CHAPTER XVIII.

D’Eon (_la citoyenne Geneviève_) offers her services

to the Legislative Assembly—Is ordered to join

General Dumouriez—Detained in England—Her English

friends—Fences in public—Is seriously wounded—Distressing

times—Last days—Death—Autopsy and appearance of the

body—Administration of property—General character—Pursuits

and habits late in life—Maxims on religion—Coldness of

temperament—Reflections—Fugitive pieces.

Having satisfied some of her creditors with the proceeds of the sale,

D’Eon occupied herself in packing the remainder of her effects in fifteen

cases for conveyance to France. War had been declared, and the Citoyenne

Geneviève at once sent her nephew O’Gorman to Paris, with the offers

of her services in the form of a petition addressed to the Legislative

Assembly, an extract from which was read at a sitting of that body. It

stated that although she had worn the dress of a woman for fifteen years,

she had never forgotten that she was formerly a soldier; that since the

Revolution she felt her military ardour revive, and demanded, instead

of her cap and petticoats, her helmet, sabre, horse, and the rank in

the army to which her seniority, her services, and her wounds entitled

her; and she also requested permission to raise a legion of volunteers.

Unconnected with any party, she had no desire to brandish her sword in

procession in the streets of Paris, and wished for nothing but actual

service—war nobly made and courageously supported.

‘In my eager impatience,’ she continued, ‘I have sold

everything but my uniform, and the sword I wore in the last

war, which I wish again to wear in the present. Of my library

nothing remains but the shelves,[369] and the MSS. of Marshal

Vauban, which I have preserved as an offering to the National

Assembly, for the glory of my country, and the instruction

of the brave generals employed in her defence. I have been

the sport of nature, of fortune, of war, of peace, of men and

women, of the malice and intrigue of Courts. I have passed

successively from the state of a girl to that of a boy, from

the state of a man to that of a woman. I have experienced the

strange vicissitudes of human life. Soon, I hope, with arms in

my hand, I shall fly on the wings of liberty and victory to

fight and die for the nation, the law, and the King.’

This petition, the reading of which was interrupted by repeated bursts

of applause, was ordered to be honourably mentioned in the minutes, and

referred to the military committee.[370]

[Sidenote: UNDER THE ORDERS OF THE REPUBLIC.]

Early in the following year the Citoyenne Geneviève, in a transport of

delight, informed her friend, M. Beauvais,[371] that in consequence

of instructions received from the Minister of War for the Republic of

France, she was about to proceed to Paris, thence to join the army of

General Dumouriez,[372] and begged leave to forward to his care six cases

for despatch to France, _viâ_ Rouen or Havre de Grace, as she might

determine after her arrival in that country. Nine other cases were at

the same time sent to Mr. Christie, who had promised to find room for

them. She was also invited by the ladies of Paris to return to them,

the invitation, dated in the month of April, having been entrusted for

personal delivery to her old friend, Captain Arden, of the Royal Navy.

The Chevalière did not return to France, having been detained in all

probability by her creditors, who would have acted with greater wisdom

and profit to themselves had they trusted to her honour, and left her

free to seek for better days under the changed fortunes of her country.

It was doubtlessly her late surrender of State papers, and the nature

of their contents,[373] that had influenced the administrators of

the Republic in her favour; but her right to a pension was no longer

recognised under the new form of Government in France, her property

had been confiscated, and she was thus left without resources of any

description, now verging on her sixty-fifth year. The Chevalière appears

to have existed at this time chiefly upon the hospitality of her friends,

there being amongst those who entertained her more frequently the names

of Lady Constable, Mr. Christie, Lord and Lady Glencairn, Lady Wallis

(sister to the Duchess of Gordon), Colonel and Mrs. Kemys-Tynte, General

Melville, General Rainsford, at whose house she met Horne Tooke and

Paine; Mr. Fitzmaurice (brother of Lord Lansdowne), Colonel Macbean, of

the Artillery; Mr. Lockhart, banker, Pall Mall; Mr. Dent, banker, Clarges

Street; Sir William Ffloyd, Count Zenobio, envoy from Venice; Colonel du

Bathe, M. Hirsinger, Chargé d’Affaires from France, &c. &c.

By the end of the year 1792 the Chevalière’s remaining means and credit

were completely exhausted, and there was no alternative but to make

public exhibition of her pre-eminent skill in fencing, a resolution

in which she appears to have been supported by Mrs. Bateman, the

noted actress and female fencer. Her first appearance, in a series of

performances, was at a _déjeuner_ given by Mrs. Bateman in her house,

Soho Square, to a party of English and French officers of both services,

several ‘literary characters, and gentlemen of first-rate stage talents,’

upon which occasion, as announced in the papers,

‘Sir George Kelly pushed _carte_ and _tierce_ with Mademoiselle

D’Eon to the great entertainment of the company. An assault

between Captain Walmsley and Mademoiselle D’Eon concluded this

scientific display, and it was astonishing to observe with

what vigour the captain’s repeated thrusts were repulsed.

The assault lasted nearly fifteen minutes, during which time

Mademoiselle D’Eon did not appear to be out of breath; she only

once exclaimed, “_Ah! mes jambes!_” which was when the conflict

had subsided. This celebrated character cannot be termed

_Madame Egalité_, for in this, as in any other country, she has

not her equal.’[374]

_January 22._—She was next invited to an _Assaut d’armes_ with Captain

Walmsley, at Mr. Towneley’s house in Devonshire Place, when one hundred

guests were present, nearly all of whom were Roman Catholics.

[Sidenote: ‘CUTTING HER BREAD WITH HER SWORD.’]

_February 11._—Fenced Captain Walmsley at the Club d’Armes, Brewer

Street, and although very much indisposed, astonished numerous spectators

with her science and activity. The captain was foiled four or five

times successively, and it was not till the female Chevalier was nearly

exhausted that he had the opportunity of a retort. Confident of success,

Mademoiselle D’Eon refused the mask, of which her opponent availed

himself.[374]

_May 30._—Fences at the Haymarket on Mrs. Bateman’s benefit night. Never,

since the death of Garrick, had the house been so full.

_June 26._—Fences at the Ranelagh, in the presence of the Prince of Wales

and Duke of Gloucester.

_August 23._—Fences with Mr. Bateman and his son.

_September._—Fences with Mrs. Bateman and an English officer, under the

patronage of the Prince of Wales, who sat in the stage box (Brighton

theatre) with Mrs. Fitzherbert and Miss Piggot.

_October 19._—Fences at her own benefit in the theatre, Margate, a

prologue being spoken by Mrs. Bateman.

_November 2._—Fences at the Assembly Rooms, Deal.

_November 11_ and _21_.—Fences at the theatre, Dover.

_November 30._—Fences at the Fountain Inn, Canterbury.

After which, Mrs. Bateman[375] and the Chevalière, who had been on a

professional tour together, returned to London.

In the Chevalière’s journals, from which the above dates are taken,[376]

there appear two entries only during the year 1794 of her having publicly

exhibited—at Ranelagh on May 26, and at the Brighton theatre on August 8.

In 1795, she fenced at the Lower Rooms (Bath?) on April 24, at Birmingham

on July 6, and at Worcester on August 13. In January 1796, she performed

in the Lower Rooms, Bath, under the patronage of the colonel and officers

of the Essex Dragoons, whose band was in attendance, Bath still being

what it had been for many years, incomparably the most fashionable and

favourite watering-place in England, and frequented by people of all

classes of society. After giving four performances, D’Eon travelled to

Oxford for April 22 and three other evenings, thence to Southampton to

keep an engagement on August 26, when an unlucky accident brought to an

end, for ever, these exhibitions of her skill.

[Sidenote: A DANGEROUS WOUND.]

In receiving a thrust from her adversary that evening, the foil broke

off, inflicting a serious wound, by which she was completely disabled. It

is well to reproduce her address to the public upon that occasion, and

the surgical certificate given to satisfy that public; the first, because

it so very clearly, and in her own words, exposes her sad necessities;

the second, because it is evident that the physician and surgeons who

examined the wound were satisfied with regard to the sex of their patient.

‘Mademoiselle D’Eon takes this Opportunity of returning her

sincerest and respectful Thanks to the Benevolent Gentry of

the Town and Neighbourhood, for having honoured her with their

Presence at her late GRAND ASSAULT D’ARMES; and also for the

kind Interest they were so good as to take in the dangerous

Wound she received that Day. Alas! She is now obliged _to cut

her Bread with her Sword_; which is indeed to her a Bread full

of Repugnancy and Bitterness, that Necessity alone can make her

swallow. But preferring that Shift so unfit for her sex, and

so against her Feelings, at the Age of Sixty-nine, to a State

of Dependence, whilst she has Strength to hold a Sword she is

forced to make it useful, to the Support of an unhappy and

injured Woman; bathed, as it often may be with Truth said, with

her Tears. Her Misfortunes began with her Birth, and are only

likely to end with her Life. The Friends Prosperity had given

her, Adversity has deprived her of.’

* * * * *

‘WE CERTIFY, _that having been present at a_ Grand Assault

d’Armes, or Fencing-Match, _exhibited by Mademoiselle D’Eon in

public, on Friday, August 26, at the Long Rooms, Southampton,

we witnessed her receiving a dangerous Thrust from the Foul

of her Antagonist, the Button having broken off, unperceived,

about an Inch from the Extremity. On Examination, the Wound

was found to be situated in the Arm-pit, on the Right Side,

extending itself laterally about four Inches. The muscular

Irritation, in Consequence of this Accident, occasioned intense

Pain for some Days, which she sustained with the utmost

Fortitude, Patience, and Resignation._[377]

‘J. MACKIE, M.D.

‘P. BERNARD.

‘H. CORBIN. Surgeons.’

‘Southampton, September 6, 1796.’

D’Eon had to keep her bed for four months, and after being removed to

London was confined, through great debility, to the house, which she

left four times only during the next four years, and then only in a

coach. She spent her long convalescence with Mrs. Mary Cole[378] at her

own invitation, an old friend from whom she never again parted, and

these two thereafter shared alike in each other’s sorrows, for of joys

they had none! ‘My life was spent in eating, drinking, and sleeping,

praying, writing, and at work with Mrs. Cole, repairing linen, gowns, and

head-dresses.’

The Chevalière was in the habit of pawning her diamonds from time

to time when hard pressed, taking care to redeem and keep them in

reserve until she could dispose of them at a fair price. In 1799, being

absolutely obliged to part with those jewels, after failing to treat

with Rundell and his friend Sharp, the well-known jewellers, she made

some satisfactory arrangement with a Mr. Moses, who called to see them.

After this, it may be said that D’Eon lived entirely upon charity.

Forced to give up the chambers she had occupied in Brewer Street during

thirty-three years, she went to stay for a time with Colonel Thornton, on

the Surrey side of the Thames, and then took up her residence permanently

with Mrs. Cole, first at 33 Westminster Bridge Road, then at 5 Mead’s

Place, opposite to the Apollo Gardens, and near the Asylum, Lambeth, and

finally at 26 New Milman Street, Foundling Hospital. Her two nephews,

Major O’Gorman, and Captain Augustus O’Gorman of the 18th regiment of

foot, called to see her occasionally, but it does not appear that they

ever afforded any relief or comfort to their aged aunt, who had been in

the habit of assisting them very materially in their younger days.

[Sidenote: PASSPORT TO FRANCE.]

D’Eon had never abandoned the idea of possibly returning to France, the

Treaty of Amiens and the First Consulate seeming to afford a glimmer of

hope. She had made some kind of declaration before M. Otto, the French

minister plenipotentiary, on the 7th Fructidor (August 24), 1802, which

resulted in her being supplied with a passport to Paris and Tonnerre,

good for three decades (thirty days), dated the 25th Brumaire (November

15) of the same year, and she received five pounds from Mr. R. Slade

‘to enable her to return to her country;’ but she remained hopelessly

involved, as appears from several touching entries in her note-book,

of which we quote two. M. Blacher, the exiled _curé_ of St. Martin le

Gérard in the diocese of Constance, called at the house of the sheriff’s

officer for Surrey, on November 15, 1804, and inquired if it was true

that Mademoiselle D’Eon was in detention. Upon learning that she had been

in custody five months, and only just set at liberty, the _curé_ asked

to see her, and being shown into the Chevalière’s chamber, said that he

had come at the instance of an English lady to know the particulars of

her arrest. On taking his leave, and pleading that he also was an exile

and poor, he quietly placed on the table a gold seven-shilling piece

which he refused to take up again, although pressed to do so by D’Eon.

