more astonished by the

native metallic wealth. When the Spaniards first entered the province of

Tuspan, they mistook the bright copper or bronze axes of the natives for

gold, and were greatly mortified after having accumulated them in

considerable numbers to discover the mistake they had made. Bernal Diaz

narrates that “each Indian had, besides his ornaments of gold, a copper

axe, which was very highly polished, with the handle curiously carved,

as if to serve equally for an ornament, as for the field of battle. We

first thought these axes were made of an inferior kind of gold; we

therefore commenced taking them in exchange, and in the space of two

days had collected more than six hundred; with which we were no less

rejoiced, as long as we were ignorant of their real value, than the

Indians with our glass beads.”

Ancient Mexican paintings show that the tribute due by certain provinces

of the Mexican empire was paid in wedges of copper; and Dupaix describes

and figures examples of a deposit of two hundred and seventy-six

axe-heads, cast of alloyed copper, such as, he observes, “are much

sought by the silversmiths on account of their fine alloy.” The forms of

these, as well as of the chisels and other tools of bronze, are simple,

and indicate no great ingenuity in adapting the moulded metal to the

more perfect accomplishment of the artificer’s or the combatant’s

requirements. The methods of hafting the axe-blade, as illustrated by

Mexican paintings, are nearly all of the same rude description as are

employed by the modern savage in fitting a handle to his hatchet of

flint or stone; and, indeed, the whole characteristics of the

metallurgic and artistic ingenuity of Mexico and Peru are suggestive of

immature development; though, from the nature of Peruvian institutions,

the civilisation of the latter, like that of China, may have long

existed, with slight and intermittent manifestations of progress. It was

indeed, in many respects, the transitional Bronze Period of the New

World, in which not only the arts of an elder stone-period had been very

partially modified by metallurgic influences, but in which the sword, or

_mahguahuitl_, made of wood, with blades of obsidian inserted along its

edge, the flint or obsidian arrow-head, the stone hatchet, and other

weapons, were still in common use, along with those of metal.

Yet such traces of primitive arts are accompanied with remarkable

evidence of progress in some directions. Humboldt remarks, in his _Vues

des Cordillères_, on the surprising dexterity shown by the Peruvians in

cutting the hardest stones; and, after reference to the observations of

other travellers, he adds:—“I conjectured that the Peruvians had tools

of copper, which, mixed with a certain proportion of tin, acquires great

hardness. This conjecture has been justified by the discovery of an

ancient Peruvian chisel, found at Vilcabamba, near Cuzco, in a silver

mine worked in the time of the Incas. This valuable instrument, for

which I am indebted to the friendship of the Padre Narcisse Gilbar, is

four and seven-tenth inches long, and four-fifths of an inch broad. The

metal of which it is composed has been analysed by M. Vauquelin, who

found in it 0·94 of copper, and 0·06 of tin.” Unfortunately, the

composition of Mexican and Peruvian bronzes has hitherto attracted so

little attention, that it is impossible to obtain many accurate records

of analyses, or to procure specimens to submit to chemical tests. Dr. J.

H. Gibbon, of the United States Mint, favoured me with the analysis of

another chisel or crowbar, brought from the neighbourhood of Cuzco by

his son, Lieutenant Lardner Gibbon, who formed one of the members of the

Amazon Expedition. Through the kind services of Mr. Thomas Ewbank, of

the American Ethnological Society, I also obtained, in addition to

results determined by himself, eight specimens of such Peruvian

implements, though only a portion of them proved to be of metallic

alloys. They were submitted to careful analysis by my colleague,

Professor Henry Croft, and the results in reference to the bronzes are

given on a subsequent page. Mr. Squier, in the Appendix to his

_Aboriginal Monuments of the State of New York_, engraves an implement

found with various Peruvian knives and chisels, about the person of a

mummy, taken by Mr. J. H. Blake, of Boston, from an ancient cemetery

near Arica. On analysis, it proved to contain about four per cent. of

tin. More recently I inspected a valuable collection of antiquities

brought by Mr. Blake from Peru, including a variety of bronze

implements; and he has favoured me with the following results:—“Many

years ago, I made a series of analyses of bronze instruments, knives,

chisels, hoes, etc., which I found in ancient cemeteries in Peru in

connection with embalmed bodies. I have not been able to find my notes

made at the time; but I know that they consisted of copper and tin only,

and that the proportion of the latter varied from upwards of two to four

per cent. After receiving your last letter, I made an analysis of a

small knife found by me, with many other articles, with the body of a

man, in the ancient cemetery near Arica, in South Peru. The handle is of

the same metal as the blade, and at right angles with it, being joined

at the middle. The end is fashioned to represent the head of a llama. On

analysis, the composition proves to be: Copper, 97·87; tin, 2·13.” Dr.

