CHAPTER VIII.

FRANCE.

It is only in very recent times that the French have turned their

attention to the study of their Rude-Stone Monuments; but since they

have done so, it has been in so systematic and scientific a manner

that, had it been continued a few years longer, little would have been

left to be desired by the students of that class of antiquities in

France. War and revolution, however, intervened just as the results of

these labours were about to be given to the world, and how long we may

now have to wait for them, no one can tell. The Musée de St.-Germain

was far from being complete in July last, and only the first parts of

the great 'Dictionnaire des Antiquités celtiques' had been published at

that time. We can now hardly hope that the necessary expenditure will

be continued which is indispensable to complete the former, and it is

difficult to foresee in what manner the materials collected for the

dictionary can now be utilised.

Even when much further advanced towards completion, it is hardly to

be expected that the museums of St.-Germain and Vannes can rival

the royal collections at Copenhagen; and if the French had confined

themselves only to collecting, they would not have advanced our

knowledge very much; but, while doing this, they have also gathered

statistical information, and have been mapping and describing, so that

our knowledge of their monuments is much more complete than of those

of the Danes. To borrow a simile from kindred sciences, it is as if

the Danes had attended exclusively to the mineralogy of the subject:

collecting specimens from all parts, and arranging them according to

their similarities or affinities, wholly irrespective of the localities

from which they came. The French, on the other hand, have founded a

science similar to that of geology on their knowledge of the minerals;

they have carefully noted the distribution of the various classes

of monuments, and, so far as possible, ascertained their relative

superposition. The first is, no doubt, a most useful process, and one

that must to a certain extent precede the other; but unless we map the

various rocks on the surface and ascertain their stratification, it

hardly helps us in studying the formation or history of our globe.

In 1864 M. Bertrand published in the 'Revue archéologique' a small map

of France, showing the distribution of dolmens as then known; and three

years afterwards another, on a much larger scale, intended to accompany

the 'Dictionnaire des Antiquités celtiques,' and containing all that

was then known. Were a second edition of this map published now, it

would, no doubt, be much more full and complete; but the main outlines

must still be the same, and are sufficient for our present purposes.

From these maps and the text which accompanies them we learn that the

greater number of the rude-stone monuments in France are arranged at no

great distance on either side of a straight line drawn from the shores

of the Mediterranean, somewhere about Montpellier, to Morlaix, in

Brittany. There are none east of the Rhone, none south of the Garonne,

till we come to the Pyrenees, and so few north of the basin or valley

of the Seine that they may be considered as wanderers.

Referring to the table at the end of this chapter, which is compiled

from that of 1864, we find that thirty departments contain more than

ten monuments. Thirty others, according to M. Bertrand, contain from

one to eight or nine; and the remaining twenty-nine either contain none

at all or these so insignificant as hardly to deserve attention.

From this table we learn, at least approximately, several facts of

considerable interest to our investigation. The first is that, of

the three divisions into which Cæsar divides Gaul, the northern in

his day belonged to a race who had had no stone monuments. There are

none in Belgium proper, and so few in French Flanders, or indeed in

any part of Gallia Belgica, that we may safely assert that the Belgæ

were not dolmen-builders. In the next place, I cannot help agreeing

with M. Bertrand in his conclusion that the Celts properly so called

have as little claim to the monuments as the Belgæ.[379] We know

something of the provinces occupied by the Celts six hundred years

before Christ from Livy's[380] description of the tribes who, under

Bellevesus, invaded Italy. Their capital was Bruges, and they occupied

the departments immediately around that city; but they had not then

penetrated into Brittany, nor north of the Seine, nor into any part of

Aquitania.[381] But they occupied the whole of the east of Gaul up,

apparently, to the Rhine and the country on the east bank of the Rhone.

According to the French statistics, there are 140,000 barrows or tumuli

in the departments of the Côte-d'Or, Vosges, Haut-Rhin, Bas-Rhin,

Doubs, Jura, and Ain, but not one single dolmen;[382] and there are

none to the east of the Rhine. As we proceed westward, the tumuli

become rarer, and the dolmens are gradually met with. The Averni, for

instance, were one of the Celtic tribes that accompanied Bellovesus,

and in their country dolmens are found; but perhaps we need only infer

from this that in a hilly country like Auvergne the older people still

remained, and followed their old customs in spite of its partial

occupation by the conquering Celts. We do not know at what period the

Celts first invaded Gaul, but there seems no reason for supposing that

it could not be very long before they first came in contact with the

Romans; and if we may judge from the rate of progress which they made

in subduing the rest of the country in historic times, their first

invasion could hardly have been a thousand years B.C. All the

tumuli in the east of France which have been dug into have yielded

implements of bronze and metal,[383] and if they belonged to the Celts,

this would fairly accord with the conclusions at which archæologists

have arrived from other sources with regard to the Bronze age. It is

not, however, worth while following up the question here; for unless

it could be proved that the dolmens either succeeded or preceded the

tumuli, it has no bearing on our argument. The fact of their occupying

different and distinct districts prevents any conclusion of the sort

being arrived at from geographical or external considerations. Their

contents, if compared, might afford some information, but up to the

present time this has not been done, and all we can at present assume

is that there were two contemporary civilizations, or barbarisms,

co-existing simultaneously on the soil of France. My impression is,

however, that the Celtic barrow-builders were earlier converts to

Christianity, and left off their heathenish mode of burial long before

the less easily converted dolmen-builders of the west ceased to erect

their Rude-Stone Monuments.

We are thus reduced to the third of the great provinces into which Gaul

was divided in Cæsar's time, to try and find the people who could have

erected the stone monuments of France, and at first sight it seems

extremely probable that they were erected by the Aquitanians. Both

Cæsar[384] and Strabo[385] distinctly assert that the people of the

southern province differed from the Celts in language and institutions

as well as in features, and add that they resembled more the Iberians

of Spain than their northern neighbours. When, however, we come to

look more closely into the matter, we find that the Aquitania of Cæsar

was confined to the country between the Garonne and the Pyrenees,

and where, however, few, if any, dolmens now exist. They are rather

frequent in the Pyrenees[386] and the Asturias, where remnants of the

dolmen-building races may have found shelter and continued to exist

after their congeners were swept from the plains; and there are one or

two on the left bank of the Garonne, but except these there are none

in Aquitania proper. If, however, we apply the term Aquitania to the

province as extended by Augustus up to the left bank of the Loire, we

include the greater part of the provinces where dolmens are found;

but here again, when we look more closely into it, we find that the

northern districts of this great province were, in Augustus' time,

inhabited by Celts, or, at all events, that Celts formed the governing

and influential bodies in the states. Indeed, the fact seems to be

that, during the six centuries which elapsed between the invasions

of Italy by the Gauls and the return invasion of Gaul by the Romans,

the Celts had gradually extended themselves over the whole of central

France from the Garonne to the Seine, and had obliterated the political

status of the people who had previously occupied the country, though

there is no reason to suppose they had then at least attempted to

exterminate them. It must thus be either that the Celts were the

builders of the dolmens, which appears most improbable, or that there

existed in these provinces a prehistoric people to whom they must be

ascribed.

Without at all wishing, at present at least, to insist upon it, I may

here state that the impression on my mind is every day growing stronger

that the dolmen-builders in France are the lineal descendants of the

Cave men whose remains have recently been detected in such quantities

on the banks of the Dordogne and other rivers in the south of

France.[387] These remains are found in quantities in the Ardèche[388]

and in Poitou.[389] If they have not been found in Brittany, it may be

that they have not been looked for, or that the soil is unfavourable

to their preservation; but they have been found in Picardy, though

possibly not exactly of the same class. It is, of course, dangerous to

found any argument on such local coincidence, as new discoveries may be

made in the east of France or elsewhere; but in the present state of

our knowledge the Cave men and the dolmens seem not only conterminous

but their frequency seems generally to be coincident.

As we know next to nothing of the languages spoken in the south-west

of France before the introduction of the Romance forms of speech,

philology will hardly assist us in our enquiry. There is, however, one

particle, _ac_, which I cannot help thinking may prove of importance,

when its origin is ascertained. In the table at the end of this

chapter, I have placed the number of the names of the cities having

this termination in each department[390] next to M. Bertrand's number

of dolmens. The coincidence is certainly remarkable, more especially as

it is easy to account for the comparative paucity of names with this

termination in Brittany by taking into account the enormous reflex wave

of Celtic population from England that overwhelmed that country in the

fourth and fifth centuries, and changed the nomenclature of half the

places in the district: still, Carnac and Tumiac, Missilac, and others,

as names of monuments, and Yffignac, as the name attached to the port

which I believe was the place of embarkation for England, with many

others that remain, are sufficient to attest that more previously may

have existed.

The question remains, what is this particle? The first impulse is

to assume that it is the Basque definite article. The Basques, for

instance, say _Guizon_, "a man," _Guizónac_, "the man," and _Guizónac_,

"the men," besides using it in other cases, while their local

proximity to the dolmen country would render such a connection far

from improbable. Against this, however, it may be urged, that _ac_,

as a terminal syllable, hardly ever occurs in the Basque provinces,

and the names to which it is attached in France hardly seem to belong

to that language. Another suggestion has been made,[391] that it is

equivalent to the Greek word πὁλις, which would be exactly

the signification for which we are looking, though in what language

this occurs is by no means clear. For our present purpose, however, it

is of little consequence what it may or may not be. It is sufficient

to know that its occurrence is, as nearly as may be, coincident with

the existence of dolmens. It does not occur to the eastward of the

Rhone, nor do dolmens, though both are frequent on the right bank of

that river; and it is not to be found in the east of France, in those

countries which we have reason to believe were at the dawn of history

essentially Celtic, and where the tumuli of the Bronze period exist in

such numbers. It does, however, occur in that part of Cornwall south of

Redruth and west of Falmouth,[392] where all the rude-stone monuments

of that province are found, but it is not found anywhere else in Great

Britain or Ireland.

Nor is it found in the Channel Islands, though dolmens abound there;

but this may be accounted for by the subsequent colonisation of

these islands, as of Brittany in more modern times, by races of a

different origin, who have to a great extent obliterated the original

nomenclature of the country.

