If you speak with enthusiasm of the picture gallery, a parisian coldly

observes, “C’est bien vrai, c’est un très beau spectacle.” (Yes, it is a

very fine spectacle, or sight.)

If a stranger inquire, whether the monthly parade of Bonaparte’s troops

deserve its celebrity, he is told, “Oui, c’est un très beau spectacle.”

(Yes, it is a fine spectacle.)

It is also the favourite theme of conversation; and a parisian compelled

to talk with a foreigner, is sure to begin with the following words:

“Allez vous souvent, monsieur, au spectacle? Ne sont ils pas bien beaux

nos spectacles?” (Do you often go to the _spectacles_? Are not our

_spectacles_ very fine?)

A similar observation forms likewise the hospitable kind of consolation

which an englishman sometimes receives, if he complain, that he has not

seen much of french society. “Mais cependant, vous ne pouvez pas manquer

d’amusement; à Paris les spectacles sont si beaux.” (You cannot want

amusement, however; the spectacles at Paris are so fine.)

In consequence of the general application of this word in France to

every thing relating to the stage, a parisian, on his arrival in London,

wishing to go to the play, supposed that he had only to look for the word

spectacle in a french and english dictionary; and, having found that

the literal translation gave him the same word, with perfect confidence

directed his hackney coachman to _drive to the spectacle_. The fellow,

supposing that he wanted to purchase a pair of spectacles, conducted

him to the celebrated shop at Charing-cross. The frenchman flew into

a passion, and by his gestures conveyed, that this was not the place

where he desired to go. The coachman, imagining that this was not the

optician’s, to which he wished to be taken, carried him to several others

in different parts of the town. After a long round, during which the

favourite oaths of the two countries were mutually exchanged between

_monsieur_ and his _charioteer_, the former was compelled to pass his

evening in the hackney coach instead of the play-house, and thus learnt

the difference between french _spectacles_ and english _spectacles_.

[7] Mademoiselle Beauharnois is since married to Louis Bonaparte, one of

the brothers of the first consul; to whom she has become, therefore, both

daughter and sister.

[8] Married to General le Clerc, who commanded the expedition to St.

Domingo. She accompanied him to that island, and incurred all the dangers

of climate and of war. She did so in obedience to Bonaparte’s particular

orders; with whom it is an undeviating principle, that a wife should

always follow the steps and fortunes of her husband.

[9] As we should say in english, “a lost thing.” The french expression

is more commonly used, and is infinitely stronger in its meaning. It is

adopted on all occasions of misfortune; such as to deplore the death of

a friend, or the loss of a “spectacle.” A general was lately killed in a

duel. A fair parisian of high fashion, to whom he was much attached, on

hearing of the accident, exclaimed, with an accent of deep despair, “Que

je suis à plaindre! il devoit m’avoir amenée au bal de l’opéra demain.

Voilà une affaire bien manquée.” (How am I to be pitied! he was to have

taken me to the ball at the opera to-morrow. Here is a lost thing, or a

party completely deranged.)

[10] What bad weather! what a misfortune! really it is terrible! it is

shocking! The _fête_ would have been so fine, if this devilish rain had

not fallen!

[11] By the good fortune of Bonaparte.

[12] At the house of the respectable M. de la T⸺, whose niece is the

lady of the celebrated P⸺t, some time president of the convention, and

afterwards banished, with many other worthy men, at the revolution of

the 18th of Fructidor. M. P⸺t is a distinguished writer; and, as a

politician, was much esteemed for the moderation of his principles, and

the integrity of his conduct. Madame P⸺t is a woman of very superiour

talents and great acquirements. She is likewise justly admired for the

humanity which has induced her to devote her hours to that excellent

institution, _la Société Maternelle_, of which she is the president. The

object of this society is, to afford deserted orphans that comfort, of

which they have been deprived by the death or the fault of their parents.

[13] “De mauvaise compagnie”—“of bad company, unfit for good company.”

The terms, “bonne compagnie,” and “_mauvaise_ compagnie,” are for ever in

the mouths of _coquettes_ and _petits-maîtres_. It is difficult to define

what, I believe, is meant to be indefinable.

[14] _L’ancienne noblesse_, literally translated, “the ancient nobility.”

I use the expression in french, because the word “nobility,” in our

language, expresses a very different thing.—The nobility of England are

a small, respectable, and wealthy body, exercising a great and important

part of the constitution, and possessed of powers highly important to the

state. The french “_noblesse_” consisted of sixty or seventy thousand

families, every individual of which would have thought himself disgraced

by engaging in any branch of trade, or useful industry; enjoying many

privileges personally advantageous, but discharging no public functions,

as nobles, at all connected with the government.