Acknowledging the receipt of ten guineas from the Marchioness Townshend,

D’Eon wrote, July 18, 1805:—

‘This relief is a gift from Heaven which comes to me at the

right moment, in the sorrow of my great age and of the great

revolution that has taken place in my country, and which has,

at one blow, swallowed up my little property in Burgundy, and

the pensions I had received from Louis XV. and Louis XVI.’

The note was signed: _Chevalier D’Eon, who has not quitted his bed, his

room, or his house nine times during the last nine years_.

Writing to Major Clive, M.P.,[379] she complains of her reduced

circumstances, and of having lost her all by the French Revolution, she

cannot say, why?

‘It is a secret hidden, I will not say in the womb of

Providence, but in the foolishness of the French, who, like

weather-cocks, turn to every wind.’[380]

Amongst those who occasionally supplied her with funds, or whose

attentions the Chevalière more particularly appreciated, were Mrs.

Crawford, of Hertford Street, Mayfair, a daughter of Mrs. Holland; the

Misses Dodwell; Mrs. Tryon, of Glaston, Uppingham; Colonel Kemys-Tynte;

and Miss Shirley, a natural daughter of Admiral Shirley. The good Queen

Charlotte had never forgotten her, and she enjoyed an annuity of fifty

pounds from the Duke of Queensberry.

[Sidenote: DEATH.]

For the two last years of her life, D’Eon was almost bed-ridden through

infirmity, but affectionately nursed and tended by Mrs. Cole. About a

year before her death she sent for Père Elisée, formerly surgeon to

the ‘Pères de la Charité’ at Grenoble, who was enjoying a comfortable

allowance from the Duke of Queensberry as his grace’s physician, and with

whom he dined almost daily.[381] Elisée and Dr. Perigalese attended her

as her strength failed from day to day, and until she quietly expired at

10 P.M. of May 21, 1810.

When the last offices were being performed to the remains of her

deceased friend, Mrs. Cole learnt for the first time, and to her

utter astonishment, that her late most intimate companion was a man.

Upon making his appearance the following morning, Père Elisée equally

expressed his great surprise, and at once recommended the expediency

of the Chevalier’s sex being professionally determined; the body was

accordingly dissected in the presence of several medical gentlemen, the

Earl of Yarborough, Sir Sidney Smith, the Honourable Mr. Lyttleton, Mr.

Douglas, and other persons of consideration, the following certificate

being forthwith made public:—

‘I hereby certify that I have inspected and dissected the body

of the Chevalier D’Eon, in the presence of Mr. Adair, Mr.

Wilson, and Le Père Elisée, and have found the male organs in

every respect perfectly formed.[382]

‘(Signed) ‘T. COPELAND,

‘Surgeon, Golden Square.’

‘May 23, 1810.’

In the Slade collection of autograph papers at the British Museum is

preserved this letter:—

‘My dear Sir,—Introduced by a friend of the late Chevalier

D’Eon, I attended in the evening of yesterday at lodgings in

two pair of stairs at No. 26 New Milman Street, Foundling

Hospital, and being permitted to inspect the corpse, can assure

you that the late Chevalier, called when living, Mademoiselle

D’Eon, had the visible organs of generation of a male, and

was a very man. Mrs. Cole, with whom he lived for many years,

being as well as the Chevalier aged above eighty, assured me

that it was with the utmost astonishment that she received

the information, just after her companion’s death, that he, a

Mademoiselle D’Eon as she called him, was discovered to be as

I saw him—a man—that she did not recover the shock for many

hours. The above, being interesting to you, as you can have no

doubt of its authenticity, I have sent in writing. The Prince

de Conti, &c. &c. had attended on the same day at the lodgings.

‘Yours very truly,

‘GEO. SILK,

‘Notary Public.’

‘Doctors’ Commons, May 27, 1810.

‘Robert Slade, Esq.’

The body was privately interred in the churchyard of St. Pancras on the

morning of May 28, the coffin being inscribed, ‘Charles Geneviève Louis

Auguste André Timothée D’Eon de Beaumont. Né 17 Octobre, 1727, mort 21

Mai, 1810.’

Before the devastating spade and shovel of the Midland Railway Company

had commenced its work in 1868, to make a cutting through the churchyard

at St. Pancras, a slab, _in situ_, was to be seen bearing this

inscription:

CHARLES GENEVIEVE LOUISE AUGUSTE ANDRE

TIMOTHEE D’EON DE BEAUMONT,

DIED, MAY 21; BURIED, MAY 28, 1810,

AGED 83 YEARS.[383]

but, like numerous other monuments, it has disappeared,[384] ‘and the

place thereof shall know it no more.’

[Sidenote: APPEARANCE OF THE BODY.]

A cast was taken after death, of which an engraving was made, and a

tinted engraving of the _torso_, from a drawing by C. Turner, was also

published, with the surgical attestation as to sex. The body presented

unusual roundness in the formation of limbs; the appearance of a beard

was very slight, and hair of so light a colour as to be scarcely

perceptible on the arms, legs, and chest. The throat was by no means

masculine; shoulders square and good; breast remarkably full; arms,

hands, and fingers, those of a stout female; hips very small, and legs

and feet corresponding with arms.

So early as 1763, D’Eon had a tendency to being round-shouldered, a

deformity induced by much sedentary work, but that did not greatly

increase with years, or interfere with his carriage, which was good. The

low body, in red cloth, lined with coarse canvas, of one of the last

gowns he wore, exhibits dimensions showing the obesity of his condition

at death.

Circumference at the breast 38 inches.

” at the waist 31 ”

Depth of centre whalebone in front 16½ ”

” ” ” at the back, pierced for lacing 14 ”

Diameter of arm-hole 9 ”

This garment is stiffened with seven whalebones; three being in front,

one upon each side, from arm-pit to waist, and two behind for lacing.[385]

D’Eon left a holograph will of some length, preceded by a preamble, and

appointed Sir Sidney Smith to be his executor, but the will was unsigned.

The preamble is headed, _Soli Deo Gloria et Honor_, and the testament

commencing, _Mors mihi lucrum_, ends with these four lines:—

‘Nu du ciel je suis descendu

Et nu je suis sous cette pierre,

Donc pour avoir vécu sur terre,

Je n’ai ni gagné ni perdu.’

The preamble directs:—

‘When God will have received my soul, inter my body within the

coffin upon which I sleep. There you will find the articles

with which I wish to be buried, viz., a large woollen blanket

in which to wrap me up according to custom in England. If I

die in London, bury me at St. Pancras near my cousin D’Eon de

Mouloise, who died in 1765 in London, whither he was sent by

the late Count de Broglio to watch over my person and papers.

If I die in Switzerland, I desire to be buried in the garden

of the Hermitage at Friburg. If I die in Paris, I desire to be

buried in the cemetery of the old church of St. Geneviève, my

patroness. If I die at Tonnerre, I desire to be buried in my

mother’s grave. Being in my coffin, place my New Testament near

my heart, and between my hands joined together in supplication,

my Christ, and my Imitation of Jesus Christ, whom I have so

badly imitated.’

After bequeathing his estates (?) at Chambeaudon, Tissey, and at the

chapel Flogny, to his native town, Tonnerre, for a certain purpose

distinctly specified, he leaves to his three nephews O’Gorman the sum of

sixty thousand livres, owed to him by their father, his brother-in-law,

the Chevalier O’Gorman.

[Sidenote: ADMINISTRATION OF EFFECTS.]

On August 14, 1811, administration of the goods and chattels (value

300_l._) of the Chevalier D’Eon, bachelor, deceased, was granted to

Thomas William Plummer, Esq., the lawful attorney of Lewis Augustus

O’Gorman, residing at Cadiz, the nephew and one of the next of kin of the

deceased. The sale of his library, which included five hundred editions

of Horace (see note, p. 323), was held at Mr. Christie’s rooms on

February 19, 1813, the proceeds amounting to 313_l._ This library and his

own MSS. included all the Chevalier’s possessions. The latter, refused

in all probability by Mr. O’Gorman at Cadiz, on account of the expense

that would be entailed in their transport, appear to have been divided

amongst Père Elisée, Mr. Christie, and others who had most befriended the

destitute exile.

What further remains to be said of the Chevalier D’Eon will be briefly

and exhaustively done.

Writing to the Bishop de Langres, Seigneur de Montmorin, D’Eon sums up

very curtly a sketch of himself:—

‘Whatever my troubles, I never despair. I am inflexible in

my principles, which I believe to be those of honour and of

virtue. As a rule, I submit myself in all things to the will

of God. Summer succeeds winter, night is followed by day,

after a storm comes a calm! Of what use would my faith be, did

I not live in hope? I will strive to be a man of character, and

practise perseverance, and I shall meet with solace in good

time.’[386]

Let us now turn to one of his contemporaries and to those personally

acquainted with him, and see what they have recorded.

‘This ambiguous creature,’ says Lacretelle, ‘had been by

turns and sometimes simultaneously, a diplomatist, student,

statesman, jurisconsult, and soldier. Few of his contemporaries

devoted themselves so much to study and manly exercise. His

mind was reasoning and profound, without being elegant; he

was of a robust constitution and endured to all kinds of

fatigue; his face was repulsively coarse. Of an unmanageable

disposition, he was a pertinacious quarreller. There was one

blemish in his courage—it was restless impatience that had

constituted him almost a professed duellist.’[387] ‘As a

soldier,’ says his intended biographer,[388] ‘his personal

courage and thorough knowledge of the military profession

had distinguished him on many occasions, and in the art of

fencing his skill was eminently conspicuous. His political

reputation was sufficiently established, not only by the public

missions in which he was employed, but also by the confidential

situations he maintained in the secret correspondence of Louis

XV., whose private protection and support he continued to

enjoy, even during the inveterate persecution he experienced

from the ministers of the French Court. In private life D’Eon

was much esteemed, not only as a man, but during his assumed

character of a woman; and though his natural inclinations, and

the restraint he must ever have felt himself under, on account

of his concealed sex, led him very much into retirement, yet

in those societies where he did mix, his suavity of manner

and obliging disposition always rendered him a welcome guest,

whilst his various attainments, and the discordant characters

he had sustained, gave to his person, especially as a supposed

female, a degree of interest rarely excited by any individual.

The shades in his character were, most inflexible tenacity of

disposition, and a great degree of pride and self-opinion;

general distrust and suspicion of others, and violence of

temper which could brook no opposition. To these failings may

be traced the principal misfortunes of his life; a life of much

labour and suffering, mixed with very little repose.’[389]

John Taylor had met the Chevalier in his advanced life at Mr. Angelo’s,

when he found that his former captivating manners must have undergone

great alteration, for, although dressed as a woman, he spoke and acted

with all the roughness of a veteran soldier. He was generally considered

to be most intelligent, full of anecdote and fertile conversation, and it

was believed that his name and extraordinary appearance would never be

forgotten.

[Sidenote: TASTES AND HABITS.]

