CHAPTER XXI

TWO UNANSWERED LETTERS

During the night the yacht "Hallena" had steamed down through the Channel

Piombino, and the Tuscan Archipelago, studded with islands, and had

passed Rome, the Eternal City.

"Naples cannot be far off," thought Leo, for to the southeast is seen the

smoking torch of Mt. Vesuvius, southwest is the island of Ischia with its

extinct volcano, and beyond is Cape Miseno. The "Hallena" cautiously felt

her way among the luxuriant islands that guard the broad and beautiful

Bay of Naples and the Siren City. Her passengers had ample opportunity

to study the attractions of this justly celebrated locality.

Vesuvius, reflected in the smooth waters of the bay, lifts high her peak,

the ascending smoke coloring the white clouds above. At her feet lies

ancient Hurculaneum, submerged on the 24th of August, A.D. 79, by a flood

of molten lava.

Nearer the bay and only five miles from the volcano, is ancient Pompeii,

which was overwhelmed by the same eruption of Vesuvius. Pompeii was

buried, not with lava, but with tufa, ashes and scoriæ, and since 1755

has thus been the more easily and extensively uncovered. This ancient

Roman city was enclosed by walls and entered by several gates. Its

numerous streets were paved with lava. The traveler of to-day beholds

uncovered the one story and terraced houses, shops, mansions, the market

place, temples, theatres, and baths. In some of the houses were found

furniture, statues, paintings, books, medals, urns, jewels, utensils,

manuscripts, etc., all less injured than one would suppose.

Today more modern towns are located about the curved shore of this

unrivaled bay. The sparkling waters, the winding shore, the bold cliffs,

the threatening lava cone, the buried cities, all combine under the

bluest skies to make the Bay of Naples a Mecca for worshipers of the

beautiful.

On the deck of the "Hallena" stood the group of American tourists,

enchanted with the picturesque environment of historic Naples. The city

is built along the shore and up the sides of adjacent mountains. A mole,

with lighthouse, projects into the bay and forms a small harbor.

The sun had climbed towards the zenith, and shone full upon this fair

city, as the yacht entered the harbor. Many of the buildings are white,

five or six stories in height, with flat roofs covered with plants and

shrubbery. If the weather is favorable the inmates resort at sunset to

their roof-gardens to enjoy lovely views and the cool breezes from the

bay.

The Spiaggia, a popular thoroughfare, is adorned with statues, and

extends along the shore to the Tomb of Virgil, and the mole. It is

crowded every evening with Neapolitans in equipages, some elegant, and

some grotesque.

Two or three days were spent in studying the palaces and art galleries of

Naples. Of special interest is the national Museo Borbonico, which is

remarkable for its collection of antiquities. In the palmy days of Borne,

Naples was a luxurious retreat for emperors and wealthy citizens of the

great empire. Naples was the scene of a most disgraceful outrage in May,

1848, when it was plundered by the Lazzaroni, or Begging Community, and

fifteen hundred lives were lost.

When the sight-seeing in Naples was completed Captain Hall offered to

take the Harrises in his yacht back to Rome, but his offer was declined.

Good-byes were cordially exchanged and the "Hallena" steamed south to

Palermo, en route to Athens and other Levantine cities, while the

Harrises took the express for Rome.

Leo was glad to see the "Hallena" steam away, and to be with Lucille

aboard a train moving towards Rome. When the station in the eastern part

of the city was reached, a carriage conveyed the Harrises along the Corso

which at the hour of their driving was enlivened by many vehicles and

foot-passengers.

Leo told Lucille of the popular festivals at Rome, especially of the

Carnival that extends over several days, which consists of daily

processions in the Corso, accompanied by the throwing of bouquets and

comfits; the whole concluding with a horse race from the Piazza del

Popolo to Piazza di Venezia, upwards of a mile. On the last, or the

Moccoli evening, tapers are lighted immediately after sunset. Balconies

most suitable for observing these animated scenes are expensive, but

always in great demand, especially by tourists.

