MICHAEL DRAYTON,

The author of 'Polyolbion,' was born in the parish of Atherston, in

Warwickshire, about the year 1563. He was the son of a butcher, but

displayed such precocity that several persons of quality, such as Sir

Walter Aston and the Countess of Bedford, patronised him. In his

childhood he was eager to know what strange kind of beings poets were;

and on coming to Oxford, (if, indeed, he did study there,) is said to

have importuned his tutor to make him, if possible, a poet. He was

supported chiefly, through his life, by the Lady Bedford. He paid court,

without success, to King James. In 1593 (having long ere this become

that 'strange thing a poet') he published a collection of his Pastorals,

and afterwards his 'Barons' Wars' and 'England's Heroical Epistles,'

which are both rhymed histories. In 1612-13 he published the first part

of 'Polyolbion,' and in 1622 completed the work. In 1626 we hear of him

being styled Poet Laureate, but the title then implied neither royal

appointment, nor fee, nor, we presume, duty. In 1627 he published 'The

Battle of Agincourt,' 'The Court of Faerie,' and other poems; and, three

years later, a book called 'The Muses' Elysium.' He had at last found an

asylum in the family of the Earl of Dorset; whose noble lady, Lady Anne

Clifford, subsequently Countess of Pembroke, and who had been, we saw,

Daniel's pupil, after Drayton's death in 1631, erected him a monument,

with a gold-lettered inscription, in Westminster Abbey.

The main pillar of Drayton's fame is 'Polyolbion,' which forms a poetical

description of England, in thirty songs or books, to which the learned

Camden appended notes. The learning and knowledge of this poem are exten-

sive, and many of the descriptions are true and spirited, but the space

of ground traversed is too large, and the form of versification is too

heavy, for so long a flight. Campbell justly remarks,--'On a general

survey, the mass of his poetry has no strength or sustaining spirit equal

to its bulk. There is a perpetual play of fancy on its surface; but the

impulses of passion, and the guidance of judgment, give it no strong

movements or consistent course.'

Drayton eminently suits a 'Selection' such as ours, since his parts are

better than his whole.

Specimens with Memoirs of the Less-known British Poets, Volume 1 · 第 260 / 326 题