For determining this Problem I made the following Experiment.[J]

_Exper._ 7. When I had caused the Rectilinear Sides AF, GM, [in _Fig._

4.] of the Spectrum of Colours made by the Prism to be distinctly

defined, as in the fifth Experiment of the first Part of this Book is

described, there were found in it all the homogeneal Colours in the same

Order and Situation one among another as in the Spectrum of simple

Light, described in the fourth Proposition of that Part. For the Circles

of which the Spectrum of compound Light PT is composed, and which in

the middle Parts of the Spectrum interfere, and are intermix'd with one

another, are not intermix'd in their outmost Parts where they touch

those Rectilinear Sides AF and GM. And therefore, in those Rectilinear

Sides when distinctly defined, there is no new Colour generated by

Refraction. I observed also, that if any where between the two outmost

Circles TMF and PGA a Right Line, as [Greek: gd], was cross to the

Spectrum, so as both Ends to fall perpendicularly upon its Rectilinear

Sides, there appeared one and the same Colour, and degree of Colour from

one End of this Line to the other. I delineated therefore in a Paper the

Perimeter of the Spectrum FAP GMT, and in trying the third Experiment of

the first Part of this Book, I held the Paper so that the Spectrum might

fall upon this delineated Figure, and agree with it exactly, whilst an

Assistant, whose Eyes for distinguishing Colours were more critical than

mine, did by Right Lines [Greek: ab, gd, ez,] &c. drawn cross the

Spectrum, note the Confines of the Colours, that is of the red M[Greek:

ab]F, of the orange [Greek: agdb], of the yellow [Greek: gezd], of the

green [Greek: eethz], of the blue [Greek: eikth], of the indico [Greek:

ilmk], and of the violet [Greek: l]GA[Greek: m]. And this Operation

being divers times repeated both in the same, and in several Papers, I

found that the Observations agreed well enough with one another, and

that the Rectilinear Sides MG and FA were by the said cross Lines

divided after the manner of a Musical Chord. Let GM be produced to X,

that MX may be equal to GM, and conceive GX, [Greek: l]X, [Greek: i]X,

[Greek: e]X, [Greek: e]X, [Greek: g]X, [Greek: a]X, MX, to be in

proportion to one another, as the Numbers, 1, 8/9, 5/6, 3/4, 2/3, 3/5,

9/16, 1/2, and so to represent the Chords of the Key, and of a Tone, a

third Minor, a fourth, a fifth, a sixth Major, a seventh and an eighth

above that Key: And the Intervals M[Greek: a], [Greek: ag], [Greek: ge],

[Greek: ee], [Greek: ei], [Greek: il], and [Greek: l]G, will be the

Spaces which the several Colours (red, orange, yellow, green, blue,

indigo, violet) take up.

[Illustration: FIG. 4.]

[Illustration: FIG. 5.]

Now these Intervals or Spaces subtending the Differences of the

Refractions of the Rays going to the Limits of those Colours, that is,

to the Points M, [Greek: a], [Greek: g], [Greek: e], [Greek: e], [Greek:

i], [Greek: l], G, may without any sensible Error be accounted

proportional to the Differences of the Sines of Refraction of those Rays

having one common Sine of Incidence, and therefore since the common Sine

of Incidence of the most and least refrangible Rays out of Glass into

Air was (by a Method described above) found in proportion to their Sines

of Refraction, as 50 to 77 and 78, divide the Difference between the

Sines of Refraction 77 and 78, as the Line GM is divided by those

Intervals, and you will have 77, 77-1/8, 77-1/5, 77-1/3, 77-1/2, 77-2/3,

77-7/9, 78, the Sines of Refraction of those Rays out of Glass into Air,

their common Sine of Incidence being 50. So then the Sines of the

Incidences of all the red-making Rays out of Glass into Air, were to the

Sines of their Refractions, not greater than 50 to 77, nor less than 50

to 77-1/8, but they varied from one another according to all

intermediate Proportions. And the Sines of the Incidences of the

green-making Rays were to the Sines of their Refractions in all

Proportions from that of 50 to 77-1/3, unto that of 50 to 77-1/2. And

by the like Limits above-mentioned were the Refractions of the Rays

belonging to the rest of the Colours defined, the Sines of the

red-making Rays extending from 77 to 77-1/8, those of the orange-making

from 77-1/8 to 77-1/5, those of the yellow-making from 77-1/5 to 77-1/3,

those of the green-making from 77-1/3 to 77-1/2, those of the

blue-making from 77-1/2 to 77-2/3, those of the indigo-making from

77-2/3 to 77-7/9, and those of the violet from 77-7/9, to 78.

These are the Laws of the Refractions made out of Glass into Air, and

thence by the third Axiom of the first Part of this Book, the Laws of

the Refractions made out of Air into Glass are easily derived.

_Exper._ 8. I found moreover, that when Light goes out of Air through

several contiguous refracting Mediums as through Water and Glass, and

thence goes out again into Air, whether the refracting Superficies be

parallel or inclin'd to one another, that Light as often as by contrary

Refractions 'tis so corrected, that it emergeth in Lines parallel to

those in which it was incident, continues ever after to be white. But if

the emergent Rays be inclined to the incident, the Whiteness of the

emerging Light will by degrees in passing on from the Place of

Emergence, become tinged in its Edges with Colours. This I try'd by

refracting Light with Prisms of Glass placed within a Prismatick Vessel

of Water. Now those Colours argue a diverging and separation of the

heterogeneous Rays from one another by means of their unequal

Refractions, as in what follows will more fully appear. And, on the

contrary, the permanent whiteness argues, that in like Incidences of the

Rays there is no such separation of the emerging Rays, and by

consequence no inequality of their whole Refractions. Whence I seem to

gather the two following Theorems.

1. The Excesses of the Sines of Refraction of several sorts of Rays

above their common Sine of Incidence when the Refractions are made out

of divers denser Mediums immediately into one and the same rarer Medium,

suppose of Air, are to one another in a given Proportion.

2. The Proportion of the Sine of Incidence to the Sine of Refraction of

one and the same sort of Rays out of one Medium into another, is

composed of the Proportion of the Sine of Incidence to the Sine of

Refraction out of the first Medium into any third Medium, and of the

Proportion of the Sine of Incidence to the Sine of Refraction out of

that third Medium into the second Medium.

By the first Theorem the Refractions of the Rays of every sort made out

of any Medium into Air are known by having the Refraction of the Rays of

any one sort. As for instance, if the Refractions of the Rays of every

sort out of Rain-water into Air be desired, let the common Sine of

Incidence out of Glass into Air be subducted from the Sines of

Refraction, and the Excesses will be 27, 27-1/8, 27-1/5, 27-1/3, 27-1/2,

27-2/3, 27-7/9, 28. Suppose now that the Sine of Incidence of the least

refrangible Rays be to their Sine of Refraction out of Rain-water into

Air as 3 to 4, and say as 1 the difference of those Sines is to 3 the

Sine of Incidence, so is 27 the least of the Excesses above-mentioned to

a fourth Number 81; and 81 will be the common Sine of Incidence out of

Rain-water into Air, to which Sine if you add all the above-mentioned

Excesses, you will have the desired Sines of the Refractions 108,

108-1/8, 108-1/5, 108-1/3, 108-1/2, 108-2/3, 108-7/9, 109.

By the latter Theorem the Refraction out of one Medium into another is

gathered as often as you have the Refractions out of them both into any

third Medium. As if the Sine of Incidence of any Ray out of Glass into

Air be to its Sine of Refraction, as 20 to 31, and the Sine of Incidence

of the same Ray out of Air into Water, be to its Sine of Refraction as 4

to 3; the Sine of Incidence of that Ray out of Glass into Water will be

to its Sine of Refraction as 20 to 31 and 4 to 3 jointly, that is, as

the Factum of 20 and 4 to the Factum of 31 and 3, or as 80 to 93.

And these Theorems being admitted into Opticks, there would be scope

enough of handling that Science voluminously after a new manner,[K] not

only by teaching those things which tend to the perfection of Vision,

but also by determining mathematically all kinds of Phaenomena of Colours

which could be produced by Refractions. For to do this, there is nothing

else requisite than to find out the Separations of heterogeneous Rays,

and their various Mixtures and Proportions in every Mixture. By this

way of arguing I invented almost all the Phaenomena described in these

Books, beside some others less necessary to the Argument; and by the

successes I met with in the Trials, I dare promise, that to him who

shall argue truly, and then try all things with good Glasses and

sufficient Circumspection, the expected Event will not be wanting. But

he is first to know what Colours will arise from any others mix'd in any

assigned Proportion.

_PROP._ IV. THEOR. III.

_Colours may be produced by Composition which shall be like to the

Colours of homogeneal Light as to the Appearance of Colour, but not as

to the Immutability of Colour and Constitution of Light. And those

Colours by how much they are more compounded by so much are they less

full and intense, and by too much Composition they maybe diluted and

weaken'd till they cease, and the Mixture becomes white or grey. There

may be also Colours produced by Composition, which are not fully like

any of the Colours of homogeneal Light._

For a Mixture of homogeneal red and yellow compounds an Orange, like in

appearance of Colour to that orange which in the series of unmixed

prismatick Colours lies between them; but the Light of one orange is

homogeneal as to Refrangibility, and that of the other is heterogeneal,

and the Colour of the one, if viewed through a Prism, remains unchanged,

that of the other is changed and resolved into its component Colours red

and yellow. And after the same manner other neighbouring homogeneal

Colours may compound new Colours, like the intermediate homogeneal ones,

as yellow and green, the Colour between them both, and afterwards, if

blue be added, there will be made a green the middle Colour of the three

which enter the Composition. For the yellow and blue on either hand, if

they are equal in quantity they draw the intermediate green equally

towards themselves in Composition, and so keep it as it were in

AEquilibrion, that it verge not more to the yellow on the one hand, and

to the blue on the other, but by their mix'd Actions remain still a

middle Colour. To this mix'd green there may be farther added some red

and violet, and yet the green will not presently cease, but only grow

less full and vivid, and by increasing the red and violet, it will grow

more and more dilute, until by the prevalence of the added Colours it be

overcome and turned into whiteness, or some other Colour. So if to the

Colour of any homogeneal Light, the Sun's white Light composed of all

sorts of Rays be added, that Colour will not vanish or change its

Species, but be diluted, and by adding more and more white it will be

diluted more and more perpetually. Lastly, If red and violet be mingled,

there will be generated according to their various Proportions various

Purples, such as are not like in appearance to the Colour of any

homogeneal Light, and of these Purples mix'd with yellow and blue may be

made other new Colours.