[15] “Contractors.”

[16] Every landholder in France, in consequence of a law passed in one of

the most violent moments of the revolution, and which is still continued,

pays one fourth of his real revenue to the state; and as, in particular

parts of the country, the rate has been unfairly made, it happens, in

some cases, that even a half is paid, instead of a fourth. The latter is

the _minimum_ of the present taxation.

[17] I am very sorry, but to tell you the truth.

[18] At their house—I am really quite distressed.

[19] “New Comers,” upstarts.

[20] Eating room.

[21] Silence guards the slumbers and the loves of this bed.

[22] President’s chair.

[23] To the Legislative Body, to the first Consul, and to madame

Bonaparte.

[24] Yes, yes, that tall man is lord Cornwallis. He has a fine figure.

He looks like a military man. He has served in the army. Is it not true,

sir? Look at that little man near him, what a difference! what a mean

appearance!

[25] “They do right,” said one, “to wear boots—it is a travelling dress.

They will not stay here long.”

[26] We pay them ten thousand francs for doing nothing. I am astonished

Bonaparte does not get rid of these fellows.

[27] I believe that your ambassador has an income of his own, larger than

that of all these fellows together. Without their salary of legislators,

they would die of hunger.

[28] The sovereign people.

[29] The abbé Sicard, in the course of this lecture, took occasion to

remark, that of all languages, the english was the most simple, the most

reasonable, and the most natural, in its instruction. As a proof of the

truth of his assertion, he informed us, that his pupils, as they began to

learn the means of conveying their thoughts by writing, were constantly

guilty of _anglicisms_. He added, that it was difficult to make them lay

aside idioms purely english, and still more so, to teach them those which

are peculiar to the french language.

[30] I hear only silence and see only night.

[31] Your droll Shakspeare.

[32] By way of an unanswerable argument, said, “It is Mr. Pitt who

understands reasoning; but as to Mr. Fox, he can declaim prettily: all

his talent consists in this. You will allow me to know, for it was I,”

assuming a look of great dignity, “who translated his speeches.”

[33] General Dessaix, by whose valour the battle of Marengo, in which he

fell, was principally gained.

[34] To take advantage of the discoveries of the present age, but not to

run before them.

[35] To love the world at large, it may be truly said, that we ought

first to love our own country; but he who begins with loving the world at

large, will probably end in not loving any country whatever. Philosophy

has done its duty; it is for you, citizen legislators, to discharge

yours. Philosophy begins the happiness of men; but it is legislation

which completes it, &c.

[36] “La loi d’aubaine,” by which foreigners were prevented from

inheriting or purchasing lands in France.

[37] Boissy d’Anglass. This worthy man was president of the national

assembly on one of those occasions, when the mob burst into the hall, and

attempted to dictate to the members.

With heroic courage, he refused to put any question, while the

rabble remained in the assembly; and persevered in his resolution,

notwithstanding the poignards which were raised against him, and the

dreadful example of one of his colleagues, who was murdered by his side.

[38] That dark and wet climate.

[39] Believe me, sir, our young men see all this with the most perfect

indifference.

[40] Coffeehouses.—The number of coffeehouses (properly so called, as

coffee and _liqueurs_ are the only articles which they supply) is very

great at Paris, and they are constantly crowded. Swarms of idle persons

spend their lives at these places, playing chess, talking politics,

reading the journals, or sitting still. I have often counted more than

one hundred individuals in a coffeeroom of a moderate size; and there

is no hour of the day when the same scene does not present itself.

Paris, under every government, and at all periods, will bear the same

appearance as to amusements. Montesquieu, in his Persian Letters, gives

the following description of the coffeehouses of his time, which applies

exactly to those of the day:

_“Le café est très en usage à Paris, il y a un grand nombre de

maisons publiques, où on le distribue. Dans quelques unes de

ces maisons on dit des nouvelles, dans d’autres on joue aux

échecs. Il y en a une où l’on apprête le café, de telle manière

qu’il donne de l’esprit à ceux qui en prennent; au moins, de

tous ceux qui en sortent, il n’y a personne que ne croie qu’il

en a quatre fois plus que lorsqu’il est entré.”_

“Coffee is much in use in Paris. There are a great many public houses

where it is distributed. In some of these houses the news of the day is

reported, and in others chess is played. There is one, in which coffee

is prepared, in such an extraordinary manner, that it improves the

intellects of those who take it: at least, of those who come from this

house, there is not one who does not think himself four times as wise as

when he went in.”

