Balzac, in his _Comedie Humaine_, has reviewed with a master-hand almost

every phase of the Social World of Paris down to 1850 and Thackeray left

hardly a corner of London High Life unexplored; but so great have been

the changes (progress, its admirers call it,) since then, that, could

Balzac come back to his beloved Paris, he would feel like a foreigner

there; and Thackeray, who was among us but yesterday, would have

difficulty in finding his bearings in the sea of the London world to-day.

We have changed so radically that even a casual observer cannot help

being struck by the difference. Among other most significant "phenomena"

has appeared a phase of life that not only neither of these great men

observed (for the very good reason that it had not appeared in their

time), but which seems also to have escaped the notice of the writers of

our own day, close observers as they are of any new development. I mean

the class of Social Exiles, pitiable wanderers from home and country, who

haunt the Continent, and are to be found (sad little colonies) in out-of-

the-way corners of almost every civilized country.

To know much of this form of modern life, one must have been a wanderer,

like myself, and have pitched his tent in many queer places; for they are

shy game and not easily raised, frequenting mostly quiet old cities like

Versailles and Florence, or inexpensive watering-places where their

meagre incomes become affluence by contrast. The first thought on

dropping in on such a settlement is, "How in the world did these people

ever drift here?" It is simple enough and generally comes about in this

way:

The father of a wealthy family dies. The fortune turns out to be less

than was expected. The widow and children decide to go abroad for a year

or so, during their period of mourning, partially for distraction, and

partially (a fact which is not spoken of) because at home they would be

forced to change their way of living to a simpler one, and that is hard

to do, just at first. Later they think it will be quite easy. So the

family emigrates, and after a little sight-seeing, settles in Dresden or

Tours, casually at first, in a hotel. If there are young children they

are made the excuse. "The languages are so important!" Or else one of

the daughters develops a taste for music, or a son takes up the study of

art. In a year or two, before a furnished apartment is taken, the idea

of returning is discussed, but abandoned "for the present." They begin

vaguely to realize how difficult it will be to take life up again at

home. During all this time their income (like everything else when the

owners are absent) has been slowly but surely disappearing, making the

return each year more difficult. Finally, for economy, an unfurnished

apartment is taken. They send home for bits of furniture and family

belongings, and gradually drop into the great army of the expatriated.

Oh, the pathos of it! One who has not seen these poor stranded waifs in

their self-imposed exile, with eyes turned towards their native land,

cannot realize all the sadness and loneliness they endure, rarely

adopting the country of their residence but becoming more firmly American

as the years go by. The home papers and periodicals are taken, the

American church attended, if there happens to be one; the English chapel,

if there is not. Never a French church! In their hearts they think it

almost irreverent to read the service in French. The acquaintance of a

few fellow-exiles is made and that of a half-dozen English families,

mothers and daughters and a younger son or two, whom the ferocious

primogeniture custom has cast out of the homes of their childhood to

economize on the Continent.

I have in my mind a little settlement of this kind at Versailles, which

was a type. The formal old city, fallen from its grandeur, was a

singularly appropriate setting to the little comedy. There the modest

purses of the exiles found rents within their reach, the quarters vast

and airy. The galleries and the park afforded a diversion, and then

Paris, dear Paris, the American Mecca, was within reach. At the time I

knew it, the colony was fairly prosperous, many of its members living in

the two or three principal _pensions_, the others in apartments of their

own. They gave feeble little entertainments among themselves,

card-parties and teas, and dined about with each other at their

respective _tables d'hote_, even knowing a stray Frenchman or two, whom

the quest of a meal had tempted out of their native fastnesses as it does

the wolves in a hard winter. Writing and receiving letters from America

was one of the principal occupations, and an epistle descriptive of a

particular event at home went the rounds, and was eagerly read and

discussed.

The merits of the different _pensions_ also formed a subject of vital

interest. The advantages and disadvantages of these rival establishments

were, as a topic, never exhausted. _Madame une telle_ gave five o'clock

tea, included in the seven francs a day, but her rival gave one more meat

course at dinner and her coffee was certainly better, while a third

undoubtedly had a nicer set of people. No one here at home can realize

the importance these matters gradually assume in the eyes of the exiles.

Their slender incomes have to be so carefully handled to meet the strain

of even this simple way of living, if they are to show a surplus for a

little trip to the seashore in the summer months, that an extra franc a

day becomes a serious consideration.