C. T. Jackson communicated another analysis of a “Chilian bronze

instrument, probably a crowbar,” to the Boston Natural History Society.

It contained 7·615 parts of tin, and is described by him as a bronze,

well adapted for such instruments as were to be hammer-hardened.[81] The

general results indicate a variable range of the tin alloy, from 2·130

to 7·615 per cent.; which, in so far as any general inference can be

drawn from so small a number of examples, shows a more indeterminate and

partially developed metallurgy than the analyses of primitive European

bronzes disclose.

Such is all the evidence I have been able to obtain relative to the

composition of Peruvian alloys, and the progress indicated thereby in

scientific metallurgy. It accords with other evidence of their mining

operations. During a recent visit to Peru Mr. James Douglas obtained for

me a set of primitive stone mining implements recovered from an ancient

shaft, exposed in working the Brillador mine, in the Province of

Coquimbo, Chili. They consist of a maul of granite, eight inches long,

with a groove wrought round the centre and over the thicker end; one of

diorite, also with a groove about one-third from the thicker end; a

conical hammer of granite; and another implement made of diorite,

apparently designed for pounding the copper ore. It has indentations

worked in the sides for the fingers and thumb; and when found was

covered at one end with green oxide of copper, as if from use in

pounding the ore. Near the mine are ancient graves indicated by circles

of stones; within which the skeletons are disposed in a sitting posture,

accompanied by conical bones and rude pottery. Such mining implements

were, no doubt, supplemented with others of metal; but so far as they

illustrate the progress of the ancient miners of Chili, the evidence

fully accords with the ideas otherwise formed of the Peruvians as a

people who had discovered for themselves the rudiments of civilisation,

but who had as yet very partially attained to any mastery of the arts

which have been matured in modern centuries for Europe. This agrees with

the description furnished by Dr. Tschudi of some of the metallurgic

processes still practised in Peru. “The Cordillera, in the neighbourhood

of Yauli,” he remarks, “is exceedingly rich in lead ore containing

silver. Within the circuit of a few miles above eight hundred shafts

have been made, but they have not been found sufficiently productive to

encourage extensive mining works. The difficulties which impede

mine-working in these parts are caused chiefly by the dearness of labour

and the scarcity of fuel. There being a total want of wood, the only

fuel that can be obtained consists of the dried dung of sheep, llamas,

and huanacos. This fuel is called _taquia_. It produces a very brisk and

intense flame, and most of the mine-owners prefer it to coal. The

process of smelting, as practised by the Indians, though extremely rude

and imperfect, is adapted to local circumstances. All European attempts

to improve the system of smelting in these districts have either totally

failed, or in their results have proved less effective than the simple

Indian method. The Indian furnaces can, moreover, be easily erected in

the vicinity of the mines, and when the metal is not very abundant the

furnaces may be abandoned without any great sacrifice. For the price of

one European furnace the Indians may build more than a dozen, in each of

which, notwithstanding the paucity of fuel, a considerably greater

quantity of metal may be smelted than in one of European construction.”

At the village of Yauli, near the mines referred to, situated at an

elevation of 13,100 feet above the sea, from twelve to fourteen thousand

Indians are congregated together, chiefly engaged in mining, after the

fashion handed down to them from generations before the Conquest. Their

processes correspond with the imperfect results disclosed by the

analysis of native alloys; as well as by other proofs that the Peruvians

were also accustomed to work the native copper into tools and personal

ornaments for common use, very much in the same fashion as the ancient

metallurgists of the Ohio valley.

