FOUR: Nomusa and Her Brothers

Hardly had Nomusa’s head appeared at the entrance of the hut when Themba

pounced on it, trying to get astride her neck, shouting, “My calf wins

the race!”

“Get off, Themba!” Nomusa protested, though she had to laugh at him.

“I’m no calf. And who told you about calf races? They are absolutely

forbidden.”

“Kangata told me. He said they have fun with calves in the pasture.”

“How well I know it!” said Nomusa. “I wish I could spend my days in the

pasture and have as good a time as my brothers do!”

“When I am big, I shall go to the pasture,” said Themba proudly.

“Yes,” Nomusa replied. “You are very lucky to be a boy. Girls’ work is

no fun at all.”

“Play _Hlungulu_,” begged Themba. “You promised.”

“Very well, sit down over there,” said Nomusa. “Now put your feet

towards me.

“_Hlungulu, hlungulu goduka

Amas omnlawana wakho adlive

Adlive yig wababa

Gwababa, gwababa goduka

Ubuye ngezotwasa._”

“_Crow, Crow, go home.

Jackdaw has eaten

Your babe’s clotted milk.

Jackdaw, Jackdaw, go home.

You will come back at the new moon._”

Themba giggled as Nomusa acted out the song with grimaces and dramatic

gestures. Before she had actually finished he was already begging,

“Again, again!” When she had sung _Hlungulu_ for the third time, he

placed his wide, bare feet on Nomusa’s lap and said, “Now sing me

_ta-yi-ya-ne-lo_.”

Putting her thumb and forefinger on the big toe of his left foot, she

began softly giving each toe a gentle squeeze. From the beginning of the

song to the end, Themba’s face was one delighted grin. As soon as she

squeezed the last toe, he laughed and said, “More, Nomusa, more!”

At last it was time to stop. Nomusa had to grind the corn for the mealie

mush they would eat later. Usually it was her mother who ground the

corn, because it took strong arms; but since Nomusa knew her mother was

busy entertaining her father, she decided to do it for her.

She picked up a small round stone lying next to a larger one which was

scooped out in the middle. Into the scooped-out stone she threw a

handful of hard kernels of corn. Then, using the small round stone like

a rolling-pin and flicking a little water into the hollow stone, she

ground and ground the corn until it became a coarse corn meal. When it

was ground she poured it into a basket where it would be ready when her

mother needed it for porridge or corn cakes. Part of it would be brewed

for her father’s beer, as well.

[Illustration: [Girl]]

Nomusa went on pounding and rolling the corn. She grew tired and wiped

off the moisture on her face with the back of her hand. She wondered how

her mother managed to pound and pound for such long periods without

stopping. As she rested a moment, she heard someone call, “Yo, Nomusa!”

She looked up and saw Sisiwe entering the kraal with a basket on her

head. The green tops of vegetables showed above the top of the basket.

“Tired after the elephant hunt?” teased Sisiwe.

“I see you have been weeding your mother’s garden,” Nomusa remarked,

ignoring the teasing.

“Yes,” said Sisiwe. “And now I have to fetch water again. I’ll never get

ready in time for Damasi’s party. I haven’t even ground my paint yet.

Have you?”

“No. I’ll go with you to fetch water. Perhaps we’ll find the right paint

stones on the way.”

Nomusa went back to finish grinding the corn while Sisiwe carried the

basket of beans and sweet potatoes to her hut.

Soon Sisiwe came out again, looking more cheerful. This time she was

carrying an empty water jar and eating something. Nomusa picked up a jar

lying next to the thatch of her hut and walked over to meet her half

sister, who offered her a piece of melon. Side by side, one with the

water jar on her left hip, the other with it on her right, the girls

proceeded to the stream.

“Our father has come,” Nomusa said. “Ay, Sisiwe he is as you said. We

saw the new belt of wildcat tails.”

“And did he speak of the elephant hunt?” asked Sisiwe.

“Yes,” replied Nomusa unhappily. “He said that if I were a boy he might

have taken me along. If only I were! He will certainly take my brother,

Mdingi. Well, at least I shall have the fun of taking the cattle to

pasture while he is away, for Kangata is too young to watch them all by

himself.”

Nomusa began to grow excited at the prospect of taking the cattle to

pasture and for a moment even thought it would make up for not being

allowed to go on the elephant hunt.

“Oh, Nomusa, why must you always be so eager to do what boys do? You

should be content with being a girl. Girls are worth much more than

boys. No Zulu girl can be had for a wife unless she is paid for in

cattle. We are valuable.”