Colonel Harris took his family and Leo to an excellent hotel on the

Piazza de Popolo. The weather being uncomfortably warm, it was decided

to spend only a few days in the city, and go as soon as possible to the

country. Leo was very familiar with Rome, ancient and modern, and he

felt that weeks were absolutely necessary to study and comprehend the

grandeur of a city that for so many centuries had been mistress of the

world. He agreed with Niebuhr, "As the streams lose themselves in the

mightier ocean, so the history of the people once distributed along the

Mediterranean shores is absorbed in that of the mighty mistress of the

world."

Leo back again in Rome was in an ecstasy of joy. Here Greece had laid at

the feet of Rome her conqueror, the accumulated art treasures of ages.

Here Leo could have keenest delight, where he moved among the noblest

examples of antique sculpture, which filled the galleries and chambers of

the Vatican and Capitol. Most of the night he lay awake, planning how he

could in so short a time exhibit to his American friends Rome and her

wealth of art. At breakfast he said, "A whole day is needed to inspect

the Forum Romanum, a day each, for the Capitoline Hill, the Appian Way,

and many other historic localities in this seven-hilled city."

Leo, acting as guide, took his party to the Pincian Hill near the

northern wall, a fashionable resort with fine boulevards and frequent

band music. From the summit, he pointed out the yellow Tiber, which winds

for seventeen miles to the sea. The larger part of modern Rome lies on

the left bank of the Tiber, and covers three historic hills. Towering

above the tops of the buildings are the domes and spires of nearly four

hundred churches of which the dome of St. Peter's is the most imposing.

In sight beyond are the Capitol, the ruins of the Colosseum, and ancient

tombs along the Appian Way. To the west on the Palatine Hill are the

ruins of the palace of the Cæsars, and outside the walls, on the broad

Campagna, are the remains of several aqueducts converging on the city,

some of which, restored, are in use to-day.

The day's ride included a visit to Agrippa's Pantheon, now denuded of its

bronze roofing and marble exterior. A circular opening in the huge dome

admits both light and rain. Leo standing with Lucille by the tomb of

Raphael in one of the recesses, for a moment was silent. Then he said,

"Lucille, it is impossible to fully appreciate the many and beautiful

works of this 'prince of painters.' He was born on Good Friday, 1483, and

lived exactly thirty-seven years. He was of slight build, sallow, and had

brown eyes. Over nine hundred prints of his works are known. Besides his

works in fresco at the Vatican, for a time he had charge of the

construction of St. Peter's, and he also painted masterpieces now at

Bologna, Dresden, Madrid, Hampton Court, and executed numerous

commissions for Leo X.; and Madonnas, holy families, portraits, etc.,

for others. Raphael stands unrivaled, chiefly in his power to portray

lofty sentiments which persons of all nationalities can feel, but few

can describe. He also excelled in invention, composition, simplicity

and grandeur. For moral force in allegory and history, and for fidelity

in portrait, Raphael was unsurpassed. His last and most celebrated oil

picture, the transfiguration, unfinished, stood at his head as his body

lay in state."

Colonel Harris was interested in the restored Triumphal Arch of Titus

erected to commemorate the defeat of the Jews A.D. 70, also in the

beautiful Arch to Severus. At the end of the Rostra, or Orators' Tribune

was the Umbilicus Urbis Romae, or ideal center of Rome and the Roman

Empire. True it was that all roads led to Rome. Leo and Lucille visited

by moonlight the ruins of the great Colosseum, and the lights and shadows

in the huge old stone and brick amphitheater, made it look all the more

imposing and picturesque.

