CHAPTER I

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UNDER THE ROSE

by

FREDERIC S. ISHAM

Author of The Strollers

With illustrations by Howard Chandler Christy

[Frontispiece: Kneeling, he received it.]

The Bobbs-Merrill Company

Publishers : Indianapolis

Copyright Nineteen Hundred Three

The Bowen-Merrill Company

January

CONTENTS

CHAPTER

I A NEST OF NINNIES

II A ROYAL EAVESDROPPER

III A GIFT FOR THE DUKE

IV AN IMPATIENT SUITOR

V JACQUELINE FETCHES THE PRINCESS' FAN

VI THE ARRIVAL OF THE DUKE

VII THE COURT OF LOVE

VIII A BRIEF TRUCE

IX THE FLIGHT OF THE FOOL

X THE FOOL RETURNS TO THE CASTLE

XI A NEW MESSENGER TO THE EMPEROR

XII THE DUKE ENTERS THE LISTS

XIII A CHAPLET FOR THE DUKE

XIV AN EARLY MORNING VISIT

XV A NEW DISCOVERY

XVI TIDINGS FROM THE COURT

XVII JACQUELINE'S QUEST

XVIII THE SECRET OF THE JESTERS

XIX A FIGURE IN THE MOONLIGHT

XX AN UNEQUAL CONFLICT

XXI THE DESERTED HUT

XXII THE TALE OF THE SWORD

XXIII THE DWARF MAKES AN EARLY CALL

XXIV AN ENCOUNTER AT THE BRIDGE

XXV IN THE TENT OF THE EMPEROR

XXVI THE DEBT OF NATURE

XXVII A MAID OF FRANCE

XXVIII THE FAVORITE IS ALARMED

XXIX THE FAVORITE IS REASSURED

LIST OF ILLUSTRATIONS

Kneeling, he received it . . . . . . . . . _Frontispiece_

Taking the book, he opened it at random, mechanically sinking

at her feet.

He threw the dregs of his glass in the face of the jester.

He looked not at the young girl, but calmly met the scrutiny

of the king.

UNDER THE ROSE

CHAPTER I

A NEST OF NINNIES

"A song, sweet Jacqueline!"

"No, no--"

"Jacqueline!--Jacqueline!--"

"No more, I say--"

A jingle of tinkling bells mingled with the squeak of a viola; the

guffaws of a rompish company blended with the tuneless chanting of

discordant minstrels, and the gray parrot in its golden cage, suspended

from one of the oaken beams of the ceiling, shook its feathers for the

twentieth time and screamed vindictively at the roguish band.

Jingle, jingle, went the merry bells; squeak, squeak, the tightened

strings beneath the persistent scraping of the rosined bow. On his

throne in Fools' hall, Triboulet, the king's hunchback, leaned

complacently back, his eyes bent upon a tapestry but newly hung in that

room, the meeting place of jesters, buffoons and versifiers.

"We appeal to Triboulet--"

"Triboulet!"

A girl's silvery laugh rang out.

"Triboulet!"

Again the derisive musical tones.

Upon his chair of state, the dwarf did not answer; professed not to

hear. By the uncertain glimmer of torches and the flickering glow of

the fire he was engaged in tracing a resemblance to himself in the

central figure of the composition wrought in threads of silk--Momus,

fool by patent to Jove, thrust from Olympus and greeting the earth-born

with a great grin.

"An excellent likeness!" muttered Triboulet. "A very pretty likeness!"

he continued, swelling with pride.

And truly it was said that sprightly ladies, working between love and

pleasure times, drew from the court fool for their conception of the

mythological buffoon, reproducing Triboulet's great head; his mouth,

proportionately large; his protruding eyes; his bowed back, short,

twisted legs and long, muscular arms; and his nose far larger than that

of Francis, who otherwise had the largest nose in the kingdom.

