[Illustration: "HE MET WITH A SEVERE FALL"]
The next day the ghost was very weak and tired. The terrible excitement
of the last four weeks was beginning to have its effect. His nerves were
completely shattered, and he started at the slightest noise. For five
days he kept his room, and at last made up his mind to give up the point
of the blood-stain on the library floor. If the Otis family did not want
it, they clearly did not deserve it. They were evidently people on a
low, material plane of existence, and quite incapable of appreciating
the symbolic value of sensuous phenomena. The question of phantasmic
apparitions, and the development of astral bodies, was of course quite a
different matter, and really not under his control. It was his solemn
duty to appear in the corridor once a week, and to gibber from the large
oriel window on the first and third Wednesdays in every month, and he
did not see how he could honourably escape from his obligations. It is
quite true that his life had been very evil, but, upon the other hand,
he was most conscientious in all things connected with the supernatural.
For the next three Saturdays, accordingly, he traversed the corridor as
usual between midnight and three o'clock, taking every possible
precaution against being either heard or seen. He removed his boots,
trod as lightly as possible on the old worm-eaten boards, wore a large
black velvet cloak, and was careful to use the Rising Sun Lubricator for
oiling his chains. I am bound to acknowledge that it was with a good
deal of difficulty that he brought himself to adopt this last mode of
protection. However, one night, while the family were at dinner, he
slipped into Mr. Otis's bedroom and carried off the bottle. He felt a
little humiliated at first, but afterwards was sensible enough to see
that there was a great deal to be said for the invention, and, to a
certain degree, it served his purpose. Still in spite of everything he
was not left unmolested. Strings were continually being stretched across
the corridor, over which he tripped in the dark, and on one occasion,
while dressed for the part of "Black Isaac, or the Huntsman of Hogley
Woods," he met with a severe fall, through treading on a butter-slide,
which the twins had constructed from the entrance of the Tapestry
Chamber to the top of the oak staircase. This last insult so enraged
him, that he resolved to make one final effort to assert his dignity and
social position, and determined to visit the insolent young Etonians the
next night in his celebrated character of "Reckless Rupert, or the
Headless Earl."
[Illustration: "A HEAVY JUG OF WATER FELL RIGHT DOWN ON HIM."]
He had not appeared in this disguise for more than seventy years; in
fact, not since he had so frightened pretty Lady Barbara Modish by means
of it, that she suddenly broke off her engagement with the present Lord
Canterville's grandfather, and ran away to Gretna Green with handsome
Jack Castletown, declaring that nothing in the world would induce her to
marry into a family that allowed such a horrible phantom to walk up and
down the terrace at twilight. Poor Jack was afterwards shot in a duel by
Lord Canterville on Wandsworth Common, and Lady Barbara died of a broken
heart at Tunbridge Wells before the year was out, so, in every way, it
had been a great success. It was, however an extremely difficult
"make-up," if I may use such a theatrical expression in connection with
one of the greatest mysteries of the supernatural, or, to employ a more
scientific term, the higher-natural world, and it took him fully three
hours to make his preparations. At last everything was ready, and he was
very pleased with his appearance. The big leather riding-boots that went
with the dress were just a little too large for him, and he could only
find one of the two horse-pistols, but, on the whole, he was quite
satisfied, and at a quarter-past one he glided out of the wainscoting
and crept down the corridor. On reaching the room occupied by the twins,
which I should mention was called the Blue Bed Chamber, on account of
the colour of its hangings, he found the door just ajar. Wishing to make
an effective entrance, he flung it wide open, when a heavy jug of water
fell right down on him, wetting him to the skin, and just missing his
left shoulder by a couple of inches. At the same moment he heard stifled
shrieks of laughter proceeding from the four-post bed. The shock to his
nervous system was so great that he fled back to his room as hard as he
could go, and the next day he was laid up with a severe cold. The only
thing that at all consoled him in the whole affair was the fact that he
had not brought his head with him, for, had he done so, the consequences
might have been very serious.