As to the tastes and habits of our subject, he certainly through life

eschewed low society of whatsoever class. He was fond of good living, and

in his palmy days kept his cellar well stocked with expensive Burgundies

and Champagnes. He was hospitable and charitable, never forgetting more

especially his poor relations; but it does not appear that he ever had

the generosity to admit a fault to his neighbour, although frequently

confessing his imperfections to God. He was an accepted free-mason at

the Lodge of Immortality at the Crown and Anchor in the Strand, not very

zealous in his attendance. As a woman he rarely left the house except

when socially called, was a confirmed smoker, and no doubt employed

cosmetics and wore feminine garments other than stays, as we are led to

believe by the numerous cuttings of newspaper advertisements he has left

behind. (A small red cross marked every piece of linen.) He spent his

leisure indulging largely in writing, and in the study of his favourite

authors, such as Cicero, Lucretius, Sallust, Virgil, Horace, Ovid,

Juvenal, Tacitus—La Fontaine, Boileau, Racine, and Voltaire—Swift, and

Addison from whom I have found quoted the apothegm that must have been

like salve to his turbulent spirit: ‘A disturbed liberty is preferable

to quiescent slavery.’ He was fond of reading the Psalms, frequently

transcribing passages adapted to his changed condition and circumstances,

and had perhaps realised—but how much too late!—his neglect of the

admonition: ‘Put not your trust in princes’ ... when, in writing his

will, he expressed the hope that he might be able to retire to the

Hermitage at Friburg, there to forget the world, and devote himself

solely to God, ‘alone worthy of his homage.’

‘In religion,’ continues the intended biographer, ‘the

Chevalier was a sincere Catholic, but divested of all bigotry;

few were so well acquainted with the biblical writings or

devoted more time to the study of religious subjects.’

[Sidenote: SENTIMENTS ON RELIGION.]

A few extracts from the voluminous MSS. on sacred subjects in the

Christie collection, should suffice to persuade us that D’Eon had indeed

studied the Holy Scriptures, and faithfully interpreted, generally

speaking, the doctrine of our Lord; but without entirely divesting

himself of some of the teachings of the Church of Rome, upon whose

servants he unsparingly casts obloquy similar to that heaped upon their

successors at the present day, in both hemispheres; for there is no

exaggeration whatever in asserting that it is in Great Britain alone,

where the spirit of ‘fair play’ rules every heart, that the Romish

priesthood enjoys anything like consideration at the hands of its fellow

subjects at large.

‘1. I trust that wise measures will be taken for diminishing

the large number of religionists of both sexes, who are

depopulating the State to people monasteries, and that mankind

will at last be persuaded of the preferableness of serving

their King and country, to becoming voluntary eunuchs,

unserviceable to the world, and frequently useless in the cause

of religion.

‘2. It is entirely repugnant to common sense, to the Word

of God, and to custom in the primitive church, that public

prayers should be offered up in public places, in a tongue not

understood by those assembled for prayer.

‘3. Were every priest, every confessor, an angel upon earth, I

should advise everybody to confess; but as the greater number

are demons, and men-wolves disguised in lamb-skins, I do not

recommend men to do so—still less women—and still less again,

young girls. Let all read the gospels, and especially the

epistles of St. Paul; let them retire into their innermost

chamber, let them confess their sins to God, abase themselves

before Him, repair their faults, and exhort themselves to lead

a better life.

‘4. In Catholic countries, priests and apothecaries alike tease

the sick.

‘5. I see in the Church of Rome a chronological succession of

the apostles of Jesus Christ, but I do not see the hereditary

succession to their virtues. If Catholic priests are the

precious depositaries of faith, it is to be found on their lips

rather than in their hearts, or else they conceal the treasure

so effectually that it is impossible to discover it in their

conduct. Thus their faith, as well as their charity, is dead

rather than living.

‘6. Did religion not exist, independently of priests and monks,

it would have been annihilated long since.

‘7. Although he is the head of the Church, the Pope will soon

be obliged to remain satisfied with his spiritual power, and

renounce all temporal power so incompatible with the maxims of

Christ.

‘8. Ecclesiastics have no difficulty in reminding themselves

that they are but men, and thus forget they are priests.

‘9. The study of the Holy Scriptures cannot be too strongly

recommended, for it is the quickest and safest mode of

becoming acquainted with the New Testament by means of the Old

Testament, and with the Old Testament by means of the New,

which is the fulfilment of prophecy. I have spent a portion of

my life in reading commentaries on the Bible, chiefly those on

the New Testament, and have found that commentators express

themselves a hundred times less lucidly and with less force,

than does the text itself, of the evangelists and apostles. Of

what use, therefore, can be the piles of commentaries in the

libraries of the Vatican, at Paris, Vienna, Madrid, London,

Oxford, Cambridge, &c., except for burning, if they only serve

to guide us by their obscure light, and are pernicious to the

text.’[390]

About the year 1764 D’Eon wrote:—

‘Since the time when I discovered that Love, the comforter of

the human race, the regulator of the universe ... Love, that

ruler of hearts, that soul of our soul, to be worth no more

than a kiss and twenty kicks ... I have never wished for wife

or mistress.’

And later, in 1777, upon assuming the garb of a female:—

‘... I have never mixed myself up with those fond of dancing

and similar amusements, and have never had anything to do with

people of light character, who conduct themselves indiscreetly,

and give way to their passions, following the maxims of the

world.’[391]

The most perfect stranger to Charles XII. was Love! They had never

nudged one another! This was not the case with the Chevalier D’Eon,

who resembled Swift perhaps in more ways than one. In Mademoiselle

Constance de Courcelles and the Countess de Rochefort (the latter, by

the way, was a young widow), D’Eon had his Stella (short of wedlock) and

Vanessa. Of the scenes of their love, we know nothing. He may have had a

dozen Varinas, but I very much doubt it. Of Mademoiselle de Courcelles’

letters he preserved a large packet for twenty years, and it may be,

for longer, after their correspondence had ceased upon his assuming

female attire. The Duke de Nivernois was in the habit of teasing him by

introducing the name of the Countess, but this was the shortest-lived

flirtation of the two, because the Chevalier remained in England and

the Countess resided chiefly in France. Without actually avoiding the

society of ladies, he never sought it—_he could not speak of that he did

not feel_—and was never known, in the course of his career, to have been

engaged in any amorous adventure or affair of gallantry as it was termed,

whether at Court or in the camp, and this in an age when courtiers, like

their sovereigns, were strangely given to profligacy. The old Marquis

de l’Hôpital, an antiquated debauchee, who will be remembered as French

ambassador at St. Petersburg, frequently twitted D’Eon on his cold

temperament, but the latter preferred close application to his duty,

working early and late, with fencing for recreation, to any kind of

unsavoury indulgence. He never sought to wrong the decencies of life.

[Sidenote: DISPASSIONATE TEMPERAMENT.]

I am not aware that Swift’s unfeeling treatment of the two women he after

a fashion loved has ever been satisfactorily explained; whereas D’Eon

himself, upon various occasions, assigns to physical causes his state of

insensibility. Two examples will probably suffice:—

‘I am sufficiently mortified at being what nature has made

me, and that the dispassion of my natural temperament should

induce my friends to imagine in their innocence, and this in

France, in Russia, and in England, that I am of the female sex.

The malice of my enemies has confirmed all this....’ ‘If the

Great Master of the universe has not endowed me with all the

external vigour of manhood, He has amply made amends by gifting

my head and heart. I am what the hands of God have made me;

satisfied with my weakness, I would not exchange it for the

dangerous strength of Marshal Saxe, even were it in my power to

do so.’[392]

Most accounts agree, the one being taken from the other, that D’Eon’s

attainments included an acquaintance with ancient and modern languages.

That this was not the case is evidenced by the contents of his library

and the almost complete absence, amongst his MSS., of any note or

quotation except in French or Latin; while forty years’ residence in

England did not suffice to teach him English.

[Sidenote: REFLECTIONS.]

A few reflections, written at intervals of time, might assist us in

passing judgment on a life of so rare adventure, for t’were well, if

we would be just, to estimate each touch of character at its true

proportions, for entry whether on the credit or on the debtor side of the

moralist’s ledger.

‘1. So long as a kingdom is under the domination of a woman,

all will go well. Why? Because it is then that men will govern.

(Written at St. Petersburg.)

‘2. Nothing so much shows the sound judgment of a man, as to

know how to choose between two evils.

‘3. Freedom may be preserved, even where there is esteem and

regard.

‘4. An energetic will suffices to put into execution an object

in view, but should anything chance to check it, force must

absolutely be resorted to; and when I speak of force, I mean

the force that is to be obtained from the consideration in

which one is held, by those very persons who have occasioned

the wrong sought to be remedied, and of which they cannot

deprive you since it already belongs to you, notwithstanding

any personal dislike they may entertain, and which has arisen

solely because of the opposition to their wishes.

‘5. It is the destiny of popular governments to be believed in

only when they make themselves felt; and it is often to their

interest and honour rather to make themselves believed in than

felt.

‘6. Power in a people is to be deplored, since they do not

consider themselves answerable even for acts they commit in

spite of us.

‘7. Does familiarity with great dangers accustom us to be ready

in resources? Well, do brilliant motives, glory, exertions,

great sights, the destiny of nations in one’s power, raise

humanity and elevate the soul by the vigorous exercise of all

its faculties?’

And here we have a reflection after Raphael Aben-Ezra’s own heart!

‘8. ’Tis said, truthfully enough, that death makes all men

equal; but it might also be said, with even greater truth,

that it is his origin should humiliate man; for we are nothing

but vile insects, more agile and more fortunate than thousands

of millions of other similar insects, who have succeeded in

insinuating ourselves into worthless vehicles where we have

grown, and where we have become worthy of receiving from God a

soul, that raises us to the dignity of humanity.

‘9. The absent are ever in the wrong, and untruths told with

assurance easily silence truths told with disdain.

‘10. He who writes is certain to have as many judges as

readers; but among this great number of judges, how many, may

it be said, are really competent?

‘11. A master-mind looks upon minor incidents as victims to be

sacrificed to affairs of greater importance.

‘12. To be above the caprice of fortune, not to be moved by her

smiles or frowns, is to be high-souled. They who too easily

betray their joy or sorrow, according to circumstances, possess

neither strength of character nor courage, whatever their other

merits.

‘13. In France, we can construct perfectly good ships of war,

but we cannot turn out efficient naval officers. This is the

great misfortune in our country, which will ever give to the

English the superiority at sea, through the excellence of

their seamen and naval officers. In England, the son of the

wealthiest and greatest nobleman will commence life as a sailor

in a vessel of war under a good officer—but notwithstanding his

influence, the king of France will never be able to do away

with the prejudices and pride of our nobles, who aspire to

being sea officers without knowing how to sail, even on fresh

water.’

[Sidenote: FUGITIVE PIECES.]

From the first moment when society, not in England only, stood perplexed

at the enigma presented in the person of the Chevalière D’Eon, a variety

of fugitive pieces, some acrimonious, others laudatory, of which she

was the subject, appeared in the public prints on both sides of the

Channel. With the necessarily limited selections for which we can find

space, because we believe they form a fit sequel to the history of our

archetype, we gratefully take leave of the reader, who will have had the

kindness to accompany us thus far.

_Verses believed to have been written by an eminent Doctor of Divinity of

the University of Oxford, and addressed to a friend of the Chevalier._

Exul ades, nimium felix! tu victima veri,

Causa boni, patriæ facta, D’Eone, tua est.

Curia quondam habuit magnum Romana Catonem:

Majorem sed habet jam Gallicana suum.

_Political Register_, 1768.

_A Mademoiselle —— qui s’était déguisée en homme._

Bonjour, fripon de Chevalier,

Qui savez si bien l’art de plaire,

Que, par un bonheur singulier,

De nos beautés la plus sévère

En faveur d’un tel écolier,

Déposant son ton minaudier

Et sa sagesse grimacière,

Pourrait peut-être s’oublier,

Ou plutôt moins se contrefaire.

Mon cher, nous le savons trop bien:

(Le ciel en tout est bon et sage)

Pour un si hardi personnage,

Dans le fond vous ne valez rien.

Croyez-moi: reprenez un rôle

Que vous jouez plus sûrement:

D’un imposteur déguisement

Que votre sexe se console;

Du mien vous faites le tourment;

Et le vôtre, sur ma parole,

Vous doit son plus bel ornement.

Hélas! malheureux que nous sommes!

Vous avez tout pour nous charmer:

C’est bien être au-dessus des hommes

Que de savoir s’en faire aimer!

M. D’ARNAUD.

_Almanach des Muses_, 1771.

