CHAPTER V

Trials of a Travelling Musician

"The man that hath not music in his soul."

I will say no more. The quotation, though but too true, I is too well

known; but it will serve as the best illustration I can give to the

various annoyances which beset the path of him who is musically

inclined, and whose soul is in unison with sweet sounds. This was my

case. I loved music with all my heart and soul, and in order to give

myself wholly up to my passion, and claim a sort of moral right to enjoy

it, I made it a profession.

Few people have a better opportunity of becoming acquainted with the

world than the travelling musician; yet such is the absorbing nature of

his calling, that few make use of it less. His nature is open, easy, and

unsuspecting; pleased with his profession, he hopes always to convey the

same pleasure to his hearers; and though doubts will sometimes cross his

mind, and the fear of ridicule make him awkward and nervous, yet, upon

the whole, he is generally sure of making a favourable impression on the

simple-hearted and generous among his hearers.

The musician moves among his fellow-men as a sort of privileged person;

for who ever suspects him of being a rogue? His first attempt to deceive

would defeat its own object, and prove him to be a mere pretender. His

hand and voice must answer for his skill, and form the only true test of

his abilities. If tuneless and bad, the public will not fail to condemn

him.

The adventures of the troubadours of old, if they were more full of

sentiment and romance than the every-day occurrences that beset the path

of the modern minstrel, were not more replete with odd chances and

ludicrous incident. Take the following for an example of the many droll

things which have happened to me during my travels.

In the summer of 1846 I was making a professional tour through the

United States, and had advertised a concert for the ensuing evening at

the small town of ---, and was busy making the necessary arrangements,

when I was suddenly accosted, as I left the hotel, by a tall, thin,

lack-a-daisical looking man, of a most unmusical and unprepossessing

appearance: "How-do-ye-do? I'm highly tickled to see you. I s'pose you

are going to give an extra sing here--ain't you?"

"Yes; I intend giving a concert here this evening."

"Hem! How much dew you ax to come in? That is--I want to say--what are

you goin' to chearge a ticket?"

"Half a dollar--the usual price."

"How?" inclining his ear towards me, as if he doubted the soundness of

the organ.

"Half a dollar?" repeated I, carelessly.

"Tis tew much. You had better chearge twenty-five cents. If you dew,

you'll have a pretty good house. If you make it twelve and a half cents,

you'll have a _smasher_. If, mister, you'll lower that agin to six and a

quarter cents, you'll have to take a field,--there ain't a house would

hold 'em." After a pause, scratching his head, and shuffling with his

feet, "I s'pose you ginnerally give the profession tickets?"

"Sometimes."

"I'm a _leetle_ in your line myself. Although I'm a shoe-maker by

trade, I leads the first Presbyterian choir upon the hill. I should like

to have you come up, if you stay long enough."

"As that is the case, perhaps you can tell me if I am likely to have a

good house to-night?"

"I kind a reckon as how you will; that is, if you don't chearge tew

much."

"Where shall I get the best room?"

"Well, I guess, you had better try the old meetin' house."

"Thank you. Allow me, sir, to present you with a ticket." I now thought

that I had got rid of him, and amply paid him for the information I had

received. The ticket was for a single admission. He took it, turned it

slowly round, held it close to his eyes, spelt it carefully over, and

then stared at me. "What next?" thought I.

"There's my wife. Well--I s'pose she'd like to come in."

"You wish me to give you a double ticket?"

"I don't care if you dew," again turning the new ticket in his hand;

and, scratching his head more earnestly, he said, "I've one of the

smartest boys you ever seed; he's a fust-rate ear for music; he can

whistle any tune he hears right straight off. Then there's my wife's

sister a-staying with us jist now; she's very fond of music tew."

"Perhaps," said I, losing all patience, "you would prefer a family

ticket?"

"Well; I'd be obliged. It don't cost you any, mister; and if we don't

use it, I'll return it to-morrow."