[41] The establishment for the employment of the blind.

[42] In spite of myself.

[43] As our Saviour did of old.

[44] It is the art of writing as quick as speech. Stenography moves like

the deer or the horse, but common writing like the ox.

[45] You speak of _Molière!_ Oh! his reign is past; our age is much

more refined in its ideas; our stage, cleared of such trash, is at last

adorned with the really beautiful, which was so long sought for in vain.

[46] “Tom, my dear Tom.”

[47] Every large house in France is approached by a court yard, the gate

of which is called “la porte cochére.”

[48] I speak only of the superiour orders. Among the common people, I

have remarked some of that liveliness so vaunted, as forming a material

ingredient in the french character.

[49] Edward in Scotland.

[50] Provision for the convent.

[51] I am delighted to see here so many english. I hope our union may

be of long continuance. We are the two most powerful and most civilized

nations of Europe. We should unite to cultivate the arts, the sciences,

and letters; in short, to improve the happiness of human nature.

[52] When the present worthy and respectable minister from the United

States of America Mr. Livingston was presented, Bonaparte said to

him, “Vous venez d’une république libre et vertueuse dans un monde de

corruption.”—(You come from a free and virtuous republic into a world of

corruption.)—Mr. Livingston, who is rather deaf, and does not perfectly

understand french, did not immediately hear him. Bonaparte instantly

called to M. Talleyrand, and desired him to explain, in english, what he

had said.

[53] Thus, thanks to the genius of Victory, the public will soon have

the pleasure of seeing these four magnificent compositions united in the

_Musée Central_, or Central Museum.

[54] “The gratitude of the country dedicates this building to the memory

of great men.”

[55] You must ask that question of the government. The church will

probably be finished, when the government has so much money, as not to

know what to do with it otherwise.

[56] Here reposes the man of nature and of truth.

[57] He enlightens the world even from the tomb.

[58] To the manes of Voltaire, the national assembly passed a decree, on

the 30th of may, 1791, declaring, that he deserved the honours due to the

memory of great men.

[59] Poet, historian, philosopher, he enlarged the human mind and taught

it, that it ought to be free.

[60] He defended Calas, Serven, de la Barre, and Mont Bally.

[61] He combated atheists and fanatics. He preached tolerance. He

vindicated the rights of man against the monster Feudality.

[62] The return of Zephyr.

[63] _Orangerie._—The following description, given by _la Fontaine_

of the same place in his time, is exactly descriptive of its present

situation:

“_Comme nos gens avoient encore de loisir ils firent un tour à

l’orangerie. La beauté et le nombre des orangers et des autres plantes

qu’on y conserve on ne sauroit exprimer. Il y a tel de ces arbres qui a

resisté aux attaques de cent hivers._”

“As our _friends_ had still some time to spare, they took a turn in the

_orangerie_, or green house. The beauty and number of orange and other

plants here preserved, cannot be described. There are, among these trees,

some which have resisted the attacks of a hundred winters.”

La Fontaine, Amours de Psyche & de Cupidon.

[64] The distance is great from the hand of an assassin to the heart of

an honest man.

[65] The king’s apartment.

[66] Lodging account at the Little Trianon.

Francs.

Three masters’ rooms 36

Wax lights 6

Wood 9

Four servants’ beds 12

--

Total 63

N. B. Sixty-three francs of french money make exactly two guineas and a

half english; and this sum was asked for one night’s lodging (without

eating or wine) for three masters’ beds and four servants’.

[67] To the nation.

[68] The ambassador of the emperor of Russia.

[69] To fleece strangers.

[70] “Ladies of good company,” or, as we should say in english, women of

character.

[71] Carriages in the english fashion, or carriages really english.

[72] What a fine sight! what pretty carriages! what beautiful horses!

what elegant dresses! Really it is charming!

[73]

How I pity the frenchman, whose gayety’s lost;

The creature’s a wretch, from his element toss’d.

[74] Official defenders.

[75] Hackney coach.

[76] That all the good company of Paris went there.

[77] _Surveillance_—Watch, or special care.

[78] Formerly a convent.

[79] Molière and Thalia rest in this grave.

[80] Nicholas Boileau is in this tomb.

[81] My cares, as well as my happy days, are past. I feel no longer the

indignation of my youthful anger, and leave an open course to the tribe

of dull and cold versificators.

[82] French Parnassus.

[83] The following is nearly the exact translation:

“My dear heart, we have just dined, and are very drunk. I will see you

before I set out from Paris, and will caress you not as you deserve, but

as I can. The bearer hurries me so much, that I can only say this one

word—good night, my dear heart, I kiss you a million of times.

