COLERIDGE AND OPIUM-EATING.

What is the deadest of things earthly? It is, says the world, ever

forward and rash--'a door-nail!' But the world is wrong. There is a

thing deader than a door-nail, viz., Gillman's Coleridge, Vol. I. Dead,

more dead, most dead, is Gillman's Coleridge, Vol. I.; and this upon

more arguments than one. The book has clearly not completed its

elementary act of respiration; the _systole_ of Vol. I. is

absolutely useless and lost without the _diastole_ of that Vol.

II., which is never to exist. That is one argument, and perhaps this

second argument is stronger. Gillman's Coleridge, Vol. I., deals

rashly, unjustly, and almost maliciously, with some of our own

particular friends; and yet, until late in this summer, _Anno

Domini_ 1844, we--that is, neither ourselves nor our friends--ever

heard of its existence. Now a sloth, even without the benefit of Mr.

Waterton's evidence to his character, will travel faster than that. But

malice, which travels fastest of all things, must be dead and cold at

starting, when it can thus have lingered in the rear for six years; and

therefore, though the world was so far right, that people _do_

say, 'Dead as a door-nail,' yet, henceforward, the weakest of these

people will see the propriety of saying--'Dead as Gillman's Coleridge.'

The reader of experience, on sliding over the surface of this opening

paragraph, begins to think there's mischief singing in the upper air.

'No, reader, not at all. We never were cooler in our days. And this we

protest, that, were it not for the excellence of the subject,

_Coleridge and Opium-Eating_, Mr. Gillman would have been dismissed

by us unnoticed. Indeed, we not only forgive Mr. Gillman, but we

have a kindness for him; and on this account, that he was good, he

was generous, he was most forbearing, through twenty years, to poor

Coleridge, when thrown upon his hospitality. An excellent thing

_that_, Mr. Gillman, till, noticing the theme suggested by this

unhappy Vol. I., we are forced at times to notice its author, Nor is

this to be regretted. We remember a line of Horace never yet properly

translated, viz:--

'Nec scutica dignum horribili sectere flagello.'

The true translation of which, as we assure the unlearned reader, is--

'Nor must you pursue with the horrid knout of Christopher that man who

merits only a switching.' Very true. We protest against all attempts to

invoke the exterminating knout; for _that_ sends a man to the

hospital for two months; but you see that the same judicious poet, who

dissuades an appeal to the knout, indirectly recommends the switch,

which, indeed, is rather pleasant than otherwise, amiably playful in

some of its little caprices, and in its worst, suggesting only a

pennyworth of diachylon.

We begin by professing, with hearty sincerity, our fervent admiration

of the extraordinary man who furnishes the theme for Mr. Gillman's

_coup-d'essai_ in biography. He was, in a literary sense, our

brother--for he also was amongst the contributors to _Blackwood_--

and will, we presume, take his station in that Blackwood gallery of

portraits, which, in a century hence, will possess more interest for

intellectual Europe than any merely martial series of portraits, or any

gallery of statesmen assembled in congress, except as regards one or

two leaders; for defunct major-generals, and secondary diplomatists,

when their date is past, awake no more emotion than last year's

advertisements, or obsolete directories; whereas those who, in a stormy

age, have swept the harps of passion, of genial wit, or of the

wrestling and gladiatorial reason, become more interesting to men when

they can no longer be seen as bodily agents, than even in the middle

chorus of that intellectual music over which, living, they presided.

Of this great camp Coleridge was a leader, and fought amongst the

_primipili_; yet, comparatively, he is still unknown. Heavy,

indeed, are the arrears still due to philosophic curiosity on the real

merits, and on the separate merits, of Samuel Taylor Coleridge.

Coleridge as a poet--Coleridge as a philosopher! How extensive are

those questions, if those were all! and upon neither question have we

yet any investigation--such as, by compass of views, by research, or

even by earnestness of sympathy with the subject, can, or ought to

satisfy, a philosophic demand. Blind is that man who can persuade

himself that the interest in Coleridge, taken as a total object, is

becoming an obsolete interest. We are of opinion that even Milton, now

viewed from a distance of two centuries, is still inadequately judged

or appreciated in his character of poet, of patriot and partisan, or,

finally, in his character of accomplished scholar. But, if so, how much

less can it be pretended that satisfaction has been rendered to the

claims of Coleridge? for, upon Milton, libraries have been written.