Equally interesting, however, for our purposes is the fact that, though

the _ac_-termination occurs frequently in the departments between the

Garonne and the Pyrenees, no dolmens exist in that region except, as

before mentioned, a few at the roots of the mountains. This, at first

sight, might seem to militate against the universality of the theory;

but I, on the other hand, only take it to express that the _ac_-people

were driven from that country by Ibero-Aquitanians before they had

adopted the fashion of stone monuments. If we knew when Aquitania was

first occupied by the people whom Cæsar and Strabo found there, it

would give us a date before which dolmens could hardly have existed;

but as we have no materials for the purpose, all that can be said is

that, just as the dolmen races were cut in two by the Belgæ before the

use of stone for funereal monuments had been introduced, so here the

same phenomenon occurred, and the people we have to deal with were

driven north of the Garonne, west of the Rhone, and south of the Seine,

before they took to building dolmens--assuming, of course, that they

once had extended beyond those limits; but this, except in the case of

Aquitania proper, does not at present seem capable of being proved.

Before the Romans came in contact with them, and our first written

accounts describe them, they had ceased to be a nation politically, and

their language also was lost, or, at least, except in the one syllable

_ac_, we now know nothing of it. If, therefore, it may be argued, the

nationality of this people was lost before the Christian era, and their

language had become extinct, these monuments must belong to a long

anterior period. There are, however, certain considerations which would

make us pause before jumping too hastily to this conclusion. There are,

throughout the whole dolmen region of the south of France, a series

of churches whose style is quite distinct from that of central and

northern France. The typical example of this style is the well-known

church of St.-Front, Périgueux. But the churches at Cahors, at

Souillac, at Moissac, Peaussac, Tremolac, St.-Avit-Sénieur, and many

others, are equally characteristic. The cathedral at Angoulême, the

abbey church at Fontevrault, and St.-Maurice at Angers,[393] and the

church at Loches--all these churches are characterized by possessing

domes, and the earlier ones by having pointed arches which look very

much more as if they were derived from the horizontal arches of the

tumuli than from the radiating arches of the Romans, which the Celts

everywhere adopted; and, altogether, the style is so peculiar that no

one the least familiar with it can ever mistake it for a Celtic style.

All belong to the same group, and as distinctly as, or even more so

than, the _ac_-termination, mark out the country as inhabited in the

eleventh and twelfth centuries by a people differing from the Celts.

Though, therefore, both their nationality and their language may have

been superseded by those of the more enterprising and active Celts

before the time of Cæsar, it is evident they retained their old feeling

and a separate internal existence to a period at least a thousand years

later.

There is still another trait that marks this country as a non-Celtic

country in historical times--it is in the south-west, and there only,

in France that Protestantism ever flourished or took root. To the Celt,

the transition was everywhere easy from the government of the hierarchy

of the Druids to that of the similarly organized priesthood of Rome.

But it required all the cruel power of the Inquisition--the crusades of

Simon de Montfort--the exterminating wars against the Camisards of the

Cevennes---and, in fact, centuries of the most cruel and unrelenting

persecution down to the revocation of the Edict of Nantes, and, indeed,

to the French Revolution--to exterminate this people and extirpate the

faith and feelings to which they clung. If they have in their veins,

as I fancy they must have, any of the blood of the Cave people, they

belong to one of the least progressive people of the earth, and we

should not therefore be surprised if it required two thousand years

of Celtic aggressiveness, coupled with Celtic ferocity, entirely to

obliterate this race, if, indeed, that is done even now, which I very

much doubt.

* * * * *

Before leaving this part of the subject, there is one other question

which it may be as well to allude to here, as these investigations into

the distribution of the rude-stone monuments seem destined to throw a

new and important light upon it. Few questions have been more keenly

debated among the learned than the relationship stated to have existed

between the Cimbri and the Gauls. A great deal has been, and can be,

said on both sides,[394] but the difficulty appears to me to have

arisen principally from the erroneous assumption that on other people

except the Celts existed in France.

There is no trace of Celts or of a Celtic language in the Cimbric

Chersonese or the north-west corner of Europe, which is generally

assumed to be the country occupied by the Cimbri, and no such people as

the Cimbri are found settled in any part of France in historical times.

If, however, we assume that the relationship may have been between

the Cimbri and the Aquitanians, the case assumes a totally different

aspect. As we do not know what the language of the Aquitanians really

was, no assistance can be obtained from it, but our very ignorance of

it leaves the field open for any other evidence that may be adduced,

and that of the monuments seems clear and distinct. It seems almost

impossible that there should be so much similarity between the

monuments of the two countries without some community of race, and

the great likeness that exists between those on the southern frontier

of the northern dolmen province and those on the northern edge of the

southern dolmen field seems almost to settle the question.

From history we only know of the existence of this relationship by the

mode in which they fought together against Marius in the late Roman

wars. If they were then geographically separated by the Belgæ and the

Celts having thrust themselves between them, the separation must

have been recent, for a barbarian people could hardly be brought to

acknowledge the ties and duties of relationship after a long interval

of time.[395]

* * * * *

As may be gathered from the table, page 376, or the map opposite

page 324, the rude-stone monuments are pretty evenly distributed

over the whole of the area extending from the English Channel to the

Mediterranean Sea. Our knowledge of them is, however, practically

confined to the northern portion of this zone, known as Brittany. The

information which is available regarding those of Languedoc and Guienne

is of the most meagre description. Hundreds of English tourists have

visited Brittany, and many of them have drawn the monuments there and

at least described them intelligibly; but I do not know one English

book that mentions those in the departments of Lot or Dordogne, and

almost the only information regarding them is to be picked up from the

local "Statistiques;" but as these are very rarely illustrated, they do

not suffice. No form of words will convey a correct idea of any unknown

architectural monument except by comparing it with one that is known;

and unless both have some well-defined features of style, it is even

then very difficult, and with rude unshaped stones, almost impossible,

by words to convey what is intended.

[Illustration: 122. Dolmen at Sauclières.]

It is to be regretted that we do not know more of the southern

examples,[396] as they are different in several essential features

from those of the north; and it is probable that any one who was

familiar with all could point out a gradation of style which would

aid materially in determining their age. Whatever that may turn out

eventually to be, no one will, I presume, contend that all are of one

age or even of one century. It is far more probable that they extend

over a considerable lapse of time, probably a thousand years, and

if this is so, there must have been changes of fashion even among

Cave races as their blood got more and more mixed; and it would be

interesting to know where and--relatively at least--when this took

place. My present impression is that the southern are the most modern,

for this among other reasons.--I look on the sequence of a cist in a

barrow to a dolmen or chamber in a tumulus as very nearly certain,

and from that the sequence to the exposed free-standing dolmen, and

from that to the dolmen on the tumulus, as nearly, if not quite as,

probable. The latter form, so far as I know, never occurs in Brittany,

while on the other hand it is common in the south of France.[397]

If they are of the same age as similar monuments in Scandinavia and

Ireland, they must be of comparatively modern date. There are also some

monuments, trilithons of hewn or partially hewn stone, as this one

at Sauclières (woodcut No. 122), which at least look more modern than

their northern congeners.

The monument, however, that seems capable of throwing the greatest

amount of light on their age is the dolmen of St.-Germain-sur-Vienne,

near Confolens, in Poitou. As will be seen from the woodcuts opposite,

its cap-stone, measures 12 feet by 15 feet, and is of proportionate

thickness. The mass was originally supported by five columns of

Gothic design, but one having fallen away, it now rests only on

four; but their interest arises from the fact that the style of

their ornamentation belongs undoubtedly to the twelfth century or

thereabouts--certainly not earlier than the eleventh. In order to

explain away so unwelcome an anomaly, it has been suggested, that some

persons in the twelfth century cut away all the rest of the original

rude stones which supported the cap-stone, and left only the frail

shafts which we now see. If this were so, it would in no way alter the

argument to be derived from it. If men could be found in the twelfth

century to take the trouble and run the enormous risk of such an

operation, their respect for the monument must have been quite equal

to that implied in its erection; but the fact is that each of the five

columns is composed of three separate pieces--a base, a shaft, and a

capital,[398] and we see them now as they were originally erected.[399]

There may be doubts about the tomb of the Moals at Ballina (page 233),

but doubt seems impossible with regard to this: it is a dolmen pure and

simple, and it was erected in the twelfth century. In itself the fact

may not be of any very great importance, but it cuts away the ground

from any _à priori_ argument as to the age of these monuments. It does

not, of course, prove that they are all modern, but it does show that

some of them at least were erected after the time of the Romans, and

at an era extending even far into the middle ages.

[Illustration: 123. Dolmen at Confolens.]

[Illustration: 124. Plan of Dolmen at Confolens.]

It is amusing, however, to see how the French antiquaries resist

such a conclusion. Dr. de Closmadeuc, for instance, one of the most

distinguished antiquaries of Brittany, opened a perfectly virgin

tumulus at Crubelz. After penetrating through three distinct but

undisturbed strata, he reached the roof of the enclosed dolmen

or chamber. In this he found the usual products of cremation and

the inevitable flint arrow-heads, but he refers in triumph to the

"absence de toute trace des métaux." "Aucun doute," he adds, "n'est

donc possible. Ce dolmen appartient bien à cette classe de monuments

primitifs de l'âge de pierre." So far all is clear; but there are

still difficulties, for he goes on to say: "Nous tenons peu de compte

des débris de tuiles antiques rencontrées à la superficie du tumulus,

et même sous les tables du dolmen. Il est raisonnable d'admettre que

ces fragments de tuiles qui dénoncent l'industrie gallo-romaine, ont

accidentellement pénétré dans l'intérieur."[400]

Let us pause a moment to consider what is involved in such a

supposition. These tiles, which it is admitted are scattered in

quantities over the surrounding plain, must have climbed to the top

of the mound, penetrated through three undisturbed strata of earth,

and finally penetrated "accidentally" between the close-fitting slabs

forming the roof of the chamber. The hypothesis will not bear a

moment's examination, but anything, however absurd, is to some minds

preferable to admitting that any dolmen or tumulus can be subsequent to

Roman times. It is astonishing, however, what effect that shibboleth,

"no trace of metal," has on the mind of most antiquaries. It is, of

course, true that before the metals were introduced no trace of them

could be found in the prehistoric barrows of the rude savages that

occupied Europe in the earliest times. We do not, at the present day,

bury metal objects in our graves, and but for the coffin nails it would

be as fair to argue that the graves in Kensal Green are prehistoric

because the interments show no trace of metal implements. At all

events, there are many burying races now existing who do not use

coffins, nor bury metal objects in their graves; and all these this

argument would make prehistoric. To me it seems much more logical to

assume that, in those countries which had been occupied by the Romans,

the natives, though reverting after their departure to their original

modes of sepulture, had at least been so far civilized as to know that

bronze daggers and spear-heads were not likely to be of much use in the

next world, and had come to the conclusion that the personal ornaments

of the dead might as well remain with their living friends. This

hypothesis would at least account for the absence of metal in the long

barrows of Gloucestershire, and at West Kennet, as well as at Crubelz,

though Roman pottery was found in all these instances. In fact, it is

the merest negative presumption to assume that, because no metal is

found in a grave, it must be prehistoric. It may be of any age, down to

yesterday's, in so far as such proof is concerned.