8

This XIIIIIth october, 8 H 8

8

HENRY.”

[84] The national garden of plants.

[85] Among the curious quadrupeds here preserved is the _Camelopardalis_.

_Vide Vaillant’s Travels in Africa._

[86] I do not mention _l’École Polytechnique_, that admirable

institution, in which eight hundred young men, named by the government

(principally as a reward for the services of their fathers), are

liberally educated, because it forms part of the system of public

instruction, which, being of a political nature, is foreign to my object.

In this letter I only mean to point out those establishments, from which

foreigners can derive either information or pleasure.

[87] The boiled beef, which, after making the soup, is always served

at a trench table. “Le vin ordinaire,” or common wine, is a weak, sour

beverage, which costs about sixpence english per bottle, and is not,

either in taste or strength, superiour to our small beer.

[88] The boxes “au baignoir” are on the level with the pit, under the

first tier, and are in the shape of a bath, from which they take their

name.

[89] Persons going to France ought to know, that, the exchange being at

present against England, we regularly lose from _five_ to _seven_ per

cent on the money drawn from the latter country. This loss must of course

be added to the calculation of expenses on the continent.

[90] I have heard, since I left Paris, that a very fine house, formerly

belonging to a nobleman, and known by the name of “_l’Hôtel de

Beauveau_,” has lately been opened as an “_hôtel garni_,” and assumed the

title of “_Hôtel de Prince de Galle_.” It stands in “_la Rue Fauxbourg

St. Honoré_,” nearly fronting one of the avenues to the _Champs Elisées_.

In spring the situation must be very pleasant. It is at a considerable

distance from the theatres, but in a most respectable part of the town.

[91] “_Restaurateurs_” are tavern keepers, where dinners are served.

[92] Visits.—It is the custom, in all parts of France, and particularly

at Paris, to receive and pay perpetual visits. The whole of every evening

is passed in a _routine_ of this kind (when the _spectacle_ offers no

irresistible temptation); and a parisian _belle_ was, the other day,

quite astonished and disgusted, when I told her, that in England ladies

seldom received the visits of young men.—“_Qu’elle vie ennuyeuse que

votre vie de Londres!_” exclaimed the fair one; “_qu’on doit passer des

tristes journées!_ Que peut elle faire, une malheureuse anglaise, après

diner?”

“Elle va aux assemblées ou à l’opera—Mais si elle est malade?

“Elle reste chez elle.”

“_Quoi_ toute seule! que _vos dames sont à plaindre_! Que _je me félicite

d’être françoise! Sans les visites de quelques amis choisis, je mourrois

d’ennui._”

What a dull life must your english manners afford! What dismal days must

one pass in such a country! What can a poor english lady do after dinner?

She goes to assemblies, or to the opera.

But if she is ill—

She stays at home.

What quite alone? Oh, how I pity your poor english ladies! Oh, how I

rejoice at being born a frenchwoman! without the visits of a few well

chosen friends I should die of _ennui_.

Notwithstanding this passion for receiving and returning visits among

one another, the french are frequently negligent in this respect towards

the foreigners who are recommended to them. I have heard english ladies

at Paris complain, that their visits were often not returned at all, and

that that early attention was rarely shown as to this little _etiquette_,

which well bred persons in England are so careful to observe.

[93] _Boulotte_ is a gambling game much played at Paris, and said to be

the support of several families.

[94] This was, of course, written before the late changes in the

government, which appear to provide against this event. I leave the

remark unaltered, as, in the first place, this provision comes not from

the people, but from the first consul himself. Secondly, this arrangement

is only on paper, and if it last the life of Bonaparte, will scarcely be

respected after his death.

[95] It is Bonaparte who does every thing—every thing is submitted to

him—every thing is possible for him.

[96] Among the old friends of my family, from whom we received particular

kindness, I shall be pardoned for naming madame (la ci-devant comtesse)

d’H—t, so frequently mentioned in the confessions of _Jean Jacques_,

and the real model on which he formed his imaginary Heloise. We had

the pleasure of passing some days at her country seat, in the valley

of Montmorency, and several evenings at her hotel at Paris. This

accomplished woman, who at the age of thirty, had the talent to attract,

and the virtue to resist the affection of Rousseau, has still at seventy,

that amiability of manner, that suavity of disposition, and that fund of

enlightened conversation, which, notwithstanding the disadvantages of a

person far from handsome, gained her the love of that extraordinary man.

The latter has been very unjust in the character which he has drawn of

the husband of this lady. He is still living, and is a respectable man

of ancient family, independent fortune, and irreproachable reputation.