There has been time for the malice of men, for the jealousy of men, for

the enthusiasm, the scepticism, the adoring admiration of men, to

expand themselves! There has been room for a Bentley, for an Addison,

for a Johnson, for a wicked Lauder, for an avenging Douglas, for an

idolizing Chateaubriand; and yet, after all, little enough has been

done towards any comprehensive estimate of the mighty being concerned.

Piles of materials have been gathered to the ground; but, for the

monument which should have risen from these materials, neither the

first stone has been laid, nor has a qualified architect yet presented

his credentials. On the other hand, upon Coleridge little,

comparatively, has yet been written, whilst the separate characters on

which the judgment is awaited, are more by one than those which Milton

sustained. Coleridge, also, is a poet; Coleridge, also, was mixed up

with the fervent politics of his age--an age how memorably reflecting

the revolutionary agitations of Milton's age. Coleridge, also, was an

extensive and brilliant scholar. Whatever might be the separate

proportions of the two men in each particular department of the three

here noticed, think as the reader will upon that point, sure we are

that either subject is ample enough to make a strain upon the amplest

faculties. How alarming, therefore, for any _honest_ critic, who

should undertake this later subject of Coleridge, to recollect that,

after pursuing him through a zodiac of splendors corresponding to those

of Milton in kind, however different in degree--after weighing him as a

poet, as a philosophic politician, as a scholar, he will have to wheel

after him into another orbit, into the unfathomable _nimbus_ of

transcendental metaphysics. Weigh him the critic must in the golden

balance of philosophy the most abstruse--a balance which even itself

requires weighing previously, or he will have done nothing that can be

received for an estimate of the composite Coleridge. This astonishing

man, be it again remembered, besides being an exquisite poet, a

profound political speculator, a philosophic student of literature

through all its chambers and recesses, was also a circumnavigator on

the most pathless waters of scholasticism and metaphysics. He had

sounded, without guiding charts, the secret deeps of Proclus and

Plotinus; he had laid down buoys on the twilight, or moonlight, ocean

of Jacob Boehmen; [Footnote: 'JACOB BOEHMEN.' We ourselves had the

honor of presenting to Mr. Coleridge, Law's English version of Jacob--a

set of huge quartos. Some months afterwards we saw this work lying

open, and one volume at least overflowing, in parts, with the

commentaries and the _corollaries_ of Coleridge. Whither has this

work, and so many others swathed about with Coleridge's MS. notes,

vanished from the world?] he had cruised over the broad Atlantic of

Kant and Schelling, of Fichte and Oken. Where is the man who shall be

equal to these things? We at least make no such adventurous effort; or,

if ever we should presume to do so, not at present. Here we design only

to make a coasting voyage of survey round the headlands and most

conspicuous seamarks of our subject, as they are brought forward by Mr.

Gillman, or collaterally suggested by our own reflections; and

especially we wish to say a word or two on Coleridge as an opium-eater.

Naturally the first point to which we direct our attention, is the

history and personal relations of Coleridge. Living with Mr. Gillman

for nineteen years as a domesticated friend, Coleridge ought to have

been known intimately. And it is reasonable to expect, from so much

intercourse, some additions to our slender knowledge of Coleridge's

adventures, (if we may use so coarse a word,) and of the secret springs

at work in those early struggles of Coleridge at Cambridge, London,

Bristol, which have been rudely told to the world, and repeatedly told,

as showy romances, but never rationally explained.

The anecdotes, however, which Mr. Gillman has added to the personal

history of Coleridge, are as little advantageous to the effect of his

own book as they are to the interest of the memorable character which

he seeks to illustrate. Always they are told without grace, and

generally are suspicious in their details. Mr. Gillman we believe to be

too upright a man for countenancing any untruth. He has been deceived.

