CHAPTER XII.

THE END OF CLEOPATRA.

Infatuation of Antony.--His early character--Powerful influence of

Cleopatra over Antony,--Indignation at Antony's conduct.--Plans of

Cleopatra.--Antony becomes a misanthrope.--His hut on the island of

Pharos--Antony's reconciliation with Cleopatra.--Scenes of

revelry.--Cleopatra makes a collection of poisons.--Her experiments with

them.--Antony's suspicions.--Cleopatra's stratagem.--The bite of the

asp.--Cleopatra's tomb.--Progress of Octavius.--Proposal of

Antony.--Octavius at Pelusium.--Cleopatra's treasures.--Fears of

Octavius.--He arrives at Alexandria.--The sally.--The unfaithful

captain.--Disaffection of Antony's men.--Desertion of the fleet.--False

rumor of Cleopatra's death.--Antony's despair.--Eros.--Antony's attempt

to kill himself.--Antony taken to Cleopatra.--She refuses to open the

door.--Antony taken in at the window.--Cleopatra's grief.--Death of

Antony.--Cleopatra made prisoner.--Treatment of Cleopatra.--Octavius

takes possession of Alexandria.--Antony's funeral.--Cleopatra's wretched

condition.--Cleopatra's wounds and bruises.--She resolves to starve

herself.--Threats of Octavius.--Their effect.--Octavius visits

Cleopatra.--Her wretched condition.--The false inventory.--Cleopatra in

a rage.--Octavius deceived.--Cleopatra's determination.--Cleopatra

visits Antony's tomb.--Her composure on her return.--Cleopatra's

supper.--The basket of figs.--Cleopatra's letter to Octavius.--She is

found dead.--Death of Charmion.--Amazement of the by-standers.--Various

conjectures as to the cause of Cleopatra's death.--Opinion of

Octavius.--His triumph.

The case of Mark Antony affords one of the most extraordinary examples

of the power of unlawful love to lead its deluded and infatuated victim

into the very jaws of open and recognized destruction that history

records. Cases similar in character occur by thousands in common life;

but Antony's, though perhaps not more striking in itself than a great

multitude of others have been, is the most conspicuous instance that has

ever been held up to the observation of mankind.

In early life, Antony was remarkable, as we have already seen, for a

certain savage ruggedness of character, and for a stern and indomitable

recklessness of will, so great that it seemed impossible that any thing

human should be able to tame him. He was under the control, too, of an

ambition so lofty and aspiring that it appeared to know no bounds; and

yet we find him taken possession of, in the very midst of his career,

and in the height of his prosperity and success, by a woman, and so

subdued by her arts and fascinations as to yield himself wholly to her

guidance, and allow himself to be led about by her entirely at her will.

She displaces whatever there might have been that was noble and generous

in his heart, and substitutes therefor her own principles of malice and

cruelty. She extinguishes all the fires of his ambition, originally so

magnificent in its aims that the world seemed hardly large enough to

afford it scope, and instead of this lofty passion, fills his soul with

a love of the lowest, vilest, and most ignoble pleasures. She leads him

to betray every public trust, to alienate from himself all the

affections of his countrymen, to repel most cruelly the kindness and

devotedness of a beautiful and faithful wife, and, finally to expel this

wife and all of his own legitimate family from his house; and now, at

last, she conducts him away in a most cowardly and ignoble flight from

the field of his duty as a soldier--he knowing, all the time, that she

is hurrying him to disgrace and destruction, and yet utterly without

power to break from the control of his invisible chains.

The indignation which Antony's base abandonment of his fleet and army at

the battle of Actium excited, over all that part of the empire which had

been under his command, was extreme. There was not the slightest

possible excuse for such a flight. His army, in which his greatest

strength lay, remained unharmed, and even his fleet was not defeated.

The ships continued the combat until night, notwithstanding the betrayal

of their cause by their commander. They were at length, however,

subdued. The army, also, being discouraged, and losing all motive for

resistance, yielded too. In a very short time the whole country went

over to Octavius's side.