The contrast which the civilisation alike of Mexico and Peru presents,

when compared with the highest arts pertaining to any of the tribes of

North America, is well calculated to excite admiration. But the wonder

of the Spanish conquerors at their gems and gold, the ready credulity of

the missionary priests in their anxiety to magnify the gorgeous paganism

which they had overthrown, and the patriotic exaggeration of later

chroniclers of native descent, have all tended to overdraw the picture

of the beneficent despotism of the Incas of Peru; or the crueller but

not less magnificent rule of the Caciques of Mexico. With a willing

credulity Spanish historians perpetuated what the Peruvian Garcilasso

and the Mexican Ixtlilxochitl related, in their adaptations of native

history and traditions to European conceptions. Religious, political,

and social analogies to European ideas and institutions, accordingly,

strike the modern student with wonder and admiration; nor has the gifted

author of the _Conquests of Mexico and Peru_ always sufficiently

discriminated between the glowing romances begot by an alliance between

the barbarous magnificence of a rude native despotism and the associated

ideas of European institutions. The metallic treasures of the Incas of

Peru are probably not exaggerated; and if so, the precious metals with

which their palaces and temples were adorned would have been the index,

in any European capital, of a wealth sufficient to employ the

merchant-navies of Venice, Holland, or England in the commerce of the

world. But in Peru this was the mere evidence of the abundance of the

precious metals in a country where they were as little the

representatives of a commercial currency as the feathers of the

coraquenque, which were reserved exclusively for the decoration of

royalty.

The Peruvians occupied a long extent of sea-coast, but no commercial

enterprise tempted them to launch their navies on the Pacific, excepting

for the most partial coasting transit. The great mass of the people

patiently wrought to produce from their varied tropical climates and

fertile soil the agricultural produce on which the entire community

depended; resembling in this, as well as in the vast structures wrought

by a patiently submissive people at the will of their absolute rulers,

the great oriental despotisms when in their earliest and least

licentious forms. Their own traditions traced the dawn of their

government no further back than the twelfth century; and the

characteristics of their imperfect and unequally developed civilisation

confirm the inference that they have not in this respect departed from

the invariable tendency of historic myth and tradition to exaggerate the

national age. Extensive ruins still existing on the shores of Lake

Titicaca are affirmed by the Peruvians to have existed before the Incas

arrived. But slight importance can be attached to the traditions of an

unlettered people concerning events of any kind dating four or five

centuries back. The authority of Bede is of little value relative to

Jute or Anglo-Saxon colonisation less than three centuries before his

time; and the modern New Englander, with deeds and parchments, as well

as abundance of printed history to help his tradition, cannot make up

his mind as to whether the famous Newport Round Tower was built by a

Norse viking of the eleventh, or a New England miller of the seventeenth

century. “No account,” says Prescott, “assigns to the Inca dynasty more

than thirteen princes before the Conquest. But this number is altogether

too small to have spread over four hundred years, and would not carry

back the foundations of the monarchy, on any probable computation,

beyond two centuries and a half—an antiquity not incredible in itself,

and which, it may be remarked, does not precede by more than half a

century the alleged foundation of the capital of Mexico.” Humboldt, in

his _Vues des Cordillères_, indicates the borders of Lake Titicaca, the

district of Callao, and the high plains of Tiahuanaco, as the theatre of

ancient American civilisation; and Prescott, in view of the apparently

recent origin of the Incas, assumes that they were preceded in Peru by

another civilised race, which, in conformity with native traditions, he

would derive from this same cradle-land of South American arts. Beyond

this, however, he does not attempt to penetrate into that unchronicled

past. Who this people were, and whence they came, may afford a tempting

theme for inquiry to the speculative ethnologist; but it is a land of

darkness lying beyond the domain of history. The same mists that hang

round the origin of the Incas continue to settle on their subsequent

annals; and so imperfect were the records employed by the Peruvians, and

so confused and contradictory their traditions, that the historian finds

no firm footing on which to stand till within a century of the Spanish

conquest.

In reality only a very small portion of what is called Peruvian history

prior to that conquest can be regarded as anything but a historical

romance; and the exaggerated conceptions relative to the completeness

and consistent development alike of Peruvian and Mexican civilisation,

are based on the old axiom which has so often misled the archæologist,

_ex pede Herculem_.

Viewed, however, without exaggeration, the progress in mechanical skill

and artistic ingenuity attained by both of the semi-civilised American

nations, is very remarkable; and seems to find its nearest analogy among

the modern Chinese and Japanese. Small mirrors of polished bronze now in

use in Japan exactly reproduce some of those found in the royal tombs of

Peru. These tombs of the Incas, and also their royal and other

depositories of treasure, have disclosed many specimens of curious and

elaborate metallurgic skill: bracelets, collars, and other personal

ornaments of gold, vases of the same abundant precious metal, and also

of silver; mirrors of burnished silver and bronze, as well as of

obsidian; polished masks, rings, and cups of the same intractable

material; finely adjusted balances made in silver; bells both of silver

and bronze; and numerous commoner articles of copper, or of the more

useful alloy of copper and tin, of which their tools were chiefly made.