_PROP._ V. THEOR. IV.

_Whiteness and all grey Colours between white and black, may be

compounded of Colours, and the whiteness of the Sun's Light is

compounded of all the primary Colours mix'd in a due Proportion._

The PROOF by Experiments.

_Exper._ 9. The Sun shining into a dark Chamber through a little round

hole in the Window-shut, and his Light being there refracted by a Prism

to cast his coloured Image PT [in _Fig._ 5.] upon the opposite Wall: I

held a white Paper V to that image in such manner that it might be

illuminated by the colour'd Light reflected from thence, and yet not

intercept any part of that Light in its passage from the Prism to the

Spectrum. And I found that when the Paper was held nearer to any Colour

than to the rest, it appeared of that Colour to which it approached

nearest; but when it was equally or almost equally distant from all the

Colours, so that it might be equally illuminated by them all it appeared

white. And in this last situation of the Paper, if some Colours were

intercepted, the Paper lost its white Colour, and appeared of the Colour

of the rest of the Light which was not intercepted. So then the Paper

was illuminated with Lights of various Colours, namely, red, yellow,

green, blue and violet, and every part of the Light retained its proper

Colour, until it was incident on the Paper, and became reflected thence

to the Eye; so that if it had been either alone (the rest of the Light

being intercepted) or if it had abounded most, and been predominant in

the Light reflected from the Paper, it would have tinged the Paper with

its own Colour; and yet being mixed with the rest of the Colours in a

due proportion, it made the Paper look white, and therefore by a

Composition with the rest produced that Colour. The several parts of the

coloured Light reflected from the Spectrum, whilst they are propagated

from thence through the Air, do perpetually retain their proper Colours,

because wherever they fall upon the Eyes of any Spectator, they make the

several parts of the Spectrum to appear under their proper Colours. They

retain therefore their proper Colours when they fall upon the Paper V,

and so by the confusion and perfect mixture of those Colours compound

the whiteness of the Light reflected from thence.

_Exper._ 10. Let that Spectrum or solar Image PT [in _Fig._ 6.] fall now

upon the Lens MN above four Inches broad, and about six Feet distant

from the Prism ABC and so figured that it may cause the coloured Light

which divergeth from the Prism to converge and meet again at its Focus

G, about six or eight Feet distant from the Lens, and there to fall

perpendicularly upon a white Paper DE. And if you move this Paper to and

fro, you will perceive that near the Lens, as at _de_, the whole solar

Image (suppose at _pt_) will appear upon it intensely coloured after the

manner above-explained, and that by receding from the Lens those Colours

will perpetually come towards one another, and by mixing more and more

dilute one another continually, until at length the Paper come to the

Focus G, where by a perfect mixture they will wholly vanish and be

converted into whiteness, the whole Light appearing now upon the Paper

like a little white Circle. And afterwards by receding farther from the

Lens, the Rays which before converged will now cross one another in the

Focus G, and diverge from thence, and thereby make the Colours to appear

again, but yet in a contrary order; suppose at [Greek: de], where the

red _t_ is now above which before was below, and the violet _p_ is below

which before was above.

Let us now stop the Paper at the Focus G, where the Light appears

totally white and circular, and let us consider its whiteness. I say,

that this is composed of the converging Colours. For if any of those

Colours be intercepted at the Lens, the whiteness will cease and

degenerate into that Colour which ariseth from the composition of the

other Colours which are not intercepted. And then if the intercepted

Colours be let pass and fall upon that compound Colour, they mix with

it, and by their mixture restore the whiteness. So if the violet, blue

and green be intercepted, the remaining yellow, orange and red will

compound upon the Paper an orange, and then if the intercepted Colours

be let pass, they will fall upon this compounded orange, and together

with it decompound a white. So also if the red and violet be

intercepted, the remaining yellow, green and blue, will compound a green

upon the Paper, and then the red and violet being let pass will fall

upon this green, and together with it decompound a white. And that in

this Composition of white the several Rays do not suffer any Change in

their colorific Qualities by acting upon one another, but are only

mixed, and by a mixture of their Colours produce white, may farther

appear by these Arguments.

[Illustration: FIG. 6.]

If the Paper be placed beyond the Focus G, suppose at [Greek: de], and

then the red Colour at the Lens be alternately intercepted, and let pass

again, the violet Colour on the Paper will not suffer any Change

thereby, as it ought to do if the several sorts of Rays acted upon one

another in the Focus G, where they cross. Neither will the red upon the

Paper be changed by any alternate stopping, and letting pass the violet

which crosseth it.

And if the Paper be placed at the Focus G, and the white round Image at

G be viewed through the Prism HIK, and by the Refraction of that Prism

be translated to the place _rv_, and there appear tinged with various

Colours, namely, the violet at _v_ and red at _r_, and others between,

and then the red Colours at the Lens be often stopp'd and let pass by

turns, the red at _r_ will accordingly disappear, and return as often,

but the violet at _v_ will not thereby suffer any Change. And so by

stopping and letting pass alternately the blue at the Lens, the blue at

_v_ will accordingly disappear and return, without any Change made in

the red at _r_. The red therefore depends on one sort of Rays, and the

blue on another sort, which in the Focus G where they are commix'd, do

not act on one another. And there is the same Reason of the other

Colours.

I considered farther, that when the most refrangible Rays P_p_, and the

least refrangible ones T_t_, are by converging inclined to one another,

the Paper, if held very oblique to those Rays in the Focus G, might

reflect one sort of them more copiously than the other sort, and by that

Means the reflected Light would be tinged in that Focus with the Colour

of the predominant Rays, provided those Rays severally retained their

Colours, or colorific Qualities in the Composition of White made by them

in that Focus. But if they did not retain them in that White, but became

all of them severally endued there with a Disposition to strike the

Sense with the Perception of White, then they could never lose their

Whiteness by such Reflexions. I inclined therefore the Paper to the Rays

very obliquely, as in the second Experiment of this second Part of the

first Book, that the most refrangible Rays, might be more copiously

reflected than the rest, and the Whiteness at Length changed

successively into blue, indigo, and violet. Then I inclined it the

contrary Way, that the least refrangible Rays might be more copious in

the reflected Light than the rest, and the Whiteness turned successively

to yellow, orange, and red.

Lastly, I made an Instrument XY in fashion of a Comb, whose Teeth being

in number sixteen, were about an Inch and a half broad, and the

Intervals of the Teeth about two Inches wide. Then by interposing

successively the Teeth of this Instrument near the Lens, I intercepted

Part of the Colours by the interposed Tooth, whilst the rest of them

went on through the Interval of the Teeth to the Paper DE, and there

painted a round Solar Image. But the Paper I had first placed so, that

the Image might appear white as often as the Comb was taken away; and

then the Comb being as was said interposed, that Whiteness by reason of

the intercepted Part of the Colours at the Lens did always change into

the Colour compounded of those Colours which were not intercepted, and

that Colour was by the Motion of the Comb perpetually varied so, that in

the passing of every Tooth over the Lens all these Colours, red, yellow,

green, blue, and purple, did always succeed one another. I caused

therefore all the Teeth to pass successively over the Lens, and when the

Motion was slow, there appeared a perpetual Succession of the Colours

upon the Paper: But if I so much accelerated the Motion, that the

Colours by reason of their quick Succession could not be distinguished

from one another, the Appearance of the single Colours ceased. There was

no red, no yellow, no green, no blue, nor purple to be seen any longer,

but from a Confusion of them all there arose one uniform white Colour.

Of the Light which now by the Mixture of all the Colours appeared white,

there was no Part really white. One Part was red, another yellow, a

third green, a fourth blue, a fifth purple, and every Part retains its

proper Colour till it strike the Sensorium. If the Impressions follow

one another slowly, so that they may be severally perceived, there is

made a distinct Sensation of all the Colours one after another in a

continual Succession. But if the Impressions follow one another so

quickly, that they cannot be severally perceived, there ariseth out of

them all one common Sensation, which is neither of this Colour alone nor

of that alone, but hath it self indifferently to 'em all, and this is a

Sensation of Whiteness. By the Quickness of the Successions, the

Impressions of the several Colours are confounded in the Sensorium, and

out of that Confusion ariseth a mix'd Sensation. If a burning Coal be

nimbly moved round in a Circle with Gyrations continually repeated, the

whole Circle will appear like Fire; the reason of which is, that the

Sensation of the Coal in the several Places of that Circle remains

impress'd on the Sensorium, until the Coal return again to the same

Place. And so in a quick Consecution of the Colours the Impression of

every Colour remains in the Sensorium, until a Revolution of all the

Colours be compleated, and that first Colour return again. The

Impressions therefore of all the successive Colours are at once in the

Sensorium, and jointly stir up a Sensation of them all; and so it is

manifest by this Experiment, that the commix'd Impressions of all the

Colours do stir up and beget a Sensation of white, that is, that

Whiteness is compounded of all the Colours.