In the mean time, Cleopatra and Antony, on their first return to Egypt,

were completely beside themselves with terror. Cleopatra formed a plan

for having all the treasures that she could save, and a certain number

of galleys sufficient for the transportation of these treasures and a

small company of friends, carried across the isthmus of Suez and

launched upon the Red Sea, in order that she might escape in that

direction, and find some remote hiding-place and safe retreat on the

shores of Arabia or India, beyond the reach of Octavius's dreaded power.

She actually commenced this undertaking, and sent one or two of her

galleys across the isthmus; but the Arabs seized them as soon as they

reached their place of destination, and killed or captured the men that

had them in charge, so that this desperate scheme was soon abandoned.

She and Antony then finally concluded to establish themselves at

Alexandria, and made preparation, as well as they could, for defending

themselves against Octavius there.

Antony, when the first effects of his panic subsided, began to grow mad

with vexation and resentment against all mankind. He determined that he

would have nothing to do with Cleopatra or with any of her friends, but

went off in a fit of sullen rage, and built a hermitage in a lonely

place, on the island of Pharos, where he lived for a time, cursing his

folly and his wretched fate, and uttering the bitterest invectives

against all who had been concerned in it. Here tidings came continually

in, informing him of the defection of one after another of his armies,

of the fall of his provinces in Greece and Asia Minor, and of the

irresistible progress which Octavius was now making toward universal

dominion. The tidings of these disasters coming incessantly upon him

kept him in a continual fever of resentment and rage.

At last he became tired of his misanthropic solitude, a sort of

reconciliation ensued between himself and Cleopatra, and he went back

again to the city. Here he joined himself once more to Cleopatra, and,

collecting together what remained of their joint resources, they plunged

again into a life of dissipation and vice, with the vain attempt to

drown in mirth and wine the bitter regrets and the anxious forebodings

which filled their souls. They joined with them a company of revelers as

abandoned as themselves, and strove very hard to disguise and conceal

their cares in their forced and unnatural gayety. They could not,

however, accomplish this purpose. Octavius was gradually advancing in

his progress, and they knew very well that the time of his dreadful

reckoning with them must soon come; nor was there any place on earth in

which they could look with any hope of finding a refuge in it from his

vindictive hostility.

Cleopatra, warned by dreadful presentiments of what would probably at

last be her fate, amused herself in studying the nature of poisons--not

theoretically, but practically--making experiments with them on wretched

prisoners and captives whom she compelled to take them in order that she

and Antony might see the effects which they produced. She made a

collection of all the poisons which she could procure, and administered

portions of them all, that she might see which were sudden and which

were slow in their effects, and also learn which produced the greatest

distress and suffering, and which, on the other hand, only benumbed and

stupefied the faculties, and thus extinguished life with the least

infliction of pain. These experiments were not confined to such

vegetable and mineral poisons as could be mingled with the food or

administered in a potion. Cleopatra took an equal interest in the

effects of the bite of venomous serpents and reptiles. She procured

specimens of all these animals, and tried them upon her prisoners,

causing the men to be stung and bitten by them, and then watching the

effects. These investigations were made, not directly with a view to any

practical use, which she was to make of the knowledge thus acquired, but

rather as an agreeable occupation, to divert her mind, and to amuse

Antony and her guests. The variety in the forms and expressions which

the agony of her poisoned victims assumed,--their writhings, their

cries, their convulsions, and the distortions of their features when

struggling with death, furnished exactly the kind and degree of

excitement which she needed to occupy and amuse her mind.

