Or this--

'Nature hath no jail, though she hath law.'

If our readers, however, can admire the account the poet gives of Abel

and his bitch, or see any resemblance to the severe and simple grandeur

of Aeschylus and Ezekiel in the description of the soul informing a

body, made of a '_female fish's sandy roe' 'newly leavened with the

male's jelly_,' we shall say no more.

Donne, altogether, gives us the impression of a great genius ruined by

a false system. He is a charioteer run away with by his own pampered

steeds. He begins generally well, but long ere the close, quibbles,

conceits, and the temptation of shewing off recondite learning, prove

too strong for him, and he who commenced following a serene star, ends

pursuing a will-o'-wisp into a bottomless morass. Compare, for instance,

the ingenious nonsense which abounds in the middle and the close of his

'Progress of the Soul' with the dark, but magnificent stanzas which are

the first in the poem.

In no writings in the language is there more spilt treasure--a more lavish

loss of beautiful, original, and striking things than in the poems of

Donne. Every second line, indeed, is either bad, or unintelligible, or

twisted into unnatural distortion, but even the worst passages discover a

great, though trammelled and tasteless mind; and we question if Dr Johnson

himself, who has, in his 'Life of Cowley,' criticised the school of poets

to which Donne belonged so severely, and in some points so justly,

possessed a tithe of the rich fancy, the sublime intuition, and the lofty

spirituality of Donne. How characteristic of the difference between these

two great men, that, while the one shrank from the slightest footprint of

death, Donne deliberately placed the image of his dead self before his

eyes, and became familiar with the shadow ere the grim reality arrived!

Donne's Satires shew, in addition to the high ideal qualities, the rugged

versification, the fantastic paradox, and the perverted taste of their

author, great strength and clearness of judgment, and a deep, although

somewhat jaundiced, view of human nature. That there must have been

something morbid in the structure of his mind is proved by the fact that

he wrote an elaborate treatise, which was not published till after his

death, entitled, 'Biathanatos,' to prove that suicide was not necessarily

sinful.

Specimens with Memoirs of the Less-known British Poets, Volume 1 · 第 190 / 326 题