For example, will any man believe this? A certain 'excellent

equestrian' falling in with Coleridge on horseback, thus accosted him--

'Pray, Sir, did you meet a tailor along the road?' '_A tailor_!'

answered Coleridge; '_I did meet a person answering such a description,

who told me he had dropped his goose; that if I rode a little further

I should find it; and I guess he must have meant you._' In Joe Miller

this story would read, perhaps, sufferably. Joe has a privilege; and

we do not look too narrowly into the mouth of a Joe-Millerism. But

Mr. Gillman, writing the life of a philosopher, and no jest-book, is

under a different law of decorum. That retort, however, which silences

the jester, it may seem, must be a good one. And we are desired to

believe that, in this case, the baffled assailant rode off in a spirit

of benign candor, saying aloud to himself, like the excellent

philosopher that he evidently was, 'Caught a Tartar!'

But another story of a sporting baronet, who was besides a Member of

Parliament, is much worse, and altogether degrading to Coleridge. This

gentleman, by way of showing off before a party of ladies, is

represented as insulting Coleridge by putting questions to him on the

qualities of his horse, so as to draw the animal's miserable defects

into public notice, and then closing his display by demanding what he

would take for the horse 'including the rider.' The supposed reply of

Coleridge might seem good to those who understand nothing of true

dignity; for, as an _impromptu_, it was smart and even caustic.

The baronet, it seems, was reputed to have been bought by the minister;

and the reader will at once divine that the retort took advantage of

that current belief, so as to throw back the sarcasm, by proclaiming

that neither horse nor rider had a price placarded in the market at

which any man could become their purchaser. But this was not the temper

in which Coleridge either did reply, or could have replied. Coleridge

showed, in the _spirit_ of his manner, a profound sensibility to

the nature of a gentleman; and he felt too justly what it became a

self-respecting person to say, ever to have aped the sort of flashy

fencing which might seem fine to a theatrical blood.

Another story is self-refuted: 'A hired partisan' had come to one of

Coleridge's political lectures with the express purpose of bringing the

lecturer into trouble; and most preposterously he laid himself open to

his own snare by refusing to pay for admission. Spies must be poor

artists who proceed thus. Upon which Coleridge remarked--'That, before

the gentleman kicked up a dust, surely he would down with the dust.' So

far the story will not do. But what follows is possible enough. The

_same_ 'hired' gentleman, by way of giving unity to the tale, is

described as having hissed. Upon this a cry arose of 'Turn him out!'

But Coleridge interfered to protect him; he insisted on the man's right

to hiss if he thought fit; it was legal to hiss; it was natural to

hiss; 'for what is to be expected, gentlemen, when the cool waters of

reason come in contact with red-hot aristocracy, but a hiss?' _Euge!_

Amongst all the anecdotes, however of this splendid man, often trivial,

often incoherent, often unauthenticated, there is one which strikes us

as both true and interesting; and we are grateful to Mr. Gillman for

preserving it. We find it introduced, and partially authenticated, by

the following sentence from Coleridge himself:--'From eight to fourteen

I was a playless day-dreamer, a _helluo librorum_; my appetite for

which was indulged by a singular incident. A stranger, who was struck

by my conversation, made me free of a circulating library in King's

Street, Cheapside.' The more circumstantial explanation of Mr. Gillman

is this: `The incident indeed was singular. Going down the Strand, in

one of his day-dreams, fancying himself swimming across the Hellespont,

thrusting his hands before him as in the act of swimming, his hand came

in contact with a gentleman's pocket. The gentleman seized his hand,

turning round, and looking at him with some anger--"What! so young, and

yet so wicked?" at the same time accused him of an attempt to pick his

pocket. The frightened boy sobbed out his denial of the intention, and

explained to him how he thought himself Leander swimming across the

Hellespont. The gentleman was so struck and delighted with the novelty

of the thing, and with the simplicity and intelligence of the boy, that

he subscribed, as before stated, to the library; in consequence of

which Coleridge was further enabled to indulge his love of reading.'

