GREECE: AN AMERICAN PORTRAIT

George Weller’s Greeks in _The Crack in the Column_ appear surprisingly

like Latins: “Each Greek is a volcano, and when he may erupt no man

knows, not even his friends who must quake with him, not even himself.”

In the number and complexity of their political parties they resemble

the French, yet in one way they seem to retain something of the Greeks

of antiquity viewing Imperial Rome. Small and impoverished in the

shadow of newly-risen giants, they cherish their role as inheritors and

transmitters of a great culture. At the book’s end, Nitsa, like Molly

Bloom in Joyce’s Ulysses, retires with her reflections:

The whole world is philhellene, as proved by the retreating Germans

leaving a wreath on the Tomb of Ignotos before they roared north to

die in the ambushes of the Slavs. But most self-surrendering of the

philhellenes are the Americans. These young antiques deserve the

most utter respect, the kindest care.

The political novel · 第 36 / 51 题