CHAPTER XXXII.

THE END.

People began to remember that they had not seen their silent and

singular little poet since the death and burial of the Gopher.

Surely he was ill. At all events, the Widow went boldly and regularly

now to his cabin. And to the credit of the camp, be it said, it at last

began to look with toleration on these missions to the humble vine-clad

hermitage of the sad and lonesome little poet.

Only once more he came out and sat by the door, pale and dreamy and full

of mystery.

The schoolmaster, not an unkindly man, stopped a moment with his book

and slate under his arm, as he led a little girl by the hand, and

looking into the palid face before him, said:

"It is a hard old world, Billie. A hard old world. At best we have to

belabor the old earth; beat her to make her give us bread."

"Beat her!" The little thin hands clasped and lifted as if in prayer.

"Belabor my dear mother Earth? Why, she gave us birth, she gives us all

our bread, she gives us all that is beautiful and good. She will take us

again to her bosom. I will pray to Earth, that I may have rest on her

tranquil breast."

The schoolmaster passed on, and the sad little dreamer arose with

difficulty, and passed for the last time from the light of the sun.

When the schoolmaster walked by next morning the door stood open. The

little girl looked in, and then ran away as if afraid. Did she see with

her child vision the face of death? The Schoolmaster, perhaps fearing to

compromise his character by any association with this singular being,

hurried on after the little girl, and did not turn around or look back

till he had set foot over the sill of the little log school-house on the

hill. His heart was beating very wildly. He had said nothing, he had

heard nothing, he had seen nothing. But somehow the man's heart was

beating with a strange terror, and he wanted to turn back and enter the

cabin, and speak once more to the lonely little sufferer.

The man called his school to order, however, took off his coat, hung it

up behind the door, ran his two hands through his hair, time and again,

but failing to pacify himself by this means, called out a little boy,

and flogged him soundly.

He afterwards remembered that there was a black cat sitting in the door

as he passed, quietly washing her face, yet at the same time looking

intently at him out of her green eyes.

The heroes of the world are women. The women, as a rule, have done the

great deeds of valor. Men, however, have written the histories and

appropriated a great deal indeed to themselves.

I know very well that in a certain kind of noisy heroism man makes a

great mark, and instances of valor, even in a quiet way, where man

fights his battle alone and in the dark, without the observation or

applause of the world, are not wanting. But the great battles, in

darkness and disgrace, where death and ignominy waited, the small-great

battles, the heart the battle-field, where no friend would come, where

no pen should chronicle, these silent fights have been fought and won by

women.

Understanding all this I can understand why the Widow chose to bear all

the reproof, and let her friend, the refugee, the dreamer, the "Poet,"

live and die unknown and in peace.

The next morning as the Schoolmaster came by, with the little girl

sliding up close to his legs, on the opposite side from the cabin, the

Widow with a face of unutterable sadness was outside trying to tie a

piece of something black to the door-latch.

The man lifted his hat, and came reverently and slowly forward.

There was no need of saying anything now. He understood it all, and

after assisting her in silence to do the office of respect for the dead

within, he took the little girl's hand again in his, turned to go, took

a few steps forward, and then stopping and turning around, again lifted

his hat and said softly to the Widow:

"I will stop at the saloon and send up some of the boys to take charge

of the body and prepare it for the grave."

"No," sighed the Widow in a voice that was scarcely heard above the

beating of her heart, "No, George," and she came slowly and calmly up to

the man and stood there with her white face lifted close into his. "No

George, you will go back to the house, and get your mother and your

sister to come and help me now at the last. For it is a woman that lies

dead there in that little vine-covered cabin."

The woman had kept the woman's secret. She had given her life as it were

for the life of another. But now that all was over; the whole story was

to be written in the single name on the little granite gravestone. It

was the name of NANCY WILLIAMS.

THE END.

PUBLICATIONS OF JANSEN, MCCLURG & CO.

CHICAGO, ILLINOIS.

CATON.--A Summer in Norway, with Notes on the Industries, Habits, etc.,

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CHARD.--Across the Sea, and Other Poems. By Thos. S. Chard.

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GILES.--Bachelor Ben. A Novel; by Miss Ella A. Giles.

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HEWITT.--"Our Bible." Three Lectures, delivered at Unity Church, Oak

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particulars."--_Chicago Journal._

LAMARTINE.--Graziella; a Story of Italian Love. Translated from the

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loved."--_Tribune._

MASON.--Mae Madden. A Story; by Mrs. Mary Murdoch Mason, with an

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MILLER.--First Fam'lies of the Sierras. A Novel; by Joaquin Miller.

A most graphic and realistic sketch of life in a mining canon

in the very earliest days of California. The rough heroes and

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are full of thrilling interest. Bret. Harte has never worked

this rich vein of American life to better advantage.

MUeLLER.--Memories; A Story of German Love. Translated from the German of

Max Mueller, by Geo. P. Upton.

"'Memories' is one of the prettiest and worthiest books of the

year. The story is full of that indescribable half-naturalness,

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Scarcely could there be drawn a more lovely figure than that of

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earthly touch seems almost to profane her."--_Springfield

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McLANDBURGH.--The Automaton-Ear and Other Sketches. By Miss Florence

McLandburgh.

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End of Project Gutenberg's First Fam'lies of the Sierras, by Joaquin Miller

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