On the morning of the second day Leo Colonna guided his friends down the

Via di Ripetta, stopping at the Mausoleum of Augustus, which in the

middle ages was used by the Colonnas as a fortress. Then continuing down

the left bank of the Tiber, the Ponte S. Angelo was reached. This ancient

bridge of five arches leads directly to the Castello S. Angelo, the

citadel of Rome, which originally was a tomb erected by Hadrian for

himself and successor. The tomb is 240 feet in diameter, and must have

been very beautiful, as it was once encrusted with marble. Statues stood

around the margin of the top, and above all a colossal statue of Hadrian

himself. Later the Goths, veritable iconoclasts, converted this tomb of

the emperors into a fortress, hurling the marble statues down on the

besiegers. For centuries this castle-tomb was used as a stronghold by

the party in power to maintain their sway over the people. In 1822 Pius

IX. refortified the castle. In it was seen the gloomy dungeon where

Beatrice Cenci and others were incarcerated.

The Harrises drove down the Borgo Nuovo to the church of St. Peter. Its

approach is through a magnificent piazza ornamented on the right and left

by two semicircular porticoes of 284 columns, which are surmounted by an

entablature, and 192 statues, each eleven feet in height. It is claimed

that the origin of the Cathedral of St. Peter is due to the impulse

given by Pope Julius II. who decided to erect a grand monument for

himself in his life-time, and the new edifice was needed to shield it.

St. Peter's was begun in 1506 and dedicated in 1626.

Bramante's wonderful plans were accepted, and both Michael Angelo and

Raphael aided in its construction. From a Greek cross rises a gigantic

dome, which is one of the boldest and most wonderful efforts of

architecture. Lucille recalled Byron's description,

"The vast and wondrous dome,

To which Diana's marvel was a cell."

Entering this mighty cathedral, Colonel Harris was bewildered with its

grand and harmonious interior. The height from the pavement to the cross

rivals the height of the Washington monument. The nave is 607 feet in

length, and the transept is 445 feet. St. Paul's at London covers only

two acres, St. Peter's five acres. The cost of the former was $3,750,000,

the cost of the latter from $60,000,000 to $80,000,000.

The Harrises visited St. John Lateran, the mother-church of the Eternal

City, where Popes were crowned, and where on Ascension Day, from one of

its balconies, the Pope's benediction to the people is pronounced.

They also visited the restored St. Paul's Church outside the walls. Its

interior is of vast dimensions. It was built of valuable materials, and

the whole is very imposing. Especially was Lucille impressed with the

long series of portrait medallions of all the Popes from St. Peter to Leo

X. worked in mosaic above the polished columns.

Many monuments in St. Peter's were erected to the memory of several of

the famous Popes. The Vatican, the largest palace in Europe, is where the

Popes came to reside after their return from Avignon, France, in 1377,

for here they felt much security in the vicinity of the Castle S. Angelo,

with which it communicated by a covered gallery. For a time the Popes

vied with each other in enlarging and embellishing the Vatican, which

covers an immense space, and is a collection of separate buildings; the

length is 1150 feet, and the breath 767 feet. The Vatican is said to

contain 20 courts, and 11,000 halls, chapels, salons, and private

apartments, most of which are occupied by collections and show-rooms,

while only a small part is set apart for the papal court.

The Harrises visited the most celebrated portions of the Vatican; the

Scala Regia, covered with frescoes of events in Papal history, the

Sistine Chapel, adorned with fine frescoes by Michael Angelo, including

the Last Judgment. Here the Cardinals meet to elect the Pope, and here

many of the most gorgeous ceremonies of the Roman Catholic Church are

performed.

Equally enthusiastic were Leo and Lucille over Raphael's superb frescoes

in the Loggie, and in the chambers adjoining. The few pictures in the

gallery are scarcely surpassed. The museum contains some of the noblest

treasures of art, including the Laocoon, and Apollo Belvidere. The

library is very valuable. The superb palace of the Quirinal has beautiful

gardens.

Besides the several elegant public palaces in Rome, there are in and near

the city over sixty private palaces or villas; the finest of which is the

Barberini Palace. Several of the villas are located above terraces amid

orange and citron groves, and they are ornamented with statues and

fountains. Leo with pride took his friends to see the Colonna Palace,

which contained many old portraits of his family.