But Nomusa’s mind was no longer on what Sisiwe was saying. Her eyes were

searching the ground to right and left, seeking the stones with which to

make the paint. Halfway to the stream, Nomusa and Sisiwe placed their

empty jars under a mimosa tree and left the path to look for colored

stones that were soft enough to grind.

“Here’s a white one,” called Nomusa to her sister. “And here’s another.

If we find two more white ones, we’ll have enough for white paint.”

When they had gathered all the stones they would need, Sisiwe said:

“We’ll leave them here in a pile until we come back from the stream.”

“The water is much lower than it was this morning,” Nomusa remarked.

“How thirsty the sun must be to drink so much every day. Well, anyway,

there’s still enough for a good dip; and here I go!” In she dived, the

pink soles of her feet gleaming. Sisiwe laughed and plunged in after

her.

The two girls began to splash and pull each other under the water with

so much shouting and merriment that birds nearby grew frightened and

flew away. The monkeys hiding in the boughs lifted their heads and

stared in wonder as the girls played in the water.

After a while, Nomusa and Sisiwe filled their jars with water and

covered them with leaves from the bushes. They placed a cushion of

rushes on top of their heads before balancing the jars on their heads.

Then they rose carefully, first one knee, then the other, without

spilling a single drop.

[Illustration: [Children]]

When they reached the spot where they had left their paint stones, the

girls picked them up one by one with their nimble toes, passing them to

their hands.

When they got to their kraal, Nomusa and Sisiwe left the water in their

huts. Then they sat in an open space near the huts, with their piles of

stones before them. With a hard stone they pounded the soft red, black,

and white stones, putting the different colors in separate piles, on

leaves. Umpondo, Sisiwe’s little brother, only a few days older than

Themba, sat between his sisters, picking up the little pieces of soft

stone as they pounded away. Nomusa said to him, “You may have some of

the stones if you wish, little brother,” and she pushed some of them

toward him.

The soft paint stones crumbled to bits easily as Nomusa crushed and

pounded them. After the pieces were small enough, she ground them until

they were fine as dust. Nomusa and Sisiwe worked silently for a time.

Then Umpondo said, “Nomusa, Themba said you know good stories. Do you

know about Uthlakanyana?”

“Oh, yes,” said Nomusa. “Mdingi has told me many stories about that

dwarf and his magic. I don’t know which one to tell you.”

“Any one,” begged Umpondo.

Without stopping what she was doing, Nomusa began, “_Za puma zenke

izilwane, za li dhla; la ngobuhlunga bezinyoka, nezinyosi, naofezela

neninyovu. La kala, lakala ke, la ze la fa_.... Once upon a time

Uthlakanyana took a bag to the forest. Inside of it he had a giant

cannibal whom he had fought and defeated. As he walked along he found a

snake, then a wasp, then a scorpion. All these biting and poisonous

things he put into the bag with the giant. The giant said, ‘Let me out,

let me out. They are biting me.’ They bit and bit him until he died. So

he died.”

“Do you know any others?” asked Umpondo eagerly.

“Yes, but not now.”

Nomusa had now finished grinding her stones. She looked at her three

little mounds of red, black, and white powder. “That’s done,” she said

to Sisiwe. “We shall have enough to paint our whole bodies.” Then she

called out, “Look! Our brothers are already returning from the pasture.

_Hau!_ Mdingi, Kangata!”

Her own brothers were the last of the boys leading their mothers’ cows

and calves into the cattlefold inside the kraal. This was fenced off

from the circle of huts by a thick wall of boughs and twigs. All the

drainage from the huts flowed down to the cattlefold which was on the

lower side of the sloping hill where the kraal was situated. In this

cattlefold were also the mealie and grain pits where the corn was stored

by the various wives after it had been stripped from the cobs. Nomusa’s

mother had told her that the fluids from the cattle percolated into the

ground and turned the corn and grain sour. This prevented the weevils

from eating it up.

As Nomusa proudly watched her mother’s cows walking single file into the

cattlefold, she noticed that her mother’s favorite, Nyawuza, was not

among them.

Where could she be?

Nomusa ran toward the cattlefold just as her brothers were entering it.

Mdingi saw her and called, “Go back, Nomusa! You know it’s bad luck for

girls to be here when we milk the cows.”

“Yes, I know,” Nomusa answered, looking at the cows to make sure she was

not mistaken. “But did you bring back all of our mother’s cows? I do not

see Nyawuza.”

Kangata stood next to Mdingi, looking solemn. Silently he gazed at his

elder brother and sister. Mdingi’s face was a study of misery and fear.

[Illustration: [Men]]

Nomusa knew something serious had happened.

[Illustration: [Huts]]

Thirty-one brothers and sisters · 第 11 / 27 题