BLIND HARRY.

Although there are diversities of opinion as to the exact time when this

blind minstrel flourished, we prefer alluding to him at this point,

where he stands in close proximity to Barbour, the author of a poem on

a subject so cognate to 'Wallace' as 'Bruce.' Nothing is known of Harry

but that he was blind from infancy, that he composed this poem, and

gained a subsistence by reciting or singing portions of it through the

country. Another Wandering Willie, (see 'Redgauntlet,') he 'passed like

night from land to land,' led by his own instincts, and wherever he met

with a congenial audience, he proceeded to chant portions of the noble

knight's achievements, his eyes the while twinkling, through their sad

setting of darkness, with enthusiasm, and often suffused with tears.

In some minds the conception of this blind wandering bard may awaken

ludicrous emotions, but to us it suggests a certain sublimity. Blind

Harry has powerfully described Wallace standing in the light and

shrinking from the ghost of Fawdoun, (see the 'Battle of Black-

Earnside,' in the 'Specimens,') but Harry himself seems walking in the

light of the ghost of Wallace, and it ministers to him, not terror, but

inspiration. Entering a cot at night, and asked for a tale, he begins,

in low tones, to recite that frightful apparition at Gaskhall, and the

aged men and the crones vie with the children in drawing near the 'ingle

bleeze,' as if in fire alone lay the refuge from

'Fawdoun, that ugly sire,

That haill hall he had set into a fire,

As to his sight, his OWN HEAD IN HIS HAND.'

Arriving in a village at the hour of morning rest and refreshment, he

charms the swains by such words as

'The merry day sprang from the orient

With beams bright illuminate the Occident,

After Titan Phoebus upriseth fair,

High in the sphere the signs he made declare.

Zephyrus then began his morning course,

The sweet vapour thus from the ground resourse,' &c.--

and the simple villagers wonder at hearing these images from one who is

blind, not seeing the sun. As the leaves are rustling down from the

ruddy trees of late autumn, he sings to a little circle of wayside

wanderers--

'The dark region appearing wonder fast,

In November, when October was past,

* * * * *

Good Wallace saw the night's messenger,

Phoebus had lost his fiery beams so clear;

Out of that wood they durst not turn that side

For adversours that in their way would hide.'

And while on the verge of the December sky, the wintry sun is trembling

and about to set as if for ever, then is the Minstrel's voice heard

sobbing amidst the sobs of his hearers, as he tells how his hero's sun

went down while it was yet day.

'On Wednesday the false Southron furth brocht

To martyr him as they before had wrocht,

Of men in arms led him a full great rout,

With a bauld sprite guid Wallace blent about.'

There can be little doubt that Blind Harry, during his lifetime, became

a favourite, nay, a power in the realm. Wherever he circulated, there

circulated the fame of Wallace; there, his deeds were recounted; there,

hatred of a foreign foe, and love to their native land, were inculcated

as first principles; and long after the Homer of Scotland had breathed

his last, and been consigned perhaps to some little kirkyard among the

uplands, his lays continued to live; and we know that such a man as

Burns (who read them in the modern paraphrase of William Hamilton of

Gilbertfield, a book which was, till within a somewhat recent period,

a household god in the libraries of the Scotch) derived from the old

singer much of 'that national prejudice which boiled in his breast till

the floodgates of life shut in eternal rest.' If Barbour, as we said,

was fortunate in his subject, still more was Blind Harry in his. The

interest felt in Wallace is of a deeper and warmer kind than that which

we feel in Bruce. Bruce was of royal blood; Wallace was from an ancient

but not wealthy family. Bruce stained his career by one great crime

--great in itself, but greater from the peculiar notions of the age

--the murder of Comyn in the sanctuary of Dumfries; on the character of

Wallace no similar imputation rests. Wallace initiated that plan of

guerilla warfare,--that fighting now on foot and now on the wing, now

with beak and now with talons, now with horns and now with hoofs,--which

Bruce had only to perfect. Wallace was unsuccessful, and was besides

treated by the King of England with revolting barbarity; while Bruce

became victorious: and, as we saw in our remarks on Chaucer, it is the

unfortunate brave who stamp themselves most forcibly on a nation's

heart, and it is the red letters, which tell of suffering and death,

which are with most difficulty erased from a nation's tablets. On Bruce

we look somewhat as we regard Washington,--a great, serene man, who,

after long reverses, nobly sustained, gained a notable national triumph;

to Wallace we feel, as the Italians do to Garibaldi, as a demon of

warlike power,--blending courage and clemency, enthusiasm and skill,

daring and determination, in proportions almost superhuman,--and we cry

with the poet,

'The sword that seem'd fit for archangel to wield,

Was light in his terrible hand.'

We have often regretted that Sir Walter Scott, who, after all, has not

done full justice to Bruce in that very unequal and incondite poem 'The

Lord of the Isles,' had not bent his strength upon the Ulysses bow of

Wallace, and filled up that splendid sketch of a part of his history to

be found near the beginning of 'The Fair Maid of Perth.' As it is, after

all that a number of respectable writers, such as Miss Porter, Mrs

Hemans, Findlay, the late Mr Macpherson of Glasgow, and others, have

done--in prose or verse, in the novel, the poem, or the drama--to

illustrate the character and career of the Scottish hero, Blind Harry

remains his poet.

It is necessary to notice that Harry derived, by his own account, many

of the facts of his narrative from a work by John Blair, a Benedictine

monk from Dundee, who acted as Wallace's chaplain, and seems to have

composed a life of him in Latin, which is lost. Besides these, he

doubtless mingled in the story a number of traditions--some true, and

some false--which he found floating through the country. His authority

in reference to certain disputed matters, such as Wallace's journey to

France, and his capture of the Red Rover, Thomas de Longueville, who

became his fast friend and fellow-soldier, was not long ago entirely

established by certain important documents brought to light by the

Maitland Club. It is probable that some other of his supposed

misstatements--always excepting his ghost-stories--may yet receive from

future researches the confirmation they as yet want. Blind Harry, living

about a century and a half after the era of Wallace, and at a time when

tradition was the chief literature, was not likely to be able to test

the evidence of many of the circumstances which he narrated; but he

seems to speak in good faith: and, after all, what Paley says is

unquestionably true as a general principle--'Men tell lies about minute

circumstantials, but they rarely invent.'

Specimens with Memoirs of the Less-known British Poets, Volume 1 · 第 45 / 326 题