_Lines on hearing a greyheaded lady called Miss._

In humdrum, ancient days, the pretty name

Of Miss at twenty was exchang’d for _Dame_,

But these wise times to compliment exhort ye,

For modern Misses are full _five-and-forty_.

ELEVEN’S A NICK.

_The Westminster Gazette_,

October 8-12, 1776.

_Quatrain pour le buste de Mademoiselle D’Eon, exécuté par Madame

Falconet._

Ce marbre, où de D’Eon le buste est retracé,

A deux femmes assure une gloire immortelle;

Et par elles vaincu, l’autre sexe est forcé

D’envier à la fois l’artiste et le modèle.

M. BLIN LE SAINMORE.

_Almanach des Muses_, 1781.

_Impromptu sur Mademoiselle D’Eon, qui lui a été remis à Londres par M.

Angelo, père, maître d’armes de la famille Royale d’Angleterre._

D’EON, ce double habit, qui frappe nos regards,

Semble nous annoncer ton double caractère.

Oui, tu sus dans la paix, au milieu des hazards,

Cultiver d’une main politique et guerrière

L’olive de Minerve, et les lauriers de Mars.

Ch. MSS.

_On Mademoiselle D’Eon’s skill in fencing._

A prodigy! this Chevalier,

A most unrivalled peerless Peer

Is surely Monsieur D’Eon;

In arts of peace and war renown’d,

As well as politics profound,

And brave as Cœur-de-Lion.

In vain may time his page explore,

To find a precedent of yore,

As yet out-done by no man;

Let Britain boast her warlike sons,

Or Asia of her amazons,

While France can boast a woman.

Both sexes’ admiration thou,

A female and a manly brow,

At once so oddly met;

Say, can ye sages yet decide

Which, best or both, can D’Eon guide,

The camp or cabinet.

_Old Newspapers._

ARGUMENT.

‘Toute histoire qui n’est pas contemporaine est suspecte.’—PASCAL.

Two events in the career of the Chevalier D’Eon, undisputed by his

contemporaries, but controverted of late years, must ever give cause for

despair to biographers, so long as they seek to determine, by written

evidence alone—(1) That D’Eon went to St. Petersburg for the first

time in 1755, appearing there in the disguise of a female. (2) That he

declared himself to be a female, and permanently adopted female attire in

the year 1777, solely in obedience to the commands of Louis XVI. and his

ministers.

The objections raised by the non-contents to these earliest traditions is

based uniquely on the complete absence of any documents in their direct

support; how far such documents are indispensable the reader will judge

in the face of much incidental evidence in their favour.

Boutaric (i. 81), writing in 1866, says: ‘About the year 1755 (_vers_

1755) was conducted a negotiation (during the interrupted diplomatic

relations between France and Russia), from which the Count de Broglie

was excluded, but wherein took part a personage whose name has become

celebrated, the Chevalier D’Eon.’ It was with no greater precision, that

the Archivist of the Empire was enabled to fix the date of the Chevalier

Douglas’ departure for Russia (no great matter for surprise) seeing that

_neither amongst the national archives, nor at the ministry for foreign

affairs, are to be found any papers whatever relating to Douglas’ first

journey to Russia!_[393] A deficiency, however, that has been supplied

by Vandal (p. 263), and at p. 12 of this book upon the authority of the

British ambassador at St. Petersburg, the arrival at the Russian capital

of the King of France’s secret agent having unquestionably taken place in

October, 1755. That D’Eon went with Douglas appears from several of the

Chevalier’s indirect statements to that effect, and by some fortuitous

but very forcible testimony.

D’EON.

To the Duke de Praslin, August 28, and September 13, 1763.

Appeals earnestly for pecuniary assistance to enable him to pay

off a loan he had contracted _nine years previously_, to enable

him to proceed to Russia on duty for the King, upon his first

journey with the Chevalier Douglas, which was the origin of all

the negotiations of the Court of Versailles with that of St.

Petersburg. (See also ‘Covenant,’ p. 246.)

In the _Note_ to the Count de Guerchy, 1763, D’Eon styles

himself as having been ‘_sent to Russia with the Chevalier

Douglas for the reunion of the two Courts_,’ and being

afterwards secretary of Embassy at the Court of Elizabeth.

In the ‘Discours Préliminaire’ to the ‘Lettres, Mémoires,’

&c., published in 1764. ‘_Towards the end of the year 1755, my

destiny dragged me into diplomacy_, although I was inclined

rather for a soldier’s life.’

To Beaumarchais, January 7, 1776. (See pp. 267 and 271.) ‘You

know how I have upon six occasions flown from one end of the

world to the other, travelling night and day, _to hasten in

1755 and 1756 the reunion of France and Russia_.’

Note written in 1776. ‘I know how to conduct myself abroad ...

with the prudence and policy acquired by long experience and _a

residence of twenty-two years in foreign lands_,’ see p. 243.

To the Count de Vergennes, May 28, 1776. ‘... None but those

concerned were informed of this political intrigue, _commenced

in 1755 by the Prince de Conti and Tercier, and executed by the

Chevalier Douglas and myself only_.’

OTHER AUTHORITIES.

La Messalière, p. 74. ‘_Douglas awaited at Anhalt the arrival

of D’Eon from Paris_, and on reaching St. Petersburg they

pretended to be merchants of low degree,’ &c.

Flassan, vi. 110. ‘Woronzoff and _D’Eon were the intermediaries

in the correspondence between Louis XV. and Elizabeth_.’

The Marquis de l’Hôpital to the Duke de Choiseul, August 23,

1760. ‘The services of M. D’Eon in foreign affairs are well

known. _He has not a little contributed to the renewing of the

alliance with Russia._’

The Chevalier Douglas to M. Rouillé, St. Petersburg, 1756, ‘I

am very greatly pleased at the arrival of M. D’Eon. _I have

been long acquainted with his intelligence, his zeal, and

attachment to his work._’

‘Gazette d’Utrecht,’ No. xlii., 1757. ‘_M. D’Eon de Beaumont

who has been at work under the Chevalier Douglas, Minister

Plenipotentiary for France, during the whole time of his

negotiations with this Court, &c._ The Empress’ gift of 500

ducats is the result of the esteem and good-will he has gained

for himself at this Court during his stay.’ _St. Petersburg

Correspondence._

The Duke de Nivernois to M. de Bertin, Controller-General of

Finance, October 12, 1762. ‘_M. D’Eon has already been employed

upon several occasions at the Court of Russia, under critical

and most important circumstances._’

Royal warrant of August 25, 1775, granting permission to

Mademoiselle D’Eon to wear the cross of St. Louis in female

attire. ‘His Majesty desiring to mark by special favour

his sense of the public and secret services, in war and in

diplomacy, _which the said Mademoiselle D’Eon de Beaumont has

had the good fortune to render during upwards of twenty years,

consecutively, to the late King,’ &c._, see p. 254.

I would add under this head, for what it is worth, that the anecdotes

related by D’Eon concerning himself in Russia have been taken from a

note-book, ‘Recueil de mes Pensées,’ dated 1754.

The non-contents maintain, that until he became secretary of Embassy,

nothing was known of D’Eon. I ask in reply: How came a young, untried,

and unknown individual to be appointed secretary to the French Embassy in

Russia, during a crisis in the affairs of the two countries?

A first incitement to the persuasion that D’Eon’s earliest introduction

at St. Petersburg was in the character of a female, exists in the

portrait by La Tour. When D’Eon was in his twenty-fifth (or more probably

twenty-seventh[394]) year, La Tour was a greatly esteemed and general

favourite; he had painted a full length picture of Louis XV., and

portraits of Madame de Pompadour and many others at Court, and as it

is scarcely credible, from what we know of his circumstances in those

days, that D’Eon was in a position to employ an artist of established

reputation to paint a fancy portrait of himself for himself, and this

apart from his known innate dislike to any such travesty, we perhaps see

personified in the comely young woman at page 14, a representation of _le

petit D’Eon_, as he was expected, by the Prince de Conti, shortly to make

his appearance at the Russian capital.

In recapitulating his services to the Duke de Praslin (June 5, 1763)

D’Eon showed that when sent to Petersburg by M. Rouillé, in 1756, for

secret and important motives, reasons of policy required that certain

views entertained with regard to himself, and for which he felt some

repugnance, should be abandoned; whereupon he received the minister’s

orders to remain with Douglas until the arrival of the new ambassador.

What but a repetition of the part he played in 1755 is to be understood

from his repugnance to perform duties assigned to him! It was quite

beyond D’Eon’s power to endure from others any allusion to his effeminate

appearance or physical defects, and he studiously eschewed all reference

to his assumption of female attire, by rarely specifying his first visit

to St. Petersburg as having been in 1755, preferring to allude in general

terms to his ‘earliest journeys to Russia.’ Instances there are, as we

have shown, to the contrary, but this was at a time when there no longer

existed any object in concealing the past so very carefully, and when

admission to that effect was only too likely, as he thought, to turn to

his advantage. See p. 247 note, and p. 267.

It was not his fault, he told the Count de Broglio, if the Princess

Dashkoff assured people in England that he was a female; and it is true

that _after the arrival of that lady in London, fresh reports were

circulated tending to confirm the suspicions already entertained that the

Chevalier was indeed a woman_.

There is preserved in the public library at Tonnerre a note from the old

Marquis de l’Hôpital to D’Eon, written in a spirit of pleasantry, and

although undated, is obviously of the last half of 1759, or of the first

half of 1760.

‘Noon.

‘However great my pleasure would be at seeing you, I have

no wish, _ma chère Lia_, to have to reproach myself with

committing another folly. Therefore remain shut up until your

eyes are quite well again.... I shall perhaps call to see you,

some day after to-morrow, so soon as my lame courier will have

left. This will depend upon what the Chancellor is going to do,

and on my fancy. Adieu, _ma belle de Beaumont_. I embrace you.

L’HÔPITAL.’

‘A Monsieur D’Eon, St. Petersburg.’

Could Lia have been the name adopted by D’Eon during his disguise

in 1755, or are we to believe that it was playfully applied by the

ambassador to the secretary suffering from ophthalmia, because ‘Leah was

tender-eyed?’

The secret autograph order of Louis XV., dated October 4, 1763 (p.

104), is sufficiently significative, and can only have reference to

the Chevalier’s earliest connection with Russia, because from August,

1756, he was officially recognised as secretary of Embassy, until his

final departure for France in August, 1760, after which he fell ill of

small-pox. Early in 1761 he joined the army in the field, served as

aide-de-camp to the de Broglios throughout the campaign of that year, and

upon his return to France went on leave, whilst awaiting the appointment

of minister plenipotentiary to Russia, which, he wrote to tell his

colonel, the Marquis d’Autichamp, would take him to St. Petersburg for

the fourth time. See ‘Lettres, Mémoires,’ &c.

Madame Campan had frequently heard the Chevalier repeat to her father,

M. Genest, the contents of Louis XV.’s order, in which that monarch

separated his individuality from the person of the King of France. She

had special opportunities afterwards, as lady-in-waiting to the queen,

for becoming acquainted with D’Eon’s character during his two years’

residence at the Court of Marie Antoinette and in its precincts, and she

long survived him, dying in 1822; we may therefore legitimately assume

that had his veracity been generally mistrusted, or had she doubted

the existence of such an order, she would assuredly have qualified his

statement, unless she had cause to be satisfied that the order, which it

is pretty certain she never saw, was indeed in the King’s own hand.

Dutens’ version is to this effect. The King had a secret minister at the

several Courts, who carried out his views without the knowledge of his

ambassador. This was the position at the Court of Russia of the Chevalier

D’Eon, sent thither upon the recommendations of the Prince de Conti, who

was not even aware of his sex. He spent several months at St. Petersburg,

and was clever enough to secure presentation to the Empress Elizabeth in

the character of a female, and conclude in fifteen days an affair upon

which the ambassador had been for a long time engaged.