But how could they depict the meanness of soul that dwelt in that

extraordinary shell? The blithesome tapestry-makers, albeit adepts in

form, grace and harmony, could not touch the subjectiveness of

existence. Thus it was a double pleasure for Triboulet to see, limned

in well-chosen hues, his form, the crookedness of which he was as proud

as any courtier of his symmetry and beauty, the while his dark, vain

soul lay concealed behind the mask of merry deformity and laughing

monstrosity.

"Would your Majesty like to command me?"

The mocking feminine voice recalled Triboulet from his pleasing

contemplation.

"No, no!" he answered, sullenly, and condescended to turn his glance

upon the assemblage.

Over a goodly gathering of jesters, buffoons, poets, and even

philosophers, he lorded it, holding his head as high as his hump would

permit and conscious of his own place in the esteem of the king. Not

long ago the monarch had laughed and applauded when Triboulet had

twisted his features into a horrid grimace, and since then the dwarf's

little heart had expanded with such arrogance, it seemed to him he was

almost Francis himself as he sat there on Francis' sometime throne; and

these Sir Jollys were his subjects all--Marot, Caillette, Brusquet,

Villot, and the lesser lights, jesters of barons, cardinals and even

bishops! Rabelais, too, that poor, dissolute devil of a writer,

learned as Homer, brutish as Homer's swine--all subjects of his, the

king of jesters, save one; one whom he eyed with certain fear and

wonder; fear, because she was a woman--and Triboulet esteemed all the

sex but "highly perfected devils"--and wonder, at finding her different

from, and more perplexing than even the rest of her kind!

"Jacqueline!--"

now she was perched on one corner of the table, and her face had a

witch-like loveliness, as though borrowing its pallor and beauty from

the moon, source of all magic and necromancy. Her eyes shone with such

luster that, seeking their hue, they held the observer's gaze in

mocking languor, and cheated the inquisitive coxcomb of his quest, the

while the disdainful lips curved laughingly and so bewildered him, he

forgot the customary phrases and stood staring like a nonny. Her

footstep fell so light, she was so agile and quick, the superstitious

dwarf swore she was but a creature of the night and held surreptitious

meetings with all the familiar spirits of demonology. As she never

denied the uncanny imputation, but only displayed her small white teeth

maliciously, by way of answer, Triboulet felt assured he was right and

crossed himself religiously whenever she gazed too fixedly at him.

A most _gracieuse folle_, her dress was in keeping with her character,

yellow being the predominating color. To the fanciful adornment of the

gown her lithe figure lent itself readily, while her rebellious curls

were well adapted to that badge of her servitude, the jaunty cap that

crowned their waving abundance.

In especial disdain, from her position upon the corner of the table,

her glance wandered down the board and rested on Rabelais, the

gourmand, before whom were an empty trencher and tankard. The

priest-doctor-writer-scamp who affected the company of jesters and

liked not a little the hospitality of Fools' hall, which adjoined the

pastry branch of the castle kitchen and was not far removed from the

wine butts, had just unrolled a bundle of manuscript, all daubed with

trencher grease and tankard drippings, and was about to read aloud the

strange adventures of one Pantagruel, when, overcome by indulgence, his

head fell forward on the table, almost in the wooden platter, and the

papers fluttered to the floor.

"Put him out!" commanded Triboulet from his high place.

But she of the jaunty cap sprang from the table.

"How wise are your Majesty's decrees!" she said mockingly with her

glance upon the dwarf. He shifted uneasily in the throne. "You should

have put him out before! But now"--turning contemptuously to the poor

figure of the great man--"he's harmless. His silence is golden; his

speech was dross."

"And yet," answered Marot, thoughtfully, "the king esteems him; the

king who is at once scholar, poet, wit, soldier--"

"Soldier!" she exclaimed, quickly. "When he can not conquer Italy and

regain his heritage!"

"Can not?" ventured Triboulet, mindful of the dignity of his royal

master. "Why not?"

"Because the women would conquer him!"

"Nay; the king prefers the blue eyes of France," spoke up the

cardinal's fool, he of the viola.

"Then do you set our queen of fools, our fair Jacqueline, out of his

Majesty's good graces," interposed one of the lesser jesters, a mere

baron's hireling, who long had burned with secret admiration for the

maid of the coquettish cap.