And if the Comb be now taken away, that all the Colours may at once pass

from the Lens to the Paper, and be there intermixed, and together

reflected thence to the Spectator's Eyes; their Impressions on the

Sensorium being now more subtilly and perfectly commixed there, ought

much more to stir up a Sensation of Whiteness.

You may instead of the Lens use two Prisms HIK and LMN, which by

refracting the coloured Light the contrary Way to that of the first

Refraction, may make the diverging Rays converge and meet again in G, as

you see represented in the seventh Figure. For where they meet and mix,

they will compose a white Light, as when a Lens is used.

_Exper._ 11. Let the Sun's coloured Image PT [in _Fig._ 8.] fall upon

the Wall of a dark Chamber, as in the third Experiment of the first

Book, and let the same be viewed through a Prism _abc_, held parallel to

the Prism ABC, by whose Refraction that Image was made, and let it now

appear lower than before, suppose in the Place S over-against the red

Colour T. And if you go near to the Image PT, the Spectrum S will appear

oblong and coloured like the Image PT; but if you recede from it, the

Colours of the spectrum S will be contracted more and more, and at

length vanish, that Spectrum S becoming perfectly round and white; and

if you recede yet farther, the Colours will emerge again, but in a

contrary Order. Now that Spectrum S appears white in that Case, when the

Rays of several sorts which converge from the several Parts of the Image

PT, to the Prism _abc_, are so refracted unequally by it, that in their

Passage from the Prism to the Eye they may diverge from one and the same

Point of the Spectrum S, and so fall afterwards upon one and the same

Point in the bottom of the Eye, and there be mingled.

[Illustration: FIG. 7.]

[Illustration: FIG. 8.]

And farther, if the Comb be here made use of, by whose Teeth the Colours

at the Image PT may be successively intercepted; the Spectrum S, when

the Comb is moved slowly, will be perpetually tinged with successive

Colours: But when by accelerating the Motion of the Comb, the Succession

of the Colours is so quick that they cannot be severally seen, that

Spectrum S, by a confused and mix'd Sensation of them all, will appear

white.

_Exper._ 12. The Sun shining through a large Prism ABC [in _Fig._ 9.]

upon a Comb XY, placed immediately behind the Prism, his Light which

passed through the Interstices of the Teeth fell upon a white Paper DE.

The Breadths of the Teeth were equal to their Interstices, and seven

Teeth together with their Interstices took up an Inch in Breadth. Now,

when the Paper was about two or three Inches distant from the Comb, the

Light which passed through its several Interstices painted so many

Ranges of Colours, _kl_, _mn_, _op_, _qr_, &c. which were parallel to

one another, and contiguous, and without any Mixture of white. And these

Ranges of Colours, if the Comb was moved continually up and down with a

reciprocal Motion, ascended and descended in the Paper, and when the

Motion of the Comb was so quick, that the Colours could not be

distinguished from one another, the whole Paper by their Confusion and

Mixture in the Sensorium appeared white.

[Illustration: FIG. 9.]

Let the Comb now rest, and let the Paper be removed farther from the

Prism, and the several Ranges of Colours will be dilated and expanded

into one another more and more, and by mixing their Colours will dilute

one another, and at length, when the distance of the Paper from the Comb

is about a Foot, or a little more (suppose in the Place 2D 2E) they will

so far dilute one another, as to become white.

With any Obstacle, let all the Light be now stopp'd which passes through

any one Interval of the Teeth, so that the Range of Colours which comes

from thence may be taken away, and you will see the Light of the rest of

the Ranges to be expanded into the Place of the Range taken away, and

there to be coloured. Let the intercepted Range pass on as before, and

its Colours falling upon the Colours of the other Ranges, and mixing

with them, will restore the Whiteness.

Let the Paper 2D 2E be now very much inclined to the Rays, so that the

most refrangible Rays may be more copiously reflected than the rest, and

the white Colour of the Paper through the Excess of those Rays will be

changed into blue and violet. Let the Paper be as much inclined the

contrary way, that the least refrangible Rays may be now more copiously

reflected than the rest, and by their Excess the Whiteness will be

changed into yellow and red. The several Rays therefore in that white

Light do retain their colorific Qualities, by which those of any sort,

whenever they become more copious than the rest, do by their Excess and

Predominance cause their proper Colour to appear.

And by the same way of arguing, applied to the third Experiment of this

second Part of the first Book, it may be concluded, that the white

Colour of all refracted Light at its very first Emergence, where it

appears as white as before its Incidence, is compounded of various

Colours.

[Illustration: FIG. 10.]

_Exper._ 13. In the foregoing Experiment the several Intervals of the

Teeth of the Comb do the Office of so many Prisms, every Interval

producing the Phaenomenon of one Prism. Whence instead of those Intervals

using several Prisms, I try'd to compound Whiteness by mixing their

Colours, and did it by using only three Prisms, as also by using only

two as follows. Let two Prisms ABC and _abc_, [in _Fig._ 10.] whose

refracting Angles B and _b_ are equal, be so placed parallel to one

another, that the refracting Angle B of the one may touch the Angle _c_

at the Base of the other, and their Planes CB and _cb_, at which the

Rays emerge, may lie in Directum. Then let the Light trajected through

them fall upon the Paper MN, distant about 8 or 12 Inches from the

Prisms. And the Colours generated by the interior Limits B and _c_ of

the two Prisms, will be mingled at PT, and there compound white. For if

either Prism be taken away, the Colours made by the other will appear in

that Place PT, and when the Prism is restored to its Place again, so

that its Colours may there fall upon the Colours of the other, the

Mixture of them both will restore the Whiteness.

This Experiment succeeds also, as I have tried, when the Angle _b_ of

the lower Prism, is a little greater than the Angle B of the upper, and

between the interior Angles B and _c_, there intercedes some Space B_c_,

as is represented in the Figure, and the refracting Planes BC and _bc_,

are neither in Directum, nor parallel to one another. For there is

nothing more requisite to the Success of this Experiment, than that the

Rays of all sorts may be uniformly mixed upon the Paper in the Place PT.

If the most refrangible Rays coming from the superior Prism take up all

the Space from M to P, the Rays of the same sort which come from the

inferior Prism ought to begin at P, and take up all the rest of the

Space from thence towards N. If the least refrangible Rays coming from

the superior Prism take up the Space MT, the Rays of the same kind which

come from the other Prism ought to begin at T, and take up the

remaining Space TN. If one sort of the Rays which have intermediate

Degrees of Refrangibility, and come from the superior Prism be extended

through the Space MQ, and another sort of those Rays through the Space

MR, and a third sort of them through the Space MS, the same sorts of

Rays coming from the lower Prism, ought to illuminate the remaining

Spaces QN, RN, SN, respectively. And the same is to be understood of all

the other sorts of Rays. For thus the Rays of every sort will be

scattered uniformly and evenly through the whole Space MN, and so being

every where mix'd in the same Proportion, they must every where produce

the same Colour. And therefore, since by this Mixture they produce white

in the Exterior Spaces MP and TN, they must also produce white in the

Interior Space PT. This is the reason of the Composition by which

Whiteness was produced in this Experiment, and by what other way soever

I made the like Composition, the Result was Whiteness.

Lastly, If with the Teeth of a Comb of a due Size, the coloured Lights

of the two Prisms which fall upon the Space PT be alternately

intercepted, that Space PT, when the Motion of the Comb is slow, will

always appear coloured, but by accelerating the Motion of the Comb so

much that the successive Colours cannot be distinguished from one

another, it will appear white.

_Exper._ 14. Hitherto I have produced Whiteness by mixing the Colours of

Prisms. If now the Colours of natural Bodies are to be mingled, let

Water a little thicken'd with Soap be agitated to raise a Froth, and

after that Froth has stood a little, there will appear to one that shall

view it intently various Colours every where in the Surfaces of the

several Bubbles; but to one that shall go so far off, that he cannot

distinguish the Colours from one another, the whole Froth will grow

white with a perfect Whiteness.

_Exper._ 15. Lastly, In attempting to compound a white, by mixing the

coloured Powders which Painters use, I consider'd that all colour'd

Powders do suppress and stop in them a very considerable Part of the

Light by which they are illuminated. For they become colour'd by

reflecting the Light of their own Colours more copiously, and that of

all other Colours more sparingly, and yet they do not reflect the Light

of their own Colours so copiously as white Bodies do. If red Lead, for

instance, and a white Paper, be placed in the red Light of the colour'd

Spectrum made in a dark Chamber by the Refraction of a Prism, as is

described in the third Experiment of the first Part of this Book; the

Paper will appear more lucid than the red Lead, and therefore reflects

the red-making Rays more copiously than red Lead doth. And if they be

held in the Light of any other Colour, the Light reflected by the Paper

will exceed the Light reflected by the red Lead in a much greater

Proportion. And the like happens in Powders of other Colours. And

therefore by mixing such Powders, we are not to expect a strong and

full White, such as is that of Paper, but some dusky obscure one, such

as might arise from a Mixture of Light and Darkness, or from white and

black, that is, a grey, or dun, or russet brown, such as are the Colours

of a Man's Nail, of a Mouse, of Ashes, of ordinary Stones, of Mortar, of

Dust and Dirt in High-ways, and the like. And such a dark white I have

often produced by mixing colour'd Powders. For thus one Part of red

Lead, and five Parts of _Viride AEris_, composed a dun Colour like that

of a Mouse. For these two Colours were severally so compounded of

others, that in both together were a Mixture of all Colours; and there

was less red Lead used than _Viride AEris_, because of the Fulness of its

Colour. Again, one Part of red Lead, and four Parts of blue Bise,

composed a dun Colour verging a little to purple, and by adding to this

a certain Mixture of Orpiment and _Viride AEris_ in a due Proportion, the

Mixture lost its purple Tincture, and became perfectly dun. But the

Experiment succeeded best without Minium thus. To Orpiment I added by

little and little a certain full bright purple, which Painters use,

until the Orpiment ceased to be yellow, and became of a pale red. Then I

diluted that red by adding a little _Viride AEris_, and a little more

blue Bise than _Viride AEris_, until it became of such a grey or pale

white, as verged to no one of the Colours more than to another. For thus

it became of a Colour equal in Whiteness to that of Ashes, or of Wood

newly cut, or of a Man's Skin. The Orpiment reflected more Light than

did any other of the Powders, and therefore conduced more to the

Whiteness of the compounded Colour than they. To assign the Proportions

accurately may be difficult, by reason of the different Goodness of

Powders of the same kind. Accordingly, as the Colour of any Powder is

more or less full and luminous, it ought to be used in a less or greater

Proportion.