The earliest intimation of D’Eon’s somewhat familiar intercourse with

Elizabeth appears in the work of de la Fortelle, of whom the Chevalier

says:—‘Il m’a élevé un monument de gloire dans son grand ouvrage.’

According to this author, D’Eon was received at the Russian Court in a

secret capacity, and having succeeded in making himself agreeable in

the sight of the Empress, and secured the good-will of her favourite

minister, his consummate tact enabled him to approach the sovereign,

to converse with and gradually interest her, and having secured her

Majesty’s confidence, he prepared her mind to receive impressions

favourable to the cause he had at heart.

Did D’Eon permanently adopt female attire in 1777, solely in obedience to

the commands of Louis XVI. and his ministers?

In Kirby’s ‘Wonderful and Eccentric Museum’ is quoted from the ‘Gazette

de Santé,’ a periodical of the day, an article that appeared soon after

the Chevalier’s decease, and which we feel bound to give at length.

It is singular enough that while all Europe was making a

woman of this dubious character, there existed in Paris many

unimpeachable witnesses who would have vouched for his manhood

long before it was put in question. We have had the following

details from the Baron de Cleybrocke, who has authorised us to

publish them:—

‘The Chevalier D’Eon received his first education at M.

Tarnier’s, the schoolmaster, Rue de Nevers, Paris; there was

in that school an usher, M. Vicaire, since rector of the

University, and previously tutor to young Cleybrocke, to whom

he had often affirmed, when the question was started in London

on the sex of the Chevalier, that he had many a time conducted

D’Eon to bathe with his other scholars, and was positive that

he was a man. What reason then could have induced Government

to condemn a soldier who had obtained military orders, and

a respectable diplomatic character, to assume the dress of

a woman, when his boldness, his propensities, his constant

habits, his love intrigues, and even his beard and his figure,

gave the lie to his dress! Some politicians think that they

have found the reason of this strange conduct on the part of

the Government in the means that intriguing character had made

use of to succeed in his secret diplomacy, and which were

such, they say, that the discovery of his real sex might have

lowered the dignity of the French Government, and disturbed

the peace, as well as sullied the honour of many families, in

which D’Eon had been received with that unbounded confidence

which women grant to a woman only. They strengthen their

opinion by the report current in Paris, when the Chevalier was

ordered to assume female attire, that he had the alternative

of obeying, or ending his days in the Bastille, in consequence

of the irregularities he had committed under cover of the sex

to which he had pretended to belong, to ensure the success

of his secret diplomatic negotiations. This conjecture is

still further confirmed by the testimony of two of his former

schoolfellows, who, on hearing a report which they were

positive was unfounded, were impelled by curiosity to visit

D’Eon. They found him in bed. “What will you have me do?” said

he, when they had explained the object of their visit; “they

have ordered me to be a woman, and I wear petticoats by command

of the King.”’

From this kind of declaration D’Eon never swerved, always maintaining

that he was forced to pass for a woman, and it will be remembered

that when resisting the pressure put upon him by Beaumarchais, he

reminded that unyielding negotiator that it was Louis XV. and the Duke

d’Aiguillon, Louis XVI. and the Count de Vergennes, and the de Guerchy

family who demanded his metamorphosis.

The theory put forward by Gaillardet, that D’Eon himself confirmed the

general belief in his being a female, is based upon two passages in

letters to Beaumarchais: ‘I admit with pleasure, although with the

pain, the shame, and the tears that the avowal and admission of my own

weakness have wrung from me,’ and, ‘I have made known to you the mystery

of my sex.’ That Beaumarchais seriously believed D’Eon to be a woman

is beyond any manner of doubt, but that D’Eon confessed so much to him

spontaneously, the idea having emanated from himself, is anything but

proved, if proof rests solely on the above two short extracts. Dutens,

styled by D’Eon, ‘mon honorable ami,’ and who was well acquainted

with Beaumarchais (‘j’ai beaucoup connu Beaumarchais’), was told by

the dramatic writer that he was perfectly assured of the sex of the

extraordinary woman—but that was all! And he relates, as he had heard it,

the cause which led to the Chevalier’s change of sex.

The Countess de Guerchy attributed the death of her husband to grief,

consequent upon the ridicule with which he had been covered by the

Chevalier D’Eon, and she warned the Count de Maurepas that if D’Eon dared

to land in France, her son should await him at Calais to fight him, and

if her son fell, she had a son-in-law ready to take his place. Greatly

amused at hearing this, D’Eon was reported to have said: ‘Very well, I

will put an end to all this. I declare I am a woman.’ Unfortunately,

Dutens does not give his authority for this story, the latter part of

which is entirely inconsistent with the impatience we have seen exhibited

by D’Eon to fight young de Guerchy, and to afford him the opportunity for

avenging his father.

If we look at the order of Louis XVI., dated August 25, 1775, instructing

Beaumarchais to recover the papers out of D’Eon’s hands, we find the

latter named in the masculine gender; and although Beaumarchais

distinctly individualises D’Eon as being a woman, in none of de

Vergennes’ despatches is he spoken of otherwise than as if he were a

man, and that minister goes so far as to say that if the Chevalier would

disguise himself—‘si M. D’Eon voulait se travestir’—all should be well.

(See p. 239.)

The author of the attractive and somewhat laborious work, ‘Beaumarchais

et son Temps,’ calls attention to the piquancy in D’Eon’s letters to

Beaumarchais, acting admirably, as he does, the part of a woman concealed

under the guise of a man; at the same time adopting an ambiguous style,

as if with the view of making it clear at any such time eventually as

his fraud would be discovered, that he had been duping so astute a man

as the author of ‘Le Barbier de Seville,’ and that whilst duping him, to

his face, he was also making fun of him, without his being sensible of

it. On the other hand, Beaumarchais amused himself at the expense of the

love-sick _vieille dragonne_, becoming the more confirmed in his error,

as D’Eon continued to counterfeit the wrath of an offended old maid.

The Chevalier’s letters to Louis XVI. (Ch. MSS.) make it sufficiently

clear that the King could not have been positively assured on his

sex. In one letter D’Eon informs his Majesty that he continued to

maintain silence in respect to his position, which was so singular and

extraordinary, as to be without parallel in ancient or modern history.

He had kept his secret profoundly, because it was the secret of secrets

of the late King, and he entreated his Majesty either to allow two

Councillors of State, in whom he had implicit confidence, to write down

his depositions and the proofs to them, before he returned to France, or

permit him to publish his defence.

In another letter, the King is told that the question of sex will soon be

decided, after the Court will have restored the honour and money due to

him. ‘I can then think of settling down, and in marrying, make known to

which sex I belong.’

In a third letter, the Chevalier points out that negotiations for his

return to France were conducted from 1770 to 1775, and that his letter

to the Count de Broglio of January 1775, was sent under flying seal to

the Count de Vergennes, to enable that minister to become well acquainted

with the validity of some of his arguments, and communicate them for his

Majesty’s consideration.

Lacretelle, Taylor, and others, are unable to account for the Chevalier’s

change of sex, otherwise than that it was produced by some unexplained

intrigue, and that he was directed by the French Government to appear as

a woman, for reasons which have never been satisfactorily determined.

Voltaire wrote, that the whole affair puzzled him. He was unable to

picture to himself either D’Eon, or the ministers of his day, or the acts

of Louis XV., or what was passing then (1777). He knew nothing of any of

them. In returning, however, to the pages of Madame Campan, we seem to

find the key to the situation.

‘This strange personage,’ says that lady, ‘had for a long time

solicited permission to return to France, but it was considered

necessary to spare the family (de Guerchy) he had offended

the insult it would feel were he to make his appearance; he

was therefore compelled to resume the costume of a sex to

which everything is forgiven in France. Anxiety to see his

native country no doubt influenced him in submitting to such

a condition; but he had his revenge, for, whilst wearing a

gown with its long train, and a triple row of sleeves, he bore

himself and behaved like a grenadier, giving himself an air of

unmistakable vulgarity.’

Might not every secret in which this mystery was involved have been

hidden in the _valise_ containing ‘papers that had belonged to the King

and Court,’ given to the French minister plenipotentiary by D’Eon, on

February 1, 1792? (See note, p. 264, p. 324.)

The Count de Vergennes, the minister immediately responsible for the

ludicrous innovation, confessed to Beaumarchais his concern lest D’Eon

should make his appearance in France as a man, his enemies being on the

alert, and not likely to forgive him easily for all he had said of them;

and when writing to the Chevalier, two years later, he impressed upon him

the conditions, should he think of returning to his native land. (See p.

283.)

The question has also arisen—Granted that D’Eon was obliged to appear as

a woman, by command of King and ministers, such being the stipulation

for his receiving the royal grant of twelve thousand livres, annually;

why, after the fall of the monarchy and having lost all by the French

Revolution, did he continue in the anomalous character of a female?

We, in England, are able to understand, that to one who had spent so

many years of his life in this country, and had become familiar with

the sentiments and susceptibilities of English men and women, there was

no choice. It had long been known and admitted that the Chevalière had

been treated by French ministers with peculiar harshness, and she was

seen to be reduced to absolute want at the advanced age of sixty-four!

Under circumstances such as these, he must have felt that so long as

he was believed to be a female, commiseration and assistance were to

be expected; but to declare himself a man, after having adopted female

attire and been admitted into the intimacies of female society over a

period of sixteen years, would have been to expose himself—to summary

castigation? That he did not fear; but to what would have been dreaded

infinitely more than famine by one with his antecedents—the ridicule and

scorn of all who knew anything about him; and so he elected to continue

to the end of his days, dressing, writing, and speaking as if he were a

woman, but otherwise conducting himself in all respects with the freedom

belonging to a man.

We adhere to our engagement not to judge the individual who presents

such startling episodes in his life, and contrasts in his character.

It has hitherto been his fate to be classed, it may be said, amongst

the adventurers of which the last century was sufficiently prolific;

these pages will perhaps assist to remove him out of that order and

place him where he should stand—alone, as a physiognomical marvel. We

would in a measure plead for him, in Johnson’s words in behalf of poor

Goldsmith—‘Let not his failings be remembered’—for his faults were but

failings. Of this victim to envy, malice, and all uncharitableness, we

have read clearly enough how sinned against he was, far more than he had

ever himself sinned against others. All he suffered he had to endure

for serving an ungrateful King too faithfully, oblivious that _promesse

des grands n’est pas héritage_, while his attachment to his country

was sublime, entitling him amongst his countrymen at home to Florian’s

epitaph,

Il vécut toujours _en Angleterre_,

Mais son cœur fut toujours ici.

Loyal beyond compare, he ever continued true to one and the other,

frequently under unexceptionably trying circumstances, repeating and

again repeating: ‘Comme Français, je puis regarder le sacrifice de ma

fortune comme la dette de mon amour pour le Roi. Comme militaire et

Chevalier de Saint Louis, je dois même lui sacrifier ma vie; mais pour

celui de mon honneur, il n’est pour personne!’

WORKS AND PUBLICATIONS BY THE CHEVALIER D’EON DE BEAUMONT.

Eloge de Marie d’Est, Duchesse de Penthièvre. In the _Année Littéraire_.

Eloge du Comte d’Ons-en-Bray, Président de l’Académie des Sciences à

Paris. In the _Année Littéraire_.

Situation de la France par rapport aux Finances sous le règne de Louis

XIV. et la Régence du Duc d’Orléans. 1753. 8vo.

Mémoire sur la Vie et les Ouvrages de Lenglet Dufresnoy. In the _Année

Littéraire_, 1755.

Considérations Historiques sur les Impôts des Egyptiens, des Babyloniens,

des Perses, des Grecs, des Romains, et sur les différentes situations de

la France, par rapport aux Finances, depuis l’établissement des Francs

dans la Gaule jusqu’à présent. 2 tomes. 1758. 12mo.

Les Espérances d’un bon Patriote (dans une lettre à M. Fréron, et publiée

dans son _Année Littéraire_, 1759, tom. vi.).

Note remise à son Excellence Monsieur le Comte de Guerchy, par Monsieur

le Chevalier D’Eon. 1763.