Even the presence of metal, however, does not disturb the faith of

some antiquaries. The Baron de Bonstetten, for instance, opened a

tumulus not far from Crubelz. At one foot (30 centimetres) below the

undisturbed surface the usual deposit of flint implements was found;

and two feet (60 centimetres) below them two statuettes of Latona in

terra-cotta and a coin of Constantine II. were found, but without this

in the least degree shaking his undoubting faith in the prehistoric

antiquity of the tomb![401]

Numerous other Roman coins have been found in these French monuments,

but their testimony is disregarded. In the Manné er H'roëk, commonly

called the Butte de César, about half a mile south from Locmariaker,

near the surface, eleven medals of the Roman emperors, from Tiberius

to Trajan, were found, together with fragments of bronze, glass, and

pottery, but there were no signs of a secondary interment.[402] In like

manner, in another monument at Beaumont-sur-Oise, Roman moneys were

found, but, as M. Bertrand is careful to explain, in a stratum above

the stone and flint implements, which, of course, he believed to mark

the true date of the monument.[403] It seems impossible, however, that

all these Roman coins can have been accidentally placed there. Those of

Valentinian and Theodosius in the mound at New Grange were precisely in

the same position as those of Titus, Domitian, and Trajan in the Butte

de César or those of Beaumont, and so were those of Constantine found

at Uley, in Gloucestershire (_ante_, p. 165). Those of Valentinian at

Minning Lowe were in the tomb itself; so probably might others have

been found in the other tombs had they not previously been rifled. It

is not easy to assign a motive for placing these coins in the upper

part of the mound externally. Their being found in that position at

New Grange, Uley, Locmariaker, and Beaumont, is, however, sufficient

to prove it was not accidental, and their value is so small that they

could not have been buried there for concealment. They must have had

something to do with some funereal rite or superstition, the memory of

which has passed away. No ancient British or Gaulish coins have ever

been found in similar positions, and no Christian coins, which, had

their presence been purely accidental, would probably have been the

case. The inference seems to me inevitable that they were looked on as

valued relics or curiosities, and placed there intentionally by those

who raised the mounds it may be very long after the dates which the

coins bear.

DOLMENS.

There is nothing specific in the Rude Stone Monuments of France

sufficient to distinguish them from those of the other countries

we have been describing. They are larger, finer, and more numerous

there than in either Scandinavia or the British Isles, but except

in the negative peculiarity of there being no circles in France

there is little to distinguish the two groups. It can hardly even be

absolutely asserted that there are no circles in France. There are

some semicircles, which may possibly have been parts of circles never

completed; there are some rows of small stones around or on tumuli; but

certainly nothing that can for one moment be classed with the great

circles of Cumberland and Wiltshire, or those of Moytura and Stennis,

and certainly nothing like the innumerable Scandinavian examples.

We are hardly yet in a position to speculate why this should be so;

but, so far as I can at present see, I would infer from this that the

French examples are, as a rule, of earlier date than the British and

Scandinavian. The circle I take to be one of the latest forms of rude

stone architecture--the skeleton of a tumulus, after the flesh of the

sepulchral mound, which gave meaning to the group, had been thrown on

one side as no longer indispensable. But of this we shall be better

able to judge as we proceed.

Another characteristic, although not a distinction, is the fondness of

the French for the "Allée couverte" or "Grotte des fées." No examples

of this form have yet been brought to light in England, but one is

engraved (woodcut No. 80) as the Hag Birra's grave near Monasterboice,

a second from the same neighbourhood, at Greenmount (woodcut No.

81), and they exist in Scandinavia, but their home is Drenthe and

the neighbouring corner of Germany. As already mentioned, upwards of

fifty examples exist in that province. They are much ruder, it must be

confessed, than those of France; but this may arise from the nature of

the only material available; they have also the peculiarity of having

the entrance always at the side instead of at the end.

So far as their distribution in France has yet been ascertained, the

Grottes des fées exist only on the Loire, and to the north of it, in

fact in the most northern division of the French dolmen region; while,

on the other hand, as they are principally found in Drenthe, or at the

southern extremity of the German dolmen field, we may assume that there

is some connection between the two, or that there would have been if it

had not been severed by the Belgians before those in either region were

erected.

One of the finest of the French examples of this class of monuments

is that near Saumur, at Bagneux. The walls are composed of only four

stones on one side and three on the other, yet it measures 57 feet 6

inches by 14 feet 4 inches across. Another, near Essé, is even larger,

though not so regular in plan, nor so grand in the character of the

stones. It measures, however, 61 feet by 12 feet at the entrance,

increasing to 14 feet over all at the inner end. There is a third at

Mettray, near Tours, which, though very much smaller, is curiously

characteristic of the form. The immense mass in the centre (woodcut

No. 125) and the two smaller which form the roof almost take from it

the character of rude-stone architecture. There is a fourth, of a

less megalithic character, at Locmariaker,[404] and several others

are dispersed over Brittany. It is not possible to know whether the

intention may not have been that these, like all smaller chambers,

should have been buried in tumuli. These just quoted, however,

certainly never were so, but this may have arisen from their having

been left unfinished. That at Bagneux, however, could hardly have

supported a heavy mass without falling in, and that at Mettray looks

too like a finished monument for any one to fancy its builders wished

it hid.

[Illustration: 125. Dolmen near Mettray. From Gailhabaud.]

[Illustration: 126. Dolmen of Krukenho.]

The more usual form of French dolmens is either square or slightly in

excess of that form, seldom reaching two squares in plan, and with a

height equal to its breadth. One of the finest specimens[405] of a

monument of this class is in the middle of the village of Krukenho,

halfway between Carnac and Erdeven, and is now used as a cart-shed

or barn. It certainly never was covered up, though its entrance may

have been closed; indeed, the stones used for that purpose still lie

in front of it. From this, which may be styled a first-class dolmen

of the ordinary type, down to the simple dolmen of four stones, like

Kit's Cotty house, every possible variety and gradation are to be found

in France; but, so far as I know, no classification has been hit upon

which would enable us to say which are the oldest or which the more

modern.

On the whole, however, I am inclined to look on the Grottes des fées

as the more modern form. The stones of which they are composed are

generally hewn, or at least shaped, by metal tools to the extent to

which those of Stonehenge can be said to be so treated. They also look

more like ordinary structures than other megalithic monuments, and seem

rather sepulchral chapels than sepulchres. Even, however, if we were to

determine to regard them as relatively the most modern of the northern

dolmens, this would not settle the question of the southern external

dolmens on tumuli, which may be even more modern. These questions,

however, must, I fear, remain unanswered till our knowledge of the form

of the whole group and of the materials of which the monuments are

composed is more extensive and more accurate than it is at present.

The holed-stone variety occurs frequently in France, either in the form

of simple four-stone dolmens, like that of Trie, Oise[406] (woodcut

No. 127), or in a still more characteristic example at Grandmont, in

Bas-Languedoc[407] (woodcut No. 128). Certainly neither of these was

intended to be covered up, at least in the first instance, or, at all

events, only partially; or the use of the hole, which was, no doubt,

to get access to the chamber, would have been destroyed. The umbrella

form of the southern example is hardly such as would ever be used for a

chamber in a tumulus, but as a pent-roof is singularly suitable for an

open-air monument. The so-called Coves at Avebury were, I believe, in

this form, and it prevails also in India[408] and elsewhere, and the

likeness between the two is so remarkable that it may well have given

rise to speculations as to their common origin.

[Illustration: 127. Holed Dolmen, at Trie. From Gailhabaud.]

[Illustration: 128. Dolmen of Grandmont.]

[Illustration: 129. Demi-dolmen. From Malé, 'Antiquités du Morbihan.']

There is still a form of dolmen very common in France, but found

also frequently in these islands, though I do not know if it occurs

in Scandinavia. Mr. Du Noyer proposed to call them "earth-fast

dolmens,"[409] from one end of the cap-stones always resting on the

ground, the other only being supported by a pillar or block. At first

sight it might appear that they were only unfinished or imperfect

dolmens, as it is more than probable that the mode of erection, in all

instances, was to raise first one end of the cap-stone and then the

other, as by this means the weight is practically halved. If, however,

any faith is to be placed in this representation of a monument by

Malé,[410] it is clear that it was a deliberate mode of getting rid of

half the expense and half the trouble of erecting a dolmen sepulchre.

Generally speaking, however, they are more like the one near Poitiers

(woodcut No. 130), where the stone either rests at one end on a bank or

on a flat space sloping upwards. Those in Ireland and Wales seem all

really to be only demi-dolmens, and as economy would hardly be a motive

in the good old times, I look upon them as probably a very modern

form of this class of monument. There is, indeed, one at Kerland, in

Brittany (woodcut No. 131), which, in spite of the shock such an idea

will give to most people, I cannot help thinking is and always was a

Christian monument. At least it is inconceivable to me from what motive

any Christian could have erected a cross on a pagan monument of this

class, if it really were one. It seems, on the other hand, perfectly

intelligible that long after their nominal conversion to Christianity

the people would adhere to the forms so long practised by their

ancestors, and there appears to be no great reason why even the most

bigoted priest should object to it, provided the symbol of the cross

made it quite clear that the "poor inhabitant below" died in the true

faith.

[Illustration: 130. Demi-dolmen, near Poitiers.]

[Illustration: 131. Demi-dolmen at Kerland.]

I have purposely refrained from speaking of rocking stones, which play

so important a part in the forms of Druidical worship invented by

Stukeley, Borlase, and the antiquaries of the last century, because

I believe that nine-tenths of those found in this country--if not

all--are merely natural phenomena. So far from being surprised that

this should be the case, the wonder is that they are not more frequent

where loose boulders abound, either ice-borne or freed by the washing

away of the underlying strata. That some of these should rest in an

unstable equilibrium easily disturbed is only what might be expected,

and that they would also be matters of marvel to the country people

around is also natural; but it does not follow from this that any

priests purposely and designedly placed, or could place, rude stones in

such positions, or that they used them for religious purposes.

[Illustration: 132. Pierre Martine.]