The stranger left me, and I saw no more of him, until I spied him in the

concert-room, with a small family of ten or twelve. Presently, another

man and a dog arrived. Says he to the doorkeeper, "What's a-goin on

here?"

"It's a concert--admission, half-a-dollar."

"I'm not a-goin' to give half-a-dollar to go in here. I hire a pew in

this here church by the year, and I've a right to go in whenever the

door's open." So in he went with his dog.

The evening turned out very wet, and these people happened to form all

my audience; and as I did not feel at all inclined to sing for their

especial benefit, I returned to my lodgings. I learned from my

doorkeeper the next morning, that my friends waited for an hour and a

half for my reappearance, which could not reasonably have been expected

under existing circumstances.

I thought I had got rid of the musical shoemaker for ever, but no such

good luck. Before I was out of my bed, he paid me a visit.

"You will excuse my calling so early," says he, "but I was anxious to

see you before you left the town."

Wishing him at the bottom of the Mississippi, I put on my dressing gown,

and slipped from my bed, whilst he continued his introductory address.

"I was very sorry that you had not a better attendance last night; and

I s'pose that accounted for your leaving us as you did. We were all

kinder disappointed. You'd have had a better house, only the people

thought there was a _leetle_ humbug about this," and he handed me one

of my programmes.

It is well known to most of my readers, that in writing these bills the

name of the composer generally follows the song, particularly in any

very popular compositions, such as

Grand Introduction to Pianoforte .............. HENRY HERTZ.

Life on the Ocean Wave ........................ HENRY RUSSELL.

Old English Gentleman ......................... Melody by MART. LUTHER.

"Humbug!" said I, attempting to take the bill, in order to see that no

mistake had originated in the printing, but my tormentor held it fast.

"Look," said he; "Now where is Henry Hertz; and Henry Russell, where is

he? And the Old English Gentleman, Martin Luther, what has become of

him? The folks said that he was dead, but I didn't believe that, for I

didn't think that you would have had the face to put his name in your

bill if he was."

Thus ended my acquaintance with the enlightened shoemaker of the

Mississippi. I was travelling in one of the western canal boats the same

summer, and was sauntering to and fro upon the deck, admiring the beauty

of the country through which we were passing, when I observed a very

tall, thin-laced, sharp looking man, regarding me with very fixed

attention. Not knowing who or what he was, I was at last a little

annoyed by the pertinacity of this steady stare. It was evident that he

meditated an attack upon me in some shape or other. Suddenly he came up

to me, and extending his hand, exclaimed,--

"Why, Mister H---, is this you? I have not seen you since you gave your

_consort_ at N---; it seems a tarnation long while ago. I thought,

perhaps, you had got blowed up in one of those exploded steam-boats.

But here you are as large as life--and that's not over large neither,

(glancing at the slight dimensions of my figure,) and as ready to raise

the wind as ever. I am highly gratified to meet with you, as I have one

of the greatest songs you ever he'rd to show you. If you can but set it

to music, and sing it in New York city, it will immortalize you, and

immortalize me tew."

Amused at the earnestness with which the fellow spoke, I inquired the

subject of his song.

"Oh, 'tis des-crip-tive; 'tis tre-men-dous. It will make a sensation all

over the Union."

"But what is it about?--Have you got it with you?"

"No--no, mister; I never puts these things down on paper, lest other

folk should find them and steal them. But I'll give you some _idee_

of what it is. Look you, mister. I was going from Syracuse to Rochester,

on the canal-boat. We met on our way a tre-men-dous storm. The wind

blew, and the rain came down like old sixty, and everything looked as

black as my hat; and the passengers got scared and wanted to get off,

but the captain sung out, 'Whew--let 'em go, Jem!' and away we went at

the rate of tew miles an hour, and they could not stop. By and by we

struck a rock, and down we went."

"Indeed!" said I, "that's very unusual in a canal-boat; were any lives

lost?"

