Chapter IV

The Pain of Youth

It is the habit of the poets, and of many who are poets neither in vision

nor in faculty, to speak of youth as if it were a period of unshadowed

gaiety and pleasure, with no consciousness of responsibility and no sense

of care. The freshness of feeling, the delight in experience, the joy of

discovery, the unspent vitality which welcomes every morning as a

challenge to one's strength, invest youth with a charm which art is always

striving to preserve, and which men who have parted from it remember with

a sense of pathos; for the morning of life comes but once, and when it

fades something goes which never returns. There are ample compensations,

there are higher joys and deeper insights and relationships; but a magical

charm which touches all things and turns them to gold, vanishes with the

morning. In reaching its perfection of beauty the flower must part with

the dewy promise of its earliest growth.

All this is true of youth, which in many ways symbolises the immortal part

of man's nature, and must be, therefore, always beautiful and sacred to

him. But it is untrue that the sky of youth has no clouds and the spirit

of youth no cares; on the contrary, no period of life is in many ways more

painful. The finer the organisation and the greater the ability, the more

difficult and trying the experiences through which the youth passes.

George Eliot has pointed out a striking peculiarity of childish grief in

the statement that the child has no background of other griefs against

which the magnitude of its present sorrow may be measured. While that

sorrow lasts it is complete, absolute, and hopeless, because the child has

no memory of other trials endured, of other sorrows survived. In this fact

about the earliest griefs lies the source also of the pains of youth. The

young man is an undeveloped power; he is largely ignorant of his own

capacity, often without inward guidance towards his vocation; he is

unadjusted to the society in which he must find a place for himself. He is

full of energy and aspiration, but he does not know how to expend the one

or realise the other. His soul has wings, but he cannot fly, because, like

the eagle, he must have space on the ground before he rises in the air. If

his imagination is active he has moments of rapture, days of exaltation,

when the world seems to lie before him clear from horizon to horizon. His

hours of study overflow with the passion for knowledge, and his hours of

play are haunted by beautiful or noble dreams. The world is full of wonder

and mystery, and the young explorer is impatient to be on his journey. No

plan is then too great to be accomplished, no moral height too difficult

to be attained. After all that has been said, the rapture of youth, when

youth means opportunity, remains unexpressed. No poet will ever entirely

compass it, as no poet will ever quite ensnare in speech the measureless

joy of those festival mornings in June when Nature seems on the point of

speaking in human language.

But this rapture is inward; it has its source in the earliest perception

of the richness of life and man's capacity to appropriate it. It is the

rapture of discovery, not of possession; the rapture of promise, not of

achievement. It is without the verification of experience or the

corroborative evidence of performance. Youth is possibility; that is its

charm, its joy, and its power; but it is also its limitation. There lies

before it the real crisis through which every man of parts and power

passes: the development of the inward force and the adjustment of the

personality to the order of life. The shadow of that crisis is never quite

absent from those radiant skies which the poets love to recall; the

uncertainty of that supreme issue in experience is never quite out of

mind. Siegfried must meet the dragon before he can climb those heights on

which, encircled by fire, his ideal is to take the form and substance of

reality; and the prelusive notes of that fateful struggle are heard long

before the sword is forged or the hour of destiny has come.

There is no test of character more severe or difficult to bear than the

suspense of waiting. The man who can act eases his soul under the greatest

calamities; but he who is compelled to wait, unless he be of hardy fibre,

eats his heart out in a futile despair. Troops will endure losses when

they are caught up in the stir of a charge which would demoralise and

scatter them if they were compelled to halt under the relentless guns of

masked batteries. Now, the characteristic trial of youth is this

experience of waiting at a moment when the whole nature craves expression

and the satisfaction of action. The greater the volume of energy in the

man who has yet to find his vocation and place, the more trying the

ordeal. There are moments in the life of the young imagination when the

very splendour of its dreams fills the soul with despair, because there

seems no hope of giving them outward reality; and the clearer the

consciousness of the possession of power, the more poignant the feeling

that it may find no channel through which to add itself to the impulsion

which drives forward the work of society.

The reality of this crisis in spiritual experience--the adjustment between

the personality and the physical, social, and industrial order in which it

must find its place and task--is the measure of its possible painfulness.

It is due, perhaps, to the charm which invests youth, as one looks back

upon it from maturity or age, that its pain is forgotten and that sympathy

withheld which youth craves often without knowing why it craves. A helpful

comprehension of the phase of experience through which he is passing is

often the supreme need of the ardent young spirit. His pain has its roots

in his ignorance of his own powers and of the world. He strives again and

again to put himself in touch with organised work; he takes up one task

after another in a fruitless endeavour to succeed. He does not know what

he is fitted to do, and he turns helplessly from one form of work for

which he has no faculty to another for which he has less. His friends

begin to think of him as a ne'er-do-weel; and, more pathetic still, the

shadow of failure begins to darken his own spirit. And yet it may be that

in this halting, stumbling, ineffective human soul, vainly striving to put

its hand to its task, there is some rare gift, some splendid talent,

waiting for the ripe hour and the real opportunity! In such a crisis

sympathetic comprehension is invaluable, but it is rarely given, and the

youth works out his problem in isolation. If he is courageous and

persistent he finds his place at last; and work brings peace, strength,

self-comprehension.

Essays on Work and Culture · 第 4 / 25 章