[Illustration: CLEOPATRA TESTING THE POISONS UPON THE SLAVES]

Antony was not entirely at ease, however, during the progress

of these terrible experiments. His foolish and childish fondness

for Cleopatra was mingled with jealousy, suspicion, and distrust;

and he was so afraid that Cleopatra might secretly poison him,

that he would never take any food or wine without requiring that she

should taste it before him. At length, one day, Cleopatra caused the

petals of some flowers to be poisoned, and then had the flowers woven

into the chaplet which Antony was to wear at supper. In the midst of the

feast, she pulled off the leaves of the flowers from her own chaplet and

put them playfully into her wine, and then proposed that Antony should

do the same with his chaplet, and that they should then drink the wine,

tinctured, as it would be, with the color and the perfume of the

flowers. Antony entered very readily into this proposal, and when he was

about to drink the wine, she arrested his hand, and told him that it was

poisoned. "You see now," said she, "how vain it is for you to watch

against me. If it were possible for me to live without you, how easy it

would be for me to devise ways and means to kill you." Then, to prove

that her words were true, she ordered one of the servants to drink

Antony's wine. He did so, and died before their sight in dreadful agony.

The experiments which Cleopatra thus made on the nature and effects of

poison were not, however, wholly without practical result. Cleopatra

learned from them, it is said, that the bite of the asp was the easiest

and least painful mode of death. The effect of the venom of that animal

appeared to her to be the lulling of the sensorium into a lethargy or

stupor, which soon ended in death, without the intervention of pain.

This knowledge she seems to have laid up in her mind for future use.

The thoughts of Cleopatra appear, in fact, to have been much disposed,

at this time, to flow in gloomy channels, for she occupied herself a

great deal in building for herself a sepulchral monument in a certain

sacred portion of the city. This monument had, in fact, been commenced

many years ago, in accordance with a custom prevailing among Egyptian

sovereigns, of expending a portion of their revenues during their

life-time in building and decorating their own tombs. Cleopatra now

turned her mind with new interest to her own mausoleum. She finished it,

provided it with the strongest possible bolts and bars, and, in a word,

seemed to be preparing it in all respects for occupation.

In the mean time, Octavius, having made himself master of all the

countries which had formerly been under Antony's sway, now advanced,

meeting none to oppose him, from Asia Minor into Syria, and from Syria

toward Egypt. Antony and Cleopatra made one attempt, while he was thus

advancing toward Alexandria, to avert the storm which was impending over

them, by sending an embassage to ask for some terms of peace. Antony

proposed, in this embassage, to give up every thing to his conqueror on

condition that he might be permitted to retire unmolested with Cleopatra

to Athens, and allowed to spend the remainder of their days there in

peace; and that the kingdom of Egypt might descend to their children.

Octavius replied that he could not make any terms with Antony, though he

was willing to consent to any thing that was reasonable in behalf of

Cleopatra. The messenger who came back from Octavius with this reply

spent some time in private interviews with Cleopatra. This aroused

Antony's jealousy and anger. He accordingly ordered the unfortunate

messenger to be scourged and then sent back to Octavius, all lacerated

with wounds, with orders to say to Octavius that if it displeased him to

have one of his servants thus punished, he might revenge himself by

scourging a servant of Antony's who was then, as it happened, in

Octavius's power.

The news at length suddenly arrived at Alexandria that Octavius had

appeared before Pelusium, and that the city had fallen into his hands.

The next thing Antony and Cleopatra well knew would be, that they should

see him at the gates of Alexandria. Neither Antony nor Cleopatra had any

means of resisting his progress, and there was no place to which they

could fly. Nothing was to be done but to await, in consternation and

terror, the sure and inevitable doom which was now so near.

Cleopatra gathered together all her treasures and sent them to her tomb.

These treasures consisted of great and valuable stores of gold, silver,

precious stones, garments of the highest cost, and weapons, and vessels

of exquisite workmanship and great value, the hereditary possessions of

the Egyptian kings. She also sent to the mausoleum an immense quantity

of flax, tow, torches, and other combustibles. These she stored in the

lower apartments of the monument, with the desperate determination of

burning herself and her treasures together rather than to fall into the

hands of the Romans.

