XVIII

"What earthly feeling unabash'd can dwell

In Nature's mighty presence? mid the swell

Of everlasting hills, the roar of floods,

And frown of rocks and pomp of waving woods?

These their own grandeur on the soul impress,

And bid each passion feel its nothingness."

HEMANS.

"La grace est toujours unie à la magnificence, dans les

scenes de la nature."--CHATEAUBRIAND'S "_Atala_."

It was morning. The storm had passed away, and the early sunlight was

streaming gloriously over the fresh landscape. The atmosphere,

discharged of its electric burden, was playing cool and free among the

grass-tops; the lark was carolling in the clouds above its grassy

nest; the deer was rising from his sprinkled lair, and the morning

mists were rolling heavily in masses along the skirts of the prairie

woodlands, as I mounted my horse at the door of the cabin beneath

whose roof I had passed the night. Before me at no great distance,

upon the edge of the plain, rose an open park of lofty oaks, with a

mossy turf beneath; and the whole scene, lighted up by the sunbeams

breaking through the ragged mists, presented a most gorgeous

spectacle. The entire wilderness of green; every bough, spray, leaf;

every blade of grass, wild weed, and floweret, was hung with trembling

{200} drops of liquid light, which, reflecting and refracting the

sun-rays, threw back all the hues of the iris. It was indeed a morning

of beauty after the tempest; and Nature seemed to have arrayed herself

in her bridal robes, glittering in all their own matchless jewellery

to greet its coming.

Constituted as we all naturally are, there exist, bound up within the

secresies of the bosom, certain emotions and sentiments, designed by

our Creator to leap forth in joyousness in view of the magnificence

of his works; certain springs of exquisite delicacy deep hidden in the

chambers of the breast, but which, touched or breathed upon never so

lightly, strike the keys of feeling and fill the heart with harmony.

And I envy not the feelings of that man who, amid all "the glories of

this visible world," can stand a passionless beholder; who feels not

his pulses thrill with quickened vibration, and his heart to heave in

fuller gush as he views the beneficence of his Maker in the

magnificence of his works; who from all can turn calmly away, and in

the chill, withering accents of Atheism, pronounce it the offspring of

blind fatality, the resultant of meaningless chance!

When we look abroad upon the panorama of creation, so palpable is the

impress of an omnipotent hand, and so deeply upon all its features is

planted the demonstration of design, that it would almost seem, in the

absence of reason and revelation, we need but contemplate the scenery

of nature to be satisfied of the existence of an all-wise,

all-powerful Being, whose workmanship it is. The {201} firmament, with

its marshalled and glittering hosts; the earth, spread out in

boundlessness at our feet, now draperied in the verdant freshness of

springtime, anon in the magnificent glories of summer sultriness,

again teeming with the mellow beauty of autumnal harvesting, and then

slumbering in the chill, cheerless desolation of winter, all proclaim

a Deity eternal in existence, boundless in might. The mountain that

rears its bald forehead to the clouds; the booming cataract; the

unfathomed, mysterious sounding ocean; the magnificent sweep of the

Western prairie; the eternal flow of the Western river, proclaim, in

tones extensive as the universe--tones not to be misunderstood, that

their CREATOR lives.

It is a circumstance in the character of the human mind, which not

the most careless or casual observer of its operations can fail to

have remarked, that the contemplation of all grand and immeasurable

objects has a tendency to enlarge and elevate the understanding, lend

a loftier tone to the feelings, and, agreeable to the moral

constitution of man, carry up his thoughts and his emotions directly

to their Author, "from Nature up to Nature's God." The savage son of

the wilderness, as he roams through his grand and gloomy forests,

which for centuries have veiled the soil at their base from the

sunlight, perceives a solemn awe stealing over him as he listens to

the surges of the winds rolling among the heavy branches; and in

Nature's simplicity, untaught but by her untutored promptings, he

believes that "the Great Spirit is whispering in {202} the tree tops."

