CONCERNING SAINTS AND ARTISTS

I took the Indian hemp with certain followers of St. Martin on the

ground floor of a house in the Latin Quarter. I had never taken it

before, and was instructed by a boisterous young poet, whose English was

no better than my French. He gave me a little pellet, if I am not

forgetting, an hour before dinner, and another after we had dined

together at some restaurant. As we were going through the streets to the

meeting-place of the Martinists, I felt suddenly that a cloud I was

looking at floated in an immense space, and for an instant my being

rushed out, as it seemed, into that space with ecstasy. I was myself

again immediately, but the poet was wholly above himself, and presently

he pointed to one of the street lamps now brightening in the fading

twilight, and cried at the top of his voice, 'Why do you look at me with

your great eye?' There were perhaps a dozen people already much excited

when we arrived; and after I had drunk some cups of coffee and eaten a

pellet or two more, I grew very anxious to dance, but did not, as I

could not remember any steps. I sat down and closed my eyes; but no, I

had no visions, nothing but a sensation of some dark shadow which seemed

to be telling me that some day I would go into a trance and so out of my

body for a while, but not yet. I opened my eyes and looked at some red

ornament on the mantelpiece, and at once the room was full of harmonies

of red, but when a blue china figure caught my eye the harmonies became

blue upon the instant. I was puzzled, for the reds were all there,

nothing had changed, but they were no longer important or harmonious;

and why had the blues so unimportant but a moment ago become exciting

and delightful? Thereupon it struck me that I was seeing like a painter,

and that in the course of the evening everyone there would change

through every kind of artistic perception.

After a while a Martinist ran towards me with a piece of paper on which

he had drawn a circle with a dot in it, and pointing at it with his

finger he cried out, 'God, God!' Some immeasurable mystery had been

revealed, and his eyes shone; and at some time or other a lean and

shabby man, with rather a distinguished face, showed me his horoscope

and pointed with an ecstasy of melancholy at its evil aspects. The

boisterous poet, who was an old eater of the Indian hemp, had told me

that it took one three months growing used to it, three months more

enjoying it, and three months being cured of it. These men were in their

second period; but I never forgot myself, never really rose above myself

for more than a moment, and was even able to feel the absurdity of that

gaiety, an Herr Nordau among the men of genius, but one that was abashed

at his own sobriety. The sky outside was beginning to grey when there

came a knocking at the window shutters. Somebody opened the window, and

a woman in evening dress, who was not a little bewildered to find so

many people, was helped down into the room. She had been at a students'

ball unknown to her husband, who was asleep overhead, and had thought to

have crept home unobserved, but for a confederate at the window. All

those talking or dancing men laughed in a dreamy way; and she,

understanding that there was no judgment in the laughter of men that had

no thought but of the spectacle of the world, blushed, laughed and

darted through the room and so upstairs. Alas that the hangman's rope

should be own brother to that Indian happiness that keeps alone, were it

not for some stray cactus, mother of as many dreams, immemorial

impartiality.

The Cutting of an Agate · 第 32 / 89 题