"No, but we were all dreadfully sceared and covered with mud. I sat down

by the _en-gine_ till I got dry, and then I wrote my pome. I will repeat

what I can to you, and what I can't I will write right off when I gets

hum.--Hold on--hold on--" he continued, beating his forehead with the

back of his hand, as if to awaken the powers of memory--"I have it

now--I have it now,--'tis tre-men-dous--"

"Oh Lord, who know'st the wants of men,

Guide my hand, and guide my pen,

And help me bring the truth to light,

Of that dread scene and awful night,

Ri, tu, ri, tu, ri, tu.

There was Mister Cadoga in years a-bud,

Was found next morning in tew feet mud;

He strove--he strove--but all in vain,

The more he got up, he fell down again.

Ri, tu, ri, tu, ri, tu."

The poet paused for a moment to gain breath, evidently overcome by

the recollection of the awful scene. "Is not that bee-u-tiful?" he

exclaimed. "What a fine effect you could give to that on the pee-a-ne,

humouring the keys to imitate his squabbling about in the mud. Let me

tell you, mister, it would beat Russell's 'Ship on Fire' all hollow."

Wiping the perspiration from his face, he recommenced--

"The passengers rushed unto the spot,

Together with the crew;

We got him safe out of the mud,

But he had lost his shoe.

Ri, tu, ri, tu, ri, tu."

I could not listen to another line of this sublime effusion, the

passengers who had gathered around us drowning his nasal drawl in a

complete roar of laughter. Seeing that I was as much infected as the

rest, the poet turned to me, with an air of offended dignity,--

"I don't take the trouble, mister, to repeat any more of my _pomes_ to

you; nor do I take it kind at all, your laughing at me in that ere way.

But the truth is, you can't comprehend nor appreciate anything that is

sublime, or out of the common way. Besides, I don't think you could set

it to music; it is not in you, and you can't fix it no-how."

This singular address renewed our mirth; and, finding myself unable to

control my inclination to laugh, and not wishing to hurt his feelings, I

was about to leave him, when the man at the helm sung out, "Bridge!"

The passengers lowered their heads to ensure their safety--all but my

friend the poet, who was too much excited to notice the signal before

he came in contact with the bridge, which sent him sprawling down the

gangway. He picked himself up, clambered up the stairs, and began

striding up and down the deck at a tremendous rate, casting from time to

time indignant glances at me.

I thought, for my part, that the man was not in his right senses, or

that the blow he had received had so dulled his bump of caution, that he

could no longer take care of himself; for the next moment he stumbled

over a little child, and would have been hurt severely if I had not

broken his fall, by catching his arm before he again measured his length

on the deck. My timely assistance mollified his anger, and he once more

became friendly and confidential.

"Here, take this piece of poetry, Mister H---, and see if you can set _it_

to music. Mind you, it is none of mine; but though not _quite_ so good, it

is som'at in my style. I cut it out of a newspaper down East. You are

welcome to it," he continued, with a patronizing nod, "that is, if you

are able to do justice to the subject."

I took the piece of dirty crumpled newspaper from his hand; and, struck

with the droll quizzing humour of the lines, I have preserved them ever

since. As I have never seen them before or since, I will give you them

here.

To The Falls Of Niagara.

"I wonder how long you've been roarin'

At this infernal rate;

I wonder if all you've been pourin'

Could be cipher'd on a slate.

"I wonder how such a thunderin' sounded

When all New York was woods;

'Spose likely some Injins have been drownded,

When the rains have raised your floods.

"I wonder if wild stags and buffaloes

Have stood where now I stand;

Well--s'pose being scared at first, they stubb'd their toes;

I wonder where they'd land.

"I wonder if that rainbow has been shinin'

Since sun-rise at creation;

And this waterfall been underminin'

With constant spatteration.

"That Moses never mention'd ye--I've wonder'd,

While other things describin';

My conscience!--how ye must have foam'd and thunder'd

When the deluge was subsidin'!

"My thoughts are strange, magnificent, and deep,

When I look down on thee;--

Oh, what a glorious place for washing sheep

Niagara would be!

