CHAPTER VII.

‘Where there is mystery, it is generally supposed that there must also

be evil.’

It is three o’clock as Susan, with Jacky in tow, leaves the Rectory gate

and goes up the village towards the broad road beyond that mounts

steepwards to Crosby Park. Curraghcloyne possesses but one street, and a

very small one, too; but as a set-off to that it teems with interest.

This morning a pig-fair was held in the ‘fair-field,’ a square mass of

beaten earth, anything but ‘fair,’ and as unlike a field as possible;

and now that the ‘payers of the rint’ have been mercifully removed,

bought, or sold, the unsightly patch is covered by young colts, that are

being ridden up and down by their owners, with a view to showing them

off; whilst in the far part of the field, over there, cows, sheep, and

donkeys are changing owners.

Here, in the main street, much lively conversation is going on. On the

right, Salter, the hardware man—a virulent Methodist, who calls himself

a Protestant—is retailing to a hushed and delighted group the very

latest ritualistic news of the curate just lately imported, and who, if

a most estimable man, is undoubtedly abominably ugly. Short and stout

and ill-made, poor Mr. Haldane has not proved a success amongst the

Protestants of the parish. His views are extreme, and so are his looks,

and, as Betty most unkindly put it, he should, on his ordination, have

been at once despatched by the Bishop of the diocese as a missionary to

the Cannibal Islands, with a view to getting rid of him as quickly as

possible. He is a sore trial to Mr. Barry, the Rector of the parish, and

Susan’s father. But he had to replace the last curate in a hurry, that

young man having resigned his charge at a moment’s notice, because the

Rector would not give his sanction to having matins at six a.m., he

said; but in reality because Susan had, the evening before, rejected him

with a haste that deprived him of all hope.

Just now the excitement amongst the groups at Salter’s is growing

intense. The curate had been knocked down. No! But he had fallen—and so

on, and so on. A few shops lower down comes Mr. Murphy, the

undertaker’s. He, too, as indeed do all the shopkeepers in

Curraghcloyne, stands in the front of his shop-door, chatting to all who

come and go. A little, fat, jolly man, rather useless you would think in

a solemn business like his, and yet the best undertaker, for all that,

in the seven parishes round. Perhaps it is well to have a cheerful

person of that sort to dispel the dreadful gloom of death. However it

is, he is a universal favourite, and no wonder, when I tell you he is

the man in all Curraghcloyne who can tell you most about the babies!—the

ones come, the ones to come immediately, and those in the middle

distance! The gayest, happiest little man in the town, with a wife as

rosy as himself, and quite a crowd of embryo little undertakers swarming

round his knees. But these, and many more of the Curraghcloyne

celebrities, sink into insignificance before Ricketty, the proprietor of

the Crosby Arms Hotel. This name is painted on a swinging signboard,

with a huge boar beneath, the crest of the Crosbys from all time.

Ricketty—his name was once Richards, but time and many devoted

friendships has brought it down to Ricketty—is a huge benign Irishman,

with the biggest jaw in Europe and the smallest eyes. To his bones flesh

has grown, until now he might have exhibited himself in the most

fastidious show in New York as the ‘Last of the race of Anak,’ or some

such attractive title.

And as most big men are, so is he—the mildest-mannered man on earth; who

would have run away if he had been asked to scuttle a ship, and who

would have fainted if the idea of cutting the throat even of a mouse had

been suggested to him. One side of his hotel has the usual bar blind up

in it, behind which is a parlour, where on special occasions the

politicians congregate to air their eloquence. The other side is given

up to a fancy shop, kept by his sister, Miss Ricketty.

Miss Ricketty is the wit, and therefore the scourge, of the village

(very little wit suffices for a village such as Curraghcloyne), and

though nearly stone-deaf, knows more of the ‘goings on’ of her

neighbours than anyone else in the small town.

Of course there is a bank and a post-office in Curraghcloyne. And a

town-hall, where the future tenors and sopranos of the world sometimes

‘kindly consent’ to sing to the poor people round them. And there is the

draper’s shop called ‘The Emporium,’ very justly, of course; and there

is a market-place too, where everyone says the beef and mutton are both

bad and dear. But even the interest of all these fails before the

caustic tongue of Miss Ricketty.

