THE BULLET-MAKERS OF LITCHFIELD

In the Museum of the New York Historical Society there is a large

flat stone with an inscription cut into one side of it, and in

the other, three deep holes for three legs of a horse. Lying on a

table near it are several large pieces of heavy metal with the

old gilding almost worn off. One piece looks like the tail of a

horse and another like a part of his saddle. These fragments of

metal and the stone slab are nearly all that is left of a statue

of King George the Third on horseback that stood on Bowling

Green, at the lower end of Broadway in New York City, before the

Revolutionary War.

One evening early in the war a mob gathered on Bowling Green. Led

by the Sons of Liberty and helped by some of the soldiers, the

crowd tore down the king's statue and broke it into bits.

Bonfires were blazing in the streets and by the light of these

ropes were thrown over the king and his charger and both were

pulled down and dragged through the streets. An entry in

Washington's Orderly Book at this time, forbidding his soldiers

to take part in anything like a riot, shows that he did not fully

approve of this proceeding. But the people were very much

excited. It was the night of the 9th of July, 1776, and news of

the Declaration of Independence by the Continental Congress in

Philadelphia had just reached New York that afternoon. At evening

rollcall the Declaration was read at the head of each brigade of

the army and "was received with loud huzzas."

Independence was declared in Philadelphia on the 4th of July, and

that day has been kept ever since as the birthday of the United

States, but news traveled so slowly before the telegraph was

invented that it was not known in New York until Monday, the 9th.

Then bells rang, and as night drew on people lighted bonfires to

show their joy, and not content with this, they hurried away to

Bowling Green and pulled down the statue of the king and cut off

his head. They acted at once on the statement of the famous

Declaration which they had just heard read to them, that "A

prince whose character is marked by every act that may define a

tyrant is unfit to be the ruler of a free people."

Once off his pedestal, however, the king suddenly became valuable

and precious to them, for he, as well as his horse, was made

mostly of lead and he could be melted down and run into bullets.

Lead was dear and scarce, and bullets were needed in the army.

The king's troops now "will probably have _melted majesty_

fired at them," some one wrote in a letter to General Gates. So

the pieces of the statue were carefully saved and most of it was

sent away secretly by ox-cart, so it is said, up into the

Connecticut hills to the home of General Wolcott in Litchfield,

for safe keeping. The general was returning there himself about

this time from Philadelphia, and perhaps he took charge of its

transportation. We shall hear of it again in Litchfield, for this

story, which begins in New York, ends in Connecticut.

The story should really begin in London, for the statue was made

there. The colonists sent an order for it after the repeal of the

Stamp Act in 1766. This act had excited great resentment in the

colonies because it was an attempt to tax the people without

their consent. When it was at last repealed, they were overjoyed,

and New York determined to express its renewed loyalty to the

king by erecting a statue of him. The laws of the colony state

that it was set up "as a monument of the deep sense with which

the inhabitants of this colony are impressed of the blessing they

enjoy under his [King George's] illustrious reign, as well as

their great affection for his royal person."

The statue was of lead, dark, heavy, and dull like the character

of the king it represented, but it was richly gilded outside and

looked, at first, like pure gold. Some of the pieces in the

museum still show the gilding. It must have been a brilliant

ornament in the little city when, on August 1, 1770, it was

placed on Bowling Green, facing the Fort Gate. But it did not

stand there very long in peace, for the stormy days of the

Revolution were approaching. England continued to impose taxes

and the colonies to resist them, until the discontent of the

people broke out in many ways. More than one attempt was made to

injure King George's statue before it was finally torn down on

the night of July 9, 1776.

[Illustration: KING GEORGE THE THIRD

Courtesy of Mr. Charles M. Lefferts and the New York Historical

Society

A drawing by Mr Lefferts from descriptions and measurements of

fragments of the statue]

If we want to know what the British thought of this last insult

to their king, we shall find out by reading the journal of

Captain John Montresor, an officer in the British army.