But while the arts of civilisation were being fostered on those southern

plateaux of the Andes, another seat of native American civilisation had

been founded on the corresponding plateaux of the northern continent,

and the Aztecs were building up an empire even more marvellous than that

of the Incas. The site of the latter is among the most remarkable of all

the scenes consecrated to such memories. On the lofty table-land which

lies between the Gulf of Mexico and the Pacific Ocean, at an elevation

of nearly seven thousand five hundred feet, the valley of Mexico lies

engirdled by its ramparts of porphyritic rock, like a vast fortress

provided by nature for guarding the infancy of American civilisation.

Here was the scene of the heroic age of Toltec Art, where the

foundations of all later progress were laid, and architecture achieved

its earliest triumphs in the New World on the temples and towers of

Tula, the ruined remains of which attracted the attention of the

Spaniards at the time of the Conquest. But the history of the Toltecs

and their ruined edifices stands on the border lines of romance and

fable, like that of the Druid builders of Carnac and Avebury. To them,

according to tradition and such historical evidence as is accessible,

succeeded their Aztec or Mexican supplanters, along with the Acolhuans,

or Tezcucans, as they were latterly called from their capital Tezcuco.

Mr. Edward B. Tylor describes an ancient arch which still stands there.

It is a skew-bridge of twenty feet span, built with slabs of stone set

on edge in the form of a roof resting on two buttresses; and is an

ingenious approximation to the true arch.[82] On the opposite shores of

the same Mexican lake, the largest of five inland waters that

diversified the surface of that great table-land valley, stood Tezcuco

and Mexico, the capitals of the two most important states within which

the native civilisation of the North American continent developed

itself. From the older Toltecans, the encroaching Tezcucans are believed

to have derived the germs of that progress, which is best known to us in

connection with the true Aztec or Mexican state. Legends of the golden

age and heroic races of Anahuac abound, and have been rendered into

their least extravagant forms by the patriotic zeal of Ixtlilxochitl, a

lineal descendant of the royal line of Tezcuco. But the true Mexicans

are acknowledged to be of recent origin, and the founding of Mexico is

assigned to A.D. 1326. Among the special evidences of their civilisation

is their calendar. By the unaided results of native science the dwellers

on the Mexican plateau had effected an adjustment of civil to solar

time, so nearly correct that when the Spaniards landed on their coast,

their own reckoning, according to the unreformed Julian calendar, was

nearly eleven days in error, compared with that of the barbarian nation

whose civilisation they so speedily effaced. But the difference thus

noted represented in the European calendar the accumulated error of

upwards of sixteen centuries; so that the approximation of Mexican

computation to true solar time is probably only a proof of the recent

adjustment of their calendar; and so confirms the probability of the

founding of the Mexican capital within two centuries of its overthrow.

But the founders of Tenochtitlan, as the new capital was called, were a

vigorous, enterprising, and ferocious race. The later name of Mexico was

derived from the Aztec war-god Mexitli, whose favours to his votaries

enabled them to form a powerful state by conquest, to enrich themselves

with spoil, and to replace the rude structures of their city’s founders

with substantial and ornate buildings of stone.