He stands by the side of Niagara. With subdued emotions he gazes upon

the majestic world of floods as they hurry on. They reach the barrier!

they leap its precipice! they are lost in thunder and in foam! And, as

the raging waters disappear in the black abyss; as the bow of the

covenant, "like hope upon a deathbed," flings its irised arch in

horrible beauty athwart the hell of elements, the bewildered child of

nature feels his soul swell within his bosom; the thought rises

solemnly upon him, "the Great Spirit is here;" and with timid

solicitude he peers through the forest shades around him for some

palpable demonstration of His presence. And such is the effect of all

the grand scenes of nature upon the mind of the savage: they lead it

up to the "Great Spirit." Upon this principle is the fact alone to be

accounted for, that no race of beings has yet been discovered

destitute of _all_ idea of a Supreme Intelligence to whom is due

homage and obedience. It is _His_ voice they hear in the deep hour of

midnight, when the red lightning quivers along the bosom of the cloud,

and the thunder-peal rattles through the firmament. It is _He_ they

recognise in the bright orb of day, as he blazes from the eastern

horizon; or, "like a monarch on a funeral pile," sinks to his rest.

_He_ is beheld in the pale queen of night, as in silvery radiance she

walks the firmament, and in the beautiful star of evening as it sinks

behind his native hills. In the soft breathing of the "summer wind"

and in the terrible sublimity of the autumn tempest; in the gentle dew

of heaven and {203} the summer torrent; in the sparkling rivulet and

the wide, wild river; in the delicate prairie-flower and the gnarled

monarch of the hills; in the glittering minnow and the massive

narwhal; in the fairy humbird and the sweeping eagle; in each and in

all of the creations of universal nature, the mind of the savage sees,

feels, _realizes_ the presence of a Deity.

"Earth with her thousand voices praises God!"

is the beautiful sentiment of Coleridge's hymn in the Vale of

Chamouni; and its truth will be doubted by no man of refined

sensibility or cultivated taste. In viewing the grand scenery of

nature, the mind of the savage and the poet alike perceive the

features of Deity; on the bright page of creation, in characters

enstamped by his own mighty hand, they read his perfections and his

attributes; the vast volume is spread out to every eye; he who will

may read and be wise. And yet, delightful and instructive as the study

of Nature's creations cannot fail to be, it is a strange thing that,

by many, so little regard is betrayed for them. How often do we gaze

upon the orb of day, as he goes down the western heavens in glory to

his rest; how often do we look away to the far-off star, as it pursues

in beauty its lonely pathway, distinct amid the myriads that surround

it; how often do we glance abroad upon the splendours of earth, and

then, from all this demonstration of Omnipotent goodness turn away

with not _one_ pulsation of gratitude to the Creator of suns and

stars; with not one aspiration of feeling, one acknowledgment of

regard to {204} the Lord of the universe? Yet surely, whatever

repinings may at times imbitter the unsanctified bosom in view of the

moral, the intellectual, or social arrangements of existence, there

should arise but one emotion, and that--_praise_ in view of

_inanimate_ nature. Here is naught but power and goodness; now, as at

the dawn of Creation's morning, "all is very good." But these are

scenes upon which the eye has turned from earliest infancy; and to

this cause alone may we attribute the fact, that though their grandeur

may never weary or their glories pall upon the sense, yet our gaze

upon them is often that of coldness and indifferent regard. Still

their influence upon us, though inappreciable, is sure. If we look

abroad upon the race of man, we cannot but admit the conviction that

natural scenery, hardly less than climate, government, or religion,

lays its impress upon human character. It is where Nature exhibits

herself in her loftiest moods that her influence on man is most

observable. 'Tis there we find the human mind most chainlessly free,

and the attachments of patriotic feeling most tenacious and exalted.

To what influence more than to that of the gigantic features of nature

around him, amid which he first opened his eyes to the light, and with

which from boyhood days he has been conversant, are we to attribute

that indomitable hate to oppression, that enthusiastic passion for

liberty, and that wild idolatry of country which characterizes the

Swiss mountaineer? _He_ would be free as the geyer-eagle of his native

cliffs, whose eyrie hangs in the clouds, whose eye brightens in {205}

the sunlight, whose wild shriek rises on the tempest, and whose fierce

brood is nurtured amid crags untrodden by the footstep of man. To

_his_ ear the sweep of the terrible _lauwine_, the dash of the

mountain cataract, the sullen roar of the mountain forest, is a music

for which, in a foreign land, he pines away and dies. And all these

scenes have but one language--and that is chainless _independence_!

