ADVERTISEMENT OF WARBURTON TO HIS EDITION OF POPE'S WORKS, 1751.

Mr. Pope, in his last illness, amused himself, amidst the care of his

higher concerns, in preparing a corrected and complete edition of his

writings;[1] and, with his usual delicacy, was even solicitous to

prevent any share of the offence they might occasion, from falling on

the friend whom he had engaged to give them to the public.[2] In

discharge of this trust, the public has here a complete edition of his

works, executed in such a manner, as, I am persuaded, would have been to

his satisfaction. The editor hath not, for the sake of profit, suffered

the author's name to be made cheap by a subscription;[3] nor his works

to be defrauded of their due honours by a vulgar or inelegant

impression; nor his memory to be disgraced by any pieces unworthy of his

talents or virtue. On the contrary, he hath, at a very great expense,

ornamented this edition with all the advantages which the best artists

in paper, printing, and sculpture could bestow upon it.[4]

If the public hath waited longer than the deference due to its generous

impatience for the author's writings should have suffered, it was owing

to a reason which the editor need not be ashamed to tell. It was his

regard to the family interests of his deceased friend. Mr. Pope, at his

death, had left large impressions of several parts of his works, unsold,

the property of which was adjudged to belong to his executors; and the

editor was willing they should have time to dispose of them to the best

advantage, before the publication of this edition (which hath been long

prepared) should put a stop to the sale. But it may be proper to be a

little more particular concerning the superiority of this edition above

all the preceding, so far as Mr. Pope himself was concerned. What the

editor hath done, the reader must collect for himself.

The first volume, and the original poems in the second, are here first

printed from a copy corrected throughout by the author himself, even to

the very preface,[5] which, with several additional notes in his own

hand, he delivered to the editor a little before his death. The juvenile

translations, in the other part of the second volume, it was never his

intention to bring into this edition of his works, on account of the

levity of some, the freedom of others, and the little importance of all.

But these being the property of other men, the editor had it not in his

power to follow the author's intention.

The third volume (all but the Essay on Man, which together with the

Essay on Criticism, the author, a little before his death, had corrected

and published in quarto, as a specimen of his projected edition,) was

printed by him in his last illness, but never published, in the manner

it is now given. The disposition of the Epistle on the Characters of Men

is quite altered; that on the Characters of Women much enlarged; and the

Epistles on Riches and Taste corrected and improved. To these advantages

of the third volume must be added a great number of fine verses, taken

from the author's manuscript copies of these poems, communicated by him

for this purpose to the editor. These, the author, when he first

published the poems to which they belong, thought proper, for various

reasons, to omit. Some, from the manuscript copy of the Essay on Man,

which tended to discredit fate, and to recommend the moral government of

God, had, by the editor's advice, been restored to their places in the

last edition of that poem.[6] The rest, together with others of the like

sort, from his manuscript copy of the other Ethic Epistles, are here

inserted at the bottom of the page, under the title of Variations.

The fourth volume contains the Satires, with their Prologue,--the

Epistle to Dr. Arbuthnot; and Epilogue,--the two poems intitled

MDCCXXXVIII. The Prologue and Epilogue are here given with the like

advantages as the Ethic Epistles in the foregoing volume, that is to

say, with the Variations, or additional verses from the author's

manuscripts. The Epilogue to the Satires is likewise inriched with many

and large notes, now first printed from the author's own manuscript.

The fifth volume contains a correcter and completer edition of the

Dunciad than hath been hitherto published, of which, at present, I have

only this further to add, that it was at my request he laid the plan of

a fourth book. I often told him, it was pity so fine a poem should

remain disgraced by the meanness of its subject, the most insignificant

of all dunces,--bad rhymers and malevolent cavillers; that he ought to

raise and ennoble it by pointing his satire against the most pernicious

of all,--minute philosophers and free-thinkers. I imagined, too, it was

for the interests of religion to have it known, that so great a genius

had a due abhorrence of these pests of virtue and society. He came

readily into my opinion; but, at the same time, told me it would create

him many enemies. He was not mistaken, for though the terror of his pen

kept them for some time in respect, yet on his death they rose with

unrestrained fury in numerous coffee-house tales, and Grub Street

libels. The plan of this admirable satire was artfully contrived to

show, that the follies and defects of a fashionable education naturally

led to, and necessarily ended in, freethinking, with design to point out

the only remedy adequate to so destructive an evil. It was to advance

the same ends of virtue and religion, that the editor prevailed on him

to alter everything in his moral writings that might be suspected of

having the least glance towards fate or naturalism, and to add what was

proper to convince the world that he was warmly on the side of moral

government and a revealed will. And it would be great injustice to his

memory not to declare that he embraced these occasions with the most

unfeigned pleasure.

