He stared at her a moment, as though preoccupied. "God help us all."

He might have said more, but then he glanced after the crowd, now

moving down the road. Ahead of them a gang of blacks could be seen

through the torchlight, carrying bundles of cane in from the field and

stacking them in piles near the new mill, situated atop a slight rise.

A group of white indentured workers was also moving cane toward the

mill from somewhere beyond the range of the torchlight, whipping

forward a team of oxen pulling a large two-wheeled cart stacked with

bundles. She noticed Winston seemed in no great hurry, and instead

appeared to be listening absently to the planters.

"Would you believe this is the very same cane we brought from Brazil?"

Briggs was pointing toward a half-cut field adjacent to the road. "I

planted October a year ago, just before the autumn rains. It's been

sixteen months almost to the day, just like the Dutchmen said." He

turned back to the crowd of planters. "The indentures weeded and dunged

it, but I figured the Africans would be best for cutting it, and I was

right. Born field workers. They'll be a godsend if they can be trained

to run the sugarworks." He lowered his voice. "This is the last we'll

need of these idling white indentures."

They were now approaching the mill, which was situated inside a new

thatched-roof building. Intended for crushing the cane and extracting

the juice, it would be powered by two large white oxen shipped down

specially from Rhode Island.

The mill was a mechanism of three vertical brass rollers, each

approximately a foot in diameter, that were cogged together with teeth

around their top and bottom. A large round beam was secured through the

middle of the central roller and attached to two long sweeps that

extended outward to a circular pathway intended for the draft animals.

When the sweeps were moved, the beam would rotate and with it the

rollers.

"We just finished installing the rollers tonight. There was no chance

to test it. But I explained the operation to the indentures. We'll see

if they can remember."

An ox had been harnessed to each of the two sweeps; as Briggs

approached he signaled the servants to whip them forward. The men

nodded and lashed out at the animals, who snorted, tossed their heads,

then began to trudge in a circular path around the mill. Immediately

the central roller began to turn, rotating the outer rollers against it

by way of its cogs. As the rollers groaned into movement, several of

the indentures backed away and studied them nervously.

"Well, what are you waiting for?" Briggs yelled at the two men standing

nearest the mill, holding the first bundles of cane. "Go ahead and try

feeding it through."

One of the men moved gingerly toward the grinding rollers and reached

out, at arm's length, to feed a small bundle consisting of a half dozen

stalks of cane into the side rotating away from him. There was a loud

crackle as the bundle began to gradually disappear between the rollers.

As the crushed cane stalks emerged on the rear side of the mill, a

second indenture seized the flattened bundle and fed it back through

the pair of rollers turning in the opposite direction. In moments a

trickle of pale sap began sliding down the sides of the rollers and

dripping into a narrow trough that led through the wall and down the

incline toward the boiling house.

Briggs walked over to the trough and examined the running sap in

silence. Then he dipped in a finger and took it to his lips. He savored

it for a moment, looked up, triumph in his eyes, and motioned the other

men forward.

"Have a taste. It's the sweetest nectar there could ever be." As the

planters gathered around the trough sampling the first cane juice,

indentures continued feeding a steady progression of cane bundles

between the rollers. While the planters stood watching, the trough

began to flow.

"It works, by Christ." Marlott emitted a whoop and dipped in for a

second taste. "The first English sugar mill in all the world."

"We've just witnessed that grand historic moment, Miss Bedford."

Winston turned back to her, his voice sardonic. "In a little more time,

these wonderful sugarmills will probably cover Barbados. Together with

the slaves needed to cut the cane for them. I'd wager that in a few

years' time there'll be more Africans here than English. What we've

just witnessed is not the beginning of the great English Caribbees, but

the first step toward what'll one day be the great African Caribbees. I

suggest we take time to savor it well."

His voice was drowned in the cheer rising up from the cluster of

planters around Briggs. They had moved on down the incline now and were

standing next to the boiling house, watching as the sap began to

collect in a tank. Briggs scrutinized the tank a moment longer, then

turned to the group. "This is where the sap's tempered with wet ashes

just before it's boiled. That's how the Portugals do it. From here it

runs through that trough,"--he indicated a second flow, now starting--

"directly into the first kettle in the boiling house." He paused and

gestured Farrell to bring the flasks forward. "I propose we take time

to fortify ourselves against the heat before going in."

"Shall we proceed?" Winston was pointing down the hill. Then he

laughed. "Or would you like some liquor first?"

"Please." She pushed past him and headed down the incline. They reached

the door of the boiling house well before the planters, who were

lingering at the tank, passing the flask. Winston ducked his head at

the doorway and they passed through a wide archway and into a thatched-

roof enclosure containing a long, waist-high furnace of Dutch brick. In

the back, visible only from the light of the open furnace door, were

two figures: Briggs' new Yoruba slave Atiba and his Portuguese

mistress, Serina.

