A RAILROAD NOVEL

DEAR PUNCH,--I was much amused the other day, on taking my seat in the

Birmingham Railway train, to observe a sentimental-looking young

gentleman, who was sitting opposite to me, deliberately draw from his

travelling-bag three volumes of what appeared to me a new novel of the

full regulation size, and with intense interest commence the first volume

at the title-page. At the same instant the last bell rang, and away

started our train, whizz, bang, like a flash of lightning through a

butter-firkin. I endeavoured to catch a glimpse of some familiar places as

we passed, but the attempt was altogether useless. Harrow-on-the-Hill, as

we shot by it, seemed to be driving pell-mell up to town, followed by

Boxmoor, Tring, and Aylesbury--I missed Wolverton and Weedon while taking

a pinch of snuff--lost Rugby and Coventry before I had done sneezing, and

I had scarcely time to say, "God bless us," till I found we had reached

Birmingham. Whereupon I began to calculate the trifling progress my

reading companion could have made in his book during our rapid journey,

and to devise plans for the gratification of persons similarly situated as

my fellow-traveller. "Why," thought I, "should literature alone lag in the

age of steam? Is there no way by which a man could be made to swallow

Scott or bolt Bulwer, in as short a time as it now takes him to read an

auction bill?" Suddenly a happy thought struck me: it was to write a

novel, in which only the actual spirit of the narration should be

retained, rejecting all expletives, flourishes, and ornamental figures of

speech; to be terse and abrupt in style--use monosyllables always in

preference to polysyllables--and to eschew all heroes and heroines whose

names contain more than four letters. Full of this idea, on my returning

home in the evening, I sat to my desk, and before I retired to rest, had

written a novel of three neat, portable volumes; which, I assert, any lady

or gentlemen, who has had the advantage of a liberal education, may get

through with tolerable ease, in the time occupied by the railroad train

running from London to Birmingham.

I will not dilate on the many advantages which this description of writing

possesses over all others. Lamplighters, commercial bagmen, omnibus-cads,

tavern-waiters, and general postmen, may "read as they run." Fiddlers at

the theatres, during the rests in a piece of music, may also benefit by my

invention; for which, if the following specimen meet your approbation, I

shall instantly apply for a patent.

Punch, or the London Charivari, Volume 1, July 17, 1841 · 第 12 / 68 题