It is a fact well established, and one to be accounted for upon no

principle other than that which we advance, that the dwellers in

mountainous regions, and those whose homes are amid the grandeur of

nature, are found to be more attached to the spot of their nativity

than are other races of men, and that they are ever more forward to

defend their ice-clad precipices from the attack of the invader. For

centuries have the Swiss inhabited the mountains of the Alps. They

inhabit them still, and have never been entirely subdued. But

"The free Switzer yet bestrides _alone_

His chainless mountains."

Of what _other_ nation of Europe, if we except the Highlands of

Scotland, may anything like the same assertion with truth be made? We

are told that the mountains of Caucasus and Himmalaya, in Asia, still

retain the race of people which from time immemorial have possessed

them. The same accents echo along their "tuneful cliffs" as centuries

since were listened to by the patriarchs; while at their base, chance,

and change, and conquest, like successive floods, have swept the

delta-plains of {206} the Ganges and Euphrates. These are but isolated

instances from a multitude of similar character, which might be

advanced in support of the position we have assumed. Nor is it strange

that peculiarities like these should be witnessed. There must ever be

_something_ to love, if the emotion is to be permanently called forth;

it matters little whether it be in the features of inanimate nature or

in those of man; and, alike in both cases, do the boldest and most

prominent create the deepest impression. Just so it is with our

admiration of character; there must exist bold and distinctive traits,

good or bad, to arouse for it unusual regard. A monotony of character

or of feeling is as wearisome as a monotony of sound or scenery.

But to return from a digression which has become unconscionably long.

After a brisk gallop of a few hours through the delightful scenery of

the Barrens, I found myself approaching the little town of

Carlinville. As I drew nigh to the village, I found it absolutely

reeling under the excitement of the "Grand Menagerie." From all points

of the compass, men, women, and children, emerging from the forest,

came pouring into the place, some upon horses, some in farm-wagons,

and troops of others on foot, slipping and sliding along in a fashion

most distressing to behold. The soil in this vicinity is a black loam

of surpassing fertility; and, when saturated with moisture, it adheres

to the sole with most pertinacious tenacity, more like to an amalgam

of soot and soap-grease than to any other substance that has ever come

under my cognizance. The inn {207} was thronged by neighbouring

farmers, some canvassing the relative and individual merits of the

_Zebedee_ and the _Portimous_; others sagely dwelling upon the mooted

point of peril to be apprehended from the great _sarpent_--_Boy

Contractor_; while little unwashen wights did run about and

dangerously prophecy on the recent disappearance of the big elephant.

Carlinville is a considerable village, situated on the margin of a

pleasant prairie, on the north side of Macoupin Creek, and is the seat

of justice for the county. The name _Macoupin_ is said to be of

aboriginal derivation, and by the early French chroniclers was spelled

and pronounced _Ma-qua-pin_, until its present uncomely combination of

letters became legalized on the statute-book. The term, we are told

by Charlevoix, the French _voyageur_, is the Indian name of an

esculent with a broad corolla, found in many of the ponds and creeks

of Illinois, especially along the course of the romantic stream

bearing its name. The larger roots, eaten raw, were poisonous, and the

natives were accustomed to dig ovens in the earth, into which, being

walled up with flat stones and heated, was deposited the vegetable.

After remaining for forty-eight hours in this situation, the

deleterious qualities were found extracted, and the root being dried,

was esteemed a luxury by the Indians. The region bordering upon

Carlinville is amazingly fertile, and proportionally divided into

prairie and timber--a circumstance by no means unworthy of notice.

There has been a design of establishing {208} here a Theological

Seminary, but the question of its site has been a point easier to

discuss than to decide.[142] My tarry at the village was a brief one,

though I became acquainted with a number of its worthy citizens; and

in the log-office of a young limb of _legality_, obtained, as a

special distinction, a glance at a forthcoming "Fourth-of-July"

oration, fruitful in those sonorous periods and stereotyped patriotics

indispensable on such occasions, and, at all hazard, made and provided

for them. As I was leaving the village I was met by multitudes,

pouring in from all sections of the surrounding region, literally

thronging the ways; mothers on horseback, with young children in their

arms; fathers with daughters and wives _en croupe_, and at intervals

an individual, in quiet possession of an entire animal, came sliding

along in the mud, in fashion marvellously entertaining to witness. A

huge cart there likewise was, which excited no small degree of

admiration as it rolled on, swarmed with women and children. An aged

patriarch, with hoary locks resting upon his shoulders, enacted the

part of charioteer to this primitive establishment; and now, in

zealous impatience to reach the scene of action, from which the

braying horns came resounding loud and clear through the forest, he

was wretchedly belabouring, by means of an endless whip, six unhappy

oxen to augment their speed.