In France, however, there is one called the Pierre Martine, near

Livernon, in the department of the Lot, which was designedly balanced,

if any one was. Its general appearance will be understood from the

preceding woodcut, taken from 'La France monumentale et pittoresque,'

which correctly represents its form and appearance.[411] The cap-stone

measures 22 feet by 11 feet, and is 16 inches in thickness, and is so

balanced on its two points of support that a slight pressure of the

hand is sufficient to set it oscillating with a motion which it retains

for some time.[412]

[Illustration: 133. Pierre Martine. From Bonstetten.]

[Illustration: 134. Pierre Branlante, in Brittany.]

Another and more celebrated one, in Brittany, which is known as the

Pierre branlante de Huelgoat, seems rather due to accident. It looks

as if it formed, or was intended to form, part of a demi-dolmen, but

happening to rest on one of its supports so as to oscillate, it has

been allowed to remain so. Even assuming, however, that this was done

designedly, what would it prove beyond the desire which pervades

all these monuments, of exciting astonishment by _tours de force_.

I believe it is correct to say that no passage exists in any book

ancient or medieval which mentions rocking stones or their uses; nor

has anyone been able to explain how they delivered their oracles. A

certain push produced an oscillation, not fitful or irregular, but

always in proportion to the force applied; so the answer must always

have been the same and alike to all people. A still more important

fact is that nowhere do the people appeal to them now. Neither at the

Beltane nor at Halloween, nor at any of those festivals where country

people revive every extinct superstition to aid them in prying into

futurity, are these rocking stones appealed to; and it seems almost

impossible that, when so many other superstitions have survived, this

one should be lost, and lost in presence of the rocks themselves, which

still remain. Wonders they certainly are, but I question much if they

ever were appealed to for any higher purpose than that of extracting

sixpences from the pockets of gaping tourists.

CARNAC.

In a zone about twenty miles in extent, stretching from Erdeven on the

north-west to Tumiac in a south-easterly direction, and nowhere more

than five miles in width, there is to be found the most remarkable

group of megalithic remains, not only in France, but perhaps in the

whole world. Not only are examples of every class of monument we

have been describing, except circles, to be found here, but they are

larger and finer examples than are generally to be met with elsewhere.

Another point of interest also is that within the zone are found--if I

am not mistaken--both a cemetery and a battle-field. At least in the

neighbourhood of Locmariaker, which there seems no reason for doubting

was the Dariorigum of the Romans, the capital of the Venetes in Cæsar's

times,[413] all the monuments are more or less sculptured, and all the

stones fashioned, not to say hewn. On the other hand, no stone in the

neighbourhood of Carnac is hewn, or even fashioned, beyond splitting,

and no sculptures of any class have been traced. The distinction is too

marked to be accidental, and unless it can be made out that they belong

to different ages, which appears to me most improbable, goes far to

establish the conclusion at which we have arrived in previous chapters.

To begin with the Carnac monument,[414] which is the best known and the

most important. As will be seen by the woodcut on p. 352, it consists

of two separate alignments, or great stone rows--one, that of Carnac,

extending for nearly two miles in a direction nearly east and west; the

other, that of Erdeven, at a distance of two miles and a half from that

at Carnac, being little more than one mile in length. There is a third,

but smaller, group at St.-Barbe, about a mile and a half due south of

Erdeven; and numerous dolmens and tumuli are spread at intervals all

over the plain.

In order to be understood, the Carnac monument must again be subdivided

into three portions. Beginning at Le Maenec (the Stones), we have

eleven rows of very fine stones, measuring from 11 feet to 13 feet in

height from the ground, and still nearly perfect. Gradually, however,

they become smaller and more sparse, till, when they reach the road

from Auray to Carnac, there are few of them that measure 3 feet in

any direction, and some are still smaller. Shortly after passing that

road the avenues cease altogether, for a distance of more than 300

yards, there being nothing but a few natural boulders in the interval

between. When, however, we reach the knoll on which the farm of

Kermario stands, the avenues reappear, this time only ten in number,

but perfectly regular, and with stones as large and as regularly spaced

as those at Maenec. They diminish more and more in size, however, and

almost die out altogether before they reach the mound (tumulus?) on

which the windmill stands, and after that become so small and sparse

that a stranger riding across the line could hardly remark that they

were artificially disposed, but would merely regard it as a stony

piece of land. They again cease entirely before we reach the brook, to

recommence at Kerlescant, where thirteen rows are found; but these are

composed of stones of less dimensions and more irregularly spaced than

those at Maenec, and die out much more rapidly. At a distance of less

than 500 yards from the head of the column they disappear entirely.

It may be suggested that these gaps arise from the stones having been

removed for agricultural and other purposes. I think, however, that

any one who carefully examines the spot will be convinced that we

really now possess all, or nearly all, that were ever placed here.

They are thickest and best preserved in the village of Maenec, and at

Kermario, where buildings are most frequent, and they disappear exactly

in those places where there are no buildings or walls, but where the

ground is an open, barren heath, without roads, and whence it would

be very difficult to transport them; and in so stony a country it is

very improbable that the attempt would be made. Besides this, the

gradual way in which they diminish in size before disappearing shows

a regularity of design, regarding which there can be no mistake. In

addition to this, the heads of the three divisions are all marked by

monuments of different kinds, but which are easily recognizable. At

the head of the Maenec division there is a curvilinear enclosure of

smaller stones, none of them being more than 6 feet in height, but set

much closer together than the rows (woodcut No. 136). It probably was

once complete, and, if so, joined the centre stone row. At Kermario,

a dolmen stands in front of the alignment, not remarkable for its

size, but conspicuous from its position; and at Kerlescant there is

a quadrangular[415] enclosure, three sides of which are composed of

stones of smaller size and set closely together, like those at Maenec.

The fourth side is formed by a tumulus or long barrow. This was dug

into in 1851, by some persons with or without authority; but who they

were, or what they found, is not recorded.

[Illustration: 135. MAP OF SOME CELTIC ANTIQUITIES _IN THE

NEIGHBOURHOOD_ OF CARNAC]

[Illustration: 136.]

The monument at Erdeven is very inferior in scale to that at Carnac,

and planned on a different principle. Instead of the heads of the

division following one another, as at Carnac, they face outwards;

and, like the fabled Amphisbena, this group has two heads, one at

each end. The principal one is the western, where there is a group of

very large stones close to the road, but rather confusedly arranged.

There seem to be nine or ten rows, and a row of large stones branches

off at right angles to the north. After extending about 100 yards the

main column dies out, and is resumed again at a distance of 200 yards,

in smaller stones much more widely spaced. It is again and again so

interrupted, that it is sometimes difficult to trace it till we come

near the eastern end, where it resumes its regularity, possessing eight

well-defined rows of stones similar to those at the west end.[416]

At the west end there can still be traced the remains of what was once

a tumulus, and, beyond that, a single standing menhir. At the east end

there is a tumulus of a somewhat oval form, and in the centre, a hill,

or rising ground, apparently natural, on which are placed two dolmens;

and, south of the east end, a second hill or mound with two more

similar monuments.

It is not easy to guess whether the lines of St.-Barbe were ever more

complete than we now find them. My own impression is that we have them

now very nearly as originally completed. The head facing the west seems

to have been intended for a curvilinear enclosure similar to that at

Maenec, but is now, at least, very incomplete. Its most remarkable

feature is the group of stones at its head (woodcut No. 137), two of

which are the largest and finest blocks in the neighbourhood. The

farthest away in the view is 19 feet long by 12 feet broad, and 8

feet thick; the other, seen in the foreground, even exceeds it in

dimensions. Whether these are like the Coffin stones at Aylesford, or

the two stones found among the stone rows at Dartmoor, or have, indeed,

any separate meaning, must be left to be determined when we know more

of the general scheme on which these monuments were planned.

There is nothing at present but juxtaposition to justify us in

connecting these great stone rows with the smaller groups of stones and

the dolmens or tumuli which stud the plain where they are found. In

respect to these, what we find at Carnac seems the exact converse of

what exists at Stonehenge and Stennis. There the great stone monuments

stand among the pigmy barrows of another race and age. Here all are

megalithic and all seem to have been erected nearly at the same time,

and to belong to one people, whoever they may eventually be proved to

have been. In so far as any argument as to their age is concerned, it

is at present of little importance whether this is so or not, for they

are all equally uncommunicative on this subject.

[Illustration: 137. Head of Column at St.-Barbe. From Messrs. Blair and

Ronalds' work.]

One of the tumuli known as Mont St.-Michel, is so situated with

respect to the Maenec row that it seems impossible to dissociate the

two. It was opened by M. René Galles in 1862, and an account of his

researches, in the form of a report to the Préfet, was published

shortly afterwards. The mound itself, at its base, is nearly 400 feet

in length by half that dimension in width. In modern times its summit

has been levelled, to form a platform for the church which now occupies

its eastern summit. In front of the church, M. Galles sunk a shaft

near the centre of the mound, and came upon a sepulchral chamber of

irregular form, the side walls of which were formed of very irregular

and bad masonry of small stones, similar to that of the dolmens at

Crubelz. Its mean dimensions were about 6 feet by 5 feet, and 3 feet

6 inches in height. In it were found some magnificent celts of jade

and tribolite, nine pendents in jasper, and 101 beads in jasper, with

some in turquoise, all polished and pierced so as to form a necklace.

The human remains in the principal cell seem utterly to have perished,

owing probably to the continued penetration of water since, at least,

the levelling of the summit, though some bones were subsequently found

in a small chamber adjoining.

On the north side of the avenue at Kerlescant, at a distance of about

100 paces from it, is a second long barrow, consequently occupying

the same relative position to it that Mont St.-Michel does to that at

Maenec. It is so similar in external appearance and general arrangement

to that forming the north side of the enclosure, which terminates the

avenue, that there can be little doubt of their being of the same age

and forming part of the same general arrangement. It had been opened

some twenty years ago by a gentleman residing at Carnac, but was

re-examined in 1867 by the Rev. W. C. Lukis.[417]

[Illustration: 138. Long Barrow at Kerlescant.]

In the centre he found a long rectangular chamber, measuring 52 feet

in length by 5 feet in width internally, and divided into two equal

compartments by two stones cut away in the centre, so as to leave a

hole 1 foot 6 inches wide by 3 feet high. A similar but smaller hole

exists on the side, and is identical with those found in the long

barrows at Rodmarton and Avening in Gloucestershire.[418] Mr. Lukis,

among other things, found an immense quantity of broken pottery, some

of very fine quality. Two vases which he was enabled to restore are

interesting from their general resemblance to the two which Mr. Bateman

found in Arbor Low (woodcut No. 31). Though not exactly the same in

form, there can be little doubt that they belong to the same age.

