IN AND OUT
"Well," said Thomas, "how are we going to celebrate the joyful event?"
We were sitting on the lawn, watching Blair and Miss Fortescue play
croquet. Archie and Dahlia were not with us; they had (I suppose)
private matters to discuss. Our match did not begin for another
hour, happily for the lovers; happily also for the croquet-players,
who had about fifty-six more hoops, posts, flags and what not to
negotiate.
"It's awfully difficult to realise it," said Myra. "My own brother!
Just fancy--I can hardly believe it."
"I don't think there can be any doubt," I said. "Something's
happened to him, anyhow--he's promised to put me in first to-day."
"Let's have a dance to-morrow night," continued Thomas, relentlessly
pursuing his original idea. "And we'll all dance with Miss Blair."
"Yes. Archie would like that."
"I remember, some years ago, when I was in Spain," said Simpson----
"This," I murmured appreciatively, "is how all the best stories
begin." And I settled myself more comfortably in my chair.
"No," said Simpson, "I'm wrong there. It was in Hampstead." And he
returned to his meditations.
"Tell you what," said Thomas, "you ought to write 'em an ode,
Simpson."
"There's nothing that rhymes with the lady."
"There's hair," I said quite unintentionally.
"I meant with Dahlia."
"My dear man, there are heaps. Why, there's azalea."
"That's only one."
"Well, there are lots of different kinds of azalea."
"Any rhymes for Archie and Mannering?" said Simpson scornfully.
"Certainly. And Simpson. You might end with him--
"'Forgive the way the metre limps on,
It's always like that with Samuel Simpson.'
You get the idea?"
"Hush," said Myra, "Miss Fortescue has passed under a hoop."
But it is time that we got on to my innings. Archie managed to win
the toss, and, as he had promised, took me in with him. It was the
proudest and most nervous moment of my life.
"I've never been in first before," I said, as we walked to the
wickets. "Is there any little etiquette to observe?"
"Oh, rather. Especially, if you're going to take first ball."
"Oh, there's no doubt about my taking the _first_ ball."
"In that case the thing to remember is, that when the umpire calls
'play' the side refusing to play loses the match."
"Then it all rests on me? Your confidence in me must be immense. I
think I shall probably consent to play."
I obtained guard and took my stand at the wicket. Most cricketers
nowadays, I am told, adopt the "two-eyed stance," but for myself I
still stick to the good old two-legged one. It seems to me to be
less wearing. My style, I should observe, blends happily the dash of
a Joseph Vine with the patience of a Kenneth Hutchings; and after a
long innings I find a glass of---- I've forgotten the name of it
now, but I know I find it very refreshing.
Being the hero (you will admit that--after my hat trick) of this true
story, I feel I must describe my innings carefully. Though it only
totalled seventeen, there was this to be said for it: it is the only
innings of less than a hundred ever made by a hero.
It began with a cut to square leg, for which we ran a forced single,
and followed on with a brace of ones in the direction of fine slip.
After that, I stopped the bowler in the middle of his run-up, and
signalled to a spectator to move away from the screen. This was a
put-up job with Myra, and I rather hoped they would give me something
for it, but apparently they didn't. At the end of the over, I went
up and talked to Archie. In first-class cricket, the batsmen often
do this, and it impresses the spectators immensely.
I said, "I bet you a shilling I'm out next over."
He said, "I won't take you."
I said, "Then I huff you," and went back to my crease.
My next scoring stroke was a two-eyed hook over point's head, and
then Archie hit three fours running. I had another short
conversation with him, in the course of which I recited two lines
from Shakespeare and asked him a small but pointed conundrum, and
afterwards I placed the ball cleverly to mid-off, the agility of the
fieldsman, however, preventing any increment, unearned or otherwise.
Finally, I gave my cap to the umpire, made some more ones, changed my
bat, and was caught at the wicket.
"I hit it," I said, as I walked away. I said it to nobody in
particular, but the umpire refused to alter his decision.
"I congratulate you," said Miss Blair, when I was sitting down again.
"I was just going to do that to you," I said.
"Oh, but you were kind enough to do that last night."
"Ah, this is extra. I've just been batting out there with your young
man. Perhaps you noticed?"
"Well, I think I must have."
"Yes. Well, I wanted to tell you that I think he has quite an idea
of the game, and that with more experience he would probably be good
enough to play for--for Surrey. Second eleven. Yes. At hockey."
"Thank you so much. You've known him a long time, haven't you?"
"We were babes together, madam. At least, simultaneously. We
actually met at school. He had blue eyes and curly hair, and fought
the captain on the very first day. On the second day his hair was
still curly, but he had black eyes. On the third day he got into the
cricket eleven, and on the fourth he was given his footer cap.
Afterwards he sang in the choir, and won the competition for graceful
diving. It was not until his second term that the headmaster really
began to confide in him. By the way, is this the sort of thing you
want?"
"Yes," smiled Dahlia. "Something like that."
"Well, then we went to Cambridge together. He never did much work,
but his algebra paper in the Little Go was so brilliant that they
offered him the Senior Wranglership. He refused on the ground that
it might interfere with his training for the tug of war, for which he
had just obtained his blue--and---- It's a great strain making all
this up. Do you mind if I stop now?"
"Of course I know that isn't all true, but he is like that, isn't he?"
"He is. He put me in first to-day."
"I know you really are fond of him."
"Lorblessyou--yes."
"That makes you my friend, too."
"Of course." I patted her hand. "That reminds me--as a friend I
feel bound to warn you that there is a person about in the
neighbourhood called Samuel Simpson who meditates an evil design upon
you and yours. In short, a poem. In this he will liken you to the
azalea, which I take to be a kind of shrubby plant."
"Yes?"
"Yes, well, all I want to say is, if he comes round with the hat
afterwards, don't put anything in."
"Poor man," smiled Dahlia. "That's his living, isn't it?"
"Yes. That's why I say don't put anything in."
"I see. Oh, there--he's out. Poor Archie."
"Are you very sorry?" I said, smiling at her. "I'm just going, you
know."
"Between ourselves," I said later to Myra, "that isn't at all a bad
girl."
"Oh, fancy!"
"But I didn't come to talk about her. I came to talk about my
seventeen."
"Yes, do let's."
"Yes. Er--you begin."