In the mean time, the army of Octavius steadily continued its march

across the desert from Pelusium to Alexandria. On the way, Octavius

learned, through the agents in communication with him from within the

city what were the arrangements which Cleopatra had made for the

destruction of her treasure whenever the danger should become imminent

of its falling into his hands. He was extremely unwilling that this

treasure should be lost. Besides its intrinsic value, it was an object

of immense importance to him to get possession of it for the purpose of

carrying it to Rome as a trophy of his triumph. He accordingly sent

secret messengers to Cleopatra, endeavoring to separate her from Antony,

and to infuse her mind with the profession that he felt only friendship

for her, and did not mean to do her any injury, being in pursuit of

Antony only. These negotiations were continued from day to day while

Octavius was advancing. At last the Roman army reached Alexandria, and

invested it on every side.

As soon as Octavius was established in his camp under the walls of the

city, Antony planned a sally, and he executed it, in fact, with

considerable energy and success. He issued suddenly from the gates, at

the head of as strong a force as he could command, and attacked a body

of Octavius's horsemen. He succeeded in driving these horsemen away from

their position, but he was soon driven back in his turn, and compelled

to retreat to the city, fighting as he fled, to beat back his pursuers.

He was extremely elated at the success of this skirmish. He came to

Cleopatra with a countenance full of animation and pleasure, took her in

his arms and kissed her, all accoutered for battle as he was, and

boasted greatly of the exploit which he had performed. He praised, too,

in the highest terms, the valor of one of the officers who had gone out

with him to the fight, and whom he had now brought to the palace to

present to Cleopatra. Cleopatra rewarded the faithful captain's prowess

with a magnificent suit of armor made of gold. Notwithstanding this

reward, however, the man deserted Antony that very night, and went over

to the enemy. Almost all of Antony's adherents were in the same state of

mind. They would have gladly gone over to the camp of Octavius, if they

could have found an opportunity to do so.

In fact, when the final battle was fought, the fate of it was decided by

a grand defection in the fleet, which went over in a body to the side of

Octavius. Antony was planning the operations of the day, and

reconnoitering the movements of the enemy from an eminence which he

occupied at the head of a body of foot soldiers--all the land forces

that now remained to him--and looking off, from the eminence on which he

stood, toward the harbor, he observed a movement among the galleys. They

were going out to meet the ships of Octavius, which were lying at anchor

not very far from them. Antony supposed that his vessels were going to

attack those of the enemy, and he looked to see what exploits they would

perform. They advanced toward Octavius's ships, and when they met them,

Antony observed, to his utter amazement, that, instead of the furious

combat that he had expected to see, the ships only exchanged friendly

salutations, by the use of the customary naval signals; and then his

ships, passing quietly round, took their positions in the lines of the

other fleet. The two fleets had thus become merged and mingled into one.

Antony immediately decided that this was Cleopatra's treason. She had

made peace with Octavius, he thought, and surrendered the fleet to him

as one of the conditions of it. Antony ran through the city, crying out

that he was betrayed, and in a frensy of rage sought the palace.

Cleopatra fled to her tomb. She took in with her one or two attendants,

and bolted and barred the doors, securing the fastenings with the heavy

catches and springs that she had previously made ready. She then

directed her women to call out through the door that she had killed

herself within the tomb.

The tidings of her death were borne to Antony. It changed his anger to

grief and despair. His mind, in fact, was now wholly lost to all balance

and control, and it passed from the dominion of one stormy passion to

another with the most capricious facility. He cried out with the most

bitter expressions of sorrow, mourning, he said, not so much Cleopatra's

death, for he should soon follow and join her, as the fact that she had

proved herself so superior to him in courage at last, in having thus

anticipated him in the work of self-destruction.

He was at this time in one of the chambers of the palace, whither he had

fled in despair, and was standing by a fire, for the morning was cold.

He had a favorite servant named Eros, whom he greatly trusted, and whom

he had made to take an oath long before, that whenever it should become

necessary for him to die, Eros should kill him. This Eros he now called

to him, and telling him that the time was come, ordered him to take the

sword and strike the blow.

Eros took the sword while Antony stood up before him. Eros turned his

head aside as if wishing that his eyes should not see the deed which his

hands were about to perform. Instead, however, of piercing his master

with it, he plunged it into his own breast, fell down at Antony's feet,

and died.