_St. Lambert_, the Thomson of France, resides with Mr. and madame d’H—t,

and his extreme old age receives from their attention the comforts and

kindness of unvarying friendship.

[97] There are innumerable houses at Paris in which, with every

appearance of respectability, and often with the assistance of some lofty

sounding title, the unwary stranger often finds his ruin. Amidst the

smiles of beauty, the splendour of foreign orders, the jollity of wine,

and the gaiety of dancing, youth loses its prudence, and one evening’s

entertainment is paid by the loss of that fortune, on which a man’s

happiness, and perhaps that of many dear relatives depended.

INDEX.

A.

Advocates, 223

Affaire manquée, definition of the term, 44

Albani, Francesco, his paintings, 32

Amiens, 6

Ancienne noblesse, account of, 55, 57

a ball of, 140

Antiquities, cabinet of, 16

Apathy of the french people, 179

Apollo Belvidere, 16, 18

Arabian horses, 202

Archbishop of Paris, 217

of Tours, 218

Artistes, théâtre des jeunes, 130

Athénée, 255

Aveyron, savage of, 109

B.

Bagatelle, garden of, 231

Ball, a public, 92

Ball, a private, 140

Ballets, 123

Bargains, necessity of making them, 280, 283

Beggars, 5

Berthier, general, 139

Bendette, paintings of, 31

Blind, Institutions for the, 103

Boissy d’Anglass, 90

Bois de Boulogne, 175, 228

Bonaparte, first consul, account of, 81, 158, 161

court of, 159

dinner with, 247

madame, 43, 188, 220

Lucien, 188

Boulevards, 229

Brun, le, the third consul, 59

Charles, paintings of, 23

Burgoing, mademoiselle, 116, 117

C.

Calais, 2

Caravaggio, Michael Angelo Amerigi, 34

Cardinal legate, 217

Carnival, 152

Carracci, Agostino, 33

Lodovico, 33, 173

Antonio, 33

Annibale, _ib._

Carriages, 177, 209, 211

job, 270

Castiglione, Gio Benedetto, his paintings, 31

Cavedone, James, 35

Champagne, Philip of, 25

Champ de Mars, 237

Champs Elisées, 228

Chantilly, 7

Claissens, Anthony, 25

Clotilde, mademoiselle, 124

Cloud, St., 192

Comparison between London and Paris, 282

Concert of the blind, 104

Conciergerie, 225

Concordat, 188

Contat, mademoiselle, 118

Cornwallis, lord, 67

Corregio, 35

Costume of dress, 93, 176

Cosway, Maria, copying the principal pictures in the Museum for

prints, 15

Court of Bonaparte, 159

of madame Bonaparte, 188

Criminal law, 224

D.

Dancers, 123, 190

Dances, 95, 142

Dancing, 144

Deaf and dumb, 69

Dessein’s hotel, 3

Dinner with Bonaparte, 247

Domenichino, 35

Douaine at Calais, 2

Dover, 1

Duel, frivolous occasion of one, 233

Dress, 93, 176

Durer, Albert, 25

Dutch school of painting, _ib._

Dyck, Anthony Van, 26, 173

Philip Van, 27

E.

École Militaire, 238

Edouard en Ecosse, 146

Élèves, theatre of, 131

Elephant, account of, 261

Emigrés, their conduct to the english, 57, 58

Enfans trouvés, 236

English language most simple and natural in its construction, 70

Engravings, cabinet of, 253

Exorbitant demands at Versailles, 198

Expenses at Paris, 266

F.

Fashions, 176

Ferrari, Gandertio, 36

Fête for the peace, 40

Feydeau, théâtre, 125

Fire arms, manufacture of, 195

Fireworks, 50

Fitzjames, the ventriloquist, 132

Flemish school of painting, 25

Fleury, the actor, 119

Fond, la, 116

Footmen, english, publicly forbidden to wear laced hats, 178

Fournisseur, assembly at the house of a, 137

Fox, Mr., opinion entertained of him, as an orator, in french

society, 78

French school of painting, 23

Frescati, 231

Furniture of the houses in Paris, 60, 295

G.

Gallery of paintings, 11, 166

of statues, 16

Galvanism explained by Massieu, deaf and dumb, 106

Gambling houses, 99

Gardens of Paris, 228, 229

Garden, national, of plants, 260, 261

Généviève, St., 182

Gens d’armes, 216

German school of painting, 25

Germain, St., 203

Globes, 250

Gobelins, 235

Governmental class of society, 55, 59

Guards, consular, 84

A rough sketch of modern Paris · 第 16 / 17 段