Katherine, who had almost forgotten how beautiful the mulatto was,

found herself slightly relieved that Serina was dressed in perfect

modesty. She wore a full-length white shift, against which her flawless

olive skin fairly glowed in the torchlight. As they entered, she was

speaking animatedly with Atiba while bending over to demonstrate how to

feed dry cane tops into the small openings along the side of the

furnace. When she spotted them, however, she pulled suddenly erect and

fell silent, halting in mid-sentence.

The heat in the room momentarily took away Katherine's breath, causing

her to stand in startled disorientation. It was only then that she

realized Hugh Winston was pulling at her sleeve. Something in the scene

apparently had taken him completely by surprise.

Then she realized what it was. Serina had been speaking to the tall,

loincloth-clad Yoruba in an alien language that sounded almost like a

blend of musical tones and stops.

Now the planters began barging through the opening, congratulating

Briggs as they clustered around the string of copper cauldrons cemented

into the top of the long furnace. Then, as the crowd watched

expectantly, a trickle of cane sap flowed down from the holding tank

and spattered into the first red-hot cauldron.

The men erupted with a cheer and whipped their hats into the air. Again

the brown flask of kill-devil was passed appreciatively. After taking a

long swallow, Briggs turned to Serina, gesturing toward Atiba as he

addressed her in pidgin Portuguese, intended to add an international

flavor to the evening.

"_Ele compreendo _?"

"_Sim. Compreendo_." She nodded, reached for a ladle, and began to

skim the first gathering of froth off the top of the boiling liquid.

Then she dumped the foam into a clay pot beside the furnace.

"She's supposed to know how fast to feed the furnaces to keep the

temperature right. And when to ladle the liquor into the next cauldron

down the row." He stepped back from the furnace, fanning himself with

his hat, and turned to the men. "According to the way the Portugals do

it in Brazil, the clarified liquor from the last cauldron in the line

here is moved to a cistern to cool for a time, then it's filled into

wooden pots and moved to the curing house."

"Is that ready too?" A husky voice came from somewhere in the crowd.

"Aye, and I've already had enough pots made to get started. We let the

molasses drain out and the sugar cure for three or four months, then we

move the pots to the knocking house, where we turn them over and tap

out a block of sugar. The top and bottom are brown sugar, what the

Portugals call _muscavado_, and the center is pure white." He reached

again for the bottle and took a deep swallow. "Twenty pence a pound in

London, when our tobacco used to clear three farthings."

"To be sure, the mill and the boiling house are the key. We'll have to

start building these all over the island." Thomas Lancaster removed his

black hat to wipe his brow, then pulled it firmly back on his head.

"And start training the Africans in their operation. No white man could

stand this heat."

"She should have this one trained in a day or so." Briggs

thumbed toward Atiba, now standing opposite the door examining the

planters. "Then we can have him train more."

"I'll venture you'd do well to watch that one particularly close."

Edward Bayes lowered his voice, speaking into his beard. "There's a

look about him."

"Aye, he's cantankerous, I'll grant you, but he's quick. He just needs

to be tamed. I've already had to flog him once, ten lashes, the first

night here, when he balked at eating loblolly mush."

"Ten, you say?" Dalby Bedford did not bother to disguise the

astonishment in his voice. "Would you not have done better to start

with five?"

"Are you lecturing me now on how to best break in my Africans?" Briggs

glared. "I paid for them, sir. They're my property, to manage as I best

see fit."

Nicholas Whittington murmured his assent, and others concurred.

"As you say, gentlemen. But you've got three more Dutch slavers due

within a fortnight. I understand they're supposed to be shipping

Barbados a full three thousand this year alone." Bedford looked about

the room with a concerned expression. "That'll be just a start, if

sugar production expands the way it seems it will. It might be well if

we had the Assembly pass Acts for ordering and governing these slaves."

"Damn your Assembly. We already have laws for property on Barbados."

Again the other planters voiced their agreement. Bedford stood

listening, then lifted his hand for quiet. Katherine found herself

wishing he would be as blunt with them as Winston had been. Sometimes

the governor's good manners got in the way, something that hardly

seemed to trouble Hugh Winston.

"I tell you this is no light matter. No man in this room knows how to

manage all these Africans. What Englishman has ever been responsible

for twenty, thirty, nay perhaps even a hundred slaves? They've to be

clothed in some manner, fed, paired for offspring. And religion, sir?

Some of the Quakers we've let settle in Bridgetown are already starting

to say your blacks should be baptized and taught Christianity."

