The reason why all knights and soldiers generally have had confidence

in St. George, is founded, we are told, on the _facts_ of his

reappearance on earth at various periods, and particularly at the great

siege of Antioch, in the times of the crusades. The Christians had

been well nigh as thoroughly beaten as the Russians at Silistria. They

were at the utmost extremity, when a squadron was seen rushing down

from a mountain defile, with three knights at its head, in brilliant

panoply and snow-white scarfs. “Behold,” cried Bishop Adhemar, “the

heavenly succor which was promised to you! Heaven declares for the

Christians. The holy martyrs, George, Demetrius, and Theodore, come to

fight for you.” The effect was electrical. The Christian army rushed

to victory, with the shout, “It is the will of God!” and the effect of

the opportune appearance of the three chiefs and their squadron, who

laid right lustily on the Saracens, was decisive of one of the most

glorious, yet only temporarily productive of triumphs.

When Richard I. was on his expedition against enemies of the same race,

he too was relieved from great straits by a vision of St. George. The

army, indeed, did not see the glorious and inspiring sight, but the

king affirmed that _he_ did, which, in those credulous times was quite

as well. In these later days men are less credulous, or saints are

more cautious. Thus the Muscovites assaulted Kars under the idea that

St. Sergius was with them; at all events, Pacha Williams, a good cause,

and sinewy arms, were stronger than the Muscovite idea and St. Sergius

to boot.

Such, then, is the hagiography of our martial saint. Gibbon has

sketched his life in another point of view--business-like, if not

matter-of-fact. The terrible historian sets down our great patron as

having been born in a fuller’s shop in Cilicia, educated (perhaps) in

Cappadocia, and as having so won promotion, when a young man, from his

patrons, by the skilful exercise of his profession as a parasite, as to

procure, through their influence, “a lucrative commission or contract

to supply the army with bacon!” In this commissariat employment he is

said to have exercised fraud and corruption, by which may be meant

that he sent to the army bacon as rusty as an old cuirass, and charged

a high price for a worthless article. In these times, when the name

and character of St. George are established, it is to be hoped that

Christian purveyors for Christian armies do not, in reverencing George

the Saint, imitate the practices alleged against him as George the

Contractor. It would be hard, indeed, if a modern contractor who sent

foul hay to the cavalry, uneatable food to the army generally, or

poisonous potted-meat to the navy, could shield himself under the name

and example of St. George. Charges as heavy _are_ alleged against him

by Gibbon, who adds that the malversations of the pious rogue “were

so notorious, that George was compelled to escape from the pursuit of

justice.” If he saved his fortune, it is allowed that he made shipwreck

of his honor; and he certainly did not improve his reputation if,

as is alleged, he turned Arian. The career of our patron saint, as

described by Gibbon, is startling. That writer speaks of the splendid

library subsequently collected by George, but he hints that the volumes

on history, rhetoric, philosophy, and theology, were perhaps as much

proof of ostentation as of love for learning. That George was raised

by the intrigues of a faction to the pastoral throne of Athanasius, in

Alexandria, does not surprise us. Bishops were very irregularly elected

in those early days, when men were sometimes summarily made teachers

who needed instruction themselves; as is the case in some enlightened

districts at present. George displayed an imperial pomp in his

archiepiscopal character, “but he still betrayed those vices of his

base and servile extraction,” yet was so impartial that he oppressed

and plundered all parties alike. “The merchants of Alexandria,” says

the historian of the “Decline and Fall,” “were impoverished by the

unjust and almost universal monopoly which he acquired of nitre, salt,

paper, funerals, &c., and the spiritual father of a great people

condescended to practise the vile and pernicious arts of an informer.

He seems to have had as sharp an eye after the profit to be derived

from burials, as a certain archdeacon, who thinks intramural burial

of the dead a very sanitary measure for the living, and particularly

profitable to the clergy. Thus the example of St. George would seem

to influence very “venerable” as well as very “martial” gentlemen.