Just as Susan reaches the window of the hotel that holds Miss Ricketty’s

show of notepaper, ballads, bull’s-eyes, woollen mufflers, the latest

thing in veils ten years old, and the flotsam and jetsam of various

seasons past, she finds herself face to face with Wyndham.

‘You have come back!’ says she involuntarily. She is glad to see him. He

is—well, scarcely an old friend, because the distances between his

comings and goings to the Cottage make such broad margins on the leaf of

time that he has hardly come into quite close contact with the family at

the Rectory. But they have known him for a long time, and they have

liked him, and there is a good deal of soft, pleasurable welcome in the

glance that Susan gives him. He has been away now, she tells herself,

quite two months.

‘Yes,’ says Wyndham, smiling. His smile is a little preoccupied,

however. ‘And how are you, Jacky? My goodness, how we are grown! You’ll

be as big as Ricketty presently if you don’t put a weight on your head.’

Jacky sniggles, but, like Wyndham’s smile, his sniggles are a little

preoccupied. Having shaken hands with the latter, he retires behind

Susan, and wonders if Wyndham is going up to the Cottage, and if he is,

will the ghost catch him? He rather hopes it. It would leave

him—Jacky—free, any way, and Mr. Wyndham is a big man and would be a

better match for her.

Susan, too, is thinking of the ghost. As Wyndham is facing now, the

Cottage lies before him. Is he going to see the mysterious ‘prisoner’?

Perhaps he is married to her! This seems delightful—like an old romance,

so much nicer than the commonplace marriages of to-day. She scans

Wyndham’s face swiftly with a view to saying something nice and kind to

him, if she sees anything there to help her to believe in this

sentimental marriage. But evidently she sees nothing, because she says

nothing. After all, she tells herself, it is of course a secret.

‘I hope you will come in and see father,’ she says presently, when she

and Wyndham have discussed the town and its inhabitants, and she has

told him all the news. He is in the habit of sleeping at the Cottage

whenever he does come down, and in the habit, too, of spending his

evenings at the Rectory, which is only just over the way from the

Cottage.

‘Not to-night, I’m afraid,’ says Wyndham. ‘I must go back to town by the

evening train.’

A slight frown gathers on his brow, but he dismisses it as he bids her

good-bye.

‘Remember me to him,’ he says quickly, absently. He pinches Jacky’s ear,

and is gone.

Susan, who has been inveigled into a promise concerning bull’s-eyes, is

now led triumphantly into Miss Ricketty’s shop, where that spinster is

discovered in an Old English attitude, her body being screwed out of all

shape in her endeavour to catch sight of someone going down the street.

Her window is quite blocked up by her shoulders, and her deafness

prevents her from knowing of Susan’s coming until Jacky, falling over

her left leg, which is sticking out behind in mid air, brings her back

to the perpendicular and a view of Susan.

She is a small woman, thin to a fault, and shrewd-visaged, with a

quizzical eye and a bonnet. The latter is of the historic coal-scuttle

shape, and must have been a most admirable purchase when

bought—‘warranted to wear,’ in the truest sense of the word, as it has

lasted without a break for at least fifty years. As no one in

Curraghcloyne ever saw her ‘outside of it,’ and as she is popularly

supposed to sleep in it, it may safely be regarded as a sound article;

even her worst enemy had once been heard to say that, ‘no matther how

great an ould fool she was wid her tongue,’ she had made no mistake

about ‘the bonnet.’

‘An’ is that you, Miss Susan, me dear?’ says she, when Jacky has picked

himself up, and she has ceased to rub her ankle. ‘Ye’re as welcome as

the flowers in May, though divil a flower we had this year, wid the rain

an’ all. Ye’re not in a hurry, miss, are ye, now? Ye can spare a minute

to the ould maid? Come in, then.’

She opens the little gate that hinges on to her little counter, and

draws Susan inside, to her ‘parlour,’ as she calls the tiny space

within—a cosy spot in truth, where in the winter a fire burns briskly,

and with a wall lined with bottles that make glad the souls of children.

To Susan Barry the old maid has given all the heart that remains from

her worship of her giant brother. Perhaps it is the almost childish

sweetness of her manner that has won the old maid’s heart, or else the

young unconscious beauty of her—beauty being dear to the Irish heart.

However it is, she has a warm corner in Miss Ricketty’s.