I had travelled not many miles when a black cloud spread itself

rapidly over the sky, and in a few moments the thunder began to

bellow, the lightnings to flash, and the rain to fall in torrents.

{209} Luckily enough for me, I found myself in the neighbourhood of

man's habitation. Leaping hastily from my steed, and lending him an

impetus with my riding whip which carried him safely beneath a

hospitable shed which stood thereby, I betook myself, without ceremony

or delay, to the mansion house itself, glad enough to find its roof

above me as the first big raindrops came splashing to the ground. The

little edifice was tenanted by three females and divers flaxen-pated,

sun-bleached urchins of all ages and sizes, and, at the moment of my

entrance, all in high dudgeon, because, forsooth, they were not to be

permitted to drench themselves in the anticipated shower. Like Noah's

dove, they were accordingly pulled within the ark, and thereupon

thought proper to set up their several and collective _Ebenezers_.

"Well!" was my exclamation, in true Yankee fashion, as I bowed my head

low in entering the humble postern; "we're going to get pretty

considerable of a sprinkling, I guess." "I reckon," was the

sententious response of the most motherly-seeming of the three women,

at the same time vociferating to the three larger of the children,

"Oh, there, you Bill, Sall, Polly, honeys, get the gentleman a cheer!

Walk in, sir; set down and take a seat!" This evolution of "setting

down and taking a seat" was at length successfully effected, after

sundry manoeuvrings by way of planting the three pedestals of the

uncouth tripod upon the same plane, and avoiding the fearful yawnings

in the _puncheon_ floor. When all was at length quiet, I {210}

improved the opportunity of gazing about me to explore the curious

habitation into which I found myself inserted.

The structure, about twenty feet square, had originally been

constructed of rough logs, the interstices stuffed with fragments of

wood and stone, and daubed with clay; the chimney was built up of

sticks laid crosswise, and plastered with the same material to resist

the fire. Such had been the backwoodsman's cabin in its primitive

prime; but time and the elements had been busy with the little

edifice, and sadly had it suffered. Window or casement was there none,

neither was there need thereof; for the hingeless door stood ever

open, the clay was disappearing from the intervals between the logs,

and the huge fireplace of stone exhibited yawning apertures,

abundantly sufficient for all the purposes of light and ventilation to

the single apartment of the building. The _puncheon_ floor I have

alluded to, and it corresponded well with the roof of the cabin, which

had never, in its best estate, been designed to resist the peltings of

such a pitiless torrent as was now assailing it. The water soon began

trickling in little rivulets upon my shoulders, and my only

alternative was my umbrella for shelter. The furniture of the

apartment consisted of two plank-erections designed for bedsteads,

which, with a tall clothes-press, divers rude boxes, and a

side-saddle, occupied a better moiety of the area; while a rough

table, a shelf against the wall, upon which stood a water-pail, a

gourd, and a few broken trenchers, completed the household

paraphernalia {211} of this most unique of habitations. A

half-consumed flitch of bacon suspended in the chimney, and a huge

iron pot upon the fire, from which issued a savoury indication of the

seething mess within, completes the "still-life" of the picture. Upon

one of the beds reclined one of the females to avoid the rain; a

second was alternating her attentions between her infant and her

needle; while the third, a buxom young baggage, who, by-the-by, was on

a visit to her sister, was busying herself in the culinary occupations

of the household, much the chief portion of which consisted in

watching the huge dinner-pot aforesaid, with its savoury contents.

After remaining nearly two hours in the cabin, in hopes that the storm

would abate, I concluded that, since my umbrella was no sinecure

_within_ doors, it might as well be put in requisition _without_, and

mounted my steed, though the rain was yet falling. I had proceeded but

a few miles upon the muddy pathway when my compass informed me that I

had varied from my route, a circumstance by no means uncommon on the

Western prairies. During the whole afternoon, therefore, I continued

upon my way across a broad pathless prairie, some twelve or eighteen

miles in extent, and dreary enough withal, until nightfall, when I

rejoiced to find myself the inmate of the comfortable farmhouse upon

its edge from which my last was dated.

_Hillsborough, Ill._

Flagg's The Far West, 1836-1837, part 1 · 第 66 / 81 题