After dinner a drive was taken outside the Porta del Popolo to the

magnificent Villa Borghese and the Pincian Hill. It was planned to visit

on the morrow the gallery Borghese, next to the Vatican, the most

important in Rome. It was dark as Leo returned with his party to the

hotel. The landlord handed him a gentleman's card which read,

Mr. Ferdinand Francisco Colonna.

Piazza Colonna, Rome.

The landlord said that this gentleman was waiting for Leo in the

reception-room. Leo at once recognized the card as that of his cousin,

who was an attorney in Rome, and he hurried to meet his relative. They

grasped hands warmly, and soon were in earnest conversation.

Ferdinand, taking a large official envelope from his pocket, opened it

and began reading what he called a very important paper. It was a copy

of the will of their rich uncle, who had just died, while inspecting

his possession in Sicily. Leo Colonna bore the name of this uncle, his

father's oldest brother, who was fond of art, and who was never married.

He had always been attached to Leo, his nephew, and in his will Leo was

made his sole heir. Great was Leo's surprise to learn that he was now not

only the owner of a fine palace southeast of Rome, but of large

possessions in Rome, Sicily, and South America.

Leo leaned back in his chair, his eyes closed, his face changed color

and the muscles of his hands and face twitched as if he were in pain.

Suddenly he recovered possession of himself and said, "Ferdinand, you

almost paralyze me by the news you bring. Am I dreaming, or not?"

"No, no, Leo. This is a copy of the will of our uncle. The original will

is in my safe. By this same will I am to have 100,000 lira for assisting

you. I am now at your service."

"Ferdinand, you bring sad and glorious news. What is your advice?"

"That we file the original will at once in the proper court, and that you

proceed with me immediately to Marino to take possession there of your

palace and property."

"Agreed, Ferdinand. We will leave Rome for Marino at noon tomorrow.

Meet me here, as I may have friends to join us."

Leo hastened at once to tell the good news to the Harrises, who were

nearly as much elated as himself, and it was agreed that all would join

Leo in his proposed trip. It was late that night when Leo and Lucille

separated in the parlor below. Each had dreamed of castles in Spain, but

now it looked as if Leo and possibly Lucille, might actually possess

castles in Italy.

That night Leo told Lucille much about the princely Colonna family of

Italy, which originated in the 11th century. Pope Martin V., several

others who took part in the contest between the Guelphs and the

Ghibellines, and many others of the Colonna family had attained to

historical and literary distinction.

Lucille was interested in the story of the great naval battle of Lepanto

in which Marc Antonio Colonna aided Don Juan of Austria to gain a

world-renowned victory for Christianity against the Turks, the first

effective triumph of the cross over the crescent. Leo recited the story

of the life of the illustrious Vittoria Colonna, pictures of a bust of

whom Lucille had seen that day in Rome.

Vittoria, and the son of the Marquis of Pescara, when children four years

old, were affianced, and in their seventeenth year they were married. The

young bride bravely sent her husband to the wars with a pavilion, an

embroidered standard, and palm leaves, expressing the hope that he

would return with honors, for she was proud of the Colonna name.

Vittoria full of genius and grace, idealized her young showy cavalier,

who was gallant and chivalrous. Her brave knight Pescara, among other

victories, won the battle of Pavia, and finally died of his wounds in

Milan before she could reach his side. Vittoria Colonna buried her love

in Pescara's grave at Naples. Her widowhood was a period of sorrow, song,

friendship, and saintly life. She was tall, stately, and dignified; of

gracious manners, and united much charm with her culture and virtue. She

is considered the fairest and noblest lady of the Italian Renaissance.

Vittoria Colonna was on intimate terms with the great men and women of

her day, and in close sympathy with the Italian reformers. Michael Angelo

was warmly her friend. His strong verses full of feeling to Vittoria were

replied to in gentle, graceful strains. She died as the sun sank in the

Mediterranean on the afternoon of February 25, 1547, Michael Angelo

regretting as he saw her, lying on her death-bed, that he had not kissed

her forehead and face as he had kissed her hand.