The Cappadocian most especially disgusted the Alexandrians by levying

a house tax, of his own motion, and as he pillaged the pagan temples

as well, all parties rose at length against the common oppressor and

“under the reign of Constantine he was expelled by the fury and justice

of the people.” He was restored only again to fall. The accession of

Julian brought destruction upon the archbishop and many of his friends,

who, after an imprisonment of three weeks, were dragged from their

dungeons by a wild and cruel populace, and murdered in the streets.

The bodies were paraded in triumph upon camels (as that of Condé was

by his Catholic opponents, after the battle of Jarnac, on an ass), and

they were ultimately cast into the sea. This last measure was adopted

in order that, if the sufferers were to be accounted as martyrs, there

should at least be no relics of them for men to worship. Gibbon thus

concludes: “The fears of the Pagans were just, and their precautions

ineffectual. The meritorious death of the archbishop obliterated the

memory of his life. The rival of Athanasius was dear and sacred to the

Arians, and the seeming conversion of those sectaries introduced his

worship into the bosom of the Catholic church. The odious stranger,

disguising every circumstance of time and place, assumed the rank of

a martyr, a saint, and a Christian hero; and the infamous George of

Cappadocia has been transformed into the famous St. George of England,

the patron of arms, of chivalry, and of the garter.”

The romancers have treated St. George and his knightly confraternity

after their own manner. As a sample of what reading our ancestors

were delighted with, especially those who loved chivalric themes, I

know nothing better than “The Famous History of the Seven Champions

of Christendom, St. George of England, St. Denis of France, St. James

of Spain, St. Anthony of Italy, St. Andrew of Scotland, St. Patrick

of Ireland, and St. David of Wales. Shewing their honourable battles

by sea and land. Their tilts, justs, tournaments for ladies; their

combats with gyants, monsters, and dragons; their adventures in foreign

nations; their enchantments in the Holy Land; their knighthoods,

prowess, and chivalry, in Europe, Africa, and Asia; with their

victories against the enemies of Christ; also the true manner and

places of their deaths, being seven tragedies, and how they came to

be called the Seven Saints of Christendom.” The courteous author or

publisher of the veracious details, prefaces them with a brief address

“to all courteous readers,” to whom “Richard Johnson wisheth increase

of virtuous knowledge.” “Be not,” he says, “like the chattering cranes,

nor Momus’s mates that carp at everything. What the simple say, I

care not. What the spiteful say, I pass not; only the censure of the

conceited,” by which good Richard means the learned, “I stand unto;

that is the mark I aim at,”--an address, it may be observed, which

smacks of the Malaprop school; but which seemed more natural to our

ancestors than it does to us.

For these readers Richard Johnson presents a very highly-spiced fare.

He brings our patron saint into the world by a Cæsarean operation

performed by a witch, who stole him from his unconscious mother,

and reared him up in a cave, whence the young knight ultimately

escaped with the other champions whom the witch, now slain, had kept

imprisoned. The champions, it may be observed, travel with a celerity

that mocks the “Express,” and rivals the despatch of the Electric

Telegraph. They are scarcely departed from the seven paths which led

from the brazen pillar, each in search of adventures, when they are

all “in the thick of it,” almost at the antipodes. A breath takes St.

George from Coventry, his recovered home, after leaving the witch,

to Egypt. At the latter place he slays that terrible dragon, which

some think to imply the Arian overcoming the Athanasian, and rescues

the Princess Sabra, in whose very liberal love we can hardly trace a

symbol of the Church, although her antipathies are sufficiently strong

to remind one of the _odium theologicum_. George goes on performing

stupendous feats, and getting no thanks, until he undertakes to slay a

couple of lions for the Soldan of Persia, and gets clapped into prison,

during seven years, for his pains. The biographer I suspect, shut the

knight up so long, in order to have an excuse to begin episodically

with the life of St. Denis.