Every now and then a family stronger-minded than the others, or with

serious reasons for returning home (a daughter to bring out or a son to

put into business), would break away from its somnolent surroundings and

re-cross the Atlantic, alternating between hope and fear. It is here

that a sad fate awaits these modern Rip Van Winkles. They find their

native cities changed beyond recognition. (For we move fast in these

days.) The mother gets out her visiting list of ten years before and is

thunderstruck to find that it contains chiefly names of the "dead, the

divorced, and defaulted." The waves of a decade have washed over her

place and the world she once belonged to knows her no more. The leaders

of her day on whose aid she counted have retired from the fray. Younger,

and alas! unknown faces sit in the opera boxes and around the dinner

tables where before she had found only friends. After a feeble little

struggle to get again into the "swim," the family drifts back across the

ocean into the quiet back water of a continental town, and goes circling

around with the other twigs and dry leaves, moral flotsam and jetsam,

thrown aside by the great rush of the outside world.

For the parents the life is not too sad. They have had their day, and

are, perhaps, a little glad in their hearts of a quiet old age, away from

the heat and sweat of the battle; but for the younger generation it is

annihilation. Each year their circle grows smaller. Death takes away

one member after another of the family, until one is left alone in a

foreign land with no ties around her, or with her far-away "home," the

latter more a name now than a reality.

A year or two ago I was taking luncheon with our consul at his primitive

villa, an hour's ride from the city of Tangier, a ride made on donkey-

back, as no roads exist in that sunny land. After our coffee and cigars,

he took me a half-hour's walk into the wilderness around him to call on

his nearest neighbors, whose mode of existence seemed a source of anxiety

to him. I found myself in the presence of two American ladies, the

younger being certainly not less than seventy-five. To my astonishment I

found they had been living there some thirty years, since the death of

their parents, in an isolation and remoteness impossible to describe, in

an Arab house, with native servants, "the world forgetting, by the world

forgot." Yet these ladies had names well known in New York fifty years

ago.

The glimpse I had of their existence made me thoughtful as I rode home in

the twilight, across a suburb none too safe for strangers. What had the

future in store for those two? Or, worse still, for the survivor of

those two? In contrast, I saw a certain humble "home" far away in

America, where two old ladies were ending their lives surrounded by

loving friends and relations, honored and cherished and guarded tenderly

from the rude world.

In big cities like Paris and Rome there is another class of the

expatriated, the wealthy who have left their homes in a moment of pique

after the failure of some social or political ambition; and who find in

these centres the recognition refused them at home and for which their

souls thirsted.

It is not to these I refer, although it is curious to see a group of

people living for years in a country of which they, half the time, do not

speak the language (beyond the necessities of housekeeping and shopping),

knowing but few of its inhabitants, and seeing none of the society of the

place, their acquaintance rarely going beyond that equivocal, hybrid

class that surrounds rich "strangers" and hangs on to the outer edge of

the _grand monde_. One feels for this latter class merely contempt, but

one's pity is reserved for the former. What object lessons some lives on

the Continent would be to impatient souls at home, who feel discontented

with their surroundings, and anxious to break away and wander abroad! Let

them think twice before they cut the thousand ties it has taken a

lifetime to form. Better monotony at your own fireside, my friends,

where at the worst, you are known and have your place, no matter how

small, than an old age among strangers.

No. 12--"Seven Ages" of Furniture

The progress through life of active-minded Americans is apt to be a

series of transformations. At each succeeding phase of mental

development, an old skin drops from their growing intelligence, and they

assimilate the ideas and tastes of their new condition, with a facility

and completeness unknown to other nations.

One series of metamorphoses particularly amusing to watch is, that of an

observant, receptive daughter of Uncle Sam who, aided and followed (at a

distance) by an adoring husband, gradually develops her excellent brain,

and rises through fathoms of self-culture and purblind experiment, to the

surface of dilettantism and connoisseurship. One can generally detect

the exact stage of evolution such a lady has reached by the bent of her

conversation, the books she is reading, and, last but not least, by her

material surroundings; no outward and visible signs reflecting inward and

spiritual grace so clearly as the objects people collect around them for

the adornment of their rooms, or the way in which those rooms are

decorated.

A few years ago, when a young man and his bride set up housekeeping on

their own account, the "old people" of both families seized the

opportunity to unload on the beginners (under the pretence of helping

them along) a quantity of furniture and belongings that had (as the

shopkeepers say) "ceased to please" their original owners. The narrow

quarters of the tyros are encumbered by ungainly sofas and arm-chairs,

most probably of carved rosewood. _Etageres_ of the same lugubrious

material grace the corners of their tiny drawing-room, the bits of mirror

inserted between the shelves distorting the image of the owners into

headless or limbless phantoms. Half of their little dining-room is

filled with a black-walnut sideboard, ingeniously contrived to take up as

much space as possible and hold nothing, its graceless top adorned with a

stag's head carved in wood and imitation antlers.

The novices in their innocence live contented amid their hideous

surroundings for a year or two, when the wife enters her second epoch,

which, for want of a better word, we will call the Japanese period. The

grim furniture gradually disappears under a layer of silk and gauze

draperies, the bare walls blossom with paper umbrellas, fans are nailed

in groups promiscuously, wherever an empty space offends her eye. Bows

of ribbon are attached to every possible protuberance of the furniture.