As Lucille retired that night she felt the force of Vittoria's noble

life, and longed to emulate one so related to her friend Leo. She felt

her own heart drawing nearer to Leo's, and in the silent hours of the

night, she sometimes wondered if she should ever bear the honored name of

Colonna.

Next day at 12 o'clock promptly, Leo's cousin came, and the Harrises and

Leo took the Rome and Naples line for Marino, located sixteen miles

southeast of Rome, where Vittoria Colonna had lived, and where Leo

expected to find and take possession of his own palace and property.

The Roman tombs of the Via Appia on the right were soon left behind.

A dozen miles out and Frascate a summer resort was conspicuous with

its many lovely villas. Later the party left the train and enjoyed a

beautiful drive of three miles to Marino, a small town famous for its

wine, and located on the Alban Mountains. In the middle ages, the Orsini

defended themselves here in a stronghold against their enemies the

Colonna, but the latter under Martin V. captured Marino, which with the

surrounding country has remained a fief of the Colonna family to the

present day.

Ferdinand had already attended to much of the detail at Marino, so that

Leo, as owner of the vast Colonna estate, was loyally received by the

villagers, the tenants, and the old servants. Leo made his friends, the

Harrises, most welcome at his unexpected and palatial home. The Harrises

were delighted at what they saw. Leo and Lucille took several drives

together over the large estate. Once they drove along the shady roads,

commanding extensive views, through the beautiful park of Colonna, and

down a well wooded valley to the clear waters of the Alban Lake. Often

Leo wished that Alfonso had accompanied him.

For some time before leaving Rome, Lucille had complained of a dull

headache and chills at night. In France Mrs. Harris was fearful that the

summer trip to Italy was not wise, but Leo and her family thought the

yacht voyage to Naples would be charming. On the morning of the third

day at Marino, Lucille was unable to leave her bed. Leo hastily called a

physician who found her pulse very low. She experienced great thirst and

nausea, and the heat of her body was much increased. When the doctor

learned that Colonel Harris's daughter had slept in Rome with the window

open, he at once declared to the family that Lucille had Roman fever,

that dreaded malaria which is engendered in summer months near the

marshes of Italy. Leo summoned to Marino the ablest physicians of Rome,

who were in constant attendance, and heroic treatment was adopted.

Both Mr. and Mrs. Harris were half crazed with the fear of losing

their beautiful daughter, and Leo himself was nearly frantic. Lucille

grew rapidly worse. Her strength and courage failed her, she became

unconscious, and as the tall white lily in the midday sun loses its

beauty and life, so Lucille passed from earth, her agonizing mother

holding the dead daughter's slender white hands.

Leo fell insensible and was removed from the death-chamber by his

servants. Womanly courage returned to the mother after a few moments of

intense grief, and aided by others the necessary preparations were made

for the removal of Lucille to America.

Captain Harry Hall with his yacht en route to Athens had called at

Brindisi to get a reply from a most important letter of his mailed to

Lucille at Palermo. As he stepped ashore a telegram was handed him

announcing the sudden death of the woman he loved. He was so shocked that

his friends were alarmed. After a short conference Harry wired Colonel

Harris the use of his yacht to carry back to America the remains of

beautiful Lucille.

While Colonel Harris was writing an acceptance of Captain Hall's

services, a second telegram came announcing the death, by drowning, of

his only son Alfonso in the Zuider Zee at Amsterdam. How true that

misfortunes never come singly!

Beneath the pillow on which Lucille died, were found two unanswered

letters, proposals of marriage, one from Leo and one from Captain Hall.

The broken hearted mother took charge of these letters, and before the

metallic coffin was sealed, the unanswered letters were placed in

Lucille's white hand, over the heart that could not now decide.

Later the casket was put on board the yacht "Hallena" at Rome, and

Captain Hall with his flag at half-mast steamed towards America with the

woman, who could never on earth accept the tribute of his heart. Leo, now

Marquis Colonna, true chevalier that he was, insisted that he be

permitted to accompany Colonel Harris to Amsterdam in search of his son

Alfonso.

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