Priests, priests,--there's no such name!--God's own, except

Ye take most vainly. Through heaven's lifted gate

The priestly ephod in sole glory swept

When Christ ascended, entered in, and sate

(With victor face sublimely overwept)

At Deity's right hand, to mediate,

He alone, He for ever. On His breast

The Urim and the Thummim, fed with fire

From the full Godhead, flicker with the unrest

Of human pitiful heart-beats. Come up higher,

All Christians! Levi's tribe is dispossest.

That solitary alb ye shall admire,

But not cast lots for. The last chrism, poured right,

Was on that Head, and poured for burial

And not for domination in men's sight.

What _are_ these churches? The old temple-wall

Doth overlook them juggling with the sleight

Of surplice, candlestick and altar-pall;

East church and west church, ay, north church and south,

Rome's church and England's,--let them all repent,

And make concordats 'twixt their soul and mouth,

Succeed Saint Paul by working at the tent,

Become infallible guides by speaking truth,

And excommunicate their pride that bent

And cramped the souls of men.

Why, even here

Priestcraft burns out, the twined linen blazes;

Not, like asbestos, to grow white and clear,

But all to perish!--while the fire-smell raises

To life some swooning spirits who, last year,

Lost breath and heart in these church-stifled places.

Why, almost, through this Pius, we believed

The priesthood could be an honest thing, he smiled

So saintly while our corn was being sheaved

For his own granaries! Showing now defiled

His hireling hands, a better help's achieved

Than if they blessed us shepherd-like and mild.

False doctrine, strangled by its own amen,

Dies in the throat of all this nation. Who

Will speak a pope's name as they rise again?

What woman or what child will count him true?

What dreamer praise him with the voice or pen?

What man fight for him?--Pius takes his due.

* * * * *

Record that gain, Mazzini!--Yes, but first

Set down thy people's faults; set down the want

Of soul-conviction; set down aims dispersed,

And incoherent means, and valour scant

Because of scanty faith, and schisms accursed

That wrench these brother-hearts from covenant

With freedom and each other. Set down this,

And this, and see to overcome it when

The seasons bring the fruits thou wilt not miss

If wary. Let no cry of patriot men

Distract thee from the stern analysis

Of masses who cry only! keep thy ken

Clear as thy soul is virtuous. Heroes' blood

Splashed up against thy noble brow in Rome;

Let such not blind thee to an interlude

Which was not also holy, yet did come

'Twixt sacramental actions,--brotherhood

Despised even there, and something of the doom

Of Remus in the trenches. Listen now--

Rossi died silent near where Caesar died.

HE did not say "My Brutus, is it thou?"

But Italy unquestioned testified

"_I_ killed him! _I_ am Brutus.--I avow."

At which the whole world's laugh of scorn replied

"A poor maimed copy of Brutus!"

Too much like,

Indeed, to be so unlike! too unskilled

At Philippi and the honest battle-pike,

To be so skilful where a man is killed

Near Pompey's statue, and the daggers strike

At unawares i' the throat. Was thus fulfilled

An omen once of Michel Angelo?--

When Marcus Brutus he conceived complete,

And strove to hurl him out by blow on blow

Upon the marble, at Art's thunderheat,

Till haply (some pre-shadow rising slow

Of what his Italy would fancy meet

To be called BRUTUS) straight his plastic hand

Fell back before his prophet-soul, and left

A fragment, a maimed Brutus,--but more grand

Than this, so named at Rome, was!

Let thy weft

Present one woof and warp, Mazzini! Stand

With no man hankering for a dagger's heft,

No, not for Italy!--nor stand apart,

No, not for the Republic!--from those pure

Brave men who hold the level of thy heart

In patriot truth, as lover and as doer,

Albeit they will not follow where thou art

As extreme theorist. Trust and distrust fewer;

And so bind strong and keep unstained the cause

Which (God's sign granted) war-trumps newly blown

Shall yet annunciate to the world's applause.