Now, considering that these grey and dun Colours may be also produced by

mixing Whites and Blacks, and by consequence differ from perfect Whites,

not in Species of Colours, but only in degree of Luminousness, it is

manifest that there is nothing more requisite to make them perfectly

white than to increase their Light sufficiently; and, on the contrary,

if by increasing their Light they can be brought to perfect Whiteness,

it will thence also follow, that they are of the same Species of Colour

with the best Whites, and differ from them only in the Quantity of

Light. And this I tried as follows. I took the third of the

above-mention'd grey Mixtures, (that which was compounded of Orpiment,

Purple, Bise, and _Viride AEris_) and rubbed it thickly upon the Floor of

my Chamber, where the Sun shone upon it through the opened Casement; and

by it, in the shadow, I laid a Piece of white Paper of the same Bigness.

Then going from them to the distance of 12 or 18 Feet, so that I could

not discern the Unevenness of the Surface of the Powder, nor the little

Shadows let fall from the gritty Particles thereof; the Powder appeared

intensely white, so as to transcend even the Paper it self in Whiteness,

especially if the Paper were a little shaded from the Light of the

Clouds, and then the Paper compared with the Powder appeared of such a

grey Colour as the Powder had done before. But by laying the Paper where

the Sun shines through the Glass of the Window, or by shutting the

Window that the Sun might shine through the Glass upon the Powder, and

by such other fit Means of increasing or decreasing the Lights wherewith

the Powder and Paper were illuminated, the Light wherewith the Powder is

illuminated may be made stronger in such a due Proportion than the Light

wherewith the Paper is illuminated, that they shall both appear exactly

alike in Whiteness. For when I was trying this, a Friend coming to visit

me, I stopp'd him at the Door, and before I told him what the Colours

were, or what I was doing; I asked him, Which of the two Whites were the

best, and wherein they differed? And after he had at that distance

viewed them well, he answer'd, that they were both good Whites, and that

he could not say which was best, nor wherein their Colours differed.

Now, if you consider, that this White of the Powder in the Sun-shine was

compounded of the Colours which the component Powders (Orpiment, Purple,

Bise, and _Viride AEris_) have in the same Sun-shine, you must

acknowledge by this Experiment, as well as by the former, that perfect

Whiteness may be compounded of Colours.

From what has been said it is also evident, that the Whiteness of the

Sun's Light is compounded of all the Colours wherewith the several sorts

of Rays whereof that Light consists, when by their several

Refrangibilities they are separated from one another, do tinge Paper or

any other white Body whereon they fall. For those Colours (by _Prop._

II. _Part_ 2.) are unchangeable, and whenever all those Rays with those

their Colours are mix'd again, they reproduce the same white Light as

before.

_PROP._ VI. PROB. II.

_In a mixture of Primary Colours, the Quantity and Quality of each being

given, to know the Colour of the Compound._

[Illustration: FIG. 11.]

With the Center O [in _Fig._ 11.] and Radius OD describe a Circle ADF,

and distinguish its Circumference into seven Parts DE, EF, FG, GA, AB,

BC, CD, proportional to the seven Musical Tones or Intervals of the

eight Sounds, _Sol_, _la_, _fa_, _sol_, _la_, _mi_, _fa_, _sol_,

contained in an eight, that is, proportional to the Number 1/9, 1/16,

1/10, 1/9, 1/16, 1/16, 1/9. Let the first Part DE represent a red

Colour, the second EF orange, the third FG yellow, the fourth CA green,

the fifth AB blue, the sixth BC indigo, and the seventh CD violet. And

conceive that these are all the Colours of uncompounded Light gradually

passing into one another, as they do when made by Prisms; the

Circumference DEFGABCD, representing the whole Series of Colours from

one end of the Sun's colour'd Image to the other, so that from D to E be

all degrees of red, at E the mean Colour between red and orange, from E

to F all degrees of orange, at F the mean between orange and yellow,

from F to G all degrees of yellow, and so on. Let _p_ be the Center of

Gravity of the Arch DE, and _q_, _r_, _s_, _t_, _u_, _x_, the Centers of

Gravity of the Arches EF, FG, GA, AB, BC, and CD respectively, and about

those Centers of Gravity let Circles proportional to the Number of Rays

of each Colour in the given Mixture be describ'd: that is, the Circle

_p_ proportional to the Number of the red-making Rays in the Mixture,

the Circle _q_ proportional to the Number of the orange-making Rays in

the Mixture, and so of the rest. Find the common Center of Gravity of

all those Circles, _p_, _q_, _r_, _s_, _t_, _u_, _x_. Let that Center be

Z; and from the Center of the Circle ADF, through Z to the

Circumference, drawing the Right Line OY, the Place of the Point Y in

the Circumference shall shew the Colour arising from the Composition of

all the Colours in the given Mixture, and the Line OZ shall be

proportional to the Fulness or Intenseness of the Colour, that is, to

its distance from Whiteness. As if Y fall in the middle between F and G,

the compounded Colour shall be the best yellow; if Y verge from the

middle towards F or G, the compound Colour shall accordingly be a

yellow, verging towards orange or green. If Z fall upon the

Circumference, the Colour shall be intense and florid in the highest

Degree; if it fall in the mid-way between the Circumference and Center,

it shall be but half so intense, that is, it shall be such a Colour as

would be made by diluting the intensest yellow with an equal quantity of

whiteness; and if it fall upon the center O, the Colour shall have lost

all its intenseness, and become a white. But it is to be noted, That if

the point Z fall in or near the line OD, the main ingredients being the

red and violet, the Colour compounded shall not be any of the prismatick

Colours, but a purple, inclining to red or violet, accordingly as the

point Z lieth on the side of the line DO towards E or towards C, and in

general the compounded violet is more bright and more fiery than the

uncompounded. Also if only two of the primary Colours which in the

circle are opposite to one another be mixed in an equal proportion, the

point Z shall fall upon the center O, and yet the Colour compounded of

those two shall not be perfectly white, but some faint anonymous Colour.

For I could never yet by mixing only two primary Colours produce a

perfect white. Whether it may be compounded of a mixture of three taken

at equal distances in the circumference I do not know, but of four or

five I do not much question but it may. But these are Curiosities of

little or no moment to the understanding the Phaenomena of Nature. For in

all whites produced by Nature, there uses to be a mixture of all sorts

of Rays, and by consequence a composition of all Colours.

To give an instance of this Rule; suppose a Colour is compounded of

these homogeneal Colours, of violet one part, of indigo one part, of

blue two parts, of green three parts, of yellow five parts, of orange

six parts, and of red ten parts. Proportional to these parts describe

the Circles _x_, _v_, _t_, _s_, _r_, _q_, _p_, respectively, that is, so

that if the Circle _x_ be one, the Circle _v_ may be one, the Circle _t_

two, the Circle _s_ three, and the Circles _r_, _q_ and _p_, five, six

and ten. Then I find Z the common center of gravity of these Circles,

and through Z drawing the Line OY, the Point Y falls upon the

circumference between E and F, something nearer to E than to F, and

thence I conclude, that the Colour compounded of these Ingredients will

be an orange, verging a little more to red than to yellow. Also I find

that OZ is a little less than one half of OY, and thence I conclude,

that this orange hath a little less than half the fulness or intenseness

of an uncompounded orange; that is to say, that it is such an orange as

may be made by mixing an homogeneal orange with a good white in the

proportion of the Line OZ to the Line ZY, this Proportion being not of

the quantities of mixed orange and white Powders, but of the quantities

of the Lights reflected from them.

This Rule I conceive accurate enough for practice, though not

mathematically accurate; and the truth of it may be sufficiently proved

to Sense, by stopping any of the Colours at the Lens in the tenth

Experiment of this Book. For the rest of the Colours which are not

stopp'd, but pass on to the Focus of the Lens, will there compound

either accurately or very nearly such a Colour, as by this Rule ought to

result from their Mixture.

_PROP._ VII. THEOR. V.

_All the Colours in the Universe which are made by Light, and depend not

on the Power of Imagination, are either the Colours of homogeneal

Lights, or compounded of these, and that either accurately or very

nearly, according to the Rule of the foregoing Problem._

For it has been proved (in _Prop. 1. Part 2._) that the changes of

Colours made by Refractions do not arise from any new Modifications of

the Rays impress'd by those Refractions, and by the various Terminations

of Light and Shadow, as has been the constant and general Opinion of

Philosophers. It has also been proved that the several Colours of the

homogeneal Rays do constantly answer to their degrees of Refrangibility,

(_Prop._ 1. _Part_ 1. and _Prop._ 2. _Part_ 2.) and that their degrees

of Refrangibility cannot be changed by Refractions and Reflexions

(_Prop._ 2. _Part_ 1.) and by consequence that those their Colours are

likewise immutable. It has also been proved directly by refracting and

reflecting homogeneal Lights apart, that their Colours cannot be

changed, (_Prop._ 2. _Part_ 2.) It has been proved also, that when the

several sorts of Rays are mixed, and in crossing pass through the same

space, they do not act on one another so as to change each others

colorific qualities. (_Exper._ 10. _Part_ 2.) but by mixing their

Actions in the Sensorium beget a Sensation differing from what either

would do apart, that is a Sensation of a mean Colour between their

proper Colours; and particularly when by the concourse and mixtures of

all sorts of Rays, a white Colour is produced, the white is a mixture of

all the Colours which the Rays would have apart, (_Prop._ 5. _Part_ 2.)