"I am _such_ a fool as to want the good graces of no man--or monarch!"

she replied boldly, without glancing at the speaker.

"An he were in love, you would be two fools!" laughed Caillette, the

court poet.

"In love, 'tis only the man is the fool or--the fooled!" she returned

pointedly, and Caillette, despite his self-possession, flushed

painfully. Since Diane de Poitiers had wedded her ancient lord, the

poet had become grave, studious, almost sad.

"And is your mistress, the king's ward, fooling with her betrothed?" he

asked quickly, conscious of knowing winks and nudges.

"The Princess Louise and the Duke of Friedwald are to wed for reasons

of state," said the young woman, gravely. "There'll be no fools."

"Ah, a loveless match!"

"But not a landless one!" retorted she of the cap without the bells.

"Besides, it cements the friendship of Francis and Charles V! What

more would you? But I'll tell you a secret."

At that the company flocked around her, as though there was something

enticing in her tone; the vague promise of an interesting bit of gossip

or the indefinite suggestion of a court scandal.

"A secret!" said the cardinal's fool, rubbing his hands together. His

master often rewarded him for particularly choice morsels of loose

tittle-tattle.

"Oh, nothing very wicked!" she answered, waving them back with her

small hand. "'Tis only that they play at make-believe in love, the

princess and her betrothed! But after all, it is far more sensible

than real love-making, where if the pleasure be more acute, the pangs

are therefore the greater. She addresses to him the tenderest

counterfeit verses; he returns them in kind. She even simulated such

an illusory sadness that the duke has sent his own jester, who has but

just arrived at court, to amuse her (ahem!) dullness, until he himself

could come!"

At this the cardinal's buffoon looked disappointed, for his master

liked more highly-flavored hearsay, while Triboulet frowned and brought

down his heavy fist upon the arm of the throne.

"A new jester forsooth!" he exclaimed.

"And why not?" Lifting her swart brows, quizzically.

"We are already overstocked with 'prentice fools," he retorted, looking

over the throng.

"Ah, you fear perhaps some one may depose you?" remarked Jacqueline

coldly.

A guarded laugh arose from the gathering and the dwarf's eyes gleamed.

"Depose me, Triboulet!" he shouted, rising. "Triboulet is sovereign

lord of all at whom he mocks! His wand is mightier than an episcopal

miter!"

In his overweening rage and vanity he fairly crouched before the

throne, eying them all like a cat. His thick lips trembled; his eyes

became bloodshot.

He forgot all prudence.

"Doth not the king himself seek my advice?" He laughed horribly.

"Hath not, perhaps, many a fair gentleman been burned--aye, burned to

ashes as a Calvinist!--at my suggestion!"

"Miserable wretch! Spy!" exclaimed the young woman, paler than a lily,

as she bent her eyes, with fully opened lids, upon him.

As if to shield himself, he raised his hand, yet drunkenness or wrath

overcame caution and superstition, and the red eyes met the dark ones.

But a moment, and the former dropped sullenly; a strange thrill ran

through him. He thought he was bewitched.

"_Non nobis Domine!_" he murmured, striving to recall a hymn. As Latin

was the language of witchcraft, so, also, was it the antidote.

Contemptuously she turned her back and walked slowly to the fire. Upon

her white face and supple figure played the elfish glow, lighting the

little cap and the waving tresses beneath.

Regarding her furtively, Triboulet's courage returned, since she was

looking at the coals, not at him.

"Ho, ho!" he said jocosely. "You all thought I was sincere. Listen,

my children! The art of fooling lies in trumped-up earnestness." He

smiled hideously.

"Bravo, Triboulet!" cried an admiring voice.

"Only time and art can give you such mastery over the passions,"

continued the jester. "Which one of you would depose me? Who so ugly

as I? Poets, philosophers! I snap my fingers at them. Poor moths!

And you dare bait me with a new-comer! Let him look to himself!" From

earnestness to grandiloquence was but a step.