The sixth volume consists of Mr. Pope's miscellaneous pieces in verse

and prose. Amongst the verse several fine poems make now their first

appearance in his works. And of the prose, all that is good, and nothing

but what is exquisitely so, will be found in this edition.

The seventh, eighth, and ninth volumes consist entirely of his letters,

the more valuable, as they are the only true models which we, or perhaps

any of our neighbours, have of familiar epistles.[7] This collection is

now made more complete by the addition of several new pieces. Yet,

excepting a short explanatory letter to Col. M[oyser], and the letters

to Mr. A[llen] and Mr. W[arburton] (the latter of which are given to

show the editor's inducements, and the engagements he was under, to

intend the care of this edition) excepting these, I say, the rest are

all here published from the author's own printed, though not published

copies delivered to the editor.[8]

On the whole, the advantages of this edition, above the preceding, are

these,--that it is the first complete collection which has ever been

made of his original writings; that all his principal poems, of early or

later date, are here given to the public with his last corrections and

improvements; that a great number of his verses are here first printed

from the manuscript copies of his principal poems of later date; that

many new notes of the author are here added to his poems; and lastly,

that several pieces, both in prose and verse make now their first

appearance before the public.

The author's life deserves a just volume, and the editor intends to give

it. For to have been one of the first poets in the world is but his

second praise. He was in a higher class. He was one of the "noblest

works of God." He was an "honest man,"[9]--a man who alone possessed

more real virtue than, in very corrupt times, needing a satirist like

him, will sometimes fall to the share of multitudes. In this history of

his life,[10] will be contained a large account of his writings, a

critique on the nature, force, and extent of his genius, exemplified

from these writings; and a vindication of his moral character,

exemplified by his more distinguished virtues,--his filial piety, his

disinterested friendships, his reverence for the constitution of his

country, his love and admiration of virtue, and (what was the necessary

effect) his hatred and contempt of vice, his extensive charity to the

indigent, his warm benevolence to mankind, his supreme veneration of the

Deity, and above all his sincere belief of Revelation. Nor shall his

faults be concealed. It is not for the interests of his virtues that

they should. Nor indeed could they be concealed, if we were so disposed,

for they shine through his virtues, no man being more a dupe to the

specious appearances of virtue in others.[11] In a word, I mean not to

be his panegyrist but his historian. And may I, when envy and calumny

have taken the same advantage of my absence (for, while I live, I will

freely trust it to my life to confute them) may I find a friend as

careful of my honest fame as I have been of his! Together with his

works, he hath bequeathed me his dunces. So that as the property is

transferred, I could wish they would now let his memory alone. The veil

which death draws over the good is so sacred, that to tear it, and with

sacrilegious hands, to throw dirt upon the shrine, gives scandal even to

barbarians. And though Rome permitted her slaves to calumniate her best

citizens on the day of triumph, yet the same petulancy at their funeral

would have been rewarded with execration and a gibbet.[12] The public

may be malicious; but is rarely vindictive or ungenerous. It would abhor

all insults, on a writer dead, though it had borne with the ribaldry, or

even set the ribalds on work, when he was alive. And in this there is no

great harm, for he must have a strange impotency of mind indeed whom

such miserable scribblers can disturb or ruffle. Of all that gross

Beotian phalanx who have written scurrilously against the editor, he

knows not so much as one whom a writer of reputation would not wish to

have his enemy, or whom a man of honour would not be ashamed to own for

his friend.[13] He is indeed but slightly conversant in their works, and

knows little of the particulars of their defamation. To his authorship

they are heartily welcome. But if any of them have been so far abandoned

by truth as to attack his moral character in any respect whatsoever, to

all and every one of these and their abettors, he gives the lie in form,

and in the words of honest Father Valerian, _mentiris impudentissime_.

The Works of Alexander Pope, Volume 1 Poetry - Volume 1 · 第 34 / 307 题