The Rays in that mixture do not lose or alter their several colorific

qualities, but by all their various kinds of Actions mix'd in the

Sensorium, beget a Sensation of a middling Colour between all their

Colours, which is whiteness. For whiteness is a mean between all

Colours, having it self indifferently to them all, so as with equal

facility to be tinged with any of them. A red Powder mixed with a little

blue, or a blue with a little red, doth not presently lose its Colour,

but a white Powder mix'd with any Colour is presently tinged with that

Colour, and is equally capable of being tinged with any Colour whatever.

It has been shewed also, that as the Sun's Light is mix'd of all sorts

of Rays, so its whiteness is a mixture of the Colours of all sorts of

Rays; those Rays having from the beginning their several colorific

qualities as well as their several Refrangibilities, and retaining them

perpetually unchanged notwithstanding any Refractions or Reflexions they

may at any time suffer, and that whenever any sort of the Sun's Rays is

by any means (as by Reflexion in _Exper._ 9, and 10. _Part_ 1. or by

Refraction as happens in all Refractions) separated from the rest, they

then manifest their proper Colours. These things have been prov'd, and

the sum of all this amounts to the Proposition here to be proved. For if

the Sun's Light is mix'd of several sorts of Rays, each of which have

originally their several Refrangibilities and colorific Qualities, and

notwithstanding their Refractions and Reflexions, and their various

Separations or Mixtures, keep those their original Properties

perpetually the same without alteration; then all the Colours in the

World must be such as constantly ought to arise from the original

colorific qualities of the Rays whereof the Lights consist by which

those Colours are seen. And therefore if the reason of any Colour

whatever be required, we have nothing else to do than to consider how

the Rays in the Sun's Light have by Reflexions or Refractions, or other

causes, been parted from one another, or mixed together; or otherwise to

find out what sorts of Rays are in the Light by which that Colour is

made, and in what Proportion; and then by the last Problem to learn the

Colour which ought to arise by mixing those Rays (or their Colours) in

that proportion. I speak here of Colours so far as they arise from

Light. For they appear sometimes by other Causes, as when by the power

of Phantasy we see Colours in a Dream, or a Mad-man sees things before

him which are not there; or when we see Fire by striking the Eye, or see

Colours like the Eye of a Peacock's Feather, by pressing our Eyes in

either corner whilst we look the other way. Where these and such like

Causes interpose not, the Colour always answers to the sort or sorts of

the Rays whereof the Light consists, as I have constantly found in

whatever Phaenomena of Colours I have hitherto been able to examine. I

shall in the following Propositions give instances of this in the

Phaenomena of chiefest note.

_PROP._ VIII. PROB. III.

_By the discovered Properties of Light to explain the Colours made by

Prisms._

Let ABC [in _Fig._ 12.] represent a Prism refracting the Light of the

Sun, which comes into a dark Chamber through a hole F[Greek: ph] almost

as broad as the Prism, and let MN represent a white Paper on which the

refracted Light is cast, and suppose the most refrangible or deepest

violet-making Rays fall upon the Space P[Greek: p], the least

refrangible or deepest red-making Rays upon the Space T[Greek: t], the

middle sort between the indigo-making and blue-making Rays upon the

Space Q[Greek: ch], the middle sort of the green-making Rays upon the

Space R, the middle sort between the yellow-making and orange-making

Rays upon the Space S[Greek: s], and other intermediate sorts upon

intermediate Spaces. For so the Spaces upon which the several sorts

adequately fall will by reason of the different Refrangibility of those

sorts be one lower than another. Now if the Paper MN be so near the

Prism that the Spaces PT and [Greek: pt] do not interfere with one

another, the distance between them T[Greek: p] will be illuminated by

all the sorts of Rays in that proportion to one another which they have

at their very first coming out of the Prism, and consequently be white.

But the Spaces PT and [Greek: pt] on either hand, will not be

illuminated by them all, and therefore will appear coloured. And

particularly at P, where the outmost violet-making Rays fall alone, the

Colour must be the deepest violet. At Q where the violet-making and

indigo-making Rays are mixed, it must be a violet inclining much to

indigo. At R where the violet-making, indigo-making, blue-making, and

one half of the green-making Rays are mixed, their Colours must (by the

construction of the second Problem) compound a middle Colour between

indigo and blue. At S where all the Rays are mixed, except the

red-making and orange-making, their Colours ought by the same Rule to

compound a faint blue, verging more to green than indigo. And in the

progress from S to T, this blue will grow more and more faint and

dilute, till at T, where all the Colours begin to be mixed, it ends in

whiteness.

[Illustration: FIG. 12.]

So again, on the other side of the white at [Greek: t], where the least

refrangible or utmost red-making Rays are alone, the Colour must be the

deepest red. At [Greek: s] the mixture of red and orange will compound a

red inclining to orange. At [Greek: r] the mixture of red, orange,

yellow, and one half of the green must compound a middle Colour between

orange and yellow. At [Greek: ch] the mixture of all Colours but violet

and indigo will compound a faint yellow, verging more to green than to

orange. And this yellow will grow more faint and dilute continually in

its progress from [Greek: ch] to [Greek: p], where by a mixture of all

sorts of Rays it will become white.

These Colours ought to appear were the Sun's Light perfectly white: But

because it inclines to yellow, the Excess of the yellow-making Rays

whereby 'tis tinged with that Colour, being mixed with the faint blue

between S and T, will draw it to a faint green. And so the Colours in

order from P to [Greek: t] ought to be violet, indigo, blue, very faint

green, white, faint yellow, orange, red. Thus it is by the computation:

And they that please to view the Colours made by a Prism will find it so

in Nature.

These are the Colours on both sides the white when the Paper is held

between the Prism and the Point X where the Colours meet, and the

interjacent white vanishes. For if the Paper be held still farther off

from the Prism, the most refrangible and least refrangible Rays will be

wanting in the middle of the Light, and the rest of the Rays which are

found there, will by mixture produce a fuller green than before. Also

the yellow and blue will now become less compounded, and by consequence

more intense than before. And this also agrees with experience.

And if one look through a Prism upon a white Object encompassed with

blackness or darkness, the reason of the Colours arising on the edges is

much the same, as will appear to one that shall a little consider it. If

a black Object be encompassed with a white one, the Colours which appear

through the Prism are to be derived from the Light of the white one,

spreading into the Regions of the black, and therefore they appear in a

contrary order to that, when a white Object is surrounded with black.

And the same is to be understood when an Object is viewed, whose parts

are some of them less luminous than others. For in the borders of the

more and less luminous Parts, Colours ought always by the same

Principles to arise from the Excess of the Light of the more luminous,

and to be of the same kind as if the darker parts were black, but yet to

be more faint and dilute.

What is said of Colours made by Prisms may be easily applied to Colours

made by the Glasses of Telescopes or Microscopes, or by the Humours of

the Eye. For if the Object-glass of a Telescope be thicker on one side

than on the other, or if one half of the Glass, or one half of the Pupil

of the Eye be cover'd with any opake substance; the Object-glass, or

that part of it or of the Eye which is not cover'd, may be consider'd as

a Wedge with crooked Sides, and every Wedge of Glass or other pellucid

Substance has the effect of a Prism in refracting the Light which passes

through it.[L]

How the Colours in the ninth and tenth Experiments of the first Part

arise from the different Reflexibility of Light, is evident by what was

there said. But it is observable in the ninth Experiment, that whilst

the Sun's direct Light is yellow, the Excess of the blue-making Rays in

the reflected beam of Light MN, suffices only to bring that yellow to a

pale white inclining to blue, and not to tinge it with a manifestly blue

Colour. To obtain therefore a better blue, I used instead of the yellow

Light of the Sun the white Light of the Clouds, by varying a little the

Experiment, as follows.

[Illustration: FIG. 13.]

_Exper._ 16 Let HFG [in _Fig._ 13.] represent a Prism in the open Air,

and S the Eye of the Spectator, viewing the Clouds by their Light coming

into the Prism at the Plane Side FIGK, and reflected in it by its Base

HEIG, and thence going out through its Plane Side HEFK to the Eye. And

when the Prism and Eye are conveniently placed, so that the Angles of

Incidence and Reflexion at the Base may be about 40 Degrees, the

Spectator will see a Bow MN of a blue Colour, running from one End of

the Base to the other, with the Concave Side towards him, and the Part

of the Base IMNG beyond this Bow will be brighter than the other Part

EMNH on the other Side of it. This blue Colour MN being made by nothing

else than by Reflexion of a specular Superficies, seems so odd a

Phaenomenon, and so difficult to be explained by the vulgar Hypothesis of

Philosophers, that I could not but think it deserved to be taken Notice

of. Now for understanding the Reason of it, suppose the Plane ABC to cut

the Plane Sides and Base of the Prism perpendicularly. From the Eye to

the Line BC, wherein that Plane cuts the Base, draw the Lines S_p_ and

S_t_, in the Angles S_pc_ 50 degr. 1/9, and S_tc_ 49 degr. 1/28, and the

Point _p_ will be the Limit beyond which none of the most refrangible

Rays can pass through the Base of the Prism, and be refracted, whose

Incidence is such that they may be reflected to the Eye; and the Point

_t_ will be the like Limit for the least refrangible Rays, that is,

beyond which none of them can pass through the Base, whose Incidence is

such that by Reflexion they may come to the Eye. And the Point _r_ taken

in the middle Way between _p_ and _t_, will be the like Limit for the

meanly refrangible Rays. And therefore all the least refrangible Rays

which fall upon the Base beyond _t_, that is, between _t_ and B, and can

come from thence to the Eye, will be reflected thither: But on this side

_t_, that is, between _t_ and _c_, many of these Rays will be

transmitted through the Base. And all the most refrangible Rays which

fall upon the Base beyond _p_, that is, between, _p_ and B, and can by

Reflexion come from thence to the Eye, will be reflected thither, but

every where between _p_ and _c_, many of these Rays will get through the

Base, and be refracted; and the same is to be understood of the meanly

refrangible Rays on either side of the Point _r_. Whence it follows,

that the Base of the Prism must every where between _t_ and B, by a

total Reflexion of all sorts of Rays to the Eye, look white and bright.