[Illustration: 139. Hole between Two Stones at Kerlescant.[419]]

[Illustration: 141. Vases found at Kerlescant.]

About a mile from this example, Mr. Lukis mentions a still larger

one. It measures 81 feet in length by 6 feet in width, is divided

into two compartments like the one just described, and has also a

holed entrance. He also measured two in Finistère, one 76 feet, the

other 66 feet, in length, and both 6 feet wide. Both, however, had

been rifled long ago, and are now mere ruins. More, no doubt, would be

found if looked for. Indeed, these straight-lined "allées couvertes,"

or "Grottes des fées," without cells, as the French call them, as

before mentioned, are the most characteristic, if not the most common,

form of French rude-stone monuments. The only other place where they

are equally common is Drenthe, and it may be that this side hole

at Kerlescant is an approach to the side entrance so usual in that

province.

At Plouharnel, about a mile and a half westward from Mont St.-Michel, a

double dolmen was opened a good many years ago. In it were found some

beautiful gold ornaments, others in bronze, and some celts or stone

axes in jade[420]--all these, like those of Mont St.-Michel, belonging

evidently to what antiquaries call the latest period of the Polished

Stone age; but until it is determined what that age is, it does not

help us much to a date.

[Illustration: 142. Plan of Moustoir-Carnac.]

[Illustration: 143. Section of Moustoir-Carnac. From 'Mémoire' by René

Galles.]

To the north of Kerlescant, at about the distance of half a mile,

is another long barrow, called Moustoir or Moustoir-Carnac, which

was opened in 1865, also by M. René Galles. It was found to contain

four separate interments, dispersed along its length, which exceeds

280 feet, the height varying from 15 to 20 feet. The western chamber

is a regular dolmen, of the class called "Grottes des fées," and is

apparently the oldest of the group. The centre one (_b_) is a very

irregular chamber, the plan of which it is difficult to make out; the

third (_c_) is a dolmen, irregular in plan, but roofed with three

large stones; but the fourth (_d_) is a circular chamber, the walls

of which are formed of tolerably large stones, the roof being built

up into the form of a horizontal dome (woodcut No. 144), by stones

projecting and overlapping, instead of the simpler ceiling of single

blocks as on all the earlier monuments. This, as well as the walls,

being built with small stones, I take to be a certain indication of

a more modern age. A considerable number of flint implements were

found in the western chamber, with some beads and a partially pierced

cylinder in serpentine, but no coins, nor any object of an age which

can be positively dated. Here, however, these troublesome Roman tiles

make their appearance as at Crubelz. "Ici, comme à Mané er H'roëk,

nous trouvons les traces caractéristiques du conquerant (les Romains):

des tuiles à rebord ont croulé, au pied de notre butte funéraire, et

plusieurs même se sont glissées à travers les couches supérieures des

pierres, qui forment une partie de la masse."[421]

[Illustration: 144. Section of Chamber _d_ of Moustier-Carnac.]

If these monuments are really prehistoric, it is to me incomprehensible

that these traces of the Romans should be so generally prevalent in

their structure. If it is objected that these are not found in the

chambers of the tombs themselves, the answer seems only too evident

that hardly one of them is virgin: all, or nearly all, have been

entered before the time of recent explorers, and all their more

valuable contents removed. Celts and beads and stone implements were

not likely to attract the attention of early pilferers, and these they

left; but except in the instance of the sepulchre at Plouharnel, metal

is very rarely found in any. But the presence of Roman pottery, or

other evidence of that people, in the long barrows in Gloucestershire,

at Kennet, and at Carnac, are too frequent to be accidental. In so far

as proving that the monument is not prehistoric, the presence of a

single fragment of Roman pottery is as conclusive as a hoard of coins

would be, provided it is found so placed that it could not have been

inserted there after the mound was complete; and this I fancy is the

case in all the instances mentioned above.

LOCMARIAKER.

It is rather to be regretted that no good survey exists of this

cemetery. Not that much depends on the juxtaposition of the monuments,

but that, as the French are continually changing their names, and most

of them have two, it is not always easy to feel sure which monument

is being spoken of at any particular time. Those on the mainland are

situated in a zone about a mile in length, running north and south,

between Mané Lud, the most northern, and Mané er H'roëk, the most

southern. The first-named is a long barrow, 260 feet by about 165,

but not, as in England, of one age or containing only one, but, like

Moustoir-Carnac, several sepulchres, which may either be of the same

age or erected at different though hardly distant periods, and joined

together by being buried under one great mound. Of the three which Mané

Lud contains, the most interesting is the partially covered dolmen at

the west end. It consists of a chamber of somewhat irregular form, but

measuring 12 feet by 10 feet, and covered by one enormous block of

stone, measuring 29 feet by 15 feet, and with a passage leading to it,

making the whole length from the entrance to the central block of the

chamber 20 feet. According to Mr. Ferguson,[422] five of the blocks

of this dolmen are sculptured; according to M. René Galles,[423] nine

are so ornamented. The stone, however, is so rough and the place so

dark that it is difficult at times to distinguish them and always so

to draw them. The principal objects represented seem to be intended

for boats and hatchets, but there are other figures which cannot be

so classed, and, though it may be rash to call them writing, they may

mean numbers or cyphers of some sort. Their great interest is, however,

their similarity to the engravings on Irish monuments. If any one will,

for instance, compare this woodcut (No. 145) and woodcut No. 68 from

New Grange, he can hardly fail to see a likeness which cannot well be

accidental; and in like manner the curvilinear forms of woodcut No.

146, in a manner hardly to be mistaken, resemble those from Clover Hill

(woodcut No. 77).

[Illustration: 145. Sculpture at Mané Lud.]

[Illustration: 146. Sculpture at Mané Lud.[424]]

[Illustration: 147. View of Dol ar Marchant. From Blair and Ronald.]

Close by Mané Lud, but a little nearer to Locmariaker, stands what may

be considered as the most interesting, if not the finest, free-standing

dolmen in France. Its roof consists of two stones: one of these

measures 18 feet by 9 feet,[425] and more than 3 feet in thickness. The

second stone is very much smaller, and seems to form a sort of porch to

it. The great stone rests, like that of most free-standing dolmens, on

three points, their architects having early learned how difficult it

was to make sure of their resting on more; so that unless they wanted a

wall to keep out the stuff out of which the tumulus was to be composed,

they generally poised them on three points like that at Castle Wellan

(woodcut No. 7).

[Illustration: 148. End Stone, Dol ar Marchant.]

[Illustration: 149. Hatchet in roof of Dol ar Marchant.]

The great interest in this dolmen, however, lies in its sculptures. The

stone which closes the east end is shaped into the form of two sides of

an equilateral spherical triangle and covered with sculptures, which

this time are neither characters nor representations of living things,

but purely decorative. At one time I thought the form of a cross could

be traced on the stone. The central stem and the upper arm are shown

clearly enough in the drawing by Mr. Ferguson; but all the drawings

show a lower cross-arm--though I confess I did not see it--which quite

destroys this idea. On the roof a well-sculptured plumed[426] hatchet

can be traced very distinctly, as shown in the woodcut copied from Mr.

Ferguson. He fancies he can also trace the form of a plough in the

sculptures of the roof, but this seems doubtful.

It is to this dolmen that the great fallen obelisk belongs. If it

was one stone, it measured 64 feet in length and 13 feet across its

greatest diameter; but I confess I cannot, from the mode in which it

has fallen, rid myself of the idea that it was in reality two obelisks,

and not one. Whether this was the case or not, it is a remarkable work

of art for a rude people, for it certainly has been shaped with care,

and with the same amount of labour might have been made square or round

or any other shape that might have been desired. This, however, is

one of the peculiarities of the style. No one will dispute that this

obelisk and the stones of the Dol ar Marchant are hewn; but instead of

adopting the geometrical forms, of which we are so fond, they preferred

those that reminded them of their old rude monuments, and which to

their eyes were more beautiful than the straight lines of the Romans. I

do not feel quite sure that artistically they were not right.

If we compare this dolmen with that at Krukenho (woodcut No. 126), the

difference between them appears very striking. The Del ar Marchant is a

regular tripod dolmen, carefully built of shaped stones and engraved.

The other is a magnificent cist, walled with rude stones, and such as

would form a chamber in a tumulus if buried in one, though whether this

particular example was ever intended to be so treated or not is by no

means clear. Be this as it may, there are two modes of accounting for

the difference between two monuments so nearly alike in dimensions and

situated so near to one another. The first would be to assume that the

Krukenho example is the oldest, it being the rudest and approaching

more nearly to the primitive form of the monuments: the second would

be to assume that the one was the memorial of some warrior, erected in

haste on the battle-field where he fell, by his companions in arms;

and that the other was a royal sepulchre, prepared at leisure either

by the king himself or by those who succeeded him in times of peace,

and consequently who had leisure for such works. We must know more of

these monuments before a satisfactory choice can be made between these

two hypotheses. At present I rather incline to the belief that the

circumstances under which they were erected may have more to do with

their differences than their relative ages.

To return to Locmariaker. Close to the town there is, or was, a long

allée couverte.[427] It is 70 feet long, and divided towards its inner

end into a square chamber, to which a long-slightly curved gallery

led, composed of fourteen stones on each side. Five of these are

covered with ornaments, and characters engraved on them. One might be

considered as representing the leaf of a fern, or possibly a palm; the

rest are ovals, circles, and similar ornaments, which may or may not

have more meaning than those at New Grange or other monuments in the

locality.

[Illustration: 150. Stone found inside Chamber at Mané er H'roëk.]

On the other side of the village is the tumulus already mentioned as

Mané er H'roëk, where the twelve Roman coins were found, and inside

it an immense collection of polished celts, but all broken, and one

slab, which apparently originally closed the door, and is covered with

sculptured hatchets, similar in character to that on the roof of the

Dol ar Marchant, but not so carefully drawn nor so well engraved.

[Illustration: 151. Plan of Gavr Innis.]

Besides these there are several--probably as many as a dozen--monuments

of the same class, within what may fairly be considered the limits of

this cemetery; but of these the most interesting, as well as the most

perfect, is that on the island of Gavr Innis, about 2 miles eastward

from Locmariaker.

[Illustration: 152. Sculptures at Gavr Innis. From a drawing by Sir

Henry Dryden.[428]]

[Illustration: 153. Holed Stone, Gavr Innis. From a drawing by Sir

Henry Dryden.]