Antony gazed a moment at the shocking spectacle, and then said, "I thank

thee for this, noble Eros. Thou hast set me an example. I must do for

myself what thou couldst not do for me." So saying, he took the sword

from his servant's hands, plunged it into his body, and staggering to a

little bed that was near, fell over upon it in a swoon. He had received

a mortal wound.

The pressure, however, which was produced by the position in which he

lay upon the bed, stanched the wound a little, and stopped the flow of

blood. Antony came presently to himself again, and then began to beg and

implore those around him to take the sword and put him out of his

misery. But no one would do it. He lay for a time suffering great pain,

and moaning incessantly, until, at length, an officer came into the

apartment and told him that the story which he had heard of Cleopatra's

death was not true; that she was still alive, shut up in her monument,

and that she desired to see him there. This intelligence was the source

of new excitement and agitation. Antony implored the by-standers to

carry him to Cleopatra, that he might see her once more before he died.

They shrank from the attempt; but, after some hesitation and delay, they

concluded to undertake to remove him. So, taking him in their arms, they

bore him along, faint and dying, and marking their track with his blood,

toward the tomb.

Cleopatra would not open the gates to let the party in. The city was all

in uproar and confusion through the terror of the assault which Octavius

was making upon it, and she did not know what treachery might be

intended. She therefore went up to a window above, and letting down

ropes and chains, she directed those below to fasten the dying body to

them, that she and the two women with her might draw it up. This was

done. Those who witnessed it said that it was a most piteous sight to

behold,--Cleopatra and her women above exhausting their strength in

drawing the wounded and bleeding sufferer up the wall, while he, when he

approached the window, feebly raised his arms to them, that they might

lift him in. The women had hardly strength sufficient to draw the body

up. At one time it seemed that the attempt would have to be abandoned;

but Cleopatra reached down from the window as far as she could to get

hold of Antony's arms, and thus, by dint of great effort, they succeeded

at last in taking him in. They bore him to a couch which was in the

upper room from which the window opened, and laid him down, while

Cleopatra wrung her hands and tore her hair, and uttered the most

piercing lamentations and cries. She leaned over the dying Antony,

crying out incessantly with the most piteous exclamations of grief. She

bathed his face, which was covered with blood, and vainly endeavored to

stanch his wound.

Antony urged her to be calm, and not to mourn his fate. He asked for

some wine. They brought it to him and he drank it. He then entreated

Cleopatra to save her life, if she possibly could do so, and to make

some terms or other with Octavius, so as to continue to live. Very soon

after this he expired.

In the mean time, Octavius had heard of the mortal wound which Antony

had given himself; for one of the by-standers had seized the sword the

moment that the deed was done, and had hastened to carry it to Octavius,

and to announce to him the death of his enemy. Octavius immediately

desired to get Cleopatra into his power. He sent a messenger, therefore,

to the tomb, who attempted to open a parley there with her. Cleopatra

talked with the messenger through the keyholes or crevices, but could

not be induced to open the door. The messenger reported these facts to

Octavius. Octavius then sent another man with the messenger, and while

one was engaging the attention of Cleopatra and her women at the door

below, the other obtained ladders, and succeeded in gaining admission

into the window above. Cleopatra was warned of the success of this

stratagem by the shrieks of her women, who saw the officer coming down

the stairs. She looked around, and observing at a glance that she was

betrayed, and that the officer was coming to seize her, she drew a

little dagger from her robe, and was about to plunge it into her breast,

when the officer grasped her arm just in time to prevent the blow. He

took the dagger from her, and then examined her clothes to see that

there were no other secret weapons concealed there.

The capture of the queen being reported to Octavius, he appointed an

officer to take her into close custody. This officer was charged to

treat her with all possible courtesy, but to keep a close and constant

watch over her, and particularly to guard against allowing her any

possible means or opportunity for self-destruction.