Even the table service is not spared. I remember dining at a house in

this stage of its artistic development, where the marrow bones that

formed one course of the dinner appeared each with a coquettish little

bow-knot of pink ribbon around its neck.

Once launched on this sea of adornment, the housewife soon loses her

bearings and decorates indiscriminately. Her old evening dresses serve

to drape the mantelpieces, and she passes every spare hour embroidering,

braiding, or fringing some material to adorn her rooms. At Christmas her

friends contribute specimens of their handiwork to the collection.

The view of other houses and other decorations before long introduces the

worm of discontent into the blossom of our friend's contentment. The

fruit of her labors becomes tasteless on her lips. As the finances of

the family are satisfactory, the re-arrangement of the parlor floor is

(at her suggestion) confided to a firm of upholsterers, who make a clean

sweep of the rosewood and the bow-knots, and retire, after some months of

labor, leaving the delighted wife in possession of a suite of rooms

glittering with every monstrosity that an imaginative tradesman, spurred

on by unlimited credit, could devise.

The wood work of the doors and mantels is an intricate puzzle of inlaid

woods, the ceilings are panelled and painted in complicated designs. The

"parlor" is provided with a complete set of neat, old-gold satin

furniture, puffed at its angles with peacock-colored plush.

The monumental folding doors between the long, narrow rooms are draped

with the same chaste combination of stuffs.

The dining-room blazes with a gold and purple wall paper, set off by

ebonized wood work and furniture. The conscientious contractor has

neglected no corner. Every square inch of the ceilings, walls, and

floors has been carved, embossed, stencilled, or gilded into a

bewildering monotony.

The husband, whose affairs are rapidly increasing on his hands, has no

time to attend to such insignificant details as house decoration, the

wife has perfect confidence in the taste of the firm employed. So at the

suggestion of the latter, and in order to complete the beauty of the

rooms, a Bouguereau, a Toulmouche and a couple of Schreyers are bought,

and a number of modern French bronzes scattered about on the multicolored

cabinets. Then, at last, the happy owners of all this splendor open

their doors to the admiration of their friends.

About the time the peacock plush and the gilding begin to show signs of

wear and tear, rumors of a fresh fashion in decoration float across from

England, and the new gospel of the beautiful according to Clarence Cook

is first preached to an astonished nation.

The fortune of our couple continuing to develop with pleasing rapidity,

the building of a country house is next decided upon. A friend of the

husband, who has recently started out as an architect, designs them a

picturesque residence without a straight line on its exterior or a square

room inside. This house is done up in strict obedience to the teachings

of the new sect. The dining-room is made about as cheerful as the

entrance to a family vault. The rest of the house bears a close

resemblance to an ecclesiastical junk shop. The entrance hall is filled

with what appears to be a communion table in solid oak, and the massive

chairs and settees of the parlor suggest the withdrawing room of Rowena,

aesthetic shades of momie-cloth drape deep-set windows, where anaemic and

disjointed females in stained glass pluck conventional roses.

To each of these successive transitions the husband has remained

obediently and tranquilly indifferent. He has in his heart considered

them all equally unfitting and uncomfortable and sighed in regretful

memory of a deep, old-fashioned arm-chair that sheltered his after-dinner

naps in the early rosewood period. So far he has been as clay in the

hands of his beloved wife, but the anaemic ladies and the communion table

are the last drop that causes his cup to overflow. He revolts and begins

to take matters into his own hands with the result that the household

enters its fifth incarnation under his guidance, during which everything

is painted white and all the wall-papers are a vivid scarlet. The family

sit on bogus Chippendale and eat off blue and white china.

With the building of their grand new house near the park the couple rise

together into the sixth cycle of their development. Having travelled and

studied the epochs by this time, they can tell a Louis XIV. from a Louis

XV. room, and recognize that mahogany and brass sphinxes denote furniture

of the Empire. This newly acquired knowledge is, however, vague and

hazy. They have no confidence in themselves, so give over the fitting of

their principal floors to the New York branch of a great French house.

Little is talked of now but periods, plans, and elevations. Under the

guidance of the French firm, they acquire at vast expense, faked

reproductions as historic furniture.

The spacious rooms are sticky with new gilding, and the flowered brocades

of the hangings and furniture crackle to the touch. The rooms were not

designed by the architect to receive any special kind of "treatment."

Immense folding-doors unite the salons, and windows open anywhere. The

decorations of the walls have been applied like a poultice, regardless of

the proportions of the rooms and the distribution of the spaces.