But now, the world is busy; it has grown

A Fair-going world. Imperial England draws

The flowing ends of the earth from Fez, Canton,

Delhi and Stockholm, Athens and Madrid,

The Russias and the vast Americas,

As if a queen drew in her robes amid

Her golden cincture,--isles, peninsulas,

Capes, continents, far inland countries hid

By jasper-sands and hills of chrysopras,

All trailing in their splendours through the door

Of the gorgeous Crystal Palace. Every nation,

To every other nation strange of yore,

Gives face to face the civic salutation,

And holds up in a proud right hand before

That congress the best work which she can fashion

By her best means. "These corals, will you please

To match against your oaks? They grow as fast

Within my wilderness of purple seas."--

"This diamond stared upon me as I passed

(As a live god's eye from a marble frieze)

Along a dark of diamonds. Is it classed?"--

"I wove these stuffs so subtly that the gold

Swims to the surface of the silk like cream

And curdles to fair patterns. Ye behold!"--

"These delicatest muslins rather seem

Than be, you think? Nay, touch them and be bold,

Though such veiled Chakhi's face in Hafiz' dream."--

"These carpets--you walk slow on them like kings,

Inaudible like spirits, while your foot

Dips deep in velvet roses and such things."--

"Even Apollonius might commend this flute:[13]

The music, winding through the stops, upsprings

To make the player very rich: compute!"

"Here's goblet-glass, to take in with your wine

The very sun its grapes were ripened under:

Drink light and juice together, and each fine."--

"This model of a steamship moves your wonder?

You should behold it crushing down the brine

Like a blind Jove who feels his way with thunder."--

"Here's sculpture! Ah, _we_ live too! why not throw

Our life into our marbles? Art has place

For other artists after Angelo."--

"I tried to paint out here a natural face;

For nature includes Raffael, as we know,

Not Raffael nature. Will it help my case?"--

"Methinks you will not match this steel of ours!"--

"Nor you this porcelain! One might dream the clay

Retained in it the larvae of the flowers,

They bud so, round the cup, the old Spring-way."--

"Nor you these carven woods, where birds in bowers

With twisting snakes and climbing cupids, play."

O Magi of the east and of the west,

Your incense, gold and myrrh are excellent!--

What gifts for Christ, then, bring ye with the rest?

Your hands have worked well: is your courage spent

In handwork only? Have you nothing best,

Which generous souls may perfect and present,

And He shall thank the givers for? no light

Of teaching, liberal nations, for the poor

Who sit in darkness when it is not night?

No cure for wicked children? Christ,--no cure!

No help for women sobbing out of sight

Because men made the laws? no brothel-lure

Burnt out by popular lightnings? Hast thou four

No remedy, my England, for such woes?

No outlet, Austria, for the scourged and bound,

No entrance for the exiled? no repose,

Russia, for knouted Poles worked underground,

And gentle ladies bleached among the snows?

No mercy for the slave, America?

No hope for Rome, free France, chivalric France?

Alas, great nations have great shames, I say.

No pity, O world, no tender utterance

Of benediction, and prayers stretched this way

For poor Italia, baffled by mischance?

O gracious nations, give some ear to me!

You all go to your Fair, and I am one

Who at the roadside of humanity

Beseech your alms,--God's justice to be done.

So, prosper!

In the name of Italy,

Meantime, her patriot Dead have benison.

They only have done well; and, what they did

Being perfect, it shall triumph. Let them slumber:

No king of Egypt in a pyramid

Is safer from oblivion, though he number

Full seventy cerements for a coverlid.

These Dead be seeds of life, and shall encumber

The sad heart of the land until it loose

The clammy clods and let out the Spring-growth

In beatific green through every bruise.

The tyrant should take heed to what he doth,

Since every victim-carrion turns to use,

And drives a chariot, like a god made wroth,

Against each piled injustice. Ay, the least,

Dead for Italia, not in vain has died;

Though many vainly, ere life's struggle ceased,

To mad dissimilar ends have swerved aside;

Each grave her nationality has pieced

By its own majestic breadth, and fortified

And pinned it deeper to the soil. Forlorn

Of thanks be, therefore, no one of these graves!