The plan of the chamber of this monument will be understood from the

annexed plan.[429] The gallery of entrance measures 44 feet from where

the lining stones begin to the chamber, which is quadrangular in

form, and measures 9 feet by 8 feet. All the six stones forming the

three sides of the chamber, and most of those which line the entrance

on either hand, are most elaborately sculptured with patterns, the

character of which will be understood from the annexed woodcuts. The

pattern, it will be observed, is not so flowing or graceful as those

found at New Grange or Dowth, and nowhere, I believe, can it be said

to imitate vegetable forms; and in the woodcut on the left-hand stone

are some seventeen or eighteen figures, which are generally supposed

to represent celts, and probably do so; but if they do, from their

position they must mean something more, either numbers or names, but,

whatever it may be, its meaning has not yet been guessed. On other

stones there are waving lines, which are very generally assumed to

represent serpents, and, I believe, correctly so; but as that is

somewhat doubtful, it is as well to refrain from citing them. Besides

these, the general pattern is circles within circles, and flowing

lines nearly equidistant, but, except on one stone, never of spirals,

and then less graceful than the Irish. The sculpture, however, on some

of the stones at Lough Crew, and that in the centre especially of

woodcut No. 75, is absolutely identical with the patterns found here;

and altogether there is more similarity between these sculptures and

those at Lough Crew than between almost any other monuments of the

class that I know of.

In the chamber on the left-hand side is a stone (woodcut No. 153),

with three holes in it, which have given rise to an unlimited amount

of speculation. Generally it is assumed that it was here that the

Druids tied up the human victims whom they were about to sacrifice.

But, without going back to the question as to whether there ever were

any Druids in the Morbihan, would any priest choose a small dungeon 8

feet square and absolutely dark for the performance of one of their

greatest and most solemn rites? So far as we know anything of human

sacrifices, they were always performed in the open day and in the

presence of multitudes. Assuming for the moment, however, that these

holes were intended for some such purpose, two would have sufficed, and

these of a form much simpler and more easily cut. As will be seen from

the woodcut, not only are the three holes joined, but a ledge or trough

is sunk below them which might hold oil or holy water, and must, it

appears to me, have been intended for some such purpose.

The existence of these holes seems to set at rest another question of

some interest. Generally it has been assumed that the tattooing on the

stones of the chambers, &c., may have been done with stone implements.

This cannot be denied, though it seems improbable; but the undercutting

of the passages between these holes and the formation of the trough

could only be effected by a tool which would bear a blow on its head,

and a heavy one too, or, in other words, by some well-tempered metal

tool.

At Tumiac, opposite Gavr Innis, existed a very large tumulus, which

was opened in 1853 by Messrs. Fouquet and L. Galles. It was found to

contain a small chamber, partly formed of large slabs, partly of small

stones. Some of the former had rude carvings upon them, but without any

meaning that can now be made out.

The whole has the appearance of being considerably more modern than

Gavr Innis.

* * * * *

Besides these, in the neighbourhood of Carnac and Locmariaker, there

are at least three other groups of stones in France which deserve much

more attention than has hitherto been bestowed upon them. The first is

in the peninsula of Crozon, forming the southern side of the roadstead

of Brest. It consists, among others, of three alignments of stones. The

principal one is at a place called Kerdouadec, and consists of a single

line of stones 1600 feet in length, arranged on a slightly curved plan,

and terminating in a curious "Swastica"-like cross. The second, at

Carmaret, is a single line, 900 feet long, and with two branches at

right angles to it, near its centre. The third, at Leuré, is likewise

a single line with a slight elbow in the centre, from which starts a

short branch at right angles.[430]

[Illustration: 154. Alignments at Crozon.]

I am not able to offer a conjecture what these alignments represent,

nor why or when they were placed here. Whether an inspection on the

spot might suggest some clue is not clear, but they are so unlike

anything found anywhere else, either in France or any other country,

that they must for the present, I fear, remain a mystery.

The second group, known as the Gré de Cojou, is situated about halfway

between Rennes and Redon. The remains here consist of a short double

alignment some 500 feet long, several tumuli--one at least surmounted

by a circle of stones--several stone enclosures, and frequent dolmens.

They have been imperfectly described by M. Ramé,[431] and planned,

but not published, by Sir Henry Dryden. Until these are given to the

world more in detail than has hitherto been done, it is impossible to

say whether they represent a battle-field or a cemetery. From their

position--a bleak, barren heath, far from any centre of population--I

would guess the former; but I have not visited the place myself, and

the information at my command is too meagre to enable me to speak with

any confidence regarding them.

The third group is in the department of the Lot, near Preissac, in

the parish of Junies, and extends over half a mile (800 metres) in

length. Unfortunately we have nothing but verbal descriptions of it,

and from these it is impossible to realise its form, or predicate its

destination.[432] We are, indeed, in a state of great ignorance with

regard to all these megalithic remains in the south of France, but as

they seem as important and as numerous as those in the north, it is to

be hoped some one will devote an autumn to their illustration. There

are probably several other groups as important as those at Junies, but

they are quite unknown to us at present. These groups must therefore

be put aside for the present, and any argument regarding age or use of

this class of monuments must be based wholly on what we know of those

of the Morbihan.

* * * * *

So far as I know, no reasonable tradition attaches to any of the

monuments in the Locmariaker cemetery which would enable us to fix

their dates with anything like certainty, nor are there any local

circumstances, except the Roman coins and tiles above alluded to, which

aid us in our researches. We are thus left to such general inferences

as the case admits of, and to a comparison with other similar monuments

whose dates are nearer and better ascertained. No one, however, who is

familiar with the two great cemeteries of Meath will probably hesitate

in admitting that the two groups cannot be far separated in date. Of

course, it is impossible in a general work like the present to put the

evidence forward in anything like a complete state. In order to do

this in a satisfactory manner would require a large volume to itself,

and the illustrations both of the French and Irish examples should be

drawn by the same person. Even the few illustrations that have been

given are probably sufficient to show a similarity so great that it

can hardly be accidental, and I may be allowed to add, from personal

familiarity with both groups of monuments, that it seems impossible

to escape the conviction that they are monuments of the same class,

probably of the same or a closely allied race, and of about the same

age. This last must always be the most uncertain premiss of the three,

as we can scarcely hope ever to know the relative state of civilization

of the two countries at a given time; and consequently, even if we

could prove that two ornaments in the two countries were identical in

form, this would not prove that there might not be a difference of

fifty or a hundred years between them. Even at a later age, in the

thirteenth century, for instance, the same form and the same style in

France and England did not prevent a difference of fifty years existing

between any two examples. In the fourteenth the two were abreast, and

in the fifteenth century they again diverged, so that, although the

architecture of both was still Gothic, a comparison of style for this

purpose became almost impossible.

In like manner, though the central ornament in the middle stone at

Lough Crew (woodcut No. 75) is almost identical with some of the

ornaments at Gavr Innis (woodcut No. 152), it by no means necessarily

follows that the two are exactly of the same age. So, too, the foliage

at New Grange (woodcut No. 67) and that in the allée--now, I fear,

destroyed--at Locmariaker are evidently of one style, but still admit

of a certain latitude of date. On the whole, judging from style alone,

I should feel inclined to range Gavr Innis rather with the cemetery at

Lough Crew than with that on the Boyne; as well from its ornaments as

because I fancy that those monuments which are roofed with flat stones

only are earlier than those which make some attempt at construction.

But, on the other hand, I believe that Mané er H'roëk and Mané Lud may

more probably range with New Grange and Dowth; and as I look upon it

as quite certain that the monuments on the Boyne were all erected in

the first four centuries after the birth of Christ, it seems impossible

that the age of those at Locmariaker can be very distant from that date.

To many it will no doubt seem improbable that these monuments should

have been erected during the occupation of the country by the Romans.

If, however, they would take the trouble of studying what is now going

on in India, their incredulity would, I fancy, soon disappear. The

natives there at the present day are in many parts of the country

building temples which it requires a practised eye to distinguish from

those erected before any European settled in the land; and they follow

their own customs, and worship their own gods, utterly irrespective of,

and uninfluenced by, the strangers who have held the chief sway in the

country for more than a hundred years. It must also be borne in mind

that the Romans never really settled in Brittany. The country was poor

then as now, and it led to nowhere. So long as the Bretons remained

quiet, the Romans seem to have left them to themselves, and certainly

have left no traces of any establishment of importance in their

country--nothing that would lead us to suspect such intimate relations

with the natives as would induce them to change their faith or fashions

and copy the institutions of the foreigners.

On the other hand, it seems not only possible, but probable, that

intercourse with the Romans may first have inspired the inhabitants

of Brittany with a desire to attain greater durability and more

magnificence, by the employment of stone, instead of earth or wood,

for their monuments. This they might do, without its creating in

their minds the smallest desire to copy either Roman forms or Roman

institutions. On the contrary, we have every reason to believe that in

these remote districts the Romans would be hated as conquerors, and

that their religion and their customs would be held in abhorrence as

strange and unsuited to the land they occupied.

Be this as it may, a comparison with the Irish examples reduces the

questions at issue with regard to dates within very narrow limits.

Either these monuments were erected immediately before or during the

time of the Roman occupation or immediately after their departure,

but prior to the conversion of the natives to Christianity. We are not

yet in a position to decide positively between these two hypotheses,

but the presence of Roman coins and Roman tiles in some of the mounds

and the whole aspect of the argument seem to me to incline the balance

in favour of their belonging to Roman times. Some may be anterior to

the Christian era, but I am very much mistaken if it be not eventually

admitted that the greater number of them are subsequent to that epoch.

Even, however, if the age of the monuments of the cemetery of

Locmariaker could be ascertained, it would by no means necessarily

carry with it that of the stone rows at Carnac. They belong to a

different category altogether, and may be of a different age.

No one now, I presume, after what has been said above, especially with

regard to the Scandinavian examples, will think it necessary that I

should go over the ground to prove that they are not temples. Every

argument that could be adduced to prove that Avebury or Stonehenge are

not temples tells with tenfold force here. A temple extending over six

or seven miles of country is more improbable than one covering only

28 acres. This one, too, is open everywhere, and has no enclosure or

"temenos" of any sort, and there being an uneven number of equally

spaced rows of stones in the principal monument is sufficient to show

it was not intended and could not be used for processions. In fact I

hardly know of any proposition that appears to me so manifestly absurd

as that these stone rows were temples, and I feel sure that no one who

thinks twice of the matter will venture again to affirm it.