Building and decorating are, however, the best of educations. The

husband, freed at last from his business occupations, finds in this new

study an interest and a charm unknown to him before. He and his wife are

both vaguely disappointed when their resplendent mansion is finished,

having already outgrown it, and recognize that in spite of correct

detail, their costly apartments no more resemble the stately and simple

salons seen abroad than the cabin of a Fall River boat resembles the

_Galerie des Glaces_ at Versailles. The humiliating knowledge that they

are all wrong breaks upon them, as it is doing on hundreds of others, at

the same time as the desire to know more and appreciate better the

perfect productions of this art.

A seventh and last step is before them but they know not how to make it.

A surer guide than the upholsterer is, they know, essential, but their

library contains nothing to help them. Others possess the information

they need, yet they are ignorant where to turn for what they require.

With singular appropriateness a volume treating of this delightful "art"

has this season appeared at Scribner's. "The Decoration of Houses" is

the result of a woman's faultless taste collaborating with a man's

technical knowledge. Its mission is to reveal to the hundreds who have

advanced just far enough to find that they can go no farther alone,

truths lying concealed beneath the surface. It teaches that consummate

taste is satisfied only with a perfected simplicity; that the facades of

a house must be the envelope of the rooms within and adapted to them, as

the rooms are to the habits and requirements of them "that dwell

therein;" that proportion is the backbone of the decorator's art and that

supreme elegance is fitness and moderation; and, above all, that an

attention to architectural principles can alone lead decoration to a

perfect development.

No. 13--Our Elite and Public Life

The complaint is so often heard, and seems so well founded, that there is

a growing inclination, not only among men of social position, but also

among our best and cleverest citizens, to stand aloof from public life,

and this reluctance on their part is so unfortunate, that one feels

impelled to seek out the causes where they must lie, beneath the surface.

At a first glance they are not apparent. Why should not the honor of

representing one's town or locality be as eagerly sought after with us as

it is by English or French men of position? That such is not the case,

however, is evident.

Speaking of this the other evening, over my after-dinner coffee, with a

high-minded and public-spirited gentleman, who not long ago represented

our country at a European court, he advanced two theories which struck me

as being well worth repeating, and which seemed to account to a certain

extent for this curious abstinence.

As a first and most important cause, he placed the fact that neither our

national nor (here in New York) our state capital coincides with our

metropolis. In this we differ from England and all the continental

countries. The result is not difficult to perceive. In London, a man of

the world, a business man, or a great lawyer, who represents a locality

in Parliament, can fulfil his mandate and at the same time lead his usual

life among his own set. The lawyer or the business man can follow during

the day his profession, or those affairs on which he depends to support

his family and his position in the world. Then, after dinner (owing to

the peculiar hours adopted for the sittings of Parliament), he can take

his place as a law-maker. If he be a London-born man, he in no way

changes his way of life or that of his family. If, on the contrary, he

be a county magnate, the change he makes is all for the better, as it

takes him and his wife and daughters up to London, the haven of their

longings, and the centre of all sorts of social dissipations and

advancement.

With us, it is exactly the contrary. As the District of Columbia elects

no one, everybody living in Washington officially is more or less

expatriated, and the social life it offers is a poor substitute for the

circle which most families leave to go there.

That, however, is not the most important side of the question. Go to any

great lawyer of either New York or Chicago, and propose sending him to

Congress or the Senate. His answer is sure to be, "I cannot afford it. I

know it is an honor, but what is to replace the hundred thousand dollars

a year which my profession brings me in, not to mention that all my

practice would go to pieces during my absence?" Or again, "How should I

dare to propose to my family to leave one of the great centres of the

country to go and vegetate in a little provincial city like Washington?

No, indeed! Public life is out of the question for me!"

Does any one suppose England would have the class of men she gets in

Parliament, if that body sat at Bristol?

Until recently the man who occupied the position of Lord Chancellor made

thirty thousand pounds a year by his profession without interfering in

any way with his public duties, and at the present moment a recordership

in London in no wise prevents private practice. Were these gentlemen

Americans, they would be obliged to renounce all hope of professional

income in order to serve their country at its Capital.

Let us glance for a moment at the other reason. Owing to our laws

(doubtless perfectly reasonable, and which it is not my intention to

criticise,) a man must reside in the place he represents. Here again we

differ from all other constitutional countries. Unfortunately, our

clever young men leave the small towns of their birth and flock up to the

great centres as offering wider fields for their advancement. In

consequence, the local elector finds his choice limited to what is

left--the intellectual skimmed milk, of which the cream has been carried

to New York or other big cities. No country can exist without a

metropolis, and as such a centre by a natural law of assimilation absorbs

the best brains of the country, in other nations it has been found to the

interests of all parties to send down brilliant young men to the

"provinces," to be, in good time, returned by them to the national

assemblies.

As this is not a political article the simple indication of these two

causes will suffice, without entering into the question of their

reasonableness or of their justice. The social bearing of such a

condition is here the only side of the question under discussion; it is

difficult to over-rate the influence that a man's family exert over his

decisions.

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