And every where between _p_ and C, by reason of the Transmission of many

Rays of every sort, look more pale, obscure, and dark. But at _r_, and

in other Places between _p_ and _t_, where all the more refrangible Rays

are reflected to the Eye, and many of the less refrangible are

transmitted, the Excess of the most refrangible in the reflected Light

will tinge that Light with their Colour, which is violet and blue. And

this happens by taking the Line C _prt_ B any where between the Ends of

the Prism HG and EI.

_PROP._ IX. PROB. IV.

_By the discovered Properties of Light to explain the Colours of the

Rain-bow._

[Illustration: FIG. 14.]

This Bow never appears, but where it rains in the Sun-shine, and may be

made artificially by spouting up Water which may break aloft, and

scatter into Drops, and fall down like Rain. For the Sun shining upon

these Drops certainly causes the Bow to appear to a Spectator standing

in a due Position to the Rain and Sun. And hence it is now agreed upon,

that this Bow is made by Refraction of the Sun's Light in drops of

falling Rain. This was understood by some of the Antients, and of late

more fully discover'd and explain'd by the famous _Antonius de Dominis_

Archbishop of _Spalato_, in his book _De Radiis Visus & Lucis_,

published by his Friend _Bartolus_ at _Venice_, in the Year 1611, and

written above 20 Years before. For he teaches there how the interior Bow

is made in round Drops of Rain by two Refractions of the Sun's Light,

and one Reflexion between them, and the exterior by two Refractions, and

two sorts of Reflexions between them in each Drop of Water, and proves

his Explications by Experiments made with a Phial full of Water, and

with Globes of Glass filled with Water, and placed in the Sun to make

the Colours of the two Bows appear in them. The same Explication

_Des-Cartes_ hath pursued in his Meteors, and mended that of the

exterior Bow. But whilst they understood not the true Origin of Colours,

it's necessary to pursue it here a little farther. For understanding

therefore how the Bow is made, let a Drop of Rain, or any other

spherical transparent Body be represented by the Sphere BNFG, [in _Fig._

14.] described with the Center C, and Semi-diameter CN. And let AN be

one of the Sun's Rays incident upon it at N, and thence refracted to F,

where let it either go out of the Sphere by Refraction towards V, or be

reflected to G; and at G let it either go out by Refraction to R, or be

reflected to H; and at H let it go out by Refraction towards S, cutting

the incident Ray in Y. Produce AN and RG, till they meet in X, and upon

AX and NF, let fall the Perpendiculars CD and CE, and produce CD till it

fall upon the Circumference at L. Parallel to the incident Ray AN draw

the Diameter BQ, and let the Sine of Incidence out of Air into Water be

to the Sine of Refraction as I to R. Now, if you suppose the Point of

Incidence N to move from the Point B, continually till it come to L, the

Arch QF will first increase and then decrease, and so will the Angle AXR

which the Rays AN and GR contain; and the Arch QF and Angle AXR will be

biggest when ND is to CN as sqrt(II - RR) to sqrt(3)RR, in which

case NE will be to ND as 2R to I. Also the Angle AYS, which the Rays AN

and HS contain will first decrease, and then increase and grow least

when ND is to CN as sqrt(II - RR) to sqrt(8)RR, in which case NE

will be to ND, as 3R to I. And so the Angle which the next emergent Ray

(that is, the emergent Ray after three Reflexions) contains with the

incident Ray AN will come to its Limit when ND is to CN as sqrt(II -

RR) to sqrt(15)RR, in which case NE will be to ND as 4R to I. And the

Angle which the Ray next after that Emergent, that is, the Ray emergent

after four Reflexions, contains with the Incident, will come to its

Limit, when ND is to CN as sqrt(II - RR) to sqrt(24)RR, in which

case NE will be to ND as 5R to I; and so on infinitely, the Numbers 3,

8, 15, 24, &c. being gather'd by continual Addition of the Terms of the

arithmetical Progression 3, 5, 7, 9, &c. The Truth of all this

Mathematicians will easily examine.[M]

Now it is to be observed, that as when the Sun comes to his Tropicks,

Days increase and decrease but a very little for a great while together;

so when by increasing the distance CD, these Angles come to their

Limits, they vary their quantity but very little for some time together,

and therefore a far greater number of the Rays which fall upon all the

Points N in the Quadrant BL, shall emerge in the Limits of these Angles,

than in any other Inclinations. And farther it is to be observed, that

the Rays which differ in Refrangibility will have different Limits of

their Angles of Emergence, and by consequence according to their

different Degrees of Refrangibility emerge most copiously in different

Angles, and being separated from one another appear each in their proper

Colours. And what those Angles are may be easily gather'd from the

foregoing Theorem by Computation.

For in the least refrangible Rays the Sines I and R (as was found above)

are 108 and 81, and thence by Computation the greatest Angle AXR will be

found 42 Degrees and 2 Minutes, and the least Angle AYS, 50 Degrees and

57 Minutes. And in the most refrangible Rays the Sines I and R are 109

and 81, and thence by Computation the greatest Angle AXR will be found

40 Degrees and 17 Minutes, and the least Angle AYS 54 Degrees and 7

Minutes.

Suppose now that O [in _Fig._ 15.] is the Spectator's Eye, and OP a Line

drawn parallel to the Sun's Rays and let POE, POF, POG, POH, be Angles

of 40 Degr. 17 Min. 42 Degr. 2 Min. 50 Degr. 57 Min. and 54 Degr. 7 Min.

respectively, and these Angles turned about their common Side OP, shall

with their other Sides OE, OF; OG, OH, describe the Verges of two

Rain-bows AF, BE and CHDG. For if E, F, G, H, be drops placed any where

in the conical Superficies described by OE, OF, OG, OH, and be

illuminated by the Sun's Rays SE, SF, SG, SH; the Angle SEO being equal

to the Angle POE, or 40 Degr. 17 Min. shall be the greatest Angle in

which the most refrangible Rays can after one Reflexion be refracted to

the Eye, and therefore all the Drops in the Line OE shall send the most

refrangible Rays most copiously to the Eye, and thereby strike the

Senses with the deepest violet Colour in that Region. And in like

manner the Angle SFO being equal to the Angle POF, or 42 Degr. 2 Min.

shall be the greatest in which the least refrangible Rays after one

Reflexion can emerge out of the Drops, and therefore those Rays shall

come most copiously to the Eye from the Drops in the Line OF, and strike

the Senses with the deepest red Colour in that Region. And by the same

Argument, the Rays which have intermediate Degrees of Refrangibility

shall come most copiously from Drops between E and F, and strike the

Senses with the intermediate Colours, in the Order which their Degrees

of Refrangibility require, that is in the Progress from E to F, or from

the inside of the Bow to the outside in this order, violet, indigo,

blue, green, yellow, orange, red. But the violet, by the mixture of the

white Light of the Clouds, will appear faint and incline to purple.

[Illustration: FIG. 15.]

Again, the Angle SGO being equal to the Angle POG, or 50 Gr. 51 Min.

shall be the least Angle in which the least refrangible Rays can after

two Reflexions emerge out of the Drops, and therefore the least

refrangible Rays shall come most copiously to the Eye from the Drops in

the Line OG, and strike the Sense with the deepest red in that Region.

And the Angle SHO being equal to the Angle POH, or 54 Gr. 7 Min. shall

be the least Angle, in which the most refrangible Rays after two

Reflexions can emerge out of the Drops; and therefore those Rays shall

come most copiously to the Eye from the Drops in the Line OH, and strike

the Senses with the deepest violet in that Region. And by the same

Argument, the Drops in the Regions between G and H shall strike the

Sense with the intermediate Colours in the Order which their Degrees of

Refrangibility require, that is, in the Progress from G to H, or from

the inside of the Bow to the outside in this order, red, orange, yellow,

green, blue, indigo, violet. And since these four Lines OE, OF, OG, OH,

may be situated any where in the above-mention'd conical Superficies;

what is said of the Drops and Colours in these Lines is to be understood

of the Drops and Colours every where in those Superficies.