[Illustration: "MAKING SATIRICAL REMARKS ON THE PHOTOGRAPHS"]
He now gave up all hope of ever frightening this rude American family,
and contented himself, as a rule, with creeping about the passages in
list slippers, with a thick red muffler round his throat for fear of
draughts, and a small arquebuse, in case he should be attacked by the
twins. The final blow he received occurred on the 19th of September. He
had gone down-stairs to the great entrance-hall, feeling sure that
there, at any rate, he would be quite unmolested, and was amusing
himself by making satirical remarks on the large Saroni photographs of
the United States Minister and his wife which had now taken the place of
the Canterville family pictures. He was simply but neatly clad in a long
shroud, spotted with churchyard mould, had tied up his jaw with a strip
of yellow linen, and carried a small lantern and a sexton's spade. In
fact, he was dressed for the character of "Jonas the Graveless, or the
Corpse-Snatcher of Chertsey Barn," one of his most remarkable
impersonations, and one which the Cantervilles had every reason to
remember, as it was the real origin of their quarrel with their
neighbour, Lord Rufford. It was about a quarter-past two o'clock in
the morning, and, as far as he could ascertain, no one was stirring. As
he was strolling towards the library, however, to see if there were any
traces left of the blood-stain, suddenly there leaped out on him from a
dark corner two figures, who waved their arms wildly above their heads,
and shrieked out "BOO!" in his ear.
[Illustration: "SUDDENLY THERE LEAPED OUT TWO FIGURES."]
Seized with a panic, which, under the circumstances, was only natural,
he rushed for the staircase, but found Washington Otis waiting for him
there with the big garden-syringe, and being thus hemmed in by his
enemies on every side, and driven almost to bay, he vanished into the
great iron stove, which, fortunately for him, was not lit, and had to
make his way home through the flues and chimneys, arriving at his own
room in a terrible state of dirt, disorder, and despair.
After this he was not seen again on any nocturnal expedition. The twins
lay in wait for him on several occasions, and strewed the passages with
nutshells every night to the great annoyance of their parents and the
servants, but it was of no avail. It was quite evident that his feelings
were so wounded that he would not appear. Mr. Otis consequently resumed
his great work on the history of the Democratic Party, on which he had
been engaged for some years; Mrs. Otis organized a wonderful
clam-bake, which amazed the whole county; the boys took to lacrosse
euchre, poker, and other American national games, and Virginia rode
about the lanes on her pony, accompanied by the young Duke of Cheshire,
who had come to spend the last week of his holidays at Canterville
Chase. It was generally assumed that the ghost had gone away, and, in
fact, Mr. Otis wrote a letter to that effect to Lord Canterville, who,
in reply, expressed his great pleasure at the news, and sent his best
congratulations to the Minister's worthy wife.
The Otises, however, were deceived, for the ghost was still in the
house, and though now almost an invalid, was by no means ready to let
matters rest, particularly as he heard that among the guests was the
young Duke of Cheshire, whose grand-uncle, Lord Francis Stilton, had
once bet a hundred guineas with Colonel Carbury that he would play dice
with the Canterville ghost, and was found the next morning lying on the
floor of the card-room in such a helpless paralytic state that, though
he lived on to a great age, he was never able to say anything again but
"Double Sixes." The story was well known at the time, though, of course,
out of respect to the feelings of the two noble families, every attempt
was made to hush it up, and a full account of all the circumstances
connected with it will be found in the third volume of Lord Tattle's
_Recollections of the Prince Regent and his Friends_. The ghost, then,
was naturally very anxious to show that he had not lost his influence
over the Stiltons, with whom, indeed, he was distantly connected, his
own first cousin having been married _en secondes noces_ to the Sieur de
Bulkeley, from whom, as every one knows, the Dukes of Cheshire are
lineally descended. Accordingly, he made arrangements for appearing to
Virginia's little lover in his celebrated impersonation of "The Vampire
Monk, or the Bloodless Benedictine," a performance so horrible that when
old Lady Startup saw it, which she did on one fatal New Year's Eve, in
the year 1764, she went off into the most piercing shrieks, which
culminated in violent apoplexy, and died in three days, after
disinheriting the Cantervilles, who were her nearest relations, and
leaving all her money to her London apothecary. At the last moment,
however, his terror of the twins prevented his leaving his room, and the
little Duke slept in peace under the great feathered canopy in the Royal
Bedchamber, and dreamed of Virginia.
