THE THINKING OF THE BODY

Those learned men who are a terror to children and an ignominious sight

in lovers' eyes, all those butts of a traditional humour where there is

something of the wisdom of peasants, are mathematicians, theologians,

lawyers, men of science of various kinds. They have followed some

abstract reverie, which stirs the brain only and needs that only, and

have therefore stood before the looking-glass without pleasure and never

known those thoughts that shape the lines of the body for beauty or

animation, and wake a desire for praise or for display.

There are two pictures of Venice side by side in the house where I am

writing this, a Canaletto that has little but careful drawing, and a not

very emotional pleasure in clean bright air, and a Franz Francken, where

the blue water, that in the other stirs one so little, can make one long

to plunge into the green depth where a cloud shadow falls. Neither

painting could move us at all, if our thought did not rush out to the

edges of our flesh, and it is so with all good art, whether the Victory

of Samothrace which reminds the soles of our feet of swiftness, or the

Odyssey that would send us out under the salt wind, or the young

horsemen on the Parthenon, that seem happier than our boyhood ever was,

and in our boyhood's way. Art bids us touch and taste and hear and see

the world, and shrinks from what Blake calls mathematic form, from every

abstract thing, from all that is of the brain only, from all that is not

a fountain jetting from the entire hopes, memories, and sensations of

the body. Its morality is personal, knows little of any general law, has

no blame for Little Musgrave, no care for Lord Barnard's house, seems

lighter than a breath and yet is hard and heavy, for if a man is not

ready to face toil and risk, and in all gaiety of heart, his body will

grow unshapely and his heart lack the wild will that stirs desire. It

approved before all men those that talked or wrestled or tilted under

the walls of Urbino, or sat in the wide window-seats discussing all

things, with love ever in their thought, when the wise Duchess ordered

all, and the Lady Emilia gave the theme.

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