I wavered, and looked consultingly at Pelleas.

It is one sign of our advancing years, we must believe, that Pelleas

and I dislike to be laughed at. Our old servant scolds us all day long

and we are philosophical; but if she laughs at either of us Pelleas

grieves and I rage. Nichola’s “You’ll be laughed at for fashionable”

humbled me.

Pelleas, the morning sun shining on his hair, was picking dead leaves

from the begonias in the window and pretended not to hear.

I looked longingly at my white lady’s-cloth gown but Nichola was

already folding it away. It had ruffles of lace and a chiffon fichu and

was altogether most magnificent. I had had it made for a winter wedding

and as it had not been worn since, I was openly anxious to reappear in

it. And now on occasion of this visit to Cousin Diantha at Paddington

Nichola threatened me with remorse if I so much as took it with me. I

would be “laughed at for fashionable!”

However, Pelleas continuing to pick dead leaves in a cowardly fashion,

there would have been no help for me had not Nichola at that moment

been called from the room by the poultry wagon which drew up at our

door like a god from a cloud. Our steamer-trunk, carefully packed,

stood open before me with room enough and to spare for my white

lady’s-cloth gown.

“Pelleas!” I cried impulsively.

He looked round inquiringly, pretending to have been until that moment

vastly absorbed.

“If I put the gown in,” I cried excitedly, “will you strap the trunk

before she gets back?”

Pelleas wrinkled his eyes at the corners, and it was the look that

means whatever I mean.

In a twinkling the gown was out of its tissues and tumbled in place in

a fashion which would have scandalized me if I had been feeling less

adventuresome. Pelleas, whose hands could have trembled with no more

sympathy if he had been expecting to appear in the gown too, fastened

the straps and turned the key and we hurried downstairs. On the landing

we met Nichola.

“The trunk is strapped, Nichola,” said I firmly.

“You needn’t to hev done that,” she grunted graciously.

We passed her in guilty silence.

“If only there is actually a chance to wear the gown,” I confided to

Pelleas on the train that afternoon, “it will make it all right to have

taken it.”

“What a shocking principle, Etarre,” returned Pelleas, quite as if he

had not helped.

We were met at the Paddington station by something which Cousin Diantha

called “the rig.” It was four-seated and had flying canvas sides

which seemed to billow it on its way. From an opening in the canvas

Cousin Diantha herself thrust out a red mitten as the bony driver was

conducting us across the platform. Our Cousin Diantha Bethune is the

mince-pie-and-plum-pudding branch of our family. We can never think

of her without recollecting her pantry and her oven. And whereas some

women wear always the air of having just dressed several children or

written letters or been shopping, Cousin Diantha seems to have been

caught red-handed at slicing and kneading and to be away from those

processes under protest. She never reads a book without seeming to turn

the leaves with a cook knife and I think her gowns must all be made

with “apron fronts.”

“Ain’t this old times though?” she cried, opening her arms to me,

“ain’t it? Etarre, you set here by me. Pelleas can set front with Hiram

there. My!”

“The rig” rocked up the dingy village street with us, its only

passengers, buttoned securely within its canvas sails so that I could

see Paddington before us like an aureole about the head of Pelleas. But

if a grate fire had been a-light in that shabby interior it could have

cheered us no more than did Cousin Diantha’s ruddy face and scarlet

mittens. She gave us news of the farm that teemed with her offices

of spicing and frosting; and by the time we reached her door we were

already thinking in terms of viands and ingredients.

“What a nice little, white little room,” said Pelleas for example,

immediately we had set our lamp on our bureau. “The ceiling looks

like a lemon pie.” Verily are there not kitchen-cupboard houses whose

carpets resemble fruit jelly and whose bookcases suggest different

kinds of dessert?

Cousin Diantha was bustling down the stairs. She never walked as others

do but she seemed to be always hurrying for fear, say, that the toast

was burning.

“Baked potatoes!” she called back cheerily. “I put ’em in last thing

before I left, an’ Katinka says they’re done. Supper’s ready when you

are.”

The loves of Pelleas and Etarre · 第 30 / 53 题