Not Hers,--who, at her husband's side, in scorn,

Outfaced the whistling shot and hissing waves,

Until she felt her little babe unborn

Recoil, within her, from the violent staves

And bloodhounds of the world,--at which, her life

Dropt inwards from her eyes and followed it

Beyond the hunters. Garibaldi's wife

And child died so. And now, the seaweeds fit

Her body, like a proper shroud and coif,

And murmurously the ebbing waters grit

The little pebbles while she lies interred

In the sea-sand. Perhaps, ere dying thus,

She looked up in his face (which never stirred

From its clenched anguish) as to make excuse

For leaving him for his, if so she erred.

He well remembers that she could not choose.

A memorable grave! Another is

At Genoa. There, a king may fitly lie,

Who, bursting that heroic heart of his

At lost Novara, that he could not die

(Though thrice into the cannon's eyes for this

He plunged his shuddering steed, and felt the sky

Reel back between the fire-shocks), stripped away

The ancestral ermine ere the smoke had cleared,

And, naked to the soul, that none might say

His kingship covered what was base and bleared

With treason, went out straight an exile, yea,

An exiled patriot. Let him be revered.

Yea, verily, Charles Albert has died well;

And if he lived not all so, as one spoke,

The sin pass softly with the passing-bell;

For he was shriven, I think, in cannon-smoke,

And, taking off his crown, made visible

A hero's forehead. Shaking Austria's yoke

He shattered his own hand and heart. "So best,"

His last words were upon his lonely bed,

I do not end like popes and dukes at least--

"Thank God for it." And now that he is dead,

Admitting it is proved and manifest

That he was worthy, with a discrowned head,

To measure heights with patriots, let them stand

Beside the man in his Oporto shroud,

And each vouchsafe to take him by the hand,

And kiss him on the cheek, and say aloud,--

"Thou, too, hast suffered for our native land!

My brother, thou art one of us! be proud."

Still, graves, when Italy is talked upon.

Still, still, the patriot's tomb, the stranger's hate.

Still Niobe! still fainting in the sun,

By whose most dazzling arrows violate

Her beauteous offspring perished! has she won

Nothing but garlands for the graves, from Fate?

Nothing but death-songs?--Yes, be it understood

Life throbs in noble Piedmont! while the feet

Of Rome's clay image, dabbled soft in blood,

Grow flat with dissolution and, as meet,

Will soon be shovelled off like other mud,

To leave the passage free in church and street.

And I, who first took hope up in this song,

Because a child was singing one ... behold,

The hope and omen were not, haply, wrong!

Poets are soothsayers still, like those of old

Who studied flights of doves; and creatures young

And tender, mighty meanings may unfold.

The sun strikes, through the windows, up the floor;

Stand out in it, my own young Florentine,

Not two years old, and let me see thee more!

It grows along thy amber curls, to shine

Brighter than elsewhere. Now, look straight before,

And fix thy brave blue English eyes on mine,

And from my soul, which fronts the future so,

With unabashed and unabated gaze,

Teach me to hope for, what the angels know

When they smile clear as thou dost. Down God's ways

With just alighted feet, between the snow

And snowdrops, where a little lamb may graze,

Thou hast no fear, my lamb, about the road,

Albeit in our vain-glory we assume

That, less than we have, thou hast learnt of God.

Stand out, my blue-eyed prophet!--thou, to whom

The earliest world-day light that ever flowed,

Through Casa Guidi Windows chanced to come!

Now shake the glittering nimbus of thy hair,

And be God's witness that the elemental

New springs of life are gushing everywhere

To cleanse the watercourses, and prevent all

Concrete obstructions which infest the air!

That earth's alive, and gentle or ungentle

Motions within her, signify but growth!--

The ground swells greenest o'er the labouring moles.

Howe'er the uneasy world is vexed and wroth,

Young children, lifted high on parent souls,

Look round them with a smile upon the mouth,

And take for music every bell that tolls;

(WHO said we should be better if like these?)