‘An’ how’s your good aunt?’ says the spinster, adjusting the bonnet with

one hand, whilst with the other she pulls out from under the counter a

huge ear-trumpet, half a yard long, and big enough at the speaking end

to engulf Susan’s small and shapely head. ‘She’s been expectin’ that

clutch o’ eggs I promised her, no doubt; but them hens o’ mine might as

well be cocks for all the eggs we get out of them.’

‘Aunt Jemima knows that eggs are scarce now,’ cries Susan, softly, into

the gulf.

‘Scarce! ’Tis nothin’ them ungrateful hens is doin’ for us now, an’ we

who coddled ’em up all the winther. The saints forgive thim! Miss

Susan’—leaning towards the girl, and speaking with the suppressed

emotion of the born gossip—‘was that Misther Wyndham as wint up the

street just now?’

‘Yes,’ says Susan. ‘I was talking to him just before I came in here.’

‘No! Blessed Vargin!’ says Miss Ricketty, recoiling; she had, of course,

been the first to hear of the mysterious stranger at the Cottage, and

had, indeed, told the news to her brother, under promise of secrecy,

that she knew he would not keep. Nor did she want him to keep it. How

can you gossip unless you have someone to gossip with? That is why

people spread scandals.

‘And what was he saying?’ asks she presently, when she has produced a

little box of figs and given them to Jacky, with a view to keeping him

quiet until she has got the last word of news out of Susan.

‘Nothing, I think,’ says Susan, running over mentally her late

conversation with Wyndham. ‘He won’t have time to see father to-night,

because he is going back to town by the evening train.’

‘Is that what he says?’ Miss Ricketty gives her bonnet a push. ‘Faith,

he’s full of smartness. An’ did he tell ye nothin’ at all?’

‘Oh, it was I who told him everything,’ says Susan. ‘He wanted to know

how the new curate was going on, for one thing, and——’

‘If ’twas Misther Haldane he was askin’ afther so kindly, I could a’

tould him somethin’,’ says Miss Ricketty. ‘But never mind him! What else

was Misther Wyndham sayin’?’

‘There was not time to say anything,’ says Susan, laughing. ‘He was in a

hurry, and so was I—at least, Jacky was; he wants you to give him two

pennyworth of bull’s-eyes. Though, really, after those figs——’

‘Miss Susan’—the old maid puts Susan’s last remark aside with an

eloquent gesture—‘have ye heard anything sthrange about the Cottage

lately?’

Susan starts, and Jacky comes to a dead set, the last fig between his

finger and thumb. Jacky must be far gone indeed when, having anything

edible between his fingers, he delays about putting it between his lips.

‘Ye have, I see,’ says Miss Ricketty. ‘I’m tould, me dear,’ looking

behind her, and beside her, and to the door, and now, for even better

security, putting up her opened palm to one side of her mouth, ‘that

there’s a young—a’—she hesitates as if to choose a word, then comes to a

safe conclusion—‘a faymale there,’ she says.

‘There’s a girl there, I think,’ says Susan nervously. ‘At least’—here

Jacky looks at her appealingly, and she changes her sentence—‘someone

says there is. A niece, or a friend of Mrs. Denis’s, I suppose.’

‘Arrah! Suppose!’ says Miss Ricketty with considerable eloquence, but

without committing herself.

‘Well, if not that,’ says Susan, who is full of her late romantic idea

about a secret marriage between the unknown and Wyndham,

‘perhaps—perhaps Mr. Wyndham knows something about her.’

Miss Ricketty turns sharply, and looks at her. But the girl’s lovely,

open, tranquil face betrays nothing but a soft enthusiasm. A sense of

amusement fills Miss Ricketty’s breast.

‘Fegs, I’m thinkin’ ye’re on the right thrack,’ says she evenly.

‘You won’t say it again, Miss Ricketty, will you?’ says Susan; ‘but I

have thought—at least, it has occurred to me—that perhaps she’s Mr.

Wyndham’s wife.’

This is a little too much for Miss Ricketty. She gives way suddenly to a

fit of coughing, and, turning her back to Susan, dives under the

counter, whether to recover from a very proper confusion, or to indulge

in very improper laughter, can now, alas! never be known. When she

emerges, however, her face is a fine crimson.

‘That would be very romantic, wouldn’t it?’ says Susan, looking at her

and speaking softly, yet with a pretty delight. ‘A marriage like that,

with nobody knowing anything except they two, you know; and I feel sure

she is lovely, and Mr. Wyndham is very nice-looking too, and after

awhile perhaps we shall know her. He will introduce us to her, and we

shall be friends, and——’

‘’Tis a beautiful story,’ says Miss Ricketty, breaking in with unction.