The mystic number seven enters into all the principal divisions of

the story. Thus, St. Denis having wandered into Thessaly was reduced

to such straits as to live upon mulberries; and these so disagreed

with him that he became suddenly transformed into a hart; a very

illogical sequence indeed. But the mulberry tree was, in fact,

Eglantius the King’s daughter, metamorphosed for her pride. Seven

years he thus remained; at the end of which time, his horse, wise as

any regularly-ordained physician, administered to him a decoction of

roses which brought about the transformation of both his master and his

master’s mistress into their “humane shapes.” That they went to court

sworn lovers may be taken as a matter of course. There they are left,

in order to afford the author an opportunity of showing how St. James,

having most unorthodoxically fallen in love with a Jewish maiden, was

seven years dumb, in consequence. St. James, however, is a patient and

persevering lover. If I had an ill-will against any one I would counsel

him to read this very long-winded history, but being at peace with

all mankind, I advise my readers to be content with learning that the

apostolic champion and the young Jewess are ultimately united, and fly

to Seville, where they reside in furnished lodgings, and lead a happy

life;--while the author tells of what befell to the doughty St. Anthony.

This notable Italian is a great hand at subduing giants and ladies.

We have a surfeit of combats and destruction, and love-making and

speechifying, in this champion’s life; and when we are compelled to

leave him travelling about with a Thracian lady, who accompanies him,

in a theatrical male dress, and looks in it like the Duchess--at least,

like Miss Farebrother, in the dashing white sergeant of the Forty

Thieves--we shake our head at St. Anthony and think how very unlike

he is to his namesake in the etching by Callot, where the fairest of

sirens could not squeeze a sigh from the anchorite’s wrinkled heart.

While they are travelling about in the rather disreputable fashion

above alluded to, we come across St. Andrew of Scotland, who has

greater variety of adventure than any other of the champions. With

every hour there is a fresh incident. Now he is battling with spirits,

now struggling with human foes, and anon mixed up, unfavorably, with

beasts. At the end of all the frays, there is--we need hardly say it--a

lady. The bonny Scot was not likely to be behind his fellow-champions

in this respect. Nay, St. Andrew has six of them, who had been swans,

and are now natural singing lasses. What sort of a blade St. Andrew

was may be guessed by the “fact,” that when he departed from the royal

court, to which he had conducted the half dozen ladies, they all eloped

in a body, after him. There never was so dashing a hero dreamed of by

romance--though a rhymer _has_ dashed off his equal in wooing, and

Burns’s “Finlay” is the only one that may stand the parallel.

When the six Thracian ladies fall into the power of “thirty

bloody-minded satyrs,” who so likely, or so happy to rescue them as

jolly St. Patrick. How he flies to the rescue, slays one satyr, puts

the rest to flight, and true as steel, in love or friendship, takes

the half dozen damsels under his arm, and swings singingly along with

them in search of the roving Scot! As for St. David, all this while,

he had not been quite so triumphant, or so tried, as his fellows. He

had fallen into bad company, and “four beautiful damsels wrapped the

drousie champion in a sheet of fine Arabian silk, and conveyed him into

a cave, placed in the middle of a garden, where they laid him on a

bed, more softer than the down of Culvers.” In this agreeable company

the Welsh champion wiled away _his_ seven years. It was pleasant but

not proper. But if the author had not thus disposed of him, how do you

think he would ever have got back to St. George of England? The author

indeed exhibits considerable skill, for he brings St. George and St.

David together, and the first rescues the second from ignoble thraldom,

and what is worse, from the most prosy enchanter I ever met with in

history, and who is really not enchanting at all. This done, George is

off to Tripoli.

There, near there, or somewhere else, for the romances are dreadfully

careless in their topography, he falls in with his old love Sabra,

married to a Moorish King. If George is perplexed at this, seeing that

the lady had engaged to remain an unmarried maiden till he came to wed

her, he is still more so when she informs him that she has, in all

essentials, kept her word, “through the secret virtue of a golden chain

steeped in tiger’s blood, the which she wore seven times double about

her ivory neck.” St. George does not know what to make of it, but as on

subsequently encountering two lions, Sabra, while he was despatching

one, kept the other quietly with its head resting on her lap, the

knight declared himself perfectly satisfied, and they set out upon

their travels, lovingly together.