Lettres, Mémoires et Négotiations Particulières du Chevalier D’Eon,

Ministre Plénipotentiaire de France auprès du Roi de la Grande Bretagne;

avec Mrs. les Ducs de Praslin, de Nivernois, de Sainte-Foy, et Regnier de

Guerchy, etc. etc. Vita sine litteris mors est. A Londres, M.DCC.LXIV. In

4to and 8vo.

Pièces Relatives aux Lettres, Mémoires et Négotiations Particulières du

Chevalier D’Eon, Ministre Plénipotentiaire de France auprès du Roi de la

Grande Bretagne, contenant La Note, Contre-Note, Lettre à Mr. le Duc de

Nivernois, et Examen des Lettres, Mémoires, etc. A Londres, M.DCC.LXIV.

8vo.

Pièces Autentiques pour servir au Procès Criminel intenté au Tribunal

du Roi d’Angleterre par le Chevalier D’Eon de Beaumont, Ministre

Plénipotentiaire de France, contre Claude Louis François Regnier, Comte

de Guerchy, Ambassadeur Extraordinaire de France auprès de Sa Majesté

Britannique. Le trône a-t-il été pour vous associé à l’iniquité? Vous

qui vous servez de l’autorité qui vous a été conférée pour exercer des

injustices. A Londres, 1765. 12mo.

Dernière Lettre du Chevalier D’Eon à M. le Comte de Guerchy, en date du 5

Août 1767, avec l’extrait de la Procédure en bonne forme. Le sacrifice de

ma vie a été et sera pour mon roi et ma patrie; celui de mon honneur ne

sera pour personne. A Londres, 1767. 4to.

Les Loisirs du Chevalier D’Eon de Beaumont, Ancien Ministre

Plénipotentiaire de France, sur Divers Sujets importans d’Administration

etc., pendant Son Séjour en Angleterre. Eruditio inter prospera

ornamentum, inter adversa refugium.—LAERTIUS. A Amsterdam, M.DCC.LXXIV.

13 tom. 8vo.

Recueil des Pièces relatives aux Démêlés entre Mademoiselle D’Eon et M.

de Beaumarchais, imprimées à Londres, 1778. 12mo.

Epître aux Anglois dans leurs tristes Circonstances présentes. 1788. 8vo.

MSS.

Vade Mecum, ou Dictionnaire Portatif de la Créance des Saints Pères,

puisé dans les livres mêmes des Ministres Protestans. Divisé par

Chapîtres et digéré par ordre alphabétique. Ou, Manuel des Chrétiens

catholiques; ou Nomenclature Théologique. pp. 454, 8vo.

Mémoires, Documens, Remarques, Extraits et Notes Instructives, recueillis

par la Chevalière D’Eon, pour servir à la Vie du Comte de Vauban né le 12

Mai 1633, mort Maréchal de France, à Paris, le 30 Mars 1707, âgé de 74

ans.

La chevalière D’Eon s’est occupée long-tems de ce grand Travail; mais

ses anciennes Occupations militaires, politiques et littéraires, sans

compter les querelles d’Allemans et la guerre civile et incivile qu’elle

a soutenue pendant des longues années en Angleterre, ont consommé et

consumé ses plus belles années. Après 36 ans de Travaux militaires et

politiques, elle ne se trouve pas assez riche, et elle est trop vieille

aujourd’hui, pour entreprendre et finir un Ouvrage aussi savant et aussi

considérable etc. etc. etc.

APPENDIX.

They who have seen the face of the _eiserne jungfrau_ in the dread

dungeon of the Inquisition at Nuremberg, even though by the lurid light

of the keeper’s candle-stuffs, will experience little difficulty in

figuring to themselves the habitual expression of the Chevalier D’Eon’s

features, where every sentiment implanted by nature and conveyed in the

open face, intelligent eyes, and well-shaped nose, was subjugated by the

agitated spirit of sarcasm and disdain that kept rippling, as it were,

out of the spacious brow, and overspreading the otherwise attractive

countenance.

In the various portraits herewith described, the Chevalier or Chevalière

D’Eon is represented in female attire except in those marked *.

1. Angelica Kauffmann after Latour. Francis Haward, R.A., sculpsit

(_mezzo-tinto_) published (by the engraver), January 18, 1788, from the

picture in the collection of George Keate, Esq.

Carola Genovefa Louisa Augusta Andrea Timothea D’Eon de Beaumont, Knight

of the Royal and Military Order of St. Louis, Captain of Dragoons and the

Volunteers of the Army, Aide-de-Camp to the Maréchal Duke and Count de

Broglio, Minister Plenipotentiary from the King of France to the King of

Great Britain in 1763. Born at Tonnerre, October 5, 1728. Painted in her

twenty-fifth year. (See p. 14, from a photograph by C. Prætorius.)

To represent D’Eon de Beaumont as a Chevalière of the Royal and Military

Order of Saint Louis at the age of twenty-five, is an anomaly. The cross

in this picture may have been introduced by Angelica Kauffmann[395] when

she copied La Tour’s portrait, or it may have been added many years after

its execution, by La Tour himself, before Angelica Kauffmann saw it. His

biographer gives authority for such a conjecture where he says: ‘Towards

the close of his life, the mind of this artist began to give way. He

vitiated a large number of his works by retracing them, under the pretext

that in a portrait everything should be sacrificed to the head.’

2. *Mackenzie sc. LE CHEVALIER D’EON (beardless).

3. Printed for S. Hooper, 25 Ludgate Hill, 25 January, 1771

(_mezzo-tinto_, full length). The Discovery or Female Free-mason, Lady

Charles Louis Cezar Augustus Alexander Timotheus D’Eon de Beaumont

(here follow style and titles) and accepted free-mason at the lodge of

Immortality at the ‘Crown and Anchor’ in the Strand.

4. *Huquier, pinxt; Burke, fect. Published as the Act directs, August 7,

1771, by I. Wesson. THE CHEVALIER D’EON. (See p. 208, from a photograph

by C. Prætorius.)

5. Published as the Act directs by S. Hooper, Ludgate Hill, 20 March,

1778 (_mezzo-tinto_). Represented as Minerva, with lance and shield,

upon the latter this legend: At nunc dura dedit vobis discrimina Pallas.

On one side: Impavidam ferient ruinæ. A long inscription in English,

concludes: Læsæ sed invictæ Palladi, per bella, per acta publica

in patriæ suæ honorem et famam inclytæ, cujus virtutes nec inimici

vituperare, pauci homines imitari possunt. Exul mi Deone, ne quidem ossa

patria habeat! In perpetuum amoris monumentum offerebant amici sociales

milites.

6. Dessiné et Gravé par J. B. Bradel d’après nature et les Originaux

communiqués par Mademoiselle D’Eon à ce Seul Artiste. Charlotte Geneviève

Louise Auguste Andrée Timothée D’Eon de Beaumont (here follow style and

titles) Ætatis 35.[396] A la Mémoire des Héroines Françoises, Jeanne

D’Arc, Jeanne Hachette, etc. etc.

7. Frontispiece to ‘La Vie Militaire, Politique et Privée de Mademoiselle

D’Eon de Beaumont, etc.’: by de la Fortelle, 1779. LA CHEVALIÈRE D’EON DE

BEAUMONT, Née en 1728.

8. A. Stöttrup sc. 1779. Same as 7.

9. Painting in oils, life size. CHEVALIER D’EON, 1782. (See Frontispiece,

from a photograph by Arthur King.)

In a short biographical notice of the Chevalier D’Eon, dated 1812 (?),

at the back of this canvas, allusion being made to the trial on sex

policies, it is asserted—‘Sir Joshua Reynolds was in Court during the

trial and requested the Chevalier to pay him a visit, which he did in

female attire on 4 August, 1777, when this Sketch was taken of the

Chevalier by Sir Joshua, and presented by him in 1782 to his friend Sir

Wm. Chambers.’

According to this statement, the signature to which is indistinct,

the sketch of the Chevalier was taken when in his fiftieth year, and

completed in 1782, the date inscribed by the artist to the left of the

figure, whilst the Chevalière, then in her fifty-sixth year, was residing

in France!

This picture is now the property of General Meredith Read, New York,

U.S.A.

10. Dupin (Pierre?) artist and engraver.

Charles-Geneviève-Louis-Auguste-César-André-Timothée D’Eon de Beaumont,

née à Tonnerre, en 1728 (here follow style and titles). A Paris chez

Esnauts et Rapilly.

11. Peint par Ducreux, de l’Académie Impériale et Royale de Vienne. Gravé

par Cathelin, de l’Académie Royale de Peinture et Sculpture à Paris. Læsæ

sed invictæ Palladi. Name, style, and titles close with.... plus célèbre

encore par sa Vertu que par son nom. Pensionnaire de Louis XV. et de

Louis XVI. Née à Tonnerre, le 5 8ᵇʳᵉ, 1728, Ætatis 58.

12. Cosway, R.A., 1787. Thos. Chambers sculpsit. Published July 12, 1787.

LA CHEVALIÈRE D’EON.

13. Painted by Robineau. Engraved by V. M. Picot. From a picture of

Robineau’s in the possession of His Royal Highness the Prince of Wales.

Published June 20, 1789, by V. M. Picot. Dedicated by Permission to His

Royal Highness the Prince of Wales. The assault or Fencing-Match which

took place between Mademoiselle La Chevalière D’Eon de Beaumont and

Monsieur de Saint-George, on the 9th of April, 1787, at Carlton House,

in the presence of His Royal Highness, several of the Nobility, and many

eminent Fencing Masters of London.

14. J. Condé delin. et sculp. LA CHEVALIÈRE D’EON, née à Tonnerre, le 5

8ᵇʳᵉ, 1728.

15. Published by I. Sewell, March 1, 1791 (for the ‘European Magazine’).

Same as 14.

16. Medallion portrait. Vigil audax—by J. Condé, published June 24, 1791,

upon the occasion of the entertainment given by the Managers of Ranelagh

for the benefit of the Chevalière D’Eon ... deprived of a considerable

part of her fortune by the odious detention of a deposit. Minerve

Gauloise, née a Tonnerre, le 5 8ᵇʳᵉ, 1728. Proprio Marte Tuta. The French

artist who engraved this plate designed it for a monument of English

generosity and French gratitude.

Dic mihi, Virgo ferox, cum sit tibi cassis et hasta,

Quare non habeas Ægida? Cæsar habet.

Pax est fœminei generis, dat fœmina pacem;

Quæ Bellona fuit nunc Dea pacis erit.

17. Dance, R.A., 26 May, 1793. Engraved by William Daniell, August 15,

1810. THE CHEVALIÈRE D’EON. This profile, to the left, was drawn at the

request of Mr. W. Seward, F.R.S.

18. Robert Cooper sculp. Published July 2, 1810, by J. Bell, Southampton

Street, Strand. Engraved for La Belle Assemblée. Same as 14.

19. From a Cast taken after death. Engraved by C. Turner from the Cast

taken May 24, 1810, in the presence of J. C. Carpuc, Esq. and Dr.

Pearson. Published June 29, 1810, by C. Turner. THE CHEVALIER D’EON.

A tinted engraving of the _torso_, from a drawing by C. Turner, was

published with the surgical attestation (see p. 331) by C. Turner, June

14, 1810. This print was never sold publicly, and was not to be obtained

without an order from a magistrate.

CARICATURES.

In September 1777 was executed for the ‘London Magazine’—Mademoiselle

de Beaumont, or the Chevalier D’Eon. Female Minister Plenipo., Capt. of

Dragoons, etc. etc.—a full-length figure, the right half being a lady

holding a fan, and the left half a man in uniform, with hat under the arm.

In Paris was published a print similar to the above, illustrating both

sexes, inscribed—Dédié aux dragons de l’armée.

Another sketch that appeared in London, in 1778, represented the right

half of a dragoon, with drawn sword in hand, back to back with the right

half of a lady.

Hail! Thou production most uncommon,

Woman half-man and man half-Woman!

