Thou dost the seeds of future wars foreknow.]

[Footnote 126: The Phrygian was Marsyas, who contended on the flute

against Apollo with his lyre. When the umpires decided in favour of the

god, he flayed Marsyas for his presumption.]

[Footnote 127: Tityus assaulted the mother of Apollo, and her son shot

the offender.]

[Footnote 128: Niobe, because she had seven sons and seven daughters,

thought herself superior to Latona, who had only one son, and one

daughter,--Apollo and Diana. These divinities, in revenge, destroyed the

fourteen children of Niobe.]

[Footnote 129: In the first edition:

He views his food, would taste, yet dares not try,

But dreads the mould'ring rock that trembles from on high.

Apollo intrigued with Coronis, the daughter of Phlegyas. Her enraged

father retaliated by firing the temple of Apollo, and was consigned for

his rebellion to perpetual torture in the infernal regions. His terror

lest the impending rock should crush him is a circumstance interpolated

by Pope from Virgil's description of the punishment of Pirithous and

Ixion, and the expression "mould'ring rock" is taken from Dryden's

translation of the passage, AEn. vi. 816:

High o'er their heads a mould'ring rock is placed

That promises a fall, and shakes at ev'ry blast.

The revolting nature of the food itself is the reason assigned by

Statius why Phlegyas forebore to partake of it, and preferred to endure

the pangs of hunger.]

[Footnote 130: After Apollo, in the later mythology, had been identified

with the sun, all the names personifying the sun, of which Titan was

one, became applicable to Apollo.]

[Footnote 131: Diodorus maintained that the Osiris of the Egyptians was

their god of the sun, and Statius has adopted this erroneous view.

According to the statement of Herodotus, Osiris answered to the Grecian

Bacchus, and there is little doubt that the old historian was right.]

[Footnote 132: Mithras was the Persian god of the sun. He was worshipped

in caves, or, as Pope has it, in "hollow rocks," because the spherical

form of the cave symbolised the universe, of which Mithras was the

maker. The "blaze of light which adorns his head" in Pope's version,

makes no part of the description in the original. The final line is

explained by several ancient works of art, in which a man, wearing a

Phrygian cap, is depicted cutting the throat of a bull he has flung to

the ground. The man is said by an old scholiast on Statius to typify the

sun, the bull the moon, and the intention, he states, is to represent

the superiority of the sun over the moon. Statius speaks of the bull as

indignant at being compelled to follow Mithras,--an idea which suits ill

with the tranquil aspect of the moon as it floats through the heavens.]

The Works of Alexander Pope, Volume 1 Poetry - Volume 1 · 第 93 / 307 题