By the luckiest chance, all the wandering knights and their ladies met

at the court of a King of Greece, who is not, certainly, to be heard of

in Gillies’ or Goldsmith’s history. The scenery is now on a magnificent

scale, for there is a regal wedding on foot, and tournaments, and the

real war of Heathenism against all Christendom. As the Champions of

Christendom have as yet done little to warrant them in assuming the

appellation, one would suppose that the time had now arrived when they

were to give the world a taste of their quality in that respect. But

nothing of the sort occurs. The seven worthies separate, each to his

own country, in order to prepare for great deeds; but none are done for

the benefit of Christianity, unless indeed we are to conclude that when

George and Sabra travelled together, and he overcame all antagonists,

and she inspired with love all beholders;--he subdued nature itself and

she ran continually into danger, from which he rescued her:--and that

when, after being condemned to the stake, the young wife gave birth

to three babes in the wood, and was at last crowned Queen of Egypt,

something is meant by way of allegory, in reference to old church

questions, and in not very clear elucidation as to how these questions

were beneficially affected by the Champions of Christendom!

I may add that when Sabra was crowned Queen of Egypt, every one was

ordered to be merry, on pain of death! It is further to be observed

there is now much confusion, and that the confusion by no means grows

less as the story thunders on. The Champions and the three sons of St.

George are, by turns, East, West, North, and South, either pursuing

each other, or suddenly and unexpectedly encountering, like the

principal personages in a pantomime. Battles, love-making, and shutting

up cruel and reprobate magicians from the “humane eye,” are the chief

events, but to every event there are dozens of episodes, and each

episode is as confusing, dazzling, and bewildering as the trunk from

which it hangs.

St. George, however, is like a greater champion than himself; and when

he is idle and in Italy, he does precisely what Nelson did in the

same place--fall in love with a lady, and cause endless mischief in

consequence. By this time, however, Johnson begins to think, rightly,

that his readers have had enough of it, and that it is time to dispose

of his principal characters. These too, are so well disposed to help

him, that when the author kills St. Patrick, the saint burys himself!

In memory of his deeds, of which we have heard little or nothing,

some are accustomed to honor him, says Mr. Johnson--“wearing upon

their hats, each of them, a cross of red silk, in token of his many

adventures under the Christian Cross.” So that the shamrock appears to

have been a device only of later times.

St. David is as quickly despatched. This champion enters Wales to crush

the pagans there. He wears a leek in his helmet, and his followers

adopt the same fashion, in order that friend may be distinguished

from foe. The doughty saint, of course, comes conqueror out of the

battle, but he is in a heated state, gets a chill and dies after all

of a common cold. Bruce, returning safe from exploring the Nile, to

break his neck by falling down his own stairs, hardly presents a more

practical bathos than this. Why the leek became the badge of Welshmen

need not be further explained.

It is singular that in recounting the manner of the death of the

next champion, St. Denis, the romancer is less romantic than common

tradition. He tells us how the knight repaired to then pagan France;

how he was accused of being a Christian, by another knight of what we

should fancy a Christian order, St. Michael, and how the pagan king

orders St. Denis to be beheaded, in consequence. There are wonders in

the heavens, at this execution, which convert the heathen sovereign to

Christianity; but no mention is made of St. Denis having walked to a

monastery, after his head was off, and _with_ his head under his arm.

Of this prodigy Voltaire remarked, “Ce n’est que le premier pas qui

coute,” but of that the romancer makes no mention. St. James suffers by

being shut up in his chapel in Spain, and starved to death, by order

of the Atheist king. Anthony dies quietly in a good old age, in Italy;

St. Andrew is beheaded by the cruel pagan Scots whom, in his old age,

he had visited, in order to bring them to conversion: and St. George,

who goes on, riding down wild monsters and rescuing timid maidens,

to the last--and his inclination, was always in the direction of the

maidens--ultimately meets his death by the sting of a venomous dragon.