In a caricature, by Gillray, of the Assaut d’armes at Carlton House in

April 1787 (see pp. 308, 367), we see ‘the Chevalière D’Eon making a

successful thrust and hitting Saint George in his right arm. A railing

divides the combatants from a highly select audience, in which the Prince

of Wales occupies the post of honour, while Mrs. Fitzherbert sits on his

right hand, and a crowd of political and fashionable worthies exhibit the

greatest interest in the contest.’

Other ludicrous drawings of this fencing-match made their appearance at

about the same time.

Needless to observe that the Chevalière D’Eon did not escape being made

the subject of foul and obscene illustrations, in the same way in which

it had become the fashion to treat the most distinguished and highest in

the land!

FOOTNOTES

[1] Accused of being a fanatic, Eon de l’Estoile was committed to prison

by the Council of Rheims on March 22, 1148, and died a few days later of

the ill-treatment to which he was subjected by those in whose charge he

was placed. See De Bois de la Chesnaye’s _Genealogical Dictionary_, for

the D’Eon family.

[2] Ch. MSS. 161.

[3] Ch. MSS.

[4] De la Fortelle, 126.

[5] Ch. MSS.

[6] Rede’s _Anecdotes and Biography_. London, 1779.

[7] Valcroissant obtained his liberty after a twelvemonth’s confinement,

through the instrumentality of D’Eon. _Lett. Mém._ &c. 1, 5.

[8] _Russia Correspondence_, Public Record Office.

[9] Gaill. 373-377.

[10] This correspondence, arranged by Woronzoff and D’Eon, was not fully

commenced until 1757. See _Mémoire_ on the Secret Correspondence in

Russia, 1757-1774, by the Count de Broglio. Boutaric, ii. 465.

[11] D’Eon to the Count de Vergennes, May 28, 1776: _Archives des

affaires étrangères_. Gaill. 23. D’Eon to Louis XVI.: Ch. MSS. 861.

[12] _Russia Correspondence_, Public Record Office.

[13] See Argument.

[14] _Russia Correspondence_, Public Record Office.

[15] Campan, i. 190

[16] Note Book, dated 1754: Ch. MSS.

[17] Elizabeth was much prepossessed in favour of the English. Being a

great admirer of their fashions, and wishing to introduce them at her

Court, she had dolls sent to her in the various dresses worn, and which

were fitted by Miss Church of St. James’s Street.

[18] _Russia Correspondence_, Public Record Office.

[19] A tradition exists to the effect that Count Woronzoff’s palace in

the Sadovaya Oulitza, St. Petersburg, now occupied by the Corps des

Pages, was constructed with English guineas. Later, in 1758, the count

received a gratuity of fifty thousand roubles from Louis XV.

[20] In acknowledging the receipt of despatches of May 12 and 18, brought

to Paris by Michel the merchant, M. Rouillé warmly congratulates Douglas,

in the name of the King, by letter dated June 18, on the distinction

with which he had been received by the Ministers of Russia and even the

Empress herself.—Copies of _French Correspondence_, Public Record Office.

[21] _Russia Correspondence_, Public Record Office.

[22] _Lett. Mém._ &c., iii. 6.

[23] Copies of _French Correspondence_ in _Russia Correspondence_, Public

Record Office.

[24] Prince Tcheckbatoff says of Apraxin: The field-marshal was entirely

devoid of military talents. Whilst awaiting orders at Riga he astonished

the people by his display of wealth, and when moving with the army

indulged in all the comforts and luxuries to be found only in a large

city, and this in the midst of the sound of arms or in fatiguing marches.

His tents extended over the space of a small town, five hundred horses

being required to transport his baggage. Apraxin was a heavy, unwieldy

man, fond of ladies’ society. Apraxin is described by Sir Hanbury

Williams as very corpulent, lazy, luxurious, and certainly not brave.

[25] M. Wolkhoff to D’Eon, April 15/27, 1757. _Lett. Mém._ &c. iii. 6.

_Gazette d’Utrecht_, xiii. 1757.

[26] D’Eon to the Count de Broglio, June 12, 1775: _Archives des affaires

étrangères_. Gaill. 71.

[27] _Lett. Mém._ &c. i. 48.

[28] Boutaric, i. 222, 223.

[29] Poutaric, i. 86, 224. Vandal, 307.

[30] _Napoléon I. auteur du testament de Pierre le Grand_: par G.

Berkholz. (Bruxelles, à l’Office de Publicité, 1863.)

[31] Terms not understood.

[32] _Lett. Mém._ &c. iii. 9.

[33] Vandal, 327.

[34] _Russia Correspondence_, Public Record Office.

[35] This is the fifth or sixth minister who is anxious to make my

fortune. Fortune, however, unhappily wears a wig, and is continually

slipping away from my grasp. The next time we meet I shall seize her by

the hair.—Note by D’Eon.

[36] _Lett. Mém._ &c. iii. 11.

[37] De la Fortelle, 33.

[38] Note-book, dated 1754: Ch. MSS.

[39] Loménie, i. 414.

[40] Ch. MSS. In his _Mémoires Secrets_, &c. (London, 1781), Petit de

Bachaumont states that D’Eon was sent as fencing-master to the Grand-Duke

Peter, who had wished for one; a piece of information he obtained in all

probability from the Count de Guerchy, who told George III. a similar

story. He adds that D’Eon was at the same time entrusted to arrange

with the grand-duke for the reception of a French ambassador at St.

Petersburg; as manifest an absurdity, there being at the Russian Court no

person more hostile to French interests than Peter.

[41] La Messalière, 77.

[42] _Lett. Mém._ &c. iii. 14.

[43] Gaill. 74.

[44] _Lett. Mém._ &c. iii. 15.

[45] An English version of portions of this work appeared in the

_Political Register_ for 1766, &c.

[46] Vandal, 348 _et seq._

[47] Duke de Choiseul to Count Bernstorff, July 29, 1759. ‘Si j’étais

maître,’ de Choiseul used to say, ‘nous serions vis-à-vis de l’Angleterre

comme l’Espagne vis-à-vis des Maures; si l’on prenait ce parti,

l’Angleterre serait détruite d’ici à trente ans.’ Louis XV. thought

differently.

[48] Private, from the Duke de Choiseul to the Marquis de l’Hôpital,

October 2, 1759. Vandal, 360.

[49] D’Eon to Louis XVI.: Ch. MSS. 861.

[50] D’Eon to Beaumarchais, January 7, 1776. Gaill. 406.

[51] Secret instructions to the Baron de Breteuil, April 1, 1760.

_Affaires étrangères_, Vandal, 373.

[52] Ch. MSS.

[53] Vandal, 265 _et seq._

[54] Flassan, vi. 289.

[55] Flassan, vi. 190.

[56] A distinguished physician at the French Court, sent by Louis XV. to

attend upon the Empress, who had complained to the King of her physical

sufferings.

[57] _Lett. Mém._ &c. iii. 17.

[58] _Lett. Mém._ &c. iii. 19-20.

[59] De la Fortelle, 40. Writing under the persuasion that D’Eon was of

the female sex, Flassan, vi. 110, says:—‘Woronzoff and D’Eon were the

intermediaries in the correspondence between Louis XV. and Elizabeth.’

Capefigue, _Louis XV. et la Société du XVIIIᵐᵉ Siècle_, Paris, 1842,

says, iv. 32: ‘By means of his renown, D’Eon was enabled to accomplish

the most delicate and most difficult missions ... his correspondence with

Louis XV. is eminently remarkable ... he was chiefly instrumental in

arranging the treaty of alliance between France and Russia.’

[60] French ambassador at Vienna, afterwards created Duke de Praslin.

[61] _Lett. Mém._ &c. iii. 24.

[62] Louis XV. to the Count de Broglio, May 31, 1761. Boutaric, i. 265.

[63] De Broglie, i. 384.

[64] See _Scots Mag._ vol. xxiii. for Marshal de Broglio’s account of

this action.

[65] _Lett. Mém._ &c. i. 145.

[66] D’Eon to the Duke de Choiseul, January 12, 1764, and MS. notes.

_Lett. Mém._ &c. i. 145.

[67] Louis XV. to Marshal de Broglio. De Broglie, i. 438.

[68] I would here say what I have said to my generals, that the

success of this little enterprise is due chiefly to the Chev. de la

Tulley, Captain of the de la Ferronaye dragoons, and to M. Casette,

formerly Lieutenant of the d’Autichamp dragoons. Note by D’Eon, _Pièces

Relatives_, &c. 31.

[69] The Count de Broglio to Louis XV., February 19, 1762, and March 24,

1758. De Broglie, ii. 5; i. 300.

[70] The Marquis de l’Hôpital had retired the preceding autumn.

[71] Louis XV. to Tercier, June 1, June 19, July 28, 1762. Boutaric, i.

274, 275, 277. D’Eon received a gratuity of three thousand livres from

the King (probably as a salve to the disappointment he must have felt at

missing promotion). Louis XV. to Tercier, August 31, 1762. _Ibid._ i. 278.

[72] D’Eon to the Count de Broglio, July 1, 1762. De Broglie, ii. 105.

Peter III. was assassinated July 14, 1762.

[73] Madame Campan, the contemporary who notices the employment of D’Eon

as reader to Elizabeth, employs the term _lecteur_. I do not know on what

equally reliable authority the duke uses the word _lectrice_.

[74] De Broglie, ii. 607. I have not been able to consult the original

work.

[75] Peter III.

[76] _Lett. Mém._ &c. i. 382.

[77] Countess Catherine Woronzoff was the maiden name of this lady.

[78] _Lett. Mém._ &c. i. 104.

[79] _Lett. Mém._ &c. MS. notes, 99, 101.

[80] The Duke de Choiseul, during whose ministry (1764) the Jesuits were

expelled from France, the Order being wisely suppressed by Clement XIV.

in 1773.

[81] _Lett. Mém._ &c. MS. note, i. v. Junius taunts the Duke of Grafton

on his wife’s infidelity. This lady, a daughter of Lord Ravensworth,

obtained a divorce from the duke in 1769, and was afterwards married to

the Earl of Ossory.

[82] The Duke de Nivernois to the Duke de Praslin, January 12, 1763. De

Broglie, ii. 107. Gaill. 92.

[83] _European Mag._ vol. xiv.

[84] The Duke de Nivernois to the Duke de Praslin, October 2, November

14, 1762. _Lett. Mém._ &c. i. 246.

[85] The signatories were—the Duke of Bedford, the Duke de Praslin, and

the Marquis Grimaldi.

[86] D’Eon left London with the ratifications of the definite treaty on

February 23rd, and delivered them to the Duke of Bedford on the 26th.

_France Correspondence_, Public Record Office.

[87] The Duke de Nivernois was little aware that he was saying a great

truth. Note by D’Eon.

[88] The Duke de Nivernois Correspondence. _Lett. Mém._ &c.

[89] The Duke de Nivernois Correspondence. _Lett. Mém._ &c.

[90] _France Correspondence_, Public Record Office.

[91] January 8, 1763. _Lett. Mém._ &c. iii. 74.

[92] The Duke de Nivernois Correspondence. _Lett. Mém._ &c.

[93] _Mém. de la Chevalière D’Eon._ Gaill. 115.

[94] De Pompadour.

[95] Ch. MSS. 951.

[96] De Broglie, ii. 105.

[97] Written _circa_ 1806. The Count de Broglio died in 1781.

[98] Ch. MSS. 814, 767. ‘Preamble to Will.’

[99] This highly esteemed order, instituted in 1693 by Louis XIV., fell

in abeyance in 1830.

[100] The presents, valued at fifty thousand crowns, consisted of his

Majesty’s portrait set in diamonds, a costly Savonnerie carpet, and

superb Gobelin tapestry. They were shown by Lord Bute to the King, who

considered they were magnificent, and the letter charming.

[101] De Broglie, ii. 97.

[102] Boutaric, i. 295.

[103] July 27, 1763; _ibid._ i. 297.

