CHAPTER XXXI.

Old and new Acquaintances

Elated with the idea of seeing life, Pen went into a hundred queer

London haunts. He liked to think he was consorting with all sorts of

men—so he beheld coalheavers in their tap-rooms; boxers in their

inn-parlours; honest citizens disporting in the suburbs or on the

river; and he would have liked to hob and nob with celebrated

pickpockets, or drink a pot of ale with a company of burglars and

cracksmen, had chance afforded him an opportunity of making the

acquaintance of this class of society. It was good to see the gravity

with which Warrington listened to the Tutbury Pet or the Brighton

Stunner at the Champion’s Arms, and behold the interest which he took

in the coalheaving company assembled at the Fox-under-the-Hill. His

acquaintance with the public-houses of the metropolis and its

neighbourhood, and with the frequenters of their various parlours, was

prodigious. He was the personal friend of the landlord and landlady,

and welcome to the bar as to the clubroom. He liked their society, he

said, better than that of his own class, whose manners annoyed him, and

whose conversation bored him. “In society,” he used to say, “everybody

is the same, wears the same dress, eats and drinks, and says the same

things; one young dandy at the club talks and looks just like another,

one Miss at a ball exactly resembles another, whereas there’s character

here. I like to talk with the strongest man in England, or the man who

can drink the most beer in England, or with that tremendous republican

of a hatter, who thinks Thistlewood was the greatest character in

history. I like better gin-and-water than claret. I like a sanded floor

in Carnaby Market better than a chalked one in Mayfair. I prefer Snobs,

I own it.” Indeed, this gentleman was a social republican; and it never

entered his head while conversing with Jack and Tom that he was in any

respect their better; although, perhaps, the deference which they paid

him might secretly please him.

Pen followed him then to these various resorts of men with great glee

and assiduity. But he was considerably younger, and therefore much more

pompous and stately than Warrington, in fact a young prince in

disguise, visiting the poor of his father’s kingdom. They respected him

as a high chap, a fine fellow, a regular young swell. He had somehow

about him an air of imperious good-humour, and a royal frankness and

majesty, although he was only heir-apparent to twopence-halfpenny, and

but one in descent from a gallypot. If these positions are made for us,

we acquiesce in them very easily; and are always pretty ready to assume

a superiority over those who are as good as ourselves. Pen’s

condescension at this time of his life was a fine thing to witness.

Amongst men of ability this assumption and impertinence passes off with

extreme youth: but it is curious to watch the conceit of a generous and

clever lad—there is something almost touching in that early exhibition

of simplicity and folly.

So, after reading pretty hard of a morning, and, I fear, not law

merely, but politics and general history and literature, which were as

necessary for the advancement and instruction of a young man as mere

dry law, after applying with tolerable assiduity to letters, to

reviews, to elemental books of law, and, above all, to the newspaper,

until the hour of dinner was drawing nigh, these young gentlemen would

sally out upon the town with great spirits and appetite, and bent upon

enjoying a merry night as they had passed a pleasant forenoon. It was a

jovial time, that of four-and-twenty, when every muscle of mind and

body was in healthy action, when the world was new as yet, and one

moved over it spurred onwards by good spirits and the delightful

capability to enjoy. If ever we feel young afterwards, it is with the

comrades of that time: the tunes we hum in our old age, are those we

learned then. Sometimes, perhaps, the festivity of that period revives

in our memory; but how dingy the pleasure-garden has grown, how

tattered the garlands look, how scant and old the company, and what a

number of the lights have gone out since that day! Grey hairs have come

on like daylight streaming in—daylight and a headache with it. Pleasure

has gone to bed with the rouge on her cheeks. Well, friend, let us walk

through the day, sober and sad, but friendly.

I wonder what Laura and Helen would have said, could they have seen, as

they might not unfrequently have done had they been up and in London,

in the very early morning when the bridges began to blush in the

sunrise, and the tranquil streets of the city to shine in the dawn, Mr.

Pen and Mr. Warrington rattling over the echoing flags towards the

Temple, after one of their wild nights of carouse—nights wild, but not

so wicked as such nights sometimes are, for Warrington was a

woman-hater; and Pen, as we have said, too lofty to stoop to a vulgar

intrigue. Our young Prince of Fairoaks never could speak to one of the

sex but with respectful courtesy, and shrank from a coarse word or

gesture with instinctive delicacy—for though we have seen him fall in

love with a fool, as his betters and inferiors have done, and as it is

probable that he did more than once in his life, yet for the time of

the delusion it was always as a Goddess that he considered her, and

chose to wait upon her. Men serve women kneeling—when they get on their

feet, they go away.

That was what an acquaintance of Pen’s said to him in his hard homely

way;—an old friend with whom he had fallen in again in London—no other

than honest Mr. Bows of the Chatteris Theatre, who was now employed as

pianoforte player, to accompany the eminent lyrical talent which

nightly delighted the public at the Fielding’s Head in Covent Garden:

and where was held the little club called the Back Kitchen.