Whatever gloze of mild paternal absolutism may linger around our

conceptions of the prehistoric chronicles of Peru, a clearer light

illuminates the harsh realities of Mexican sovereignty. The god of war

was the supreme deity of the Aztecs, worshipped with hideous rites of

blood. Their civil and military codes, according to the narrative of

their conquerors, were alike cruel as that of Draco; and their religious

worship was a system of austere fanaticism and loathsome butchery, which

seemed to refine the cruelties of the Red Indian savage into a ritual

service fit only for the devil. But besides their hideous war-god, the

Mexican mythology was graced by a beneficent divinity, named

Quetzalcoatl, the instructor of the Aztecs in the use of metals, in

agriculture, and in the arts of government. This and similar elements of

Mexican mythology have been regarded as traces of a milder faith

inherited from their Toltecan predecessors. The idea is one supported by

many probabilities, as well as by some evidence. The early history of

the Northmen, however, in which we witness the blending of a rich poetic

fancy, wherein lay the germ of later Norman romance and chivalry, with

cruelties pertaining to a creed little less bloody than that of the

Mexican warrior, shows that no such theory is needed to account for the

incongruities of the religious system of the Aztecs. In truth, the

ferocity of a semi-barbarous people is often nothing more than its

perverted excess of energy; and, as has been already noted in reference

to the Caribs, is more easily dealt with, and turned into healthful and

beneficent action, than the cowardly craft of the slave. It is only when

such hideous rites are consciously engrafted on the usages of a people

already far in advance of such a semi-barbarous childhood, as in the

adoption of the Inquisition by Spain at the commencement of its modern

history, that they prove utterly baneful; because the nation is already

past that stage of progress in which it can naturally outgrow them.

Hideous, therefore, as were the human sacrifices, with their annual

thousands of victims; the offerings of infants to propitiate Tlaloc,

their rain-god; and the loathsome banquets on the bodies of their

sacrificed victims:—if indeed this be not an exaggeration of Spanish

credulity and fanaticism;—it is nevertheless difficult to concur in the

verdict of the gifted historian of _The Conquest of Mexico_, that “it

was beneficently ordered by Providence that the land should be delivered

over to another race who would rescue it from the brutish superstitions

that daily extended wider and wider, with extent of empire.” The rule of

the conquerors, with their Dominican ministers of religion, was no

beneficent sway; and its fruits in later times have not proved of such

value as to reconcile the student of that strange old native

civilisation of the votaries of Quetzalcoatl, to its abrupt arrestment,

at a stage which can only be paralleled by the earlier centuries of

Egyptian progress.

Metallurgic arts were carried in some respects further by the Mexicans

than by the Peruvians. Silver, lead, and tin were obtained from the

mines of Tasco and Pachuca; copper was wrought in the mountains of

Zacotollan, by means of galleries and shafts opened with persevering

toil where the metallic veins were imbedded in the solid rock; and

there, as at the Lake Superior copper regions, the traces of such

ancient mining have proved the best guides to modern searchers for the

ores. The arts of casting, engraving, chasing, and carving in metal,

were all practised with great skill. Vessels both of gold and silver

were wrought of enormous size: so large, it is said, that a man could

not encircle them with his arms; and the abundant gold was as lavishly

employed in Mexico as in Peru, in the gorgeous adornment of temples and

palaces. Ingenious toys, birds and beasts with moveable wings and limbs,

fish with alternate scales of silver and gold, and personal ornaments in

great variety, were wrought by the Mexican goldsmiths of the precious

metals, with such curious art, that the Spaniards acknowledged the

superiority of the native workmanship over anything they could achieve.

When Cortes first entered the capital of Montezuma in 1513, the Mexican

ruler received him in the palace built by his father Axayacatl, and hung

round his neck a decoration of the finest native workmanship. The shell

of a species of craw-fish, set in gold, formed the centre, and massive

links of gold completed the collar, from which depended eight ornaments

of the same metal, delicately-wrought in imitation of the prized

shell-fish.

The arts thus practised on the great plateau extended to the most

southern limits of the North American continent. The ancient graves of

the Isthmus of Panama have been ransacked by thousands in recent years,

from the temptation which the gold relics they contain hold out to their

explorers. Those include representations of beasts, birds, and fishes,

frogs, and other objects, imitated from nature, often with great skill

and ingenuity. One gold frog which I examined had the eyes hollow, with

an oval slit in front, and within each a detached ball of gold, which

appeared to have been executed in a single casting. This insertion of

detached balls is frequently met with in the pottery, as well as in the

goldsmith’s work of the Isthmus, and is singularly characteristic of a

peculiar phase of local art. Human figures, and monstrous or grotesque

hybrids wrought in gold, with the head of the cayman, the eagle, and

other animals, attached to the human form, are also found in the same

graves; but, so far as my own opportunities of observation enable me to

judge, the human figure generally exhibits inferior imitative skill and

execution to the representations of other animate subjects. But all

alike display abundant metallurgic art. Soldering as well as casting was

known to the ancient goldsmith, and the finer specimens have been

finished with the hammer and graving-tool. Judging from the condition of

the human remains found in those huacas of the peninsula, they are

probably of a much higher antiquity than the era of Mexican

civilisation; and lying as they do in the narrow isthmus between the

twin continents, they suggest the probability of a common source for the

origin of Peruvian and Aztec arts.