"You can't be suggesting it? If we let them be made Christians, where

would it end?" Briggs examined him in disbelief. "You'd have laws, sir,

Acts of your Assembly. Well there's the place to start. I hold the

first law should be to fine and set in the stocks any of these so-

called Quakers caught trying to teach our blacks Christianity. We'll

not stand for it."

Katherine saw Serina's features tense and her eyes harden, but she said

nothing, merely continued to skim the foam from the boiling surface of

the cauldron.

"The Spaniards and Portugals teach the Catholic faith to their

Negroes," Bedford continued evenly.

"And there you have the difference. They're not English. They're

Papists." Briggs paused as he studied the flow of cane sap entering the

cauldron from the holding tank, still dripping slowly from the lead

spout. "By the looks of it, it could be flowing faster." He studied it

a moment longer, then turned toward the door. "The mill. Maybe that's

the answer. What if we doubled the size of the cane bundles?"

Katherine watched the planters trail after Briggs, out the doorway and

into the night, still passing the flask of kill-devil.

"What do you think, Captain? Should an African be made a Christian?"

"Theology's not my specialty, Miss Bedford." He walked past her. "Tell

me first if you think a Puritan's one." He was moving toward Serina,

who stood silently skimming the top of the first cauldron, now a

vigorous boil. She glanced up once and examined him, then returned her

eyes to the froth. Katherine just managed to catch a few words as he

began speaking to her quietly in fluent Portuguese, as though to guard

against any of the planters accidentally overhearing.

"Senhora, how is it you know the language of the Africans?"

She looked up for a moment without speaking, her eyes disdainful. "I'm

a slave too, as you well know, senhor." Then she turned and continued

with the ladle.

"But you're a Portugal."

"And never forget that. I am not one of these _preto_." She spat out

the Portuguese word for Negro.

Atiba continued methodically shoving cane tops into the roaring mouth

of the furnace.

"But you were speaking to him just now in his own language. I

recognized it."

"He asked a question, and I answered him, that's all."

"Then you do know his language? How?"

"I know many things." She fixed his eyes, continuing in Portuguese.

"Perhaps it surprises you Ingles that a _mulata _can speak at all. I

also know how to read, something half the _branco _rubbish who were in

this room tonight probably cannot do."

Katherine knew only a smattering of Portuguese, but she caught the part

about some of the _branco_, the whites, not being able to read. She

smiled to think there was probably much truth in that. Certainly almost

none of the white indentures could. Further, she suspected that many of

the planters had never bothered to learn either.

"I know you were educated in Brazil." Winston was pressing Serina

relentlessly. "I was trying to ask you how you know the language of

this African?"

She paused, her face a blend of haughtiness and regret. She started to

speak, then stopped herself.

"Won't you tell me?"

She turned back, as though speaking to the cauldron. "My mother was

Yoruba."

"Is that how you learned?" His voice was skeptical.

"I was taught also by a _babalawo_, a Yoruba priest, in Brazil."

"What's she saying?" Katherine moved next to him, shielding her eyes

from the heat.

"_Desculpe_, senhora, excuse me." Winston quickly moved forward,

continuing in Portuguese as he motioned toward Katherine. "This is . .

."

"I know perfectly well who Miss Bedford is." Serina interrupted him,

still in Portuguese.

Katherine stared at her, not catching the foreign words. "Is she

talking about me?"

"She said her mother was a Yoruba." Winston moved between them. "And

she said something about a priest."

"Is she some sort of priest? Is that what she said?"

"No." Serina's English answer was quick and curt, then she said

something else to Winston, in Portuguese.

"She said she was not, though the women of her mother's family have

practiced divination for many generations."

"Divination?" Katherine studied him, puzzled. Then she turned back to

Serina,"What do you mean by that?"

Serina was looking at her now, for the first time. "Divination is the

way the Yoruba people ask their gods to tell the future."

"How exactly do they go about doing such a thing?"

"Many ways." She turned back to the cauldron.

Winston stood in the silence for a moment, then turned to Katherine. "I

think one of the ways is with shells. In Brazil I once saw a Yoruba

diviner shaking a tray with small sea-shells in it."

Serina glanced back, now speaking English. "I see you are an Ingles who

bothers to try and understand other peoples. One of the few I've ever

met. _Felicitacao_, senhor, my compliments. Yes, that is one of the

ways, and the most sacred to a Yoruba. It's called the divination of

the sixteen cowrie shells. A Yoruba diviner foretells the will of the

gods from how the shells lie in a tray after it has been shaken--by how

many lie with the slotted side up. It's the way the gods talk to him."

"Who are these gods they speak to?" Katherine found herself challenged

by the mulatto's haughtiness.

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