Thus shall there be made two Bows of Colours, an interior and stronger,

by one Reflexion in the Drops, and an exterior and fainter by two; for

the Light becomes fainter by every Reflexion. And their Colours shall

lie in a contrary Order to one another, the red of both Bows bordering

upon the Space GF, which is between the Bows. The Breadth of the

interior Bow EOF measured cross the Colours shall be 1 Degr. 45 Min. and

the Breadth of the exterior GOH shall be 3 Degr. 10 Min. and the

distance between them GOF shall be 8 Gr. 15 Min. the greatest

Semi-diameter of the innermost, that is, the Angle POF being 42 Gr. 2

Min. and the least Semi-diameter of the outermost POG, being 50 Gr. 57

Min. These are the Measures of the Bows, as they would be were the Sun

but a Point; for by the Breadth of his Body, the Breadth of the Bows

will be increased, and their Distance decreased by half a Degree, and so

the breadth of the interior Iris will be 2 Degr. 15 Min. that of the

exterior 3 Degr. 40 Min. their distance 8 Degr. 25 Min. the greatest

Semi-diameter of the interior Bow 42 Degr. 17 Min. and the least of the

exterior 50 Degr. 42 Min. And such are the Dimensions of the Bows in the

Heavens found to be very nearly, when their Colours appear strong and

perfect. For once, by such means as I then had, I measured the greatest

Semi-diameter of the interior Iris about 42 Degrees, and the breadth of

the red, yellow and green in that Iris 63 or 64 Minutes, besides the

outmost faint red obscured by the brightness of the Clouds, for which we

may allow 3 or 4 Minutes more. The breadth of the blue was about 40

Minutes more besides the violet, which was so much obscured by the

brightness of the Clouds, that I could not measure its breadth. But

supposing the breadth of the blue and violet together to equal that of

the red, yellow and green together, the whole breadth of this Iris will

be about 2-1/4 Degrees, as above. The least distance between this Iris

and the exterior Iris was about 8 Degrees and 30 Minutes. The exterior

Iris was broader than the interior, but so faint, especially on the blue

side, that I could not measure its breadth distinctly. At another time

when both Bows appeared more distinct, I measured the breadth of the

interior Iris 2 Gr. 10', and the breadth of the red, yellow and green in

the exterior Iris, was to the breadth of the same Colours in the

interior as 3 to 2.

This Explication of the Rain-bow is yet farther confirmed by the known

Experiment (made by _Antonius de Dominis_ and _Des-Cartes_) of hanging

up any where in the Sun-shine a Glass Globe filled with Water, and

viewing it in such a posture, that the Rays which come from the Globe to

the Eye may contain with the Sun's Rays an Angle of either 42 or 50

Degrees. For if the Angle be about 42 or 43 Degrees, the Spectator

(suppose at O) shall see a full red Colour in that side of the Globe

opposed to the Sun as 'tis represented at F, and if that Angle become

less (suppose by depressing the Globe to E) there will appear other

Colours, yellow, green and blue successive in the same side of the

Globe. But if the Angle be made about 50 Degrees (suppose by lifting up

the Globe to G) there will appear a red Colour in that side of the Globe

towards the Sun, and if the Angle be made greater (suppose by lifting

up the Globe to H) the red will turn successively to the other Colours,

yellow, green and blue. The same thing I have tried, by letting a Globe

rest, and raising or depressing the Eye, or otherwise moving it to make

the Angle of a just magnitude.

I have heard it represented, that if the Light of a Candle be refracted

by a Prism to the Eye; when the blue Colour falls upon the Eye, the

Spectator shall see red in the Prism, and when the red falls upon the

Eye he shall see blue; and if this were certain, the Colours of the

Globe and Rain-bow ought to appear in a contrary order to what we find.

But the Colours of the Candle being very faint, the mistake seems to

arise from the difficulty of discerning what Colours fall on the Eye.

For, on the contrary, I have sometimes had occasion to observe in the

Sun's Light refracted by a Prism, that the Spectator always sees that

Colour in the Prism which falls upon his Eye. And the same I have found

true also in Candle-light. For when the Prism is moved slowly from the

Line which is drawn directly from the Candle to the Eye, the red appears

first in the Prism and then the blue, and therefore each of them is seen

when it falls upon the Eye. For the red passes over the Eye first, and

then the blue.

The Light which comes through drops of Rain by two Refractions without

any Reflexion, ought to appear strongest at the distance of about 26

Degrees from the Sun, and to decay gradually both ways as the distance

from him increases and decreases. And the same is to be understood of

Light transmitted through spherical Hail-stones. And if the Hail be a

little flatted, as it often is, the Light transmitted may grow so strong

at a little less distance than that of 26 Degrees, as to form a Halo

about the Sun or Moon; which Halo, as often as the Hail-stones are duly

figured may be colour'd, and then it must be red within by the least

refrangible Rays, and blue without by the most refrangible ones,

especially if the Hail-stones have opake Globules of Snow in their

center to intercept the Light within the Halo (as _Hugenius_ has

observ'd) and make the inside thereof more distinctly defined than it

would otherwise be. For such Hail-stones, though spherical, by

terminating the Light by the Snow, may make a Halo red within and

colourless without, and darker in the red than without, as Halos used to

be. For of those Rays which pass close by the Snow the Rubriform will be

least refracted, and so come to the Eye in the directest Lines.

The Light which passes through a drop of Rain after two Refractions, and

three or more Reflexions, is scarce strong enough to cause a sensible

Bow; but in those Cylinders of Ice by which _Hugenius_ explains the

_Parhelia_, it may perhaps be sensible.

_PROP._ X. PROB. V.

_By the discovered Properties of Light to explain the permanent Colours

of Natural Bodies._

These Colours arise from hence, that some natural Bodies reflect some

sorts of Rays, others other sorts more copiously than the rest. Minium

reflects the least refrangible or red-making Rays most copiously, and

thence appears red. Violets reflect the most refrangible most copiously,

and thence have their Colour, and so of other Bodies. Every Body

reflects the Rays of its own Colour more copiously than the rest, and

from their excess and predominance in the reflected Light has its

Colour.

_Exper._ 17. For if in the homogeneal Lights obtained by the solution of

the Problem proposed in the fourth Proposition of the first Part of this

Book, you place Bodies of several Colours, you will find, as I have

done, that every Body looks most splendid and luminous in the Light of

its own Colour. Cinnaber in the homogeneal red Light is most

resplendent, in the green Light it is manifestly less resplendent, and

in the blue Light still less. Indigo in the violet blue Light is most

resplendent, and its splendor is gradually diminish'd, as it is removed

thence by degrees through the green and yellow Light to the red. By a

Leek the green Light, and next that the blue and yellow which compound

green, are more strongly reflected than the other Colours red and

violet, and so of the rest. But to make these Experiments the more

manifest, such Bodies ought to be chosen as have the fullest and most

vivid Colours, and two of those Bodies are to be compared together.

Thus, for instance, if Cinnaber and _ultra_-marine blue, or some other

full blue be held together in the red homogeneal Light, they will both

appear red, but the Cinnaber will appear of a strongly luminous and

resplendent red, and the _ultra_-marine blue of a faint obscure and dark

red; and if they be held together in the blue homogeneal Light, they

will both appear blue, but the _ultra_-marine will appear of a strongly

luminous and resplendent blue, and the Cinnaber of a faint and dark

blue. Which puts it out of dispute that the Cinnaber reflects the red

Light much more copiously than the _ultra_-marine doth, and the

_ultra_-marine reflects the blue Light much more copiously than the

Cinnaber doth. The same Experiment may be tried successfully with red

Lead and Indigo, or with any other two colour'd Bodies, if due allowance

be made for the different strength or weakness of their Colour and

Light.

And as the reason of the Colours of natural Bodies is evident by these

Experiments, so it is farther confirmed and put past dispute by the two

first Experiments of the first Part, whereby 'twas proved in such Bodies

that the reflected Lights which differ in Colours do differ also in

degrees of Refrangibility. For thence it's certain, that some Bodies

reflect the more refrangible, others the less refrangible Rays more

copiously.

And that this is not only a true reason of these Colours, but even the

only reason, may appear farther from this Consideration, that the Colour

of homogeneal Light cannot be changed by the Reflexion of natural

Bodies.

For if Bodies by Reflexion cannot in the least change the Colour of any

one sort of Rays, they cannot appear colour'd by any other means than by

reflecting those which either are of their own Colour, or which by

mixture must produce it.

But in trying Experiments of this kind care must be had that the Light

be sufficiently homogeneal. For if Bodies be illuminated by the ordinary

prismatick Colours, they will appear neither of their own Day-light

Colours, nor of the Colour of the Light cast on them, but of some middle

Colour between both, as I have found by Experience. Thus red Lead (for

instance) illuminated with the ordinary prismatick green will not appear

either red or green, but orange or yellow, or between yellow and green,

accordingly as the green Light by which 'tis illuminated is more or less

compounded. For because red Lead appears red when illuminated with white

Light, wherein all sorts of Rays are equally mix'd, and in the green

Light all sorts of Rays are not equally mix'd, the Excess of the

yellow-making, green-making and blue-making Rays in the incident green

Light, will cause those Rays to abound so much in the reflected Light,

as to draw the Colour from red towards their Colour. And because the red

Lead reflects the red-making Rays most copiously in proportion to their

number, and next after them the orange-making and yellow-making Rays;

these Rays in the reflected Light will be more in proportion to the

Light than they were in the incident green Light, and thereby will draw

the reflected Light from green towards their Colour. And therefore the

red Lead will appear neither red nor green, but of a Colour between

both.

In transparently colour'd Liquors 'tis observable, that their Colour

uses to vary with their thickness. Thus, for instance, a red Liquor in a

conical Glass held between the Light and the Eye, looks of a pale and

dilute yellow at the bottom where 'tis thin, and a little higher where

'tis thicker grows orange, and where 'tis still thicker becomes red, and

where 'tis thickest the red is deepest and darkest. For it is to be

conceiv'd that such a Liquor stops the indigo-making and violet-making

Rays most easily, the blue-making Rays more difficultly, the

green-making Rays still more difficultly, and the red-making most

difficultly: And that if the thickness of the Liquor be only so much as

suffices to stop a competent number of the violet-making and

indigo-making Rays, without diminishing much the number of the rest, the

rest must (by _Prop._ 6. _Part_ 2.) compound a pale yellow. But if the

Liquor be so much thicker as to stop also a great number of the

blue-making Rays, and some of the green-making, the rest must compound

an orange; and where it is so thick as to stop also a great number of

the green-making and a considerable number of the yellow-making, the

rest must begin to compound a red, and this red must grow deeper and

darker as the yellow-making and orange-making Rays are more and more

stopp'd by increasing the thickness of the Liquor, so that few Rays

besides the red-making can get through.