It seems equally clear that they were not erected for any civic or

civil purpose. No meetings could be held, and no administrative

functions could be carried on in or around them. Nor are they

sepulchral in any ordinary sense of the term. In the first place

because, though men were buried in tumuli or under dolmens, or had

single head-stones, nowhere were men buried in rows like this,

extending over miles of heath and barren country. But the great fact

is that the French savants have dug repeatedly about these stones and

found no trace of burials. The most conclusive experiment of the sort

was made by a road surveyor some six or seven years ago. Wishing to

raise the road from Auray to Carnac, he dug out the sand and gravel on

the east side of the road, over a considerable area, to a depth of from

three to four feet; but being of a conservative turn of mind, he left

the eleven rows of stones each standing on a little pillar of sand. It

was then easy to trace the undisturbed strata of differently coloured

earth round and almost under the stones, and to feel perfectly certain

that it had never been disturbed by any inhumation. It, no doubt, is

true that the long barrow at Kerlescant, the dolmen at Kermario, and

the enclosure at Maenec, may have been, indeed most probably were,

all of them, burying-places, but they can no more be considered the

monument than the drums and fifes can be considered the regiment. They

are only the adjuncts; the great rows must be considered as essentially

the monuments.

If, therefore, they are neither temples, nor town-halls, nor even

sepulchres, we are driven back on the only remaining group of motives

which, so far as I know, ever induced mankind to expend time and labour

on the erection of perfectly unutilitarian erections. They must be

trophies--the memorials of some great battle or battles that at some

time or other were fought out on this plain. The fact of the head of

each division being a tomb is in favour of this hypothesis; but if it

is considered as the principal part, it is like drawing a jackdaw with

a peacock's tail--an absurdity into which these men of the olden time

would hardly fall.

It is more difficult to answer the questions, Are Carnac and Erdeven

parts of one great design, or two separate monuments? Is Carnac the

march, St.-Barbe the position before the battle, Erdeven the scene

of the final struggle for the heights that gave the victory, and the

tombs scattered over the plain between these alignments the graves of

those who fell in that fight? Such appears to me the only feasible

explanation of what we here find; but the great question still remains,

What fight?

There is, probably, no single instance in which the negative argument

derived from the silence of the classical authors applies with such

force as to this. If these stones existed when Cæsar waged war against

the Veneti in this quarter, he must have seen them, and as it may be

presumed that the monument was then more complete than it is now, he

could hardly have failed to be struck with it, and, if so, to have

mentioned it in his 'Commentaries.' Even, however, if he neglected

them, the officers of his army must have seen these stones. They must

have been talked about in Rome, and some gossip like Pliny, when

writing about stones, must have heard of this wonderful group, and

have alluded to it in some way. The silence, however, is absolute. No

mediæval rhapsodist even attempts to give them a pre-Roman origin.

Such traditions as that of St. Cornely, or Cornelius the Centurion,

though absurd enough, point, as such traditions generally do, to the

transition time between paganism and Christianity, when, apparently,

all mediæval chroniclers seem to have believed that all these

rude-stone monuments were erected. Till, therefore, some stronger

argument than has yet been adduced, or some new analogy be suggested,

the pre-Roman theory must be set aside; and if this is so, we are

tolerably safe in assuming that no battle of sufficient importance was

fought which these stones could be erected to commemorate during the

time when the Romans held supreme sway in the country.

If this is so, our choice of an event to be represented by these great

stone rows is limited to the period which elapsed between the overthrow

of the Roman power by Maximus, A.D. 383, and the time when the

people of the country were completely converted to Christianity--which

happened in the early part of the sixth century.[433] But if the

history of England is confused and uncertain during that century and a

half, that of Brittany is even more so, and has not yet been elucidated

by the French authorities to the same extent as ours has been.

No one, I believe, doubts that Maximus, coming with an army from

Britain, landed somewhere in Brittany, where he fought a great battle

with the forces of Gratian, whom he defeated, and that afterwards,

in a second battle near Lyons, he expelled the legitimate government

of the Romans from Gaul.[434] I also see no reason for doubting that

he was accompanied by a British prince Conan Meriadec, who afterwards

settled in the country with thousands of his emigrant countrymen, over

whom he was enabled to establish his chieftainship on the ruins of the

Roman power.

If this is so, the battle which destroyed the Roman power, and gave

rise to the native dynasty, would be worthy of such a monument as that

at Carnac; but so far as local traditions go, the place where Maximus

and his British allies landed was near St. Malo, and the battle was

fought at a place called Alleth, near St. Servan.[435] If this is so,

it was too far off to have any connection with the Carnac stones. Two

other wars seem to have been carried on by Conan, one in 410 against

a people who are merely called barbarians,[436] a second against the

Romans under Exuperantius in 416;[437] but we have no local particulars

which would enable us to connect these wars with our stones. A war of

liberation against Rome would be worthy of a national monument, and

it may be that this is such a one, but I know of nothing to connect

the two together, though local enquiries on the spot might remove this

difficulty.

On the whole, however, I am more inclined to look among the events of

the next reign for a key to the riddle. Grallon was engaged in two

wars at least: one against the Roman consul Liberius in 439,[438]

in which he succeeded in frustrating the attempts of that people to

recover their lost power; the other against the "Norman pirates;"[439]

and it is to this, as connecting the stone monuments with a Northern

people, that I should be inclined to ascribe the erection of the Carnac

alignments. From Grallon being the reputed founder of Landevenec, it

might seem more probable that the alignments at Crozon marked the

position of this battle, and I am not prepared to dispute that it may

be so. The question is not of importance; if either group marked a

battle-field of this period, the other certainly did so also, and I

would prefer to refrain from offering any opinion as to what particular

battle these stones commemorate. That must be determined by some

local antiquary with much more intimate knowledge of the history and

traditions of the province than I possess. All I wish to show here is

that there was a period of a century and a half between the departure

of the Romans and the time when the Bretons were so completely

converted to Christianity as to abandon their old habits and customs,

and that during that period there were wars with the Romans and the

Northern barbarians of sufficient importance to justify the erection

of any monuments within the competence of the people. If this is so,

and we are limited to this period, enough is established in so far as

the argument of this work is concerned, and the rest may fairly be

left to be discussed and determined by the local antiquaries. All that

it is necessary to contend for here is, that the alignments at Carnac

are neither temples, nor tombs, nor town-halls, and that they were not

erected before the time of the Romans. If these negative propositions

are answered, there will not, probably, be much difficulty in admitting

that they must be trophies, and that the battle or campaign which they

commemorate was fought between the years 380 and 550 A.D.--in

fact in the Arthurian age, to which we have ascribed most of those in

this country.

The monuments in the cemetery at Locmariaker are probably older, but

some of them extend down to the time when Carnac "closed the line in

glory."

NUMBER OF DOLMENS IN THIRTY-ONE DEPARTMENTS OF FRANCE ACCORDING TO

M. BERTRAND, 1864.[440]

Dolmens. Terminations in _ac_.

Lot 500 71

Finistère 500 3

Morbihan 250 26

Ardèche 155 16

Aveyron 125 35

Dordogne 100 75

Vienne (Haute et Basse) 82 41

Côtes du Nord 56 8

Maine-et-Loire 53 --

Eure-et-Loir 40 --

Gard 32 16

Aube 28 1

Indre-et-Loire 28 --

Charente 26 50

Creuse 26 6

Charente-Inférieure 24 21

Lozère 19 16

Corrèze 17 42

Vendée 17 --

Loire-Inférieure 16 11

Sarthe 15 --

Ille-et-Vilaine 15 18

Deux-Sèvres 15 --

Orne 14 --

Indre 13 3

Manche 13 --

Pyrénées-Orientales 12 2

Puy-de-Dôme 10 3

Oise 9 --

Cantal 8 37

Tarn-et-Garonne 7 16

[Footnote 379: 'Revue archéologique,' August, 1864, 148 _et seq._]

[Footnote 380: Livy, v. chap. 34.]

[Footnote 381: Walcknaer, 'Géographie des Gaules.' The earlier

chapters and Map V.]

[Footnote 382: 'Revue archéologique,' new series, vii. 228.]

[Footnote 383: _Ibid._]

[Footnote 384: 'De Bello Gall.' i. 1.]

[Footnote 385: Strabo, vi. 176, 189.]

[Footnote 386: 'Archæological Journal,' 1870, cviii. p. 225 _et

seq._]

[Footnote 387: Lartet, Christy, and 'Reliquiæ Aquitanicæ.' London,

1865 _et seq._]

[Footnote 388: 'Monuments mégalithiques du Vivarais,' p. Oll. de

Marchand; Montpellier, 1870.]

[Footnote 389: 'Époques antéhistoriques du Poitou,' P. A.

Brouillet; Poitiers, 1865.]

[Footnote 390: This list must be taken as only tentative. All I

have done was to take the Atlas Joanne, and count the number of

names as well as I could. I feel far from confident that I have

counted all; and, besides, the scale of the maps is too small to

feel sure that all, or nearly all, are there. It is, however,

sufficient for present purposes of comparison. If it is thought

worth while to pursue the investigation farther, it must be done

on the 80,000 scale map of France, which would be work of great

labour.]

[Footnote 391: Delpon, 'Statistique du Département du Lot,' i. p.

383.]

[Footnote 392: In the Ordnance Maps, 1-inch scale, the termination

_ac_ occurs at least 38 times in this corner, though in these maps

always spelt with an additional _k_, as Botallac_k_, Carnidjac_k_;

although this is by no means the usual or ancient spelling of the

district.]

[Footnote 393: The whole of these churches are described in more or

less detail by Félix de Verneilh in his 'Architecture byzantine en

France,' 4to. Paris, 1851. Several of them are also illustrated in

my 'History of Architecture,' i. 418-441.]

[Footnote 394: The argument, which it is not necessary to enter

on here, has been well summed up by Dr. Schmitz, in Smith's

'Dictionary of Greek and Roman Geography,' _sub voce_ Cimbri.]

[Footnote 395: The existence of this line of dolmens and of a

separate people, all the way from Brittany to Narbonne, may serve,

perhaps, to explain the mode in which the tin of Britain found

its way across France to the Mediterranean Sea. That the Veneti

traded from the Côtes-du-Nord and the Morbihan to Cornwall and

the Cassiterides, no one, probably, will dispute. Their vessels,

according to Cæsar's account, were fully equal to carrying to

France all the metal this country could produce. The road by which

it reached Marseilles across France was always the difficulty. In

later times, the Celtic trade-route across France was apparently

up the Rhone, but on its left bank, and down the Seine, or on its

right bank; passing then through Celtica, but round the Aquitania

of Augustus, and reaching Britain through the country of the

Morini, which was the route Cæsar followed. This does not, however,

appear to have been the line which was taken by the trade in tin.