But while the Mexicans wrought their ingenious toys, lavished their

inexhaustible resources of gold and silver in personal decoration, and

adorned their public edifices with scarcely less boundless profusion

than the Peruvians, they had learned to some extent the practical value

of gold and other metals as a convenient currency. By means of this

equivalent for the gold and silver coinage of Europe, the interchange of

commodities in the great markets of Mexico was facilitated, and an

important step in the progress towards a higher stage of civilisation

secured. This metallic currency consisted of pieces of tin cut in the

form of a =T= or stamped with a similar character, and of transparent

quills filled with gold dust. These were apparently regulated to a

common standard by their size: for the use of scales and weights, with

which the Peruvians were familiar, appears to have been unknown in

Mexico.

The nature of the Mexican currency accords with the knowledge and

experience of a people among whom metallurgic arts were of comparatively

recent origin. The easily fused tin, and the attractive and accessible

gold-dust, supplied ready materials for schooling the ingenious

metallurgist in the use of the metals. Copper was probably first

employed when found in a pure metallic state, as among the old miners of

Lake Superior; while the art of fusing, taught by the Aztec Tubal-Cain,

was tried only on the readily-yielding tin. By this means the arts of

smelting and moulding the ores would be acquired, and applied to copper,

silver, and gold, as well as to tin. Accident might suggest the next

important stage, that of metallic alloys; but under the circumstances

alike of Peruvian and Mexican civilisation, progressing in regions

abounding with the most attractive and easily-wrought metals, it is not

difficult to conceive of the independent discovery of the useful bronze

alloy. Yet by the standard composition of their bronze, far more than by

the ingenious intricacy of their personal ornaments, utensils, and

architectural decorations, the actual progress of the Incas or of the

Aztecs may fairly be tested. The delight of the savage in personal

adornment precedes even the needful covering of his nakedness, and the

same propensity long monopolises the whole inventive ingenuity of a

semi-barbarous people; while the useful bronze tools embody the true

germs of incipient civilisation. Tested by such a standard, the

metallurgic arts of Peru furnish evidence of very partial development.

The alloy of copper and tin, when destined for practical use in

manufacture, is found to possess the most serviceable qualities when

composed of about ninety per cent. of copper to ten of tin; and so near

is the approximation to this theoretical standard among the bronze

relics of the ancient world, that the archæologists of Europe have been

divided in opinion as to whether they should assume a Phœnician or other

common origin for the weapons, implements, and personal ornaments of

that metal found over the whole continent; or that the mixed metal,

derived from a common centre, was manufactured in various countries of

Europe into the objects of diverse form and pattern abounding in their

soil, or deposited among their sepulchral offerings.

But the approximation to a uniform alloy is no more than would

inevitably result from the experience of the extreme brittleness

resulting from any undue excess of the tin. Accident, or the natural

proximity of the metals or ores, as they occur in the mineral regions of

England, may have furnished the first disclosure of the important

secret. But that once discovered, the subsequent steps were inevitable.

Having ascertained that he could produce a harder and more useful

compound than the pure copper by alloying it with tin, the native

metallurgist would not fail to vary the proportions of the latter till

he had obtained a sufficiently near approximation to the best bronze, to

answer the purposes for which it was designed. No interchange of

experience was necessary to lead the metallurgists of remote regions to

similar results; nor would a closer correspondence between the

proportionate ingredients of the native American and European bronze

than has yet been detected, indicate more than common aims, and the

inevitable experience, consequent on the properties of the varying

alloy, leading to corresponding results.

The following table of analyses of ancient European bronze relics will

suffice to show how little foundation there is for the assumption of any

common origin for the alloy of which they were made; and the

corresponding evidence of proportionate ingredients disclosed by

analyses of native American bronzes, disproves the theory of any

European or other foreign source for the metallurgic arts of the New

World.

ANALYSES OF ANCIENT BRONZES.

No.│ │Coppe│Tin. │Lead.│Iron.│Silve

│ │ r. │ │ │ │ r.