"Hearing," he writes, "that the Rebels [that is, the Americans]

had cut the king's head off the equestrian statue in the centre

of the Ellipps [near the Fort] at New York, which represented

George the 3rd in the figure of Marcus Aurelius, and that they

had cut the nose off, clipt the laurels that were wreathed round

his head and drove a musket bullet part of the way thro' his head

and otherwise disfigured it, and that it was carried to Moore's

tavern adjoining Fort Washington, on New York Island, in order to

be fixt on a spike on the Truck of that Flag-staff as soon as it

could be got ready, I immediately sent to Cox, who kept the

tavern at King's Bridge, to steal it from thence and to bury it,

which was effected, and was dug up on our arrival and I rewarded

the men, and sent the Head by the Lady Gage to Lord Townshend, in

order to convince them at home of the Infamous Disposition of the

Ungrateful people of this distressed country."

And there, in London, a year later, Governor Hutchinson, of

Massachusetts, saw it at Lord Townshend's house in Portman

Square. Lady Townshend, he said, went to a sofa and uncovered a

large gilt head which her husband had received the night before

from New York, and which, although "the nose was wounded and

defaced," he at once recognized by its striking likeness to the

king. We do not know what became of it after this, or whether it

is still in existence.

There were one or two other pieces of this monument which also

had eventful histories. The slab, on which the horse had stood

with one foot in the air, was used as a gravestone for Major John

Smith, of the Forty-second, or Royal Highland, Regiment, who died

in 1783, and later it served for a time as a stepping-stone in

front of a well-known house in New Jersey.

Nearly one hundred years after the Declaration of Independence

the tail of King George's horse was dug up on a farm in Wilton,

Connecticut, and a piece of his saddle was found there at about

the same time. The tradition in Wilton is that the ox-cart

carrying the broken statue passed through Wilton on its way to

Litchfield, and that the saddle and the tail were thrown away

there. Just why, no one knows; perhaps the load was too heavy;

possibly--some people think--because it was found that they were

not of pure lead and could not be used to make bullets. Most of

the statue, however, seems to have reached Litchfield safely.

On the beautiful broad South Street of that village, high in the

Connecticut hills, the house of General Wolcott, afterwards

Governor Wolcott, of Connecticut, still stands under its old

trees much as it stood in the summer of 1776.

When the pieces of the leaden statue reached Litchfield, they

were buried temporarily in the "Wolcott orchard under an apple

tree of the Pound variety" that stood near the southeast corner

of the house. And then, sometime later, there came a day when

King George, who had once sat so securely on his solid steed,

close to his fort in his good city of New York, was taken out of

this last hiding-place and, together with his leaden horse, was

melted down and run into bullets to be fired at his own soldiers.

Bullet-moulds of the time of the Revolution can be seen now in

historical museums. Some of them are shaped like a large pair of

shears. The work of running the bullets that day in Litchfield

was done by women and girls, for the men were away at the war.

The only man who took part in it, besides the general himself,

was Frederick, his ten-year-old son, and he, many years later,

told how he remembered the event, how a shed was built in the

orchard, how his father chopped up the fragments of the statue

with a wood-axe, how gay the girls were, his two sisters a little

older than himself and their friends, and what fun they all had

over the whole affair. A ladle, said to have been used in pouring

the lead into the moulds, is still kept in the Historical Museum

at Litchfield, and among Governor Wolcott's papers is a

memorandum labeled, "Number of cartridges made."

_Cartridges_

Mrs. Marvin, 6,058

Ruth Marvin, 11,592

Laura, 8,378

Mary Ann, 10,790

Frederick, 936

Mrs. Beach, 1,802

Made by sundry persons, 2,182

Gave Litchfield militia on alarm, 50

Let the Regiment of Colonel Wigglesworth have, 300

------

42,088

Mary Ann and Laura were Frederick's sisters, twelve and fourteen

years old. Some of the bullets made, and which were given to the

"Litchfield militia on alarm," were probably used the next year

to repulse a British invasion of Connecticut, so that it was said

then that "His Majesty's statue was returned to His Majesty's

troops with the compliments of the men of Connecticut."

Once Upon a Time in Connecticut · 第 24 / 43 题