"And oh, what a tremendous water power

Is wash'd over its edge;

One man might furnish all the world with flour,

With a single privilege.

"I wonder how many times the lakes have all

Been emptied over here;

Why Clinton did not feed the grand Canal

Up here--I think is queer.

"The thoughts are very strange that crowd my brain,

When I look up to thee;

Such thoughts I never expect to have again,

To all eternity."

After reading the lines, I begged my friend to excuse me, as I wanted

to go below and take a nap. I had not been long in the cabin before he

followed me. To get rid of him I pretended to be asleep. After passing

me two or three times, and leaning over me in the most inquisitive

manner, until his long nose nearly went into my eye, and humming a

bow-wow tune in my ear to ascertain if I were really napping, he turned

from me with a dissatisfied grunt, flung himself into a settee, and not

long after was puffing and blowing like a porpoise. I was glad of this

opportunity to go on deck again, and "I left him alone in his glory."

But, while I was congratulating myself on my good fortune, I found him

once more at my side.

Good heavens! how I wished him at the bottom of the canal, when he

commenced telling me some _awful_ dream he had had. I was too much

annoyed at being pestered with his company to listen to him, a

circumstance I now rather regret, for had his dreams been equal to

his poetry, they certainly must have possessed the rare merit of

originality; and I could have gratified my readers with something

entirely out of the common way.

Turning abruptly from him, I entered into conversation with another

gentleman, and quite forgot my eccentric friend until I retired for the

night, when I found him waiting for me in the cabin.

"Ho, ho, mister,--is that you? I was afear'd we had put you ashore.

What berth are you goin' to take?"

I pointed to No. 4.

"Then," said he, "would you have any objection to my locating in the

one above you, as I feel a _leetle afear'd?_ It is so awful dark

out-doors, and the clouds look tre-mend-ous black, as if they'd be

a-pourin' all night. The reason why I prefer the upper berth is this,"

he continued confidentially; "if we should fall in with a storm, and all

go to the bottom, I should have a better chance of saving myself. But

mind you, if she should sink I will give you half of my berth, if you'll

come up."

I thanked him for his offer, and not being at all apprehensive, I told

him that I preferred staying where I was. Soon after I retired, hoping

to sleep, but I had not calculated on the powers of annoyance possessed

by my quondam friend. I had just laid myself comfortably down, when I

felt one of his huge feet on the side of my berth. Looking out, I espied

him crawling up on all-fours to his place of security for the night. His

head had scarcely touched the pillow before he commenced telling me some

long yarn; but I begged him, in no very gentle tone, to hold on till the

morning, as I had a very severe headache, and wanted to go to sleep.

I had fallen into a sort of doze, when I thought I heard some one

talking in a low voice close to my ear. I started into a sitting

posture, and listened a moment. It was pitch dark; I could see nothing.

I soon, however, discovered that the mysterious sounds proceeded from

the berth above me. It was my friend reciting, either for my amusement

or his own, the poem he had favoured me with in the morning. He was

apparently nearly asleep, and he drawled the half-uttered sentences

through his nose in the most ludicrous manner. He was recapitulating

the disastrous condition of Mr. Cadoga:--

"There was Mister Ca-do-ga--in years a-bud--

Next morning--tew--feet--mud--

He strove--he--but--in vain;

The more he fell--down--he got up--a-g-a-in.

Ri--tu--ri--tu."

Here followed a tremendous snore, and I burst into a prolonged fit of

laughter, which fortunately did not put a stop to the sonorous bass of

my companion overhead, whose snoring I considered far more tolerable

than his conversation.

Just at this moment the boat struck the bank, which it frequently does

of a very dark night, which gave the vessel such a shock, that it broke

the cords that secured the poet's bed to the beam above, and down he

came, head foremost, to the floor. This accident occasioned me no small

discomfort, as he nearly took my berth with him. It was fortunate for me

that I was awake, or he might have killed me in his descent; as it was,

I had only time to throw myself back, when he rushed past me with the

speed of an avalanche, carrying bed and bed-clothes with him in one

confused heap; and there he lay upon the floor, rolling and roaring like

some wild beast caught in a net.