In the mean time, Octavius took formal possession of the city, marching

in at the head of his troops with the most imposing pomp and parade. A

chair of state, magnificently decorated, was set up for him on a high

elevation in a public square; and here he sat, with circles of guards

around him, while the people of the city, assembled before him in the

dress of suppliants, and kneeling upon the pavement, begged his

forgiveness, and implored him to spare the city. These petitions the

great conqueror graciously condescended to grant.

Many of the princes and generals who had served under Antony came next

to beg the body of their commander, that they might give it an honorable

burial. These requests, however, Octavius would not accede to, saying

that he could not take the body away from Cleopatra. He, however, gave

Cleopatra leave to make such arrangements for the obsequies as she

thought fit, and allowed her to appropriate such sums of money from her

treasures for this purpose as she desired. Cleopatra accordingly made

the necessary arrangements, and superintended the execution of them;

not, however, with any degree of calmness and composure, but in a state,

on the contrary, of extreme agitation and distress. In fact, she had

been living now so long under the unlimited and unrestrained dominion of

caprice and passion, that reason was pretty effectually dethroned, and

all self-control was gone. She was now nearly forty years of age, and,

though traces of her inexpressible beauty remained, her bloom was faded,

and her countenance was wan with the effects of weeping, anxiety, and

despair. She was, in a word, both in body and mind, only the wreck and

ruin of what she once had been.

When the burial ceremonies were performed, and she found that all was

over--that Antony was forever gone, and she herself hopelessly and

irremediably ruined--she gave herself up to a perfect frensy of grief.

She beat her breast, and scratched and tore her flesh so dreadfully, in

the vain efforts which she made to kill herself, in the paroxysms of her

despair, that she was soon covered with contusions and wounds, which,

becoming inflamed and swelled, made her a shocking spectacle to see, and

threw her into a fever. She then conceived the idea of pretending to be

more sick than she was, and so refusing food and starving herself to

death. She attempted to execute this design. She rejected every medical

remedy that was offered her, and would not eat, and lived thus some days

without food. Octavius, to whom every thing relating to his captive was

minutely reported by her attendants, suspected her design. He was very

unwilling that she should die, having set his heart on exhibiting her to

the Roman people, on his return to the capital, in his triumphal

procession. He accordingly sent her orders, requiring that she should

submit to the treatment prescribed by the physician, and take her food,

enforcing these his commands with a certain threat which he imagined

might have some influence over her. And what threat does the reader

imagine could possibly be devised to reach a mind so sunk, so desperate,

so wretched as hers? Every thing seemed already lost but life, and life

was only an insupportable burden. What interests, then, had she still

remaining upon which a threat could take hold?

Octavius, in looking for some avenue by which he could reach her,

reflected that she was a mother. Caesarion, the son of Julius Caesar, and

Alexander, Cleopatra, and Ptolemy, Antony's children, were still alive.

Octavius imagined that in the secret recesses of her wrecked and ruined

soul there might be some lingering principle of maternal affection

remaining which he could goad into life and action. He accordingly sent

word to her that, if she did not yield to the physician and take her

food, he would kill every one of her children.

The threat produced its effect. The crazed and frantic patient became

calm. She received her food. She submitted to the physician. Under his

treatment her wounds began to heal, the fever was allayed, and at length

she appeared to be gradually recovering.

When Octavius learned that Cleopatra had become composed, and seemed to

be in some sense convalescent, he resolved to pay her a visit. As he

entered the room where she was confined, which seems to have been still

the upper chamber of her tomb, he found her lying on a low and miserable

bed, in a most wretched condition, and exhibiting such a spectacle of

disease and wretchedness that he was shocked at beholding her. She

appeared, in fact, almost wholly bereft of reason. When Octavius came

in, she suddenly leaped out of the bed, half naked as she was, and

covered with bruises and wounds, and crawled miserably along to her

conqueror's feet in the attitude of a suppliant. Her hair was torn from

her head, her limbs were swollen and disfigured, and great bandages

appeared here and there, indicating that there were still worse injuries

than these concealed. From the midst of all this squalidness and misery

there still beamed from her sunken eyes a great portion of their former

beauty, and her voice still possessed the same inexpressible charm that

had characterized it so strongly in the days of her prime. Octavius made

her go back to her bed again and lie down.