[104] ‘His brain of whipped cream enclosed within a head of Rouen

porcelain, relates pleasantly a quantity of tittle-tattle, accompanied

by little nothings.’—D’Eon on the Duke de Choiseul. Ch. MSS.: ‘Comparing

what has passed between the Duke de Choiseul and us at different times,

there does not appear to have been the same frankness and veracity in the

latter part of this negotiation as we had hitherto experienced in that

minister.’—Duke of Bedford to the Karl of Egremont, Paris, February 16,

1763. _France Correspondence_, Public Record Office.

[105] _Tête de dragon._

[106] May 17, 1763. De Broglie, ii. 119.

[107] Boutaric, i. 293.

[108] Regnier, Count de Guerchy, was frequently admitted into the

private apartments of the Pompadour. He never missed the opportunity for

replacing on her foot her fallen slipper, or carrying her candlestick to

her small boudoir or private closet. Such little services were of great

weight in the mind of de Pompadour and of every Messaline at Court. Ch.

MSS. ‘Preamble to Will.’

[109] Gaill. 117. The Duke de Broglie maintains (_Le Secret du Roi_, ii.

138) that not a word of this pretty tale can be accepted as true—in the

first place, because in the year 1763, de Pompadour, already in failing

health, enjoyed in appearance only the honours to which she had been

accustomed; and because the discovery of the secret by de Pompadour, on

becoming known to Tercier, would have been immediately communicated by

that gentleman to the Count de Broglio, amongst whose papers is not to

be found the least trace of any reference to so important an incident.

The duke’s assumptions, unsupported by counter-evidence, do not appear to

justify his unqualified rejection of the story. His Grace deplores more

than once the want of other papers, for the absence of which he is unable

to account.

[110] Later, in the Musée des Souverains.

[111] _Mém. de la Chevalière D’Eon._ Gaill. 117.

[112] _France Correspondence_, Public Record Office.

[113] D’Eon to the Count de Broglio, July 21, 1763. De Broglie, ii. 125.

[114] Treyssac de Vergy to the Duke de Choiseul, p. 25. _Pièces

Relatives_, &c.

[115] De Praslin, who was exceedingly lean, took a great dislike to fat

people. The first time he saw Favier, secretary to the Count de Broglio,

a man of stout proportions, he said, ‘You appear to me to be a worthless

fellow, for you are very fat.’ This fat and a good appetite was the cause

of all that worthy man’s misfortunes at the hands of Praslin.... The

best thing he can do to recover the good graces of the duke is to die of

consumption. Note by D’Eon. See Boutaric, for de Praslin’s persecutions

of this man.

[116] The Duke de Nivernois Correspondence. _Lett. Mém._ &c.

[117] A Testament _ab irato_ is one drawn up under the influence of

choler; it is not only null and void according to custom and written law,

but it is rescinded and destroyed in the Parliament of Paris. Note by

D’Eon.

[118] ‘Eight’ in 4to. and 8vo. editions of _Lett. Mém._ &c.; altered by

D’Eon to ‘nine.’ Ch. MSS.

[119] De Broglie, ii. 122.

[120] The mistress of the Prince de Conti, and aspiring to be his wife.

Walpole describes her as being an Anglomane.

[121] Ch. MSS. 977.

[122] _Lett. Mém._ &c. i.

[123] _France Correspondence_, Public Record Office.

[124] Autograph letter. Boutaric, i. 298.

[125] Campan, i. 190.

[126] De Broglie, ii. 139.

[127] D’Eon MSS. Gaill. 128.

[128] _France Correspondence_, Public Record Office.

[129] Ch. MSS. 782.

[130] ‘You will see by my letter of yesterday that I was aware of the

Sieur D’Eon’s recall....’—Louis XV. to Tercier, October 12, 1763.

Boutaric, i. 299. It seems clear enough that the order of recall did not

originate with the King. How just were the Chevalier’s conclusions!

[131] Ch. MSS. 789, 769, 946.

[132] Ch. MSS.

[133] _Lett. Mém._, &c. xxxiii. MS. notes.

[134] No authorised duel had taken place in France since the reign of

Henri II., when La Châteigneraie was killed in single combat with Jarnac.

A decree of the Legislative Assembly, dated September 17, 1792, abolished

prosecution for duelling, and rescinded all punishments for duels fought

after July 14, 1789. Since 1832-33, the Court of Cassation has decreed

death at a duel to be murder anticipated by the law.

[135] ‘High words arose at a nobleman’s house in Great George Street

between two foreign gentlemen, and some hard expressions dropping, a

challenge ensued; but the company present interposing, and a party of the

Guards being sent for, further mischief was prevented.’ _Scots Magazine_,

vol. xxv.; _Daily Advertiser_, October 28, 1763, and other newspapers.

[136] _Note_, &c. 16.

[137] _Lettre d’un Français à M. le Duc de Nivernois à Paris_ (October

1763, by M. Goudard.) 2. _Lettre à M. de la M——, Ecuyer_, &c. (by M.

Treyssac de Vergy, November 19, 1763) D’Eon sent copies to the Duke de

Choiseul, ‘that he might have an idea of the real liberty enjoyed in

England.’

[138] The Count de Guerchy to the Duke de Choiseul, November 12, 1763.—De

Broglie, ii. 151.

[139] See p. 76 for these terms.

[140] D’Eon acquits the Countess of having had any part in the plot

against his life. Of a house rendered illustrious by its virtues and

courage, she would never have consented to such an act. Was she to be

reproached for having married an unknown poisoner? She was, perhaps,

to be reproached for avarice and ugliness, but for this, nature was to

blame. As for her soul it was pure and Christian.—‘Preamble to Will.’ Ch.

MSS.

[141] Ch. MSS. 737.

[142] Boutaric, i. 299-310.

[143] Boutaric, i. 302, 303.

[144] Boutaric, i. 302-304.

[145] De Broglio, ii. 148.

[146] Ch. MSS. 786.

[147] _France Correspondence_, Public Record Office.

[148] Ch. MSS. 669. So late as September 1764, the Chevalier made a

declaration before his friend Sir John Fielding, and other magistrates,

to the effect that with the support of a band of men he was retaining for

the purpose, he should resist by force any attempt on the part of the

French constables to kidnap him. The house, 32 Brewer Street, remains

unchanged.

[149] _Lett. Mém._ &c. i. 109.

[150] ‘D’Eon has replied by putting it (the order) into his

pocket.’—Louis XV. to Tercier, December 30, 1763. Boutaric, i. 310.

[151] Boutaric, i. 307.

[152] Boutaric, i. 309.

[153] _France Correspondence_, Public Record Office.

[154] Old newspapers.

[155] See p. 53.

[156] The Count de Broglio to Louis XV., December 6, 1763. De Broglie,

ii. 155.

[157] Chevalier, or as he was sometimes called Doctor, O’Gorman, related

to the Thomond family, was married in 1757 to D’Eon’s sister, whose dowry

was a valuable property in Burgundy. O’Connell maintained he had thereby

spoiled his pedigree. Roche, who was well acquainted with him, describes

his stature as exceeding six feet five inches. O’Gorman spent his time

in genealogical studies, when not more profitably employed in Ireland,

selling the produce of his wife’s vineyards.

[158] _Lett. Mém._ &c. i. 124.

[159] De Broglie, ii. 153.

[160] See p. 119.

[161] _Note remise à Son Excellence Monsieur le Comte de Guerchy, par

Monsieur le Chevalier D’Eon_ (November 30, 1763).

[162] Lines on the Duke de Choiseul, to whom D’Eon was much attached,

written after his exile:—

‘Dans ses traités et dans sa vie

Régnent la droiture et l’honneur;

L’Europe connaît son génie,

Et les infortunés son cœur.

Comme tout autre dans sa place,

Il dut avoir des ennemis;

Comme nul autre, en sa disgrâce

Il acquit de nouveaux amis.’—(Ch. MSS.)

[163] _Contre-Note ou Lettre à Monsieur le Marquis L——, à Paris_ (by M.

Goudard, December 1763).

[164] Ch. MSS.

[165] Ch. MSS. 667.

[166] Walpole to the Earl of Hertford, March 27, 1764, and more besides

in a letter to Charles Churchill, Esq., March 27, 1764.

[167] D’Eon to the Duke de Nivernois, February 15, 1764, and to the Duke

de Choiseul, same date. Gaill. 163.

[168] See p. 76.

[169] Colonel Nardin had been employed by Louis XV. to watch over the

security of D’Eon and his papers.

[170] According to the terms of the late treaty, the town and port

of Dunkirk were to be restored to the state fixed by the treaty of

Aix-la-Chapelle and other treaties, and particularly the lunette should

be destroyed immediately after the exchange of ratifications, as well as

the forts and batteries which defended the entrance from the sea. The

work proceeded so slowly, that it was considered it would take seven

years to complete; eventually all the fortifications were demolished by

September 1764.

[171] This offer amounted to 20,000_l._

[172] Boutaric, i. 313.

[173] Louis XV. to Tercier, December 30, 1763; March 25, 1764. Boutaric,

i. 311, 316.

[174] Louis XV. to Tercier, December 30, 1763. _Ibid._ 311.

[175] ‘This letter was addressed to the Rev. Father Loris, Rue du Regard,

and was sent to me by his Majesty on April 5, 1764.’ Endorsement in the

hand of Tercier. Loris was probably a fictitious name. _Ibid._ 317.

[176] ‘The Sieur de Nort will leave for England as soon as he receives

my orders to that effect through the Count de Broglio, and he will

strictly comply with the instructions he will receive from him in my

name, and in behalf of my service, so that he may be guided in his

proceedings, whether as regards the Sieur D’Eon, or the Count de Guerchy,

my ambassador. He will also execute whatever he may receive by word of

mouth, or in writing, from the Sieur Tercier on this subject, and will

preserve the most profound silence on this mission towards everybody,

without any exception, but the persons above named.’—Louis XV. to M. de

Nort, Versailles, April 9, 1764. Boutaric, i. 319.

[177] In 1769, after the destruction of the Bastille, D’Eon wrote a

letter to Lord Stanhope, as President of the Revolution Society, and

presented him with a stone from its ruins.

[178] Plans for the invasion of England.

[179] The Marquise de Pompadour died April 15, 1764, ‘d’une maladie de

cœur,’ says Guizot.

[180] _Mém. de la Chevalière D’Eon_, Ministère des affaires

étrangères.—De Broglie, ii. 173.

[181] ‘The foreign ministers agreed, as to be sure you have been told,

to make Monsieur de Guerchy’s _cause commune_.’—Walpole to the Earl of

Hertford, April 20, 1764. See _Pièces Relatives_, &c. p. 218.

[182] ‘I do not wish that any steps should be taken to arrest the

judicial proceedings commenced.’—Louis XV. to Tercier, May 1, 1764.

Boutaric, i. 322.

[183] May 15, 1764. _Mém. de la Chevalière D’Eon._—De Broglie, ii. 174.

[184] _Examen des Lettres, Mémoires, et Négotiations Particulières

du Chevalier D’Eon, Ministre Plénipotentiaire de France auprès du

Roi de la Grande Bretagne, dans une Lettre à M. N——_, 1764, pp. 52.

Goudard received twenty guineas from the ambassador for his work, and

was arrested at the instance of Becket, printer, in the Strand, for

non-payment of expenses!

[185] Ch. MSS.

[186] Ch. MSS.

[187] De Guerchy’s treatment of D’Eon de Mouloise, lieutenant of cavalry,

a cousin of D’Eon, one of the secret agents sent by Louis XV. to watch

over the safety of the Chevalier and his papers, was scandalous and cruel.

[188] Lords of the Treasury to Lord Halifax, May, 1, 1764.—_France

Correspondence_, Public Record Office.

[189] Lord Halifax to Lord Hertford, July 5, 1764.—_France

Correspondence_, Public Record Office.

[190] D’Eon to the Count de Broglio, June 8, 1764.—Ministère des affaires

étrangères. De Broglie, ii. 175.

[191] When in Paris Walpole saw this beast, which he declared to be a

wolf of enormous proportions.

[192] Ch. MSS. 480.

The strange career of the Chevalier d'Eon de Beaumont · 第 18 / 20 章