V
A few days after this, Virginia and her curly-haired cavalier went out
riding on Brockley meadows, where she tore her habit so badly in getting
through a hedge that, on their return home, she made up her mind to go
up by the back staircase so as not to be seen. As she was running past
the Tapestry Chamber, the door of which happened to be open, she fancied
she saw some one inside, and thinking it was her mother's maid, who
sometimes used to bring her work there, looked in to ask her to mend
her habit. To her immense surprise, however, it was the Canterville
Ghost himself! He was sitting by the window, watching the ruined gold of
the yellowing trees fly through the air, and the red leaves dancing
madly down the long avenue. His head was leaning on his hand, and his
whole attitude was one of extreme depression. Indeed, so forlorn, and so
much out of repair did he look, that little Virginia, whose first idea
had been to run away and lock herself in her room, was filled with pity,
and determined to try and comfort him. So light was her footfall, and so
deep his melancholy, that he was not aware of her presence till she
spoke to him.
"I am so sorry for you," she said, "but my brothers are going back to
Eton to-morrow, and then, if you behave yourself, no one will annoy
you."
"It is absurd asking me to behave myself," he answered, looking round in
astonishment at the pretty little girl who had ventured to address him,
"quite absurd. I must rattle my chains, and groan through keyholes, and
walk about at night, if that is what you mean. It is my only reason for
existing."
"It is no reason at all for existing, and you know you have been very
wicked. Mrs. Umney told us, the first day we arrived here, that you had
killed your wife."
"Well, I quite admit it," said the Ghost, petulantly, "but it was a
purely family matter, and concerned no one else."
"It is very wrong to kill any one," said Virginia, who at times had a
sweet puritan gravity, caught from some old New England ancestor.
"Oh, I hate the cheap severity of abstract ethics! My wife was very
plain, never had my ruffs properly starched, and knew nothing about
cookery. Why, there was a buck I had shot in Hogley Woods, a magnificent
pricket, and do you know how she had it sent to table? However, it is
no matter now, for it is all over, and I don't think it was very nice of
her brothers to starve me to death, though I did kill her."
"Starve you to death? Oh, Mr. Ghost--I mean Sir Simon, are you hungry? I
have a sandwich in my case. Would you like it?"
"No, thank you, I never eat anything now; but it is very kind of you,
all the same, and you are much nicer than the rest of your horrid, rude,
vulgar, dishonest family."
"Stop!" cried Virginia, stamping her foot, "it is you who are rude, and
horrid, and vulgar, and as for dishonesty, you know you stole the
paints out of my box to try and furbish up that ridiculous blood-stain
in the library. First you took all my reds, including the vermilion, and
I couldn't do any more sunsets, then you took the emerald-green and the
chrome-yellow, and finally I had nothing left but indigo and Chinese
white, and could only do moonlight scenes, which are always depressing
to look at, and not at all easy to paint. I never told on you, though I
was very much annoyed, and it was most ridiculous, the whole thing; for
who ever heard of emerald-green blood?"
"Well, really," said the Ghost, rather meekly, "what was I to do? It is
a very difficult thing to get real blood nowadays, and, as your brother
began it all with his Paragon Detergent, I certainly saw no reason why I
should not have your paints. As for colour, that is always a matter of
taste: the Cantervilles have blue blood, for instance, the very bluest
in England; but I know you Americans don't care for things of this
kind."
"You know nothing about it, and the best thing you can do is to emigrate
and improve your mind. My father will be only too happy to give you a
free passage, and though there is a heavy duty on spirits of every kind,
there will be no difficulty about the Custom House, as the officers are
all Democrats. Once in New York, you are sure to be a great success. I
know lots of people there who would give a hundred thousand dollars to
have a grandfather, and much more than that to have a family ghost."
"I don't think I should like America."
"I suppose because we have no ruins and no curiosities," said Virginia,
satirically.
"No ruins! no curiosities!" answered the Ghost; "you have your navy and
your manners."
