CHAPTER FOURTEEN

"He left everything just as it was," Bonamy marvelled. "Nothing

arranged. All his letters strewn about for any one to read. What did he

expect? Did he think he would come back?" he mused, standing in the

middle of Jacob's room.

The eighteenth century has its distinction. These houses were built,

say, a hundred and fifty years ago. The rooms are shapely, the ceilings

high; over the doorways a rose or a ram's skull is carved in the wood.

Even the panels, painted in raspberry-coloured paint, have their

distinction.

Bonamy took up a bill for a hunting-crop.

"That seems to be paid," he said.

There were Sandra's letters.

Mrs. Durrant was taking a party to Greenwich.

Lady Rocksbier hoped for the pleasure....

Listless is the air in an empty room, just swelling the curtain; the

flowers in the jar shift. One fibre in the wicker arm-chair creaks,

though no one sits there.

Bonamy crossed to the window. Pickford's van swung down the street. The

omnibuses were locked together at Mudie's corner. Engines throbbed, and

carters, jamming the brakes down, pulled their horses sharp up. A harsh

and unhappy voice cried something unintelligible. And then suddenly all

the leaves seemed to raise themselves.

"Jacob! Jacob!" cried Bonamy, standing by the window. The leaves sank

down again.

"Such confusion everywhere!" exclaimed Betty Flanders, bursting open the

bedroom door.

Bonamy turned away from the window.

"What am I to do with these, Mr. Bonamy?"

She held out a pair of Jacob's old shoes.

Jacob's Room · 第 16 / 16 题