And now it would seem that two or three hundred years ago, authors were

very much like the actors in the _Critic_, who when they _did_ get hold

of a good thing, could never give the public enough of it. Accordingly,

the biography of the Seven Champions was followed by that of their

sons. I will spare my readers the turbulent details: they will probably

be satisfied with learning that the three sons of St. George became

kings, “according as the fairy queen had prophesied to them,” and that

Sir Turpin, son of David, Sir Pedro, son of James, Sir Orlando, son of

Anthony, Sir Ewen, son of Andrew, Sir Phelim, son of Patrick, and Sir

Owen, son of David, like their sires, combated with giants, monsters,

and dragons; tilted and tournamented in honor of the ladies, did battle

in defence of Christianity, relieved the distressed, annihilated

necromancers and table-turners, in short, accomplished all that could

be expected from knights of such prowess and chivalry.

When Richard Johnson had reached this part of his history, he gave it

to the world, awaiting the judgment of the critics, before he published

his second portion: that portion wherein he was to unfold what nobody

yet could guess at, namely, wherefore the Seven Champions were called

_par excellence_, the Champions of Christendom. I am afraid that

meanwhile those terrible, god-like, and inexorable critics, had not

dealt altogether gently with him. The _Punch_ they offered him was not

made exclusively of sweets. His St. George had been attacked, and very

small reverence been expressed for his ladies. But see how calmly and

courteously--all the more admirable that there must have been some

affectation in the matter--he turns from the censuring judges to that

benevolent personage, the gentle reader. “Thy courtesy,” he says,

“must be my buckler against the carping malice of mocking jesters,

that being worse able to do well, scoff commonly at that they can not

mend; censuring all things, doing nothing, but (monkey-like) make apish

jests at anything they do in print, and nothing pleaseth them, except

it savor of a scoffing and invective spirit. Well, what they say of me

I do not care; thy delight is my sole desire.” Well said, bold Richard

Johnson. He thought he had put down criticism as St. George had the

dragon.

I can not say, however, that good Richard Johnson treats his gentle

reader fairly. This second part of his Champions is to a reader worse

than what all the labors of Hercules were to the lusty son of Alcmena.

An historical drama at Astley’s is not half so bewildering, and is

almost as credible, and Mr. Ducrow himself when he was rehearsing his

celebrated “spectacle drama” of “St. George and the Dragon” at old

Drury--and who that ever saw him on those occasions can possibly forget

him?--achieved greater feats, or was more utterly unlike any sane

individual than St. George is, as put upon the literary stage by Master

Johnson.

One comfort in tracing the tortuosities of this chivalric romance

is that the action is rapid; but then there is so much of it, and

it is so astounding! We are first introduced to the three sons of

St. George, who are famous hunters in England, and whose mother, the

lady Sabra, “catches her death,” by going out attired like Diana, to

witness their achievements. The chivalric widower thereupon sets out

for Jerusalem, his fellow-champions accompany, and George’s three

sons, Guy, Alexander, and David, upon insinuation from their mother’s

spirit, start too in pursuit. The lads were knighted by the king of

England before they commenced their journey, which they perform with

the golden spur of chivalry attached to their heels. They meet with the

usual adventures by the way: destroying giants, and rescuing virgins,

who in these troublesome times seem to have been allowed to travel

about too much by themselves. Meanwhile, their sire is enacting greater

prodigies still, and is continually delivering his fellow-champions

from difficulties, from which they are unable to extricate themselves.

Indeed, in all circumstances, his figure is the most prominent; and

although the other half-dozen _must_ have rendered some service on

each occasion, St. George makes no more mention of the same than

Marshal St. Arnaud, in his letters on the victory at the Alma, does of

the presence and services of the English.

Knights and their days · 第 10 / 44 段