ENGLISH NOVELS

CARY, JOYCE: _To Be a Pilgrim_ (1942). Fading Tom Wilcher recreates

turn of the century politics for his niece as he tries to

perpetuate the old solid values.

----: _Prisoner of Grace_ (1952). Chester Nimmo’s 30-year rise from

lay preacher to cabinet minister through determination, astuteness,

and a political sixth sense.

CONRAD, JOSEPH: _Nostromo_ (1904). The rise and fall of Costaguanan

governments with help from a British mine-owner who ends up owned

by his mine.

----: _The Secret Agent_ (1907). Informer Adolf Verloc schemes to

blow up the Greenwich Observatory for a foreign power wanting to

prod the British into repression.

----: _Under Western Eyes_ (1910). A monarchist Russian is

destroyed by chance involvement in revolutionary acts. The work of

Red circles in and out of Russia.

DISRAELI, BENJAMIN: _Coningsby_ (1844). Enlightened nobleman at

last becomes an M.P.

----: _Sybil_ (1845). A less harried Young Englander does the same.

Panorama of England c. 1837-1852 with great popular uprisings

emphasizing national discontent.

----: _Tancred_ (1847). The hero recoils from politics, finding

spiritual and political insights amidst comic opera imbroglios in

the deserts of the Holy Land.

ELIOT, GEORGE: _Felix Holt, the Radical_ (1866). Provincial

politics in the 1830s. Gallery of types from the extreme radical to

granite conservative. Complicated plot.

FORSTER, E. M.: _A Passage to India_ (1924). Personal tragedies

emphasize national tragedy of divided and unhappy India governed by

inflexible and unfeeling Britain.

HUXLEY, ALDOUS: _Brave New World_ (1932). A totalitarian world of

the future in which stability has been achieved through destruction

of freedom and the soul.

MAUGHAM, SOMERSET: _Then and Now_ (1946). Niccolo Machiavelli

learns more about his profession negotiating with Borgia. Time out

for dalliance and teaching a novice.

MEREDITH, GEORGE: _Beauchamp’s Career_ (1876). A fiery young

radical’s political excursions end in family disruption, failure,

and death. More portraits of types.

ORWELL, GEORGE: _1984_ (1949). Chilling world of the future in

which the regime can control past and present, literally make two

and two equal five for its slaves.

SPRING, HOWARD: _Fame Is the Spur_ (1940). Over sixty years of

British politics with emphasis on the rise of the Labor Party and

the kinds of men who made it.

TROLLOPE, ANTHONY: _Phineas Finn_ (1869). The education of a young

Liberal in Commons. Disraeli v. Gladstone under other names.

Phineas’s conscience politically expensive.

----: _Phineas Redux_ (1874). More of the same with a murder trial

added.

----: _The Prime Minister_ (1876). The three-year tenure of the

Duke of Omnium’s coalition. The Duke, like Phineas, now infected by

the virus of disillusionment.

WARD, MRS. HUMPHREY: _Marcella_ (1894). Liberals v. Conservatives

as the scales drop from Venturist Marcella’s eyes leading her from

bad Wharton to good Raeburn.

WELLS, H. G.: _The New Machiavelli_ (1910). An illicit affair

destroys Dick Remington as Parnell had been destroyed. Early 20th

century political currents.

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