CHAPTER XIV

MIRANDA PROFESSES REGRET FOR A PRACTICAL JOKE

He closed the door behind him. Miranda had neither seen nor heard him

enter. She sat opposite to the door, on the other side of the round

oak table, her arms stretched out upon the table, her face buried in

her arms. She was not weeping, and Charnock might have believed from

the abandonment of her attitude that she lay in a swoon, but for one

movement that she made. Her outstretched hands were clasped together

and her fingers perpetually worked, twisting and intertwisting. There

was no sound whatever in the room beyond the ticking of a clock, and

Charnock leaned against the door and found the silence horrible. He

would have preferred it to have been broken if only by the sound of

her tears. All his doubts, all his accusations, were swept clean out

of his brain by the sight of her distress, and, tortured himself, he

stood witness of her torture. He advanced to the table, and leaning

over it took the woman's clasped hands into his.

"Miranda!" he whispered, and again, "Miranda!" and there was just the

same tenderness in his voice, as when he had first pronounced the name

in the balcony over St. James's Park.

Miranda did not lift her head, but her hands answered the clasp of

his. She did not in truth know at that moment who was speaking to her.

She was only sensible of the sympathy of his touch and the great

comfort of his voice.

Charnock bent lower towards her.

"I love you," he said, "you--Miranda."

Then she raised her face and stared at him with uncomprehending eyes.

"I love you," he repeated.

She looked down towards her hands which he still held and suddenly she

shivered.

"I love you," he said a third time.

And she understood. She wrenched her hands away, she stretched out her

arms, she thrust him away from her, in her violence she struck him.

"No, it's not true," she cried, "it's not true!" and so fell to

pleading volubly. "Say that it's not true, now, at once. Say there's

no truth in your words. Say that pity prompted them and only pity,"

and her voice rose again in a great horror. Horror glittered too in

her eyes. "Say that you spoke more than you meant to speak!"

"I can say that," he answered. "When I came into this room I had no

thought of speaking--as I did. But I saw you--I watched your hands,"

and he caught his breath, "and they plucked the truth out from me. For

what I said is true."

"No!" she cried.

"Very true," he repeated quietly.

Her protesting arms fell limply to her sides. She nodded her head,

submitted to his words, acknowledged their justice.

"Yes," she said, "yes. I knew this afternoon. You told me in the

garden, and though I would not know, still I could not but know."

Then she rose from her chair and walked to the window. Charnock did

not speak. He hung upon her answer, and yet dreaded to hear it, so

that when her lips moved, he would have had them still, and when they

ceased to move, he was conscious of a great relief. After a long while

she spoke, very slowly and without turning to face him, words which he

did not understand.

"Love," she said, in a wondering murmur, "is it so easily got? And by

such poor means? Surely, then it's a slight thing itself, of no

account, surely not durable," and at once her calmness forsook her;

she was caught up in a whirl of passion. She raised a quivering face,

and cried aloud in despair: "It's the friend I wanted; I want no

lover!"

"But you have both," returned Charnock. With a hand upon the table he

leaned over it towards her. "You have both."

"Ah!" exclaimed Miranda. With extraordinary swiftness she swung round

and copied his movement. She leaned her hand upon the table, and bent

forward to him. "But to win the one I have had to create the other. To

possess the friend I have had to make the lover," and she suddenly

threw herself back and stood erect. "Well, then," and she spoke with a

thrill in her voice, as though she had this instant become aware of a

new and a true conviction, "I must use neither--I will use neither--I

want neither."

She faced Charnock resolute, and in her own fancy inflexible to any

appeal. Only he made no appeal; he drew his hand across his forehead

and looked at her with an expression of simple worry and bewilderment.

"My ways have lain amongst men, and men, and men," he said

regretfully. "I wish I understood more about women."

The simplicity of his manner and words touched her as no protestations

would have done, and broke down her self-control.

"My dear, my dear!" she cried, with a laugh which had more of tears in

it than amusement, "I am not so sure that we understand so very much

about ourselves;" and she dropped again into the chair and covered her

face with her hands. But she heard Charnock move round the table

towards her, and she dared not risk the touch of his hand, or so much

as the brushing of his coat against her dress. She drew her hands from

her face, held out her arms straight in front of her like bars, and

shrank back in the chair behind the protection of those bars.

"I do not want you," she said deliberately, with a quiet harshness.

"That, at all events, I understand and know. Go! Go away! I do not

want you!" and the words, spoken this time without violence or haste,

struck Charnock like a blow.

He stood dazed. He shook his head, as though it sang from the blow.

Miranda drew in a breath. "Go!" she repeated.

"You do not want me?" he asked, and somehow, whether it was owing to

his tone or his look, Miranda understood from the few words of his

question how much he had built upon the belief that she needed him;

and consequently the reply she made now cost her more than all the

rest to make. "I do not," she managed to say firmly, and dared not

hazard another syllable.