We fear that this slovenly narrative is the very perfection of bad

story-telling. But the story itself is striking, and, by the very

oddness of the incidents, not likely to have been invented. The effect,

from the position of the two parties--on the one side, a simple child

from Devonshire, dreaming in the Strand that he was swimming over from

Sestos to Abydos, and, on the other, the experienced man, dreaming only

of this world, its knaves and its thieves, but still kind and generous

--is beautiful and picturesque. _Oh! si sic omnia!_

But the most interesting to us of the _personalities_ connected

with Coleridge are his feuds and his personal dislikes.

Incomprehensible to us is the war of extermination which Coleridge made

upon the political economists. Did Sir James Steuart, in speaking of

vine-dressers, (not _as_ vine-dressers, but generally as

cultivators,) tell his readers, that, if such a man simply replaced his

own consumption, having no surplus whatever or increment for the public

capital, he could not be considered a useful citizen? Not the beast in

the Revelation is held up by Coleridge as more hateful to the spirit of

truth than the Jacobite baronet. And yet we know of an author--viz.,

one S. T. Coleridge--who repeated that same doctrine without finding

any evil in it. Look at the first part of the _Wallenstein_, where

Count Isolani having said, 'Pooh! we are _all_ his subjects,'

_i. e._, soldiers, (though unproductive laborers,) not less than

productive peasants, the emperor's envoy replies--'Yet with a

difference, general;' and the difference implies Sir James's scale, his

vine-dresser being the equatorial case between the two extremes of the

envoy. Malthus again, in his population-book, contends for a mathematic

difference between animal and vegetable life, in respect to the law of

increase, as though the first increased by geometrical ratios, the last

by arithmetical! No proposition more worthy of laughter; since both,

when permitted to expand, increase by geometrical ratios, and the

latter by much higher ratios. Whereas, Malthus persuaded himself of his

crotchet simply by refusing the requisite condition in the vegetable

case, and granting it in the other. If you take a few grains of wheat,

and are required to plant all successive generations of their produce

in the same flower-pot for ever, of course you neutralize its expansion

by your own act of arbitrary limitation. [Footnote: Malthus would have

rejoined by saying--that the flowerpot limitation was the actual

limitation of nature in our present circumstances. In America it is

otherwise, he would say, but England is the very flowerpot you suppose;

she is a flowerpot which cannot be multiplied, and cannot even be

enlarged. Very well, so be it (which we say in order to waive

irrelevant disputes). But then the true inference will be--not that

vegetable increase proceeds under a different law from that which

governs animal increase, but that, through an accident of position, the

experiment cannot be tried in England. Surely the levers of Archimedes,

with submission to Sir Edward B. Lytton, were not the less levers

because he wanted the _locum standi_. It is proper, by the way,

that we should inform the reader of this generation where to look for

Coleridge's skirmishings with Malthus. They are to be found chiefly in

the late Mr. William Hazlitt's work on that subject: a work which

Coleridge so far claimed as to assert that it had been substantially

made up from his own conversation.] But so you would do, if you tried

the case of _animal_ increase by still exterminating all but one

replacing couple of parents. This is not to try, but merely a pretence

of trying, one order of powers against another. That was folly. But

Coleridge combated this idea in a manner so obscure, that nobody

understood it. And leaving these speculative conundrums, in coming to

the great practical interests afloat in the Poor Laws, Coleridge did so

little real work, that he left, as a _res integra_, to Dr. Alison,

the capital argument that legal and _adequate_ provision for the

poor, whether impotent poor or poor accidentally out of work, does not

extend pauperism--no, but is the one great resource for putting it

down. Dr. Alison's overwhelming and _experimental_ manifestations

of that truth have prostrated Malthus and his generation for ever. This

comes of not attending to the Latin maxim--'_Hoc_ age'--mind the

object before you. Dr. Alison, a wise man, '_hoc_ egit:' Coleridge

'_aliud_ egit.' And we see the result. In a case which suited him,

by interesting his peculiar feeling, Coleridge could command

'Attention full ten times as much as there needs.'

But search documents, value evidence, or thresh out bushels of

statistical tables, Coleridge could not, any more than he could ride

with Elliot's dragoons.