It followed, so far as we know, the central line of the dolmen

country; and the fact of one people and one language prevailing

throughout the whole of that region takes away any improbability,

and removes all the difficulties that have hitherto impeded the

adoption of that hypothesis.]

[Footnote 396: My intention was to have spent last autumn in

travelling through the southern departments of France with this

intent; but the war rendered the position of an exploring and

sketching foreigner so undesirable that I was forced to desist. Had

this book been a "statisque" of the subject, as it was originally

intended, I should have been obliged to defer its publication till

I had accomplished this journey, or till the monuments had been

illustrated. As, however, it has now assumed more the form of an

"argument," this is of comparatively little consequence.]

[Footnote 397: In a paper on the 'Monuments mégalithiques de

l'Auvergne,' by M. Cartheilhac, in the Norwich volume of the

Prehistoric Congress, he gives drawings of ten as types. Five of

these, or one-half, are dolmens on tumuli, which is, however,

probably more than a fair proportion. One has already been given,

woodcut No. 8.]

[Footnote 398: 'Statistique monumentale de la Charente,' 141.

Richard, 'France monumentale,' p. 677. 'Mém. de la Société royale

des Antiquaires de France,' vii. 26.]

[Footnote 399: The woodcuts are copied from Michon, 'Statistique

de la Charente.' In describing it, he quotes the Edict of the

Council at Nantes with regard to the destruction of these

"venerated stones." He (p. 141) gives the date of this council as

A.D. 1262, which would almost make it appear that this was

one of the stones against which the decree was fulminated. This

date, however, appears to be a mistake. The true date I believe to

be 658, as given above, p. 24.]

[Footnote 400: 'Rev. archéologique,' ix. 400.]

[Footnote 401: 'Essai sur les Dolmens,' p. 38.]

[Footnote 402: Paper read by S. Ferguson, Q.C., before the R. I. A.

14th Dec. 1863. See also pamphlet by René Galles (Vannes, 1863),

describing the exploration.]

[Footnote 403: 'Congrès préhistorique,' vol. de Paris, 1868, 42.]

[Footnote 404: All these are represented in Gailhabaud's

'Architecture ancienne et moderne,' ii. plates 7 and 8.]

[Footnote 405: The woodcut is from a publication privately printed

by Dr. Blair and Mr. Ronalds.]

[Footnote 406: Gailhabaud, 'Arch. anc. et mod.' i.]

[Footnote 407: Renouvier, 'Monuments de Bas-Languedoc.' No numbers

to plates.]

[Footnote 408: See one published by Sir R. Colt Hoare, 'Modern

Wiltshire,' iv. p. 57.]

[Footnote 409: 'Kilkenny Journal,' third series, vol. i. p. 40 _et

seq._]

[Footnote 410: I have not seen the monument myself, nor do I know

any one who has, but I cannot believe it to be a pure invention.

Too much stress must not, however, be laid upon it.]

[Footnote 411: There is a woodcut in Bonstetten's work (p. 25)

which, being taken endways, explains more clearly how, the

cap-stone resting on two points only, it can be understood to

oscillate. It is, however, much less correct as a representation.

[Illustration: 133. Pierre Martine. From Bonstetten]]

[Footnote 412: Delpon, 'Statistique du Dép. du Lot,' i. p. 388.]

[Footnote 413: 'Ptolemæi Geo.' Amstel. 1605, p. 47.]

[Footnote 414: The only survey of this monument which has

been published, and can be depended upon, is that made by Mr.

Vicars, a surveyor of Exeter, for the Rev. Dr. Bathurst Deane.

It was published by him on a reduced scale in vol. xxv. of the

'Archæologia,' and re-engraved, with the principal parts on the

original scale, by Dr. Blair and Mr. Ronalds, in the work before

alluded to, but unfortunately never published. The original map, on

a scale of 440 feet to 1 inch, is still in Dr. Deane's possession,

at Bath, and is so valuable a record of what the monument was

thirty-two years ago that it is hoped it may be preserved by some

public body. Sir Henry Dryden and the Rev. Mr. Lukis have been

employed for some years past exploring and surveying in that

neighbourhood, and have brought back perfect plans, on a large

scale, of all the principal monuments; and if these were published,

they would leave little to be desired in that respect. Meanwhile

nothing can exceed Sir Henry's kindness and liberality in allowing

access to his treasures, and the use of them by any one who desires

it; and I am indebted to him for a great deal of the information

in this chapter. The general plans here published are from Messrs.

Blair and Ronalds' work, which is quite sufficiently correct for my

scale or my present purpose.]

[Footnote 415: The form of this enclosure, as will be seen from

the plan, is not an exact square, and some of the angle-stones

being removed, it is difficult now to ascertain its exact form.

Sir Henry Dryden makes it curvilinear. Messrs. Blair and Ronalds

make the east side quite straight; the south and west were slightly

curvilinear, but the whole figure is quadrangular; which is my own

impression of its form.]

[Footnote 416: Sir Henry Dryden counts ten rows. Mr. Vicars'

survey, from which the woodcut is copied, makes only eight. Their

irregularity makes it difficult to feel certain on such a point.]

[Footnote 417: 'Journal of Archæological Association,' vol. xxiv.

pp. 40 _et seq._]

[Footnote 418: _Ante_, pp. 163 _et seq._]

[Footnote 419: It is so difficult to realise these similarities,

except by representation, that I give here a woodcut of that at

Rodmarton. Allowing for the difference of drawing and engraving,

the openings are identical, and it is so peculiar in form that the

likeness cannot be accidental. If it does not occur anywhere else,

or at any other time, it proves, as far as anything can prove, that

the French and English long barrows were erected under the same

inspiration. If one is post-Roman, so, certainly, is the other; or

if one can be proved to be prehistoric, the other must follow.

[Illustration: 140. Entrance to Cell, Rodmarton.]]

[Footnote 420: These were exhibited in the inn in the village when

I was there. Where they are now, I do not know.]

[Footnote 421: 'Revue archéologique,' xii. p. 17.]

[Footnote 422: 'Proceedings of Royal Irish Academy,' vol. viii.

1864, p. 298 _et seq._]

[Footnote 423: 'Revue archéologique,' vol. x. 1864, pl. iv.]

[Footnote 424: Woodcuts No. 145 and 146 are copied from Mr.

Ferguson's paper in the 'Proceedings of Royal Irish Academy,' viii.

398 _et seq._]

[Footnote 425: These dimensions are from Richard; other authorities

make it 18 feet by 12 feet.]

[Footnote 426: The existence of the plume is doubted by Sir Henry

Dryden, and he is so accurate that he probably is right; but as

others say they have seen it, and nothing depends upon it, I have

allowed it to remain.]

[Footnote 427: It was in a very ruinous state when I saw it five

years ago; and there is an ominous silence regarding it among

subsequent tourists. The measurements here quoted are from Richard,

'France monumentale.']

[Footnote 428: The plan here given is reduced from one by Sir Henry

Dryden, and may be perfectly depended upon as far as the smallness

of the scale will allow.]

[Footnote 429: Sir Henry drew all these sculptures first on

the spot, and afterwards corrected his drawings from the casts

at St.-Germain. They are the only drawings existing which can

thoroughly be depended upon.]

[Footnote 430: A plan of the first-named alignment was published

by Freminville, 'Finistère,' part ii. pl. i., but the above

particulars and the woodcut are taken from a diagram by Sir Henry

Dryden in the last number of the 'Journal of the Anthrop. Inst.' He

has perfect plans of the whole.]

[Footnote 431: 'Revue archéologique,' new series, ix. pp.

81 _et seq._ I may mention that almost every other name in

their neighbourhood ends in _ac_. See 'Joanne Atlas,' dép.

Ille-et-Vilaine.]

[Footnote 432: Delpon, 'Statistique du Dép. du Lot,' i. 384.]

[Footnote 433: "C'est en 465 que Vannes reçut pour premier évêque

l'Armoricain St. Patern, qui mourut peu d'années après chez les

Francs, où les Goths l'avoient forcé de se réfugier. Modestus en

511 mit tout en œuvre pour repandre le Christianisme parmi

les Pagani de son diocèse, mais son zèle ne fut pas recompensé,

car plus de trente ans après la mort de Patern les habitans de

la Vénétie étoient encore presque tous païens. 'Erant enim tunc

temporis Venetenses pene omnes Gentiles.'--_Ap. Boll._ 'Vita St.

Melan.' vi. Jan. p. 311."--_Courzon_, 'Chartulaire de l'Abbaye de

Redon,' cxliii.]

[Footnote 434: The authority for these events will be found at

length in Gibbon, chap. xviii., and are too familiar to need

quoting here.]

[Footnote 435: Daru's 'Histoire de la Bretagne,' vol. i. p. 58.]

[Footnote 436: _Ibid._ p. 112.]

[Footnote 437: Dom. Bouquet, 'Recueil des Hist. des Gaules,' i.

p. 629. "Exuperantius anno circa 416 Armoricos qui a Romanis

defecerunt ad officium reducere tentavit."]

[Footnote 438: Daru, i. p. 112.]

[Footnote 439: "Gradlonus gratia dei rex Britonum necnon ex

parte Francorum."--_Chartulaire de Landevenec_; quoted by P.

Lobineau, ii. 17. And further: "'Pervenit Sancti (Wingaboei)

fama ad Grallonum regem Occiduorum Cornubiensium, gloriosum

ultorem Normannorum qui post devictas gentes inimicas sibi

duces subduxerat.'--_Gurdestan, Moine de Landevenec_, 'Vie de

St.-Wingabois.'"--_Daru_, i. p. 69.]

[Footnote 440: The information in this table must be received with

great limitation. In the first place, What is a dolmen? Do the

alignments at Carnac count as two, as seven, or as 700? Many also

are mere estimates of local antiquaries. It is, for instance, very

doubtful if Finistère contains more monuments than the Morbihan;

and subsequent information may introduce great modifications into

many of the numbers.

The value of the _ac_ distinction does not come out clearly: first,

because of the imperfect mode in which it has been obtained, but

more because it does not make it clear that there are in France

twenty-nine departments in which there are no dolmens, and no

_ac_-terminations; in fact, the negative evidence which does not

appear here is stronger than the positive.]

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