1.│Caldron, Berwickshire, │92·89│ 5·15│ 1·78│ │

2.│Sword, Duddingston, │88·51│ 9·30│ 2·30│ │

3.│Kettle, Berwickshire │88·22│ 5·63│ 5·88│ │

4.│Axe-head, Mid-Lothian, │88·05│11·12│ 0·78│ │

5.│Caldron, Duddingston, │84·08│ 7·19│ 8·53│ │

6.│Palstave, Fifeshire, │81·19│18·31│ 0·75│ │

7.│Vessel, Ireland, │88·00│12·00│ │ │

8.│Wedge, ” │94·00│ 5·09│ │ 0·01│

9.│Sword, ” │88·63│ 8·54│ 2·83│ │

10.│Sword, ” │83·50│ 5·15│ 8·35│ 3·00│

11.│Lituus, Lincolnshire, │88·00│12·00│ │ │

12.│Roman patella, ” │86·00│14·00│ │ │

13.│Spear-head, ” │86·00│14·00│ │ │

14.│Scabbard, ” │90·00│10·00│ │ │

15.│Axe palstave, Cumberland, │91·00│ 9·00│ │ │

16.│Axe-head, ” │88·00│12·00│ │ │

17.│Vessel, Cambridgeshire, │88·00│12·00│ │ │

18.│Axe-head, Ireland, │91·00│ 9·00│ │ │

19.│Sword, Thames, │89·69│ 9·58│ │ 0·33│

20.│Sword, Ireland, │85·62│10·02│ │ 0·44│

21.│Celt, ” │90·68│ 7·43│ 1·28│ │

22.│Axe-head, ” │90·18│ 9·81│ │ │

23.│Axe-head, ” │89·33│ 9·19│ │ │

24.│Celt, ” │83·61│10·79│ 3·20│ 0·58│

25.│Celt, King’s Co., Ireland,│85·23│13·11│ 1·14│ │

26.│Drinking-horn, ” ” │79·34│10·87│ 9·11│ │

27.│Celt, Co. Cavan, ” │86·98│12·57│ │ │ 0·37

28.│Celt, ” │98·74│ 1·09│ │ 0·08│ 0·06

29.│Celt, Co. Wicklow, ” │88·30│10·92│ 0·10│ │

30.│Celt, Co. Cavan, ” │95·64│ 4·56│ 0·25│ │ 0·02

31.│Spear-head, ” │86·28│12·74│ 0·07│ 0·31│

32.│Spear-head, ” │84·64│14·01│ │ │

33.│Scythe, Roscommon, ” │95·85│ 2·78│ 0·12│ 1·32│

34.│Sword-handle, ” │87·07│ 8·52│ 3·37│ │

35.│Sword, ” │87·94│11·35│ 0·28│ │

36.│Dagger, ” │90·72│ 8·25│ 0·87│ │

37.│Chisel, ” │91·03│ 8·39│ │ │

38.│Caldron, ” │88·71│ 9·46│ 1·66│ 0·03│

39.│Sword, France, │87·47│12·53│ │ │

40.│Spear-head, Northumberland, │91·12│ 7·97│ 0·77│ │

Nos. 1-6. Dr. George Wilson.

7-8. Dr. J. H. Gibbon, U.S. Mint.

9-10. Professor Davy.

11-18. Dr. Pearson, _Philosoph. Trans._ 1796.

19-24. J. A. Philips, _Mém. Chem. Soc._, iv. p. 288.

25, 26. Dr. Donovan, _Chem. Gazette_, 1850, p. 176.

27-38. Mr. J. W. Mallet, _Transactions R. I. A._ vol.

xxii. p. 325.

39. Mongez, _Mém. de l’Institut_.

40. Dr. E. Macadam, _Proceed. S. A. Scot._ viii. 300.

In No. 31 is also Cobalt, ·09; in No. 37, Antimony, ·04; and in

No. 41, Arsenic, ·03.