Cleopatra then began to talk and excuse herself for what she had done,

attributing all the blame of her conduct to Antony. Octavius, however,

interrupted her, and defended Antony from her criminations, saying to

her that it was not his fault so much as hers. She then suddenly changed

her tone, and acknowledging her sins, piteously implored mercy. She

begged Octavius to pardon and spare her, as if now she were afraid of

death and dreaded it, instead of desiring it as a boon. In a word, her

mind, the victim and the prey alternately of the most dissimilar and

inconsistent passions, was now overcome by fear. To propitiate Octavius,

she brought out a list of all her private treasures, and delivered it to

him as a complete inventory of all that she had. One of her treasurers,

however, named Zeleucus, who was standing by, said to Octavius that that

list was not complete. Cleopatra had, he alleged, reserved several

things of great value, which she had not put down upon it.

This assertion, thus suddenly exposing her duplicity, threw Cleopatra

into a violent rage. She sprang from her bed and assaulted her secretary

in a most furious manner. Octavius and the others who were here

interposed, and compelled Cleopatra to lie down again, which she did,

uttering all the time the most grievous complaints at the wretched

degradation to which she was reduced, to be insulted thus by her own

servant at such a time. If she had reserved any thing, she said, of her

private treasures, it was only for presents to some of her faithful

friends, to induce them the more zealously to intercede with Octavius in

her behalf. Octavius replied by urging her to feel no concern on the

subject whatever. He freely gave her, he said, all that she had

reserved, and he promised in other respects to treat her in the most

honorable and courteous manner.

Octavius was much pleased at the result of this interview. It was

obvious, as it appeared to him, that Cleopatra had ceased to desire to

die; that she now, on the contrary, wished to live, and that he should

accordingly succeed in his desire of taking her with him to grace his

triumph at Rome. He accordingly made his arrangements for departure, and

Cleopatra was notified that in three days she was to set out, together

with her children, to go into Syria. Octavius said Syria, as he did not

wish to alarm Cleopatra by speaking of Rome. She, however, understood

well where the journey, if once commenced, would necessarily end, and

she was fully determined in her own mind that she would never go there.

She asked to be allowed to pay one parting visit to Antony's tomb. This

request was granted; and she went to the tomb with a few attendants,

carrying with her chaplets and garlands of flowers. At the tomb her

grief broke forth anew, and was as violent as ever. She bewailed her

lover's death with loud cries and lamentations, uttered while she was

placing the garlands upon the tomb, and offering the oblations and

incense, which were customary in those days, as expressions of grief.

"These," said she, as she made the offerings, "are the last tributes of

affection that I can ever pay thee, my dearest, dearest lord. I can not

join thee, for I am a captive and a prisoner, and they will not let me

die. They watch me every hour, and are going to bear me far away, to

exhibit me to thine enemies, as a badge and trophy of their triumph over

thee. Oh intercede, dearest Antony, with the gods where thou art now,

since those that reign here on earth have utterly forsaken me; implore

them to save me from this fate, and let me die here in my native land,

and be buried by thy side in this tomb."

When Cleopatra returned to her apartment again after this melancholy

ceremony, she seemed to be more composed than she had been before. She

went to the bath, and then she attired herself handsomely for supper.

She had ordered supper that night to be very sumptuously served. She was

at liberty to make these arrangements, for the restrictions upon her

movements, which had been imposed at first, were now removed, her

appearance and demeanor having been for some time such as to lead

Octavius to suppose that there was no longer any danger that she would

attempt self-destruction. Her entertainment was arranged, therefore,

according to her directions, in a manner corresponding with the customs

of her court when she had been a queen. She had many attendants, and

among them were two of her own women. These women were long-tried and

faithful servants and friends.