But _we_ sit murmuring for the future though

Posterity is smiling on our knees,

Convicting us of folly. Let us go--

We will trust God. The blank interstices

Men take for ruins, He will build into

With pillared marbles rare, or knit across

With generous arches, till the fane's complete.

This world has no perdition, if some loss.

Such cheer I gather from thy smiling, Sweet!

The self-same cherub-faces which emboss

The Vail, lean inward to the Mercy-seat.

FOOTNOTES:

[12] See the opening passage of the "Agamemnon" of AEschylus.

[13] Philostratus relates of Apollonius how he objected to the musical

instrument of Linus the Rhodian that it could not enrich or

beautify. The history of music in our day would satisfy the

philosopher on one point at least.

POEMS BEFORE CONGRESS

PREFACE.

These poems were written under the pressure of the events they

indicate, after a residence in Italy of so many years that the present

triumph of great principles is heightened to the writer's feelings by

the disastrous issue of the last movement, witnessed from "Casa Guidi

Windows" in 1849. Yet, if the verses should appear to English readers

too pungently rendered to admit of a patriotic respect to the English

sense of things, I will not excuse myself on such grounds, nor on the

ground of my attachment to the Italian people and my admiration of

their heroic constancy and union. What I have written has simply been

written because I love truth and justice _quand meme_,--"more than

Plato" and Plato's country, more than Dante and Dante's country, more

even than Shakespeare and Shakespeare's country.

And if patriotism means the flattery of one's nation in every case,

then the patriot, take it as you please, is merely the courtier which

I am not, though I have written "Napoleon III. in Italy." It is time

to limit the significance of certain terms, or to enlarge the

significance of certain things. Nationality is excellent in its

place; and the instinct of self-love is the root of a man, which will

develop into sacrificial virtues. But all the virtues are means and

uses; and, if we hinder their tendency to growth and expansion, we

both destroy them as virtues, and degrade them to that rankest

species of corruption reserved for the most noble organizations. For

instance,--non-intervention in the affairs of neighbouring states is a

high political virtue; but non-intervention does not mean, passing

by on the other side when your neighbour falls among thieves,--or

Phariseeism would recover it from Christianity. Freedom itself is

virtue, as well as privilege; but freedom of the seas does not mean

piracy, nor freedom of the land, brigandage; nor freedom of the

senate, freedom to cudgel a dissident member; nor freedom of the

press, freedom to calumniate and lie. So, if patriotism be a virtue

indeed, it cannot mean an exclusive devotion to our country's

interests,--for that is only another form of devotion to personal

interests, family interests, or provincial interests, all of which,

if not driven past themselves, are vulgar and immoral objects. Let

us put away the Little Peddlingtonism unworthy of a great nation, and

too prevalent among us. If the man who does not look beyond this

natural life is of a somewhat narrow order, what must be the man who

does not look beyond his own frontier or his own sea?

I confess that I dream of the day when an English statesman shall

arise with a heart too large for England; having courage in the face

of his countrymen to assert of some suggested policy,--"This is good

for your trade; this is necessary for your domination: but it will vex

a people hard by; it will hurt a people farther off; it will profit

nothing to the general humanity: therefore, away with it!--it is not

for you or for me." When a British minister dares speak so, and when a

British public applauds him speaking, then shall the nation be

glorious, and her praise, instead of exploding from within, from loud

civic mouths, come to her from without, as all worthy praise must,

from the alliances she has fostered and the populations she has

saved.

And poets who write of the events of that time shall not need to

justify themselves in prefaces for ever so little jarring of the

national sentiment imputable to their rhymes.

ROME: _February 1860_.

NAPOLEON III. IN ITALY.

I.

Emperor, Emperor!

From the centre to the shore,

From the Seine back to the Rhine,

Stood eight millions up and swore

By their manhood's right divine

So to elect and legislate,

This man should renew the line

Broken in a strain of fate

And leagued kings at Waterloo,

When the people's hands let go.