"Good evening; I will go and ask papa to get the twins an extra week's
holiday."
"Please don't go, Miss Virginia," he cried; "I am so lonely and so
unhappy, and I really don't know what to do. I want to go to sleep and I
cannot."
"That's quite absurd! You have merely to go to bed and blow out the
candle. It is very difficult sometimes to keep awake, especially at
church, but there is no difficulty at all about sleeping. Why, even
babies know how to do that, and they are not very clever."
"I have not slept for three hundred years," he said sadly, and
Virginia's beautiful blue eyes opened in wonder; "for three hundred
years I have not slept, and I am so tired."
Virginia grew quite grave, and her little lips trembled like
rose-leaves. She came towards him, and kneeling down at his side, looked
up into his old withered face.
"Poor, poor Ghost," she murmured; "have you no place where you can
sleep?"
[Illustration: "'POOR, POOR GHOST,' SHE MURMURED; 'HAVE YOU NO PLACE
WHERE YOU CAN SLEEP?'"]
"Far away beyond the pine-woods," he answered, in a low, dreamy voice,
"there is a little garden. There the grass grows long and deep, there
are the great white stars of the hemlock flower, there the nightingale
sings all night long. All night long he sings, and the cold crystal
moon looks down, and the yew-tree spreads out its giant arms over the
sleepers."
Virginia's eyes grew dim with tears, and she hid her face in her hands.
"You mean the Garden of Death," she whispered.
"Yes, death. Death must be so beautiful. To lie in the soft brown earth,
with the grasses waving above one's head, and listen to silence. To have
no yesterday, and no to-morrow. To forget time, to forget life, to be at
peace. You can help me. You can open for me the portals of death's
house, for love is always with you, and love is stronger than death
is."
Virginia trembled, a cold shudder ran through her, and for a few moments
there was silence. She felt as if she was in a terrible dream.
Then the ghost spoke again, and his voice sounded like the sighing of
the wind.
"Have you ever read the old prophecy on the library window?"
"Oh, often," cried the little girl, looking up; "I know it quite well.
It is painted in curious black letters, and is difficult to read. There
are only six lines:
"'When a golden girl can win
Prayer from out the lips of sin,
When the barren almond bears,
And a little child gives away its tears,
Then shall all the house be still
And peace come to Canterville.'
"But I don't know what they mean."
"They mean," he said, sadly, "that you must weep with me for my sins,
because I have no tears, and pray with me for my soul, because I have no
faith, and then, if you have always been sweet, and good, and gentle,
the angel of death will have mercy on me. You will see fearful shapes in
darkness, and wicked voices will whisper in your ear, but they will not
harm you, for against the purity of a little child the powers of Hell
cannot prevail."
Virginia made no answer, and the ghost wrung his hands in wild despair
as he looked down at her bowed golden head. Suddenly she stood up, very
pale, and with a strange light in her eyes. "I am not afraid," she said
firmly, "and I will ask the angel to have mercy on you."
He rose from his seat with a faint cry of joy, and taking her hand bent
over it with old-fashioned grace and kissed it. His fingers were as cold
as ice, and his lips burned like fire, but Virginia did not falter, as
he led her across the dusky room. On the faded green tapestry were
broidered little huntsmen. They blew their tasselled horns and with
their tiny hands waved to her to go back. "Go back! little Virginia,"
they cried, "go back!" but the ghost clutched her hand more tightly,
and she shut her eyes against them. Horrible animals with lizard tails
and goggle eyes blinked at her from the carven chimneypiece, and
murmured, "Beware! little Virginia, beware! we may never see you again,"
but the Ghost glided on more swiftly, and Virginia did not listen. When
they reached the end of the room he stopped, and muttered some words she
could not understand. She opened her eyes, and saw the wall slowly
fading away like a mist, and a great black cavern in front of her. A
bitter cold wind swept round them, and she felt something pulling at her
dress. "Quick, quick," cried the Ghost, "or it will be too late," and
in a moment the wainscoting had closed behind them, and the Tapestry
Chamber was empty.
[Illustration: "THE GHOST GLIDED ON MORE SWIFTLY"]