Of this kind is an Experiment lately related to me by Mr. _Halley_, who,

in diving deep into the Sea in a diving Vessel, found in a clear

Sun-shine Day, that when he was sunk many Fathoms deep into the Water

the upper part of his Hand on which the Sun shone directly through the

Water and through a small Glass Window in the Vessel appeared of a red

Colour, like that of a Damask Rose, and the Water below and the under

part of his Hand illuminated by Light reflected from the Water below

look'd green. For thence it may be gather'd, that the Sea-Water reflects

back the violet and blue-making Rays most easily, and lets the

red-making Rays pass most freely and copiously to great Depths. For

thereby the Sun's direct Light at all great Depths, by reason of the

predominating red-making Rays, must appear red; and the greater the

Depth is, the fuller and intenser must that red be. And at such Depths

as the violet-making Rays scarce penetrate unto, the blue-making,

green-making, and yellow-making Rays being reflected from below more

copiously than the red-making ones, must compound a green.

Now, if there be two Liquors of full Colours, suppose a red and blue,

and both of them so thick as suffices to make their Colours sufficiently

full; though either Liquor be sufficiently transparent apart, yet will

you not be able to see through both together. For, if only the

red-making Rays pass through one Liquor, and only the blue-making

through the other, no Rays can pass through both. This Mr. _Hook_ tried

casually with Glass Wedges filled with red and blue Liquors, and was

surprized at the unexpected Event, the reason of it being then unknown;

which makes me trust the more to his Experiment, though I have not tried

it my self. But he that would repeat it, must take care the Liquors be

of very good and full Colours.

Now, whilst Bodies become coloured by reflecting or transmitting this or

that sort of Rays more copiously than the rest, it is to be conceived

that they stop and stifle in themselves the Rays which they do not

reflect or transmit. For, if Gold be foliated and held between your Eye

and the Light, the Light looks of a greenish blue, and therefore massy

Gold lets into its Body the blue-making Rays to be reflected to and fro

within it till they be stopp'd and stifled, whilst it reflects the

yellow-making outwards, and thereby looks yellow. And much after the

same manner that Leaf Gold is yellow by reflected, and blue by

transmitted Light, and massy Gold is yellow in all Positions of the Eye;

there are some Liquors, as the Tincture of _Lignum Nephriticum_, and

some sorts of Glass which transmit one sort of Light most copiously, and

reflect another sort, and thereby look of several Colours, according to

the Position of the Eye to the Light. But, if these Liquors or Glasses

were so thick and massy that no Light could get through them, I question

not but they would like all other opake Bodies appear of one and the

same Colour in all Positions of the Eye, though this I cannot yet affirm

by Experience. For all colour'd Bodies, so far as my Observation

reaches, may be seen through if made sufficiently thin, and therefore

are in some measure transparent, and differ only in degrees of

Transparency from tinged transparent Liquors; these Liquors, as well as

those Bodies, by a sufficient Thickness becoming opake. A transparent

Body which looks of any Colour by transmitted Light, may also look of

the same Colour by reflected Light, the Light of that Colour being

reflected by the farther Surface of the Body, or by the Air beyond it.

And then the reflected Colour will be diminished, and perhaps cease, by

making the Body very thick, and pitching it on the backside to diminish

the Reflexion of its farther Surface, so that the Light reflected from

the tinging Particles may predominate. In such Cases, the Colour of the

reflected Light will be apt to vary from that of the Light transmitted.

But whence it is that tinged Bodies and Liquors reflect some sort of

Rays, and intromit or transmit other sorts, shall be said in the next

Book. In this Proposition I content my self to have put it past dispute,

that Bodies have such Properties, and thence appear colour'd.

_PROP._ XI. PROB. VI.

_By mixing colour'd Lights to compound a beam of Light of the same

Colour and Nature with a beam of the Sun's direct Light, and therein to

experience the Truth of the foregoing Propositions._

[Illustration: FIG. 16.]

Let ABC _abc_ [in _Fig._ 16.] represent a Prism, by which the Sun's

Light let into a dark Chamber through the Hole F, may be refracted

towards the Lens MN, and paint upon it at _p_, _q_, _r_, _s_, and _t_,

the usual Colours violet, blue, green, yellow, and red, and let the

diverging Rays by the Refraction of this Lens converge again towards X,

and there, by the mixture of all those their Colours, compound a white

according to what was shewn above. Then let another Prism DEG _deg_,

parallel to the former, be placed at X, to refract that white Light

upwards towards Y. Let the refracting Angles of the Prisms, and their

distances from the Lens be equal, so that the Rays which converged from

the Lens towards X, and without Refraction, would there have crossed and

diverged again, may by the Refraction of the second Prism be reduced

into Parallelism and diverge no more. For then those Rays will recompose

a beam of white Light XY. If the refracting Angle of either Prism be the

bigger, that Prism must be so much the nearer to the Lens. You will know

when the Prisms and the Lens are well set together, by observing if the

beam of Light XY, which comes out of the second Prism be perfectly white

to the very edges of the Light, and at all distances from the Prism

continue perfectly and totally white like a beam of the Sun's Light. For

till this happens, the Position of the Prisms and Lens to one another

must be corrected; and then if by the help of a long beam of Wood, as is

represented in the Figure, or by a Tube, or some other such Instrument,

made for that Purpose, they be made fast in that Situation, you may try

all the same Experiments in this compounded beam of Light XY, which have

been made in the Sun's direct Light. For this compounded beam of Light

has the same appearance, and is endow'd with all the same Properties

with a direct beam of the Sun's Light, so far as my Observation reaches.

And in trying Experiments in this beam you may by stopping any of the

Colours, _p_, _q_, _r_, _s_, and _t_, at the Lens, see how the Colours

produced in the Experiments are no other than those which the Rays had

at the Lens before they entered the Composition of this Beam: And by

consequence, that they arise not from any new Modifications of the Light

by Refractions and Reflexions, but from the various Separations and

Mixtures of the Rays originally endow'd with their colour-making

Qualities.

So, for instance, having with a Lens 4-1/4 Inches broad, and two Prisms

on either hand 6-1/4 Feet distant from the Lens, made such a beam of

compounded Light; to examine the reason of the Colours made by Prisms, I

refracted this compounded beam of Light XY with another Prism HIK _kh_,

and thereby cast the usual Prismatick Colours PQRST upon the Paper LV

placed behind. And then by stopping any of the Colours _p_, _q_, _r_,

_s_, _t_, at the Lens, I found that the same Colour would vanish at the

Paper. So if the Purple _p_ was stopp'd at the Lens, the Purple P upon

the Paper would vanish, and the rest of the Colours would remain

unalter'd, unless perhaps the blue, so far as some purple latent in it

at the Lens might be separated from it by the following Refractions. And

so by intercepting the green upon the Lens, the green R upon the Paper

would vanish, and so of the rest; which plainly shews, that as the white

beam of Light XY was compounded of several Lights variously colour'd at

the Lens, so the Colours which afterwards emerge out of it by new

Refractions are no other than those of which its Whiteness was

compounded. The Refraction of the Prism HIK _kh_ generates the Colours

PQRST upon the Paper, not by changing the colorific Qualities of the

Rays, but by separating the Rays which had the very same colorific

Qualities before they enter'd the Composition of the refracted beam of

white Light XY. For otherwise the Rays which were of one Colour at the

Lens might be of another upon the Paper, contrary to what we find.

So again, to examine the reason of the Colours of natural Bodies, I

placed such Bodies in the Beam of Light XY, and found that they all

appeared there of those their own Colours which they have in Day-light,

and that those Colours depend upon the Rays which had the same Colours

at the Lens before they enter'd the Composition of that beam. Thus, for

instance, Cinnaber illuminated by this beam appears of the same red

Colour as in Day-light; and if at the Lens you intercept the

green-making and blue-making Rays, its redness will become more full and

lively: But if you there intercept the red-making Rays, it will not any

longer appear red, but become yellow or green, or of some other Colour,

according to the sorts of Rays which you do not intercept. So Gold in

this Light XY appears of the same yellow Colour as in Day-light, but by

intercepting at the Lens a due Quantity of the yellow-making Rays it

will appear white like Silver (as I have tried) which shews that its

yellowness arises from the Excess of the intercepted Rays tinging that

Whiteness with their Colour when they are let pass. So the Infusion of

_Lignum Nephriticum_ (as I have also tried) when held in this beam of

Light XY, looks blue by the reflected Part of the Light, and red by the

transmitted Part of it, as when 'tis view'd in Day-light; but if you

intercept the blue at the Lens the Infusion will lose its reflected blue

Colour, whilst its transmitted red remains perfect, and by the loss of

some blue-making Rays, wherewith it was allay'd, becomes more intense

and full. And, on the contrary, if the red and orange-making Rays be

intercepted at the Lens, the Infusion will lose its transmitted red,

whilst its blue will remain and become more full and perfect. Which

shews, that the Infusion does not tinge the Rays with blue and red, but

only transmits those most copiously which were red-making before, and

reflects those most copiously which were blue-making before. And after

the same manner may the Reasons of other Phaenomena be examined, by

trying them in this artificial beam of Light XY.

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