Emperor

Evermore.

II.

With a universal shout

They took the old regalia out

From an open grave that day;

From a grave that would not close,

Where the first Napoleon lay

Expectant, in repose,

As still as Merlin, with his conquering face

Turned up in its unquenchable appeal

To men and heroes of the advancing race,--

Prepared to set the seal

Of what has been on what shall be.

Emperor

Evermore.

III.

The thinkers stood aside

To let the nation act.

Some hated the new-constituted fact

Of empire, as pride treading on their pride.

Some quailed, lest what was poisonous in the past

Should graft itself in that Druidic bough

On this green Now.

Some cursed, because at last

The open heavens to which they had looked in vain

For many a golden fall of marvellous rain

Were closed in brass; and some

Wept on because a gone thing could not come;

And some were silent, doubting all things for

That popular conviction,--evermore

Emperor.

IV.

That day I did not hate

Nor doubt, nor quail nor curse.

I, reverencing the people, did not bate

My reverence of their deed and oracle,

Nor vainly prate

Of better and of worse

Against the great conclusion of their will.

And yet, O voice and verse,

Which God set in me to acclaim and sing

Conviction, exaltation, aspiration,

We gave no music to the patent thing,

Nor spared a holy rhythm to throb and swim

About the name of him

Translated to the sphere of domination

By democratic passion!

I was not used, at least,

Nor can be, now or then,

To stroke the ermine beast

On any kind of throne

(Though builded by a nation for its own),

And swell the surging choir for kings of men--

"Emperor

Evermore."

V.

But now, Napoleon, now

That, leaving far behind the purple throng

Of vulgar monarchs, thou

Tread'st higher in thy deed

Than stair of throne can lead,

To help in the hour of wrong

The broken hearts of nations to be strong,--

Now, lifted as thou art

To the level of pure song,

We stand to meet thee on these Alpine snows!

And while the palpitating peaks break out

Ecstatic from somnambular repose

With answers to the presence and the shout,

We, poets of the people, who take part

With elemental justice, natural right,

Join in our echoes also, nor refrain.

We meet thee, O Napoleon, at this height

At last, and find thee great enough to praise.

Receive the poet's chrism, which smells beyond

The priest's, and pass thy ways;--

An English poet warns thee to maintain

God's word, not England's:--let His truth be true

And all men liars! with His truth respond

To all men's lie. Exalt the sword and smite

On that long anvil of the Apennine

Where Austria forged the Italian chain in view

Of seven consenting nations, sparks of fine Admonitory light,

Till men's eyes wink before convictions new.

Flash in God's justice to the world's amaze,

Sublime Deliverer!--after many days

Found worthy of the deed thou art come to do--

Emperor.

Evermore.

VI.

But Italy, my Italy,

Can it last, this gleam?

Can she live and be strong,

Or is it another dream

Like the rest we have dreamed so long?

And shall it, must it be,

That after the battle-cloud has broken

She will die off again

Like the rain,

Or like a poet's song

Sung of her, sad at the end

Because her name is Italy,--

Die and count no friend?

Is it true,--may it be spoken,--

That she who has lain so still,

With a wound in her breast,

And a flower in her hand,

And a grave-stone under her head,

While every nation at will

Beside her has dared to stand,

And flout her with pity and scorn,

Saying "She is at rest,

She is fair, she is dead,

And, leaving room in her stead

To Us who are later born,

This is certainly best!"

Saying "Alas, she is fair,

Very fair, but dead,--give place,

And so we have room for the race."

--Can it be true, be true,

That she lives anew?

That she rises up at the shout of her sons,

At the trumpet of France,

And lives anew?--is it true

That she has not moved in a trance,

As in Forty-eight?

When her eyes were troubled with blood

Till she knew not friend from foe,

Till her hand was caught in a strait

Of her cerement and baffled so

From doing the deed she would;

And her weak foot stumbled across

The grave of a king,

And down she dropt at heavy loss,

And we gloomily covered her face and said,

"We have dreamed the thing;

She is not alive, but dead."