Charnock felt in his breast-pocket, took out an envelope, and from the

envelope a glove. "Yet this was sent to me." He laid the glove upon

the table. "It was sent by you." Miranda took it up. "It contradicts

your words."

Miranda turned the glove over, and stretched it out upon her knees.

"Does it?" she asked, with a slow smile, "does it contradict my

words?"

"You sent it to me?"

"No doubt."

"You summoned me by sending it."

"Surely."

"For some purpose, then?"

"Ah, but for what purpose?" said she, leaning forwards in her chair.

The cold smile was still upon her face, and seemed to Charnock

unfriendly as even her violence had not been. It had some cruelty too,

and perhaps, too, some cunning.

"For what purpose? You should know. It is for you to say," he answered

in a dull, tired voice. He had built more upon this unneeded service

than he himself had been aware.

"I will tell you," continued Miranda. "You have talked to my companion

Miss Holt?"

"Yes."

"She has no very strong faith in men. Perhaps you noticed as much."

"No."

"I did not agree with her. I had the glove. It would be--amusing to

know whether she was right or whether I was. I sent it to you."

"Just to prove whether I should keep my word or not?"

"Yes," said Miranda.

"Just for your amusement, in a word?"

"Amusement was the word I chose."

"I see, I see." His voice was lifeless, his face dull and stony.

Miranda moved uneasily as she watched him; but he did not notice her

movement or regard her with any suspicion. His thoughts and feelings

were muffled. He seemed to be standing somewhere a long way outside

himself and contemplating the two people here in the room with a deal

of curiosity, and with perhaps a little pity; of which pity the woman

had her share with the man. "I see," he continued. "It was all a

sham?"

Miranda glanced at him, and from him to the glove. "Even the glove was

a sham," she said quickly. "Look at it."

He bent down and lifted it from her knees. Then he drew up a chair to

the table, sat down, and examined the glove. Miranda hitched her chair

closer to the table, too, and propping her elbows there, supported her

chin upon her hands.

"You see that the glove is fresh," she said.

"It has been worn," answered Charnock. "The fingers have been shaped

by wearing."

"It was worn by me for ten minutes in this room the day I posted it to

you."

"But the tear?" he asked with a momentary quickening of speech.

"I tore it."

"I see." He laid the glove upon the table. "And the other glove--the

one you wore that night--the one I tore upon the balcony over St.

James's Park? It was you I met that night in London? Or wasn't it?"

The question was put without any sarcasm, but with the same dull

curiosity which had marked his other questions, and on her side she

answered it simply as she had answered the others. "Yes, it was I whom

you met, and the glove you speak of was thrown away."

It seemed that he had come to the end of his questions, for he sat for

a little, drumming with his fingers on the table. Once he looked up

and towards the window, as though his very eyes needed the relief of

the wide expanse of valley.

"Now will you go? Please," said Miranda, gently, and the next moment

regretted that she had spoken.

"Oh, yes, I will go," he answered. "I will go back to Algeciras, and

from Algeciras to England." He was not looking at her, and so noticed

nothing of the spasm of pain which for a second convulsed her face at

his literal acceptation of her prayer. "But before I go, tell me;" and

the questions began again.

"You say you need no one?"

"No one."

"Then why did you cry out a minute ago, 'It's the friend I want,

not the lover'? You were not amusing yourself then. Why, too, did

you--this afternoon in the garden, perhaps you remember--when the

flowers fell on to the ground between us? Neither were you amusing

yourself then."

Miranda drew the glove away from where it lay in front of him;

absently she began to slip it over her hand, and then becoming aware

of what she did, and of certain associations with that action at this

moment, she hurriedly stripped it off.

"Perhaps I have no right to press you," he said; "but I should like to

know."

Miranda spread the glove out on the table, and carefully divided and

spread out the fingers. "I will tell you," she said at length, with

something of a spirt in the quickness of her speech. "I am still

capable of remorse, though very likely you can hardly believe that. Do

you remember," she began to speak with greater ease, "when we rode out

to Ronda La Viega, I asked you why you never expressed what you felt?

I was then beginning to be afraid that you would take my--my trick too

much to heart--that you would really think I needed you. My fear

became certain this afternoon, when I--I was putting the flower in

your coat. I was sorry then, as you saw when you came into the room. I

was yet more sorry when you spoke to me as you did, for I thought that

if you hadn't cared, if you had never intended to be more than my

friend, the trick would not have mattered so much. And that was just

what I meant, when I said it was the friend I wanted, not the lover."

Charnock listened to the explanation, accepted it and put it away in

his mind.

"I see," he remarked, and her bosom rose and fell quickly. "All this

time you have been just playing with me as you played with Wilbraham

this afternoon."

