THE UNERRING FOR EVERY SUBJECT:

The Death of Abel. \

MICHAEL McGUELP. |

|

Dead Game. |

THOMAS TICKLEPENCIL. |

|

Vesuvius in Eruption. | This picture is well arranged,

CHARLES CARMINE, R.A. | and coloured with much truth

| to nature; the chiaro-scuro

Portraits of Mrs. Punch and Child. | is admirably managed.

R.W. BUSS. |

|

Cattle returning from the Watering | OR THUS:

Place. \

R. BOLLOCK. /

| This is one of the cleverest

"We won't go home till Morning." | productions in the Exhibition;

M. WATERFORD, R.H.S. | there is a transparency in the

| shadows equal to Rembrandt.

The infant Cupid sleeping. |

R. DADD. |

|

Portrait of Lord Palmerston. |

A.L.L. UPTON. |

|

Coast Scene: Smugglers on the look |

out. |

H. PARKER. |

|

Portrait of Captain Rous, M.P. |

J. WOOD. |

/

Should the friends of any of the artists deem the praise a little too

oily, they can easily add such a tag as the following:--"In our humble

judgment, a little more delicacy of handling would not be altogether out

of place;" or, "Beautiful as the work under notice decidedly is, we

recollect to have received perhaps as much gratification in viewing

previous productions by the same."

Punch, or the London Charivari, Volume 1, July 17, 1841 · 第 40 / 68 题