VII.

Now, shall we say

Our Italy lives indeed?

And if it were not for the beat and bray

Of drum and trump of martial men,

Should we feel the underground heave and strain,

Where heroes left their dust as a seed

Sure to emerge one day?

And if it were not for the rhythmic march

Of France and Piedmont's double hosts,

Should we hear the ghosts

Thrill through ruined aisle and arch,

Throb along the frescoed wall,

Whisper an oath by that divine

They left in picture, book, and stone,

That Italy is not dead at all?

Ay, if it were not for the tears in our eyes,

These tears of a sudden passionate joy,

Should we see her arise

From the place where the wicked are overthrown,

Italy, Italy--loosed at length

From the tyrant's thrall,

Pale and calm in her strength?

Pale as the silver cross of Savoy

When the hand that bears the flag is brave,

And not a breath is stirring, save

What is blown

Over the war-trump's lip of brass,

Ere Garibaldi forces the pass!

VIII.

Ay, it is so, even so.

Ay, and it shall be so.

Each broken stone that long ago

She flung behind her as she went

In discouragement and bewilderment

Through the cairns of Time, and missed her way

Between to-day and yesterday,

Up springs a living man.

And each man stands with his face in the light

Of his own drawn sword,

Ready to do what a hero can.

Wall to sap, or river to ford,

Cannon to front, or foe to pursue,

Still ready to do, and sworn to be true,

As a man and a patriot can.

Piedmontese, Neapolitan,

Lombard, Tuscan, Romagnole,

Each man's body having a soul,--

Count how many they stand,

All of them sons of the land,

Every live man there

Allied to a dead man below,

And the deadest with blood to spare

To quicken a living hand

In case it should ever be slow.

Count how many they come

To the beat of Piedmont's drum,

With faces keener and grayer

Than swords of the Austrian slayer,

All set against the foe.

"Emperor

Evermore."

IX.

Out of the dust where they ground them;

Out of the holes where they dogged them;

Out of the hulks where they wound them

In iron, tortured and flogged them;

Out of the streets where they chased them,

Taxed them, and then bayonetted them;

Out of the homes where they spied on them

(Using their daughters and wives);

Out of the church where they fretted them,

Rotted their souls and debased them,

Trained them to answer with knives,

Then cursed them all at their prayers!--

Out of cold lands, not theirs,

Where they exiled them, starved them, lied on them;

Back they come like a wind, in vain

Cramped up in the hills, that roars its road

The stronger into the open plain,

Or like a fire that burns the hotter

And longer for the crust of cinder,

Serving better the ends of the potter;

Or like a restrained word of God,

Fulfilling itself by what seems to hinder.

"Emperor

Evermore."

X.

Shout for France and Savoy!

Shout for the helper and doer.

Shout for the good sword's ring,

Shout for the thought still truer.

Shout for the spirits at large

Who passed for the dead this spring,

Whose living glory is sure.

Shout for France and Savoy!

Shout for the council and charge!

Shout for the head of Cavour;

And shout for the heart of a King

That's great with a nation's joy!

Shout for France and Savoy!

XI.

Take up the child, Macmahon, though

Thy hand be red

From Magenta's dead,

And riding on, in front of the troop,

In the dust of the whirlwind of war

Through the gate of the city of Milan, stoop

And take up the child to thy saddle-bow,

Nor fear the touch as soft as a flower of his smile as clear as a

star!

Thou hast a right to the child, we say,

Since the women are weeping for joy as they

Who, by thy help and from this day,

Shall be happy mothers indeed.

They are raining flowers from terrace and roof:

Take up the flower in the child.

While the shout goes up of a nation freed

And heroically self-reconciled,

Till the snow on that peaked Alp aloof

Starts, as feeling God's finger anew,

And all those cold white marble fires

Of mounting saints on the Duomo-spires

Flicker against the Blue.

"Emperor

Evermore."

XII.

The Poetical Works of Elizabeth Barrett Browning, Volume 4 · 第 5 / 8 段