From the varied results which so many analyses disclose, ranging as they

do from 79 to 98 per cent. of copper; as well as from the diversity of

the ingredients: it is abundantly obvious that no greater uniformity is

traceable, than might be expected to result from the operations of

isolated metallurgists, very partially acquainted with the chemical

properties of the standard alloy, and guided for the most part by the

experience derived from successive results of their manufacture. It is

thus apparent that the various exigencies of the metallurgist, under the

control of a very ordinary amount of practical skill, would lead to the

determination of the best proportions for this useful alloy; though it

would only be after the accumulated fruits of isolated experiment had

been combined, that anything more than some crude approximation to the

best composition of bronze would be determined. Hence the value of

analytical evidence in determining the degree of civilisation of Mexico

and Peru, as indicated by their metallurgic arts. For the general

requirements of a tool, or weapon of war, where a sufficient hardness

must be obtained without any great liability to fracture, the best

proportions proved to be about 90 per cent. of copper to 10 of tin; or

with a small proportion of lead in lieu of part of the tin: which, as

further experience taught the primitive worker in bronze, communicates

to the cutting instrument a greater degree of toughness, and

consequently diminishes its liability to fracture. But where great

hardness is the chief requisite, as in certain engraving, carving, and

gem-cutting tools, the mere increase of tin in the alloy supplies the

requisite quality: until the excessive brittleness of the product gives

warning that the true limit has been exceeded. In this, I doubt not,

lies the whole secret of Mexican and Peruvian metallurgy, which has

seemed so mysterious, and therefore so marvellous to the most sagacious

inquirers.

The following table furnishes the results of analyses of various ancient

American bronzes. Few as the examples are, they afford definite

illustration of the subject under review, and supply some means of

comparison with the data already furnished relative to the ancient

bronzes of Europe.

ANALYSES OF ANCIENT AMERICAN BRONZES.

No.│ │Copper. │ Tin. │ Iron.

1.│Chisel from silver mines,│94· │6· │

│Cuzco, │ │ │

2.│Chisel from Cuzco, │92·385 │7·615 │

3.│Knife from grave, │97·87 │2·13 │

│Atacama, │ │ │

4.│Knife ” ” │96· │4· │

5.│Crowbar from Chili, │92·385 │7·615 │

6.│Knife from Amaro, │95·664 │3·965 │0·371

7.│Perforated axe, │96· │4· │

8.│Personal ornament, │95·440 │4·560 │

│Truigilla, │ │ │

9.│Bodkin from female grave,│96·70 │3·30 │

│do., │ │ │

Nos. 1. Humboldt.

2. Dr. J. H. Gibbon.

3, 4. J. H. Blake, Esq.

5. Dr. T. C. Jackson.

6, 7. Dr. H. Croft.

8, 9. T. Ewbank, Esq.

The comparison of this with the previous table indicates a smaller

amount of tin in the American bronze than in that of ancient Europe. For

some Egyptian spear-heads Gmelin gives, copper 77·60, tin 22·02; and the

composition of ancient weapons, armour, vessels, and coins, seems to

indicate such a systematic variation of proportions as implies the

result of experience in adapting the alloy for the specific purpose in

view. A much larger number of analyses would be desirable as data from

which to generalise on the metallurgic skill developed independently by

native American civilisation; but the examples adduced seem to show that

there is no lost secret for Europe to discover.

The native metallurgist had learned the art of alloying his ductile

copper with the still softer tin, and producing by their chemical

admixture a harder, tougher metal than either. But he does not appear to

have carried his observation so far as to ascertain the most efficient

proportions of the combining metals; or even to have made any very

definite approximation to a fixed rule, further than to use with great

moderation the alloying tin. He had discovered, but not entirely

mastered, a wonderful secret, such as in the ancient world had proved to

lie at the threshold of all higher truths in mechanical arts. He was

undoubtedly advancing, slowly but surely, on the direct course of

national elevation; and the centuries which have followed since the

conquests of Cortes and Pizarro might have witnessed in the New World

triumphs not less marvellous in the progress of civilisation than those

which distinguish the England of Victoria from that of the first Tudor.

But native science and art were abruptly arrested in their progress by

the Spanish conquistadors; and it is difficult to realise the conviction

that either Mexico or Peru has gained any adequate equivalent for the

loss which thus debars us from the solution of some of the most

interesting problems connected with the progress of the human race. Amid

all the exclusiveness of China, and the isolation of Japan, there is

still an unknown quantity among the elements of their civilisation

derived from the same sources as our own. But the America of the

fifteenth and sixteenth centuries was literally another world, securely

guarded from external influences. Nevertheless while all appears to have

been self-originated, we meet everywhere with affinities to the arts of

man elsewhere, and trace out the processes by which he has been guided,

from the first promptings of a rational instinct to the intelligent

development of many later steps of reason and experience.

-----

[78] _Méms. Chemical Society_, vol. iv. p. 288.

[79] _Edinburgh Philosophical Journal_, vol. vi. p. 357.

[80] _Prehistoric Annals of Scotland_ (2d ed.), vol. i. p. 319.

[81] _Proceedings_, _B. N. H. S._, vol. v., p. 63.

[82] Anahuac, p. 153.

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