Formosam resonare doces Amaryllida silvas.--WAKEFIELD.]

[Footnote 32: Imitated from Virg. Ecl. vii. 24:

Hic arguta sacra pendebit fistula pinu.--WAKEFIELD.

Dryden's translation:

The praise of artful numbers I resign,

And hang my harp upon the sacred pine.]

[Footnote 33: This thought is formed on one in Theocritus iii. 12, and

our poet had before him Dryden's translation of that Idyllium:

Some god transform me by his heav'nly pow'r,

E'en to a bee to buzz within your bow'r.--WAKEFIELD.

Warton prefers the image of Theocritus, as more wild, more delicate, and

more uncommon. It is natural for a lover to wish that he might be

anything that could come near to his lady. But we more naturally desire

to be that which she fondles and caresses, than to be that which she

avoids, at least would neglect. The superior delicacy of Theocritus I

cannot discover, nor can indeed find, that either in the one or the

other image there is any want of delicacy.--JOHNSON.

Pope had at first written:

Some pitying god permit me to be made

The bird that sings beneath thy myrtle shade.

He submitted this couplet and the emendation in the text to Walsh, and

said, "The epithet _captive_ seems necessary to explain the thought, on

account of _those kisses_ in the last line [of the paragraph]. Quaere. If

these be better than the other?" Walsh. "The second are the best, for it

is not enough to _permit_ you to be made, but to make you."]

[Footnote 34: Virg. Ecl. ix. 33:

me quoque dicunt

Vatem pastores.--WAKEFIELD.]

[Footnote 35: Milton's Lycidas, ver. 34:

Rough satyrs danced.

Dryden's Virgil, Ecl. vi. 42:

He raised his voice, and soon a num'rous throng

Of tripping satyrs crowded to the song.

Pan was the god of shepherds, the inventor of the pastoral pipe of

reeds, and himself a skilful musician. "The ancient images," says

Archbishop Whately, "represent him as partly in the human form, and

partly in that of a goat, with horns and cloven hoofs. And hence it is

that, by a kind of tradition, we often see, even at this day,

representations of Satan in this form. For the early christians seem to

have thought that it was he whom the pagans adored under the name of

Pan."]

[Footnote 36: Spenser's Elegy on the death of Sir P. Sidney:

Come forth, ye nymphs, forsake your wat'ry bowers,

Forsake your mossy caves.]

[Footnote 37: Spenser's Astrophel:

And many a nymph both of the wood and brook,

Soon as his oaten pipe began to shrill,

Both chrystal wells, and shady groves forsook

To hear the charms of his enchanting skill;

And brought him presents, flow'rs if it were prime,

Or mellow fruit if it were harvest time.]

[Footnote 38: From the Shepherd's Calendar of Spenser:

His clownish gifts and courtsies I disdain,

His kids, his cracknels, and his early fruit;

Ah, foolish Hobbinol, thy gifts been vain,

Colin them gives to Hobbinol again.]

[Footnote 39: Virg. Ecl. ii. 60:

habitarunt dii quoque sylvas.

Ecl. x. 18:

Et formosus oves ad flumina pavit Adonis.--POPE.

The Works of Alexander Pope, Volume 1 Poetry - Volume 1 · 第 218 / 307 题