‘An’ beautiful stories, we all know, come thrue. I wish ye joy o’ the

bride at the Cottage, Miss Susan; but I wouldn’t be for intherferin’ wid

the young married people too soon if I were you, me dear.’

‘Of course, I shouldn’t do that,’ says Susan hastily, her fair face

growing earnest. ‘But I thought that if——’

‘Well, ye’d betther wait, I think,’ says Miss Ricketty. ‘’Tis bad bein’

in a hurry, as Misther Haldane found out last night.’

‘Mr. Haldane! What has happened to him?’

‘Fegs, miss, it seems that last night, as he was descendin’ the steps

from the vesthry, he thripped, God help us! an’ fell on his ugly mug an’

broke his front teeth.’

‘Oh, how dreadful!’ says Susan, real compassion in her tone, though the

new curate is rather farther beyond the range of her sympathy than even

the old. ‘I wonder father hasn’t heard of it.’

‘It seems the poor gintleman is keeping it dark,’ says Miss Ricketty,

‘wid the thought of gettin’ thim put in agin widout anyone knowin’.

But’—wrathfully—‘’twill be no use for him. I see that villain of a

Salter down there’—with a glance out of the window—‘tellin’ every wan of

it. Why, ye must have seen him yerself, miss, as ye come by.’ And

suddenly Susan does remember the crowd round Salter’s shop-door, with

Salter himself in its midst. ‘He’s got hould of it, for sure, and if he

has ’twill be short shrift for Misther Haldane.’

‘But why?’ asks Susan.

‘Why, this, miss! He hates your clergy because he’s not in wid ye, like.

A Methody he is; an’ Mr. Haldane goes agin his grain, wid the candles

an’ the flowers an’ that, an’ he says how that Mr. Haldane had a dhrop

too much last night when he thripped on the vesthry stairs.’

‘What a shame!’ says Susan indignantly. ‘I know for a fact that Mr.

Haldane is——’

‘Yes, of course, miss. But that’s how thim Methodys does. An’ as for

that Salter himself, I don’t believe in him. ’Tis a power o’ whisky he

can get undher his own belt widout bein’ found out, until his timper is

up. I know for a fact that ’twas only a week ago that he bate his poor

wife until she let a screech out of her that would have waked Father

D’Arcy himself, only that the seven sleepers aren’t a patch on him.’

It appears she cannot even spare her parish priest! Susan, who has

risen, and who is now dragging Jacky from under the counter, where he

has been in hot pursuit of a kitten, bids her old friend good-bye for

the present.

‘You’ll tell Miss Barry about the clutch,’ says the spinster; and ‘Yes!’

shouts Susan into the terminus, a little louder than usual, perhaps,

because Miss Ricketty lifts up her hand and shakes it at her

reproachfully.

‘Wan would think I was deaf,’ says she tragically, whereupon both she

and Susan laugh together. The girl’s happy mirth—seen if not

heard—delights the old maid behind the counter.

‘Good-bye, me dear, an’ God bless you!’ says she, and, disdaining to

even see Susan’s pennies, she thrusts a big parcel of sweets into

Jacky’s small hands.

‘Keep a few for Masther Bonnie,’ whispers she, as she kisses him and

sends him after his sister.

At the door, however, Susan turns back, and once more calls down the

trumpet:

‘You will contradict that thing about Mr. Haldane, won’t you?’ says she;

‘surely it is bad enough that he should have lost his front teeth,

without having scandalous stories spread about him. Besides, they will

make father very unhappy.’

‘I’ll look afther him,’ says Miss Ricketty, ‘if only to oblige ye, me

dear; though, I think, I’m not wantin’. Providence seems to have his eye

on that young man.’

‘Oh, poor man! I’m afraid not,’ says Susan; ‘he was ugly enough before,

and now his front teeth are gone!’

‘That’s it,’ says Miss Ricketty; ‘whin next ye look at him, ye’ll see

what a fine openin’ the Lord has made for him.’

The last vision Susan has of Miss Ricketty shows her leaning back in her

chair, with her apron over her bonnet, convulsed with joy at her own

wit.

The professor's experiment: A novel, Vol. 1 (of 3) · 第 7 / 21 章