Another instance of Coleridge's inaptitude for such studies as

political economy is found in his fancy, by no means 'rich and rare,'

but meagre and trite, that taxes can never injure public prosperity by

mere excess of quantity; if they injure, we are to conclude that it

must be by their quality and mode of operation, or by their false

appropriation, (as, for instance, if they are sent out of the country

and spent abroad.) Because, says Coleridge, if the taxes are exhaled

from the country as vapors, back they come in drenching showers. Twenty

pounds ascend in a Scotch mist to the Chancellor of the Exchequer from

Leeds; but does it evaporate? Not at all: By return of post down comes

an order for twenty pounds' worth of Leeds cloth, on account of

Government, seeing that the poor men of the ----th regiment want new

gaiters. True; but of this return twenty pounds, not more than four

will be profit, _i.e._, surplus accruing to the public capital;

whereas, of the original twenty pounds, every shilling was surplus. The

same unsound fancy has been many times brought forward; often in

England, often in France. But it is curious, that its first appearance

upon any stage was precisely two centuries ago, when as yet political

economy slept with the pre-Adamites, viz., in the Long Parliament. In a

quarto volume of the debates during 1644-45, printed as an independent

work, will be found the same identical doctrine, supported very

sonorously by the same little love of an illustration from the see-saw

of mist and rain.

Political economy was not Coleridge's forte. In politics he was

happier. In mere personal politics, he (like every man when reviewed

from a station distant by forty years) will often appear to have erred;

nay, he will be detected and nailed in error. But this is the necessity

of us all. Keen are the refutations of time. And absolute results to

posterity are the fatal touchstone of opinions in the past. It is

undeniable, besides, that Coleridge had strong personal antipathies,

for instance, to Messrs. Pitt and Dundas. Yet _why_, we never

could understand. We once heard him tell a story upon Windermere, to

the late Mr. Curwen, then M. P. for Workington, which was meant,

apparently, to account for this feeling. The story amounted to this;

that, when a freshman at Cambridge, Mr. Pitt had wantonly amused

himself at a dinner party in Trinity, in smashing with filberts

(discharged in showers like grape-shot) a most costly dessert set of

cut glass, from which Samuel Taylor Coleridge argued a principle of

destructiveness in his _cerebellum_. Now, if this dessert set

belonged to some poor suffering Trinitarian, and not to himself, we are

of opinion that he was faulty, and ought, upon his own great subsequent

maxim, to have been coerced into 'indemnity for the past, and security

for the future.' But, besides that this glassy _mythus_ belongs to

an æra fifteen years earlier than Coleridge's so as to justify a shadow

of scepticism, we really cannot find, in such an _escapade_ under

the boiling blood of youth, any sufficient justification of that

withering malignity towards the name of Pitt, which runs through

Coleridge's famous _Fire, Famine, and Slaughter_. As this little

viperous _jeu-d'esprit_ (published anonymously) subsequently

became the subject of a celebrated after-dinner discussion in London,

at which Coleridge (_comme de raison_) was the chief speaker, the

reader of this generation may wish to know the question at issue; and

in order to judge of _that_, he must know the outline of this

devil's squib. The writer brings upon the scene three pleasant young

ladies, viz., Miss Fire, Miss Famine, and Miss Slaughter. 'What are you

up to? What's the row?'--we may suppose to be the introductory question

of the poet. And the answer of the ladies makes us aware that they are

fresh from larking in Ireland, and in France. A glorious spree they

had; lots of fun; and laughter _a discretion_. At all times

_gratus puellæ risus ab angulo_; so that we listen to their little

gossip with interest. They had been setting men, it seems, by the ears;

and the drollest little atrocities they do certainly report. Not but we

have seen better in the Nenagh paper, so far as Ireland is concerned.

But the pet little joke was in La Vendee. Miss Famine, who is the girl

for our money, raises the question--whether any of them can tell the

name of the leader and prompter to these high jinks of hell--if so, let

her whisper it.

'Whisper it, sister, so and so,

In a dark hint--distinct and low.'

Narrative and Miscellaneous Papers — Volume 2 · 第 4 / 10 题