"Let him come!" And Triboulet, imitating the pose of Francis himself,

drew his wooden sword.

"Let him come!" he repeated, fiercely.

"Who?" called out a gay and reckless voice.

Through the doorway leading into the kitchen stepped a young man;

slender, almost boyish in appearance, with light-brown hair and

deep-set eyes that belied the gaiety and mirth of his features. His

costume, that of a Jester, was silk of finest texture and design, upon

which were skilfully fashioned in threads of silver the arms of Charles

V, King of Spain and Emperor of Germany, the powerful rival of Francis,

whose friendship now, for reasons of state, the latter sought.

Smilingly the foreign jester gazed around the room; at the unusual

furnishings, picturesque, yet appropriate; at the inmates, the fools

scattered about the great board or near the mighty fireplace; the

renowned philosopher, Rabelais, sleeping on his arms, with hand

outstretched toward the neglected tankard; at the striking appearance

of the girl who looked with casual, careless interest upon him; at the

grotesque, crook-backed figure before the throne.

And observing the incongruity of his surroundings, he laughed lightly,

while his glance, turning inquiringly if not insolently, from one to

the other, lingered in some surprise upon the young woman. He had

heard that in far-away France the motley was not confined to men. Had

not Jeanne, queen of Charles I, possessed her jestress, Artaude de Puy,

"_folle_ to our dear companion," as said the king? Had not Madame

d'Or, wearer of the bells, kept the nobles laughing? Had not the

haughty, eccentric Don John, his handsome, merry joculatrix, attached

to his princely household?

But knowing only by rumor of these matters, the jester from abroad

looked hard at her, the first madcap in petticoats he had ever seen.

For her part, Jacqueline bore his scrutiny with visible annoyance.

"Well," she said impatiently, a flash of resentment in her fine eyes,

"have you conned me over enough?"

"Too much, mistress," he replied in no wise abashed, "an it hath

displeased you. Too little to please myself."

"Yourself!" she returned, with sudden anger at his persistent gaze.

"Some lord's plaything to beat or whip; a toy--"

"And yet a poet who can make rhymes on woman's beauty," he answered

with a careless laugh.

"Another courtier!" grumbled Triboulet. "Lacking true wit, fools

nowadays essay only compliments to cover their dullness."

With the same air of insolent amusement, the new-comer turned to the

throne and its occupant, whom he subjected to an even more deliberate

investigation.

"Is it man or manikin, gentle mistress?" he asked, after concluding his

examination.

She did not deign to answer, but the offended Triboulet waved his

wooden sword vindictively.

"Manikin!" he roared, and sprang with vicious lunges upon the duke's

jester, who falling back before the suddenness of the assault, whipped

out his weapon in turn, and, laughing, threw himself into an attitude

of defense.

"A mortal combat!" cried the cardinal's wit-snapper.

"Charles V and Francis!" exclaimed Caillette, referring to the personal

challenge which had once passed between the two great monarchs. "With

a throne for the victor!" he added gaily, indicating Triboulet's chair

of state.

The clatter and din awoke Rabelais, who drowsily regarded the

combatants with lack-luster gaze and undoubtedly thought himself once

more amid the fanciful conflicts of fearful giants.

"Fall to, Pantagruel, my merry Paladin!" he exclaimed bombastically.

"Cut, slash, stab, fence and justle!" And himself, reaching for an

imaginary sword, encountered the tankard which he would have raised to

his lips but that his shaggy head fell again to the board before his

willing arm had obeyed the passing impulse of his sluggish brain.

"Fence!--justle!" he murmured, and slept once more.

But the parrot, again disturbed, could not so easily compose itself to

slumber. Whipping its head from its downy nest, it outspread its gray

wings gloriously and screamed and shouted, as though venting all the

thunders of the Vatican upon the offending belligerents. And above the

uproar and noise of arms, rabble and bird, arose the piercing voice of

Triboulet:

"Watch me spit this bantam-cock!"

Under the Rose · 第 1 / 29 章