"Just in the same way," she returned without flinching.

"Ah, but you dropped his flower down the cliff," he exclaimed

suddenly.

"You forget that yours had already fallen on to the ground."

"Yes, that's true," and the suspicion died out of his face. "And that

basket of flowers?" he asked.

This time, and for the first time since the questions had begun,

Miranda did flinch. She had a great difficulty in answering, "It has

already been sent off."

"To Gibraltar?" Miranda's difficulty increased. "To whom at Gibraltar?

A friend, a man?"

Miranda's face grew very white; she tried to speak and failed; her

throat, her lips, refused the answer. "At all events," she managed to

whisper hoarsely, "not to a woman," and thereupon she laughed most

mirthlessly, till the strange, harsh, strangled noise of it penetrated

as something unfamiliar to Charnock's dazed mind.

"I beg your pardon," he said; "I was forgetful. I had no right to ask

you," and he rose from his chair. She rose too. "I am glad," he

continued with a formal politeness, "that you do not after all stand

in need of anyone's help."

"Oh, no," she replied carelessly, "no one's;" and almost before she

was aware, he was holding her wrists, one in each of his hands, and

with his eyes he was searching her face, silently interrogating her

for the truth. Once before, upon the balcony, he had bidden her in

just this way answer him, and now, as then, she found herself under a

growing compulsion to obey.

"You hurt me," she had the wit to say, and instantly Charnock released

her wrists.

"I beg your pardon," said he, and he walked to the door. At the door

he turned. "Tell me," he said abruptly, "you dropped your glove--not

that one on the table, but the other--just as you stepped out on to

the balcony?"

"Yes," she answered, and wondered what was coming.

"Was that an accident?"

Miranda stepped back and lowered her head.

"You remember everything," she murmured.

"Was it an accident?"

"You are unsparing."

"Was it an accident?"

"No."

"It was a trick, a sham like all the rest?"

"Just like all the rest," said Miranda, wearily.

"I see," said Charnock. "Good-bye."

He went out of the room and closed the door behind him.

It was very quiet and still in the patio. In the square of blue sky

there was no cloud; the sunshine poured into the court, only in one

corner there was a shadow climbing the wall, where there had been no

shadow when he entered the room. He vaguely wondered what the time

was, and then someone laughed. Someone above him. He looked up. Jane

Holt was leaning over the railing of the balcony.

He made some sort of remark; and he gathered from her reply that he

had been asking why she laughed.

"Why did I laugh?" she said. "Do you believe in affinities?"

"No," he rejoined. "Why?"

She descended the stairs as she answered him.

"I saw you standing in the doorway there with your hand on your

throat, breathing hard and quick, and altogether a very tragical

picture."

Charnock was not aware whether the details were true or not. "Well?"

he asked.

"Well," she replied. "Do you remember the afternoon you came here? I

was in that lounge chair. You were shown into the parlour. You did not

notice me. Neither did Miranda when she followed you. But she stopped

on the threshold."

"Yes, I remarked it. She stopped for some while. Well?"

"Well, she stood just as you were standing a minute ago, in that

precise attitude, with her hand to her throat, breathing hard and

quick, and with a face not less tragical."

Charnock's face now at all events ceased to look tragical. Jane Holt

saw it brighten extraordinarily. Miranda, had she been there, would

not at this moment have complained of its lack of expression.

"That's true?" he asked eagerly. "What you tell me is true? She stood

here, and in that attitude?"

"Yes."

"That's the one point unexplained. I forgot to ask. She did not refer

to it. She stood here breathing hard and quick, you say, before she

entered the room--with all that appearance of surprise--she stood

here! Mere remorse does not account for that, does not account for her

manner. On her own showing it cannot account, since the remorse was

only felt this afternoon. There _is_ something more." He was talking

enigmas to Miss Holt, who went into the parlour and left him in the

patio to talk to himself if he would. She was not greatly interested

in his relationship towards Miranda. However, Charnock was not the

only person to talk enigmas to her that afternoon. She found Miranda

standing just as Charnock had left her. Miranda remained standing,

with any absent answer to Jane Holt's remarks, until the big

outer-doors clanged to, and made the house tremble.

Then she started violently. The sound of those doors shook her as no

word or look of Charnock's had done. Her ears magnified it. It seemed

to her that the doors swung to from the east and from the west, clean

across the world, shutting Charnock upon the one side, and herself

upon the other. It seemed to her too that as they clanged together,

her heart was caught and broken between them.

"You were wrong, Jane," she said. "There are men who would be friends

if we would only let them. Possibly we always find it out too late; I

only found it out this afternoon." The clock struck the hour as she

was speaking. "Four o'clock; the train for Algeciras leaves at

six-fifteen," she said.

Miranda of the Balcony: A Story · 第 14 / 24 章