While she was at supper, a man came to the door with a basket, and

wished to enter. The guards asked him what he had in his basket. He

opened it to let them see; and, lifting up some green leaves which were

laid over the top, he showed the soldiers that the basket was filled

with figs. He said that they were for Cleopatra's supper. The soldiers

admired the appearance of the figs, saying that they were very fine and

beautiful. The man asked the soldiers to take some of them. This they

declined, but allowed the man to pass in. When the supper was ended,

Cleopatra sent all of her attendants away except the two women. They

remained. After a little time, one of these women came out with a letter

for Octavius, which Cleopatra had written, and which she wished to have

immediately delivered. One of the soldiers from the guard stationed at

the gates was accordingly dispatched to carry the letter. Octavius, when

it was given to him, opened the envelope at once and read the letter,

which was written, as was customary in those days, on a small tablet of

metal. He found that it was a brief but urgent petition from Cleopatra,

written evidently in agitation and excitement, praying that he would

overlook her offense, and allow her to be buried with Antony. Octavius

immediately inferred that she had destroyed herself. He sent off some

messengers at once, with orders to go directly to her place of

confinement and ascertain the truth, intending to follow them himself

immediately.

The messengers, on their arrival at the gates, found the sentinels and

soldiers quietly on guard before the door, as if all were well. On

entering Cleopatra's room, however, they beheld a shocking spectacle.

Cleopatra was lying dead upon a couch. One of her women was upon the

floor, dead too. The other, whose name was Charmian, was sitting over

the body of her mistress, fondly caressing her, arranging flowers in her

hair, and adorning her diadem. The messengers of Octavius, on witnessing

this spectacle, were overcome with amazement, and demanded of Charmian

what it could mean. "It is all right," said Charmian. "Cleopatra has

acted in a manner worthy of a princess descended from so noble a line of

kings." As Charmian said this, she began to sink herself, fainting, upon

the bed, and almost immediately expired.

The by-standers were not only shocked at the spectacle which was thus

presented before them, but they were perplexed and confounded in their

attempts to discover by what means Cleopatra and her women had succeeded

in effecting their design. They examined the bodies, but no marks of

violence were to be discovered. They looked all around the room, but no

weapons, and no indication of any means of poison, were to be found.

They discovered something that appeared like the slimy track of an

animal on the wall, toward a window, which they thought might have been

produced by an _asp_; but the reptile itself was nowhere to be seen.

They examined the body with great care, but no marks of any bite or

sting were to be found, except that there were two very slight and

scarcely discernible punctures on the arm, which some persons fancied

might have been so caused. The means and manner of her death seemed to

be involved in impenetrable mystery.

There were various rumors on the subject subsequently in circulation

both at Alexandria and at Rome, though the mystery was never fully

solved. Some said that there was an asp concealed among the figs which

the servant man brought in in the basket; that he brought it in that

manner, by a preconcerted arrangement between him and Cleopatra, and

that, when she received it, she placed the creature on her arm. Others

say that she had a small steel instrument like a needle, with a poisoned

point, which she had kept concealed in her hair, and that she killed

herself with that, without producing any visible wound. Another story

was, that she had an asp in a box somewhere in her apartment, which she

had reserved for this occasion, and when the time finally came, that she

pricked and teased it with a golden bodkin to make it angry, and then

placed it upon her flesh and received its sting. Which of these stories,

if either of them, was true, could never be known. It has, however, been

generally believed among mankind that Cleopatra died in some way or

other by the self-inflicted sting of the asp, and paintings and

sculptures without number have been made to illustrate and commemorate

the scene.

This supposition in respect to the mode of her death is, in fact,

confirmed by the action of Octavius himself on his return to Rome, which

furnishes a strong indication of his opinion of the manner in which his

captive at last eluded him. Disappointed in not being able to exhibit

the queen herself in his triumphal train, he caused a golden statue

representing her to be made, with an image of an asp upon the arm of it,

and this sculpture he caused to be borne conspicuously before him in his

grand triumphal entry into the capital, as the token and trophy of the

final downfall of the unhappy Egyptian queen.

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