"Oh, dear! oh, dear! I wonder where I is; what a tre-men-dous storm--what

a dreadful night--not a soul can be saved,--I knew it--I dreampt it all.

Oh Lord! we shall all go to the bottom, and find eternity there--Captain

captain--where be we?"

Here a child belonging to one of the passengers, awakened by his

bellowing, began to cry.

"Oh, dear! Some one else sinking.--Captain--captain--confound him!

I s'pose he's drownded, like the rest. Thank heaven! here's something to

hold on to, to keep me from sinking;" and, clutching at the table in the

dark, he upset it, and broke the large lamp that had been left upon it.

Down came the broken glass upon him in a shower which, doubtless, he

took for the waves breaking over him, for he raised such a clatter with

his hands and feet, and uttered such doleful screams, that the

passengers started simultaneously from their sleep,--

"What's the matter? is that man mad or drunk?" exclaimed several voices.

The gentleman beneath the bed-clothes again groaned forth,--"We are

all lost. If I once get upon dry land, you'll never catch me in a

canal-boat agin."

Pitying his distress I got up, groped my way to the steward's berth, and

succeeded in procuring a light. When I returned to the cabin, I found

the poet lying on the floor, with the table upon him, and he holding it

fast with both hands, crying vehemently, "I will never let go. I will

hang on to the last."

"You are dreaming," said I; "come, get up. The cords of your bed were

not strong enough to hold you, and you have got a tumble on to the

floor; nothing else is the matter with you."

As I ceased speaking the vessel again struck the bank, and my friend, in

his eagerness to save himself, upset me, light and all. I again upset

all the small pieces of furniture in my reach, to the great amusement of

the passengers, who were sitting up in their berths listening to; and

laughing at our conversation. We were all once more in the dark, and I

can assure my readers that my situation was everything but comfortable,

as the eccentric gentleman had hold of both my legs.

"You foolish fellow," cried I, kicking with all my might to free myself.

"There is no harm done; the boat has only struck again upon the bank."

"Where is the bank?" said he, still labouring under the delusion that he

was in the water. "Give me a hold on it. If I can only get on the bank I

shall be safe."

Finding it impossible to convince him how matters really stood, I left

him to unroll himself to his full dimensions on the floor, and groping my

way to a sofa, laid myself down once more to sleep.

When the passengers met at the breakfast-table, the poor poet and his

misfortunes during the night gave rise to much quizzing and merriment,

particularly when he made his appearance with a black eye, and the skin

rubbed off the tip of his nose.

One gentleman, who was most active in teasing him, cried out to

me,--"Mr. H---, do try and set last night's adventures to music, and

sing them this evening at your concert. They would make a _tre-men-dous

sensation_, I assure you."

The poet looked daggers at us, and seizing his carpet-bag, sprang to

the deck, and from the deck to the shore, which he fortunately reached

in safety, without casting a parting glance at his tormentors.

The Mountain Air.

"Rave not to me of your sparkling wine;

Bid not for me the goblet shine;

My soul is athirst for a draught more rare,

A gush of the pure, fresh mountain air!

"It wafts on its currents the rich perfume

Of the purple heath, and the honied broom;

The golden furze, and the hawthorn fair,

Shed all their sweets to the mountain air.

"It plays round the bank and the mossy stone,

Where the violet droops like a nun alone;

Shrouding her eyes from the noon-tide glare,

But breathing her soul to the mountain-air.

"It gives to my spirits a tone of mirth--

I bound with joy o'er the new-dress'd earth,

When spring has scatter'd her blossoms there,

And laden with balm the mountain air.

"From nature's fountain my nectar flows,

'Tis the essence of each sweet bud that blows;

Then come, and with me the banquet share,

Let us breathe together the mountain air!"

Life in the Clearings versus the Bush · 第 5 / 19 章