Numbers of Pen’s friends frequented this very merry meeting. The

Fielding’s Head had been a house of entertainment, almost since the

time when the famous author of ‘Tom Jones’ presided as magistrate in

the neighbouring Bow Street; his place was pointed out, and the chair

said to have been his, still occupied by the president of the night’s

entertainment. The worthy Cutts, the landlord of the Fielding’s Head,

generally occupied this post when not disabled by gout or other

illness. His jolly appearance and fine voice may be remembered by some

of my male readers: he used to sing profusely in the course of the

harmonic meeting, and his songs were of what may be called the British

Brandy-and-Water School of Song—such as ‘The Good Old English

Gentleman,’ ‘Dear Tom, this Brown Jug,’ and so forth—songs in which

pathos and hospitality are blended, and the praises of good liquor and

the social affections are chanted in a baritone voice. The charms of

our women, the heroic deeds of our naval and military commanders, are

often sung in the ballads of this school; and many a time in my youth

have I admired how Cutts the singer, after he had worked us all up to

patriotic enthusiasm, by describing the way in which the brave

Abercrombie received his death-wound, or made us join him in tears,

which he shed liberally himself, as in faltering accents he told how

autumn’s falling leaf “proclaimed the old man he must die”—how Cutts

the singer became at once Cutts the landlord, and, before the applause

which we were making with our fists on his table, in compliment to his

heart-stirring melody, had died away,—was calling, “Now, gentlemen,

give your orders, the waiter’s in the room—John, a champagne cup for

Mr. Green. I think, sir, you said sausages and mashed potatoes? John,

attend on the gentleman.”

“And I’ll thank ye give me a glass of punch too, John, and take care

the wather boils,” a voice would cry not unfrequently, a well-known

voice to Pen, which made the lad blush and start when he heard it

first—that of the venerable Captain Costigan; who was now established

in London, and one of the great pillars of the harmonic meetings at the

Fielding’s Head.

The Captain’s manners and conversation brought very many young men to

the place. He was a character, and his fame had begun to spread soon

after his arrival in the metropolis, and especially after his

daughter’s marriage. He was great in his conversation to the friend for

the time being (who was the neighbour drinking by his side), about “me

daughther.” He told of her marriage, and of the events previous and

subsequent to that ceremony; of the carriages she kept; of Mirabel’s

adoration for her and for him; of the hundther pounds which he was at

perfect liberty to draw from his son-in-law, whenever necessity urged

him. And having stated that it was his firm intention to “dthraw next

Sathurday, I give ye me secred word and honour next Sathurday, the

fourteenth, when ye’ll see the money will be handed over to me at

Coutts’s, the very instant I present the cheque,” the Captain would not

unfrequently propose to borrow a half-crown of his friend until the

arrival of that day of Greek Calends, when, on the honour of an officer

and gentleman, he would repee the thrifling obligetion.

Sir Charles Mirabel had not that enthusiastic attachment to his

father-in-law, of which the latter sometimes boasted (although in other

stages of emotion Cos would inveigh, with tears in his eyes, against

the ingratitude of the child of his bosom, and the stinginess of the

wealthy old man who had married her); but the pair had acted not

unkindly towards Costigan; had settled a small pension on him, which

was paid regularly, and forestalled with even more regularity by poor

Cos; and the period of the payments was always well known by his friend

at the Fielding’s Head, whither the honest Captain took care to repair,

bank-notes in hand, calling loudly for change in the midst of the full

harmonic meeting. “I think ye’ll find that note won’t be refused at the

Bank of England, Cutts, my boy,” Captain Costigan would say. “Bows,

have a glass? Ye needn’t stint yourself to-night, anyhow; and a glass

of punch will make ye play con spirito.” For he was lavishly free with

his money when it came to him, and was scarcely known to button his

breeches pocket, except when the coin was gone, or sometimes, indeed,

when a creditor came by.

It was in one of these moments of exultation that Pen found his old

friend swaggering at the singers’ table at the Back Kitchen of the

Fielding’s Head, and ordering glasses of brandy-and-water for any of

his acquaintances who made their appearance in the apartment.

Warrington, who was on confidential terms with the bass singer, made

his way up to this quarter of the room, and Pen walked at his friend’s

heels.

Pen started and blushed to see Costigan. He had just come from Lady

Whiston’s party, where he had met and spoken with the Captain’s

daughter again for the first time after very old old days. He came up

with outstretched hand, very kindly and warmly to greet the old man;

still retaining a strong remembrance of the time when Costigan’s

daughter had been everything in the world to him. For though this young

gentleman may have been somewhat capricious in his attachments, and

occasionally have transferred his affections from one woman to another,

yet he always respected the place where Love had dwelt, and, like the

Sultan of Turkey, desired that honours should be paid to the lady

towards whom he had once thrown the royal pocket-handkerchief. The

tipsy Captain returning the clasp of Pen’s hand with all the strength

of a palm which had become very shaky by the constant lifting up of

weights of brandy-and-water, looked hard in Pen’s face, and said,

“Grecious Heavens, is it possible? Me dear boy, me dear fellow, me dear

friend;” and then with a look of muddled curiosity, fairly broke down

with, “I know your face, me dear dear friend, but, bedad, I’ve forgot

your name.” Five years of constant punch had passed since Pen and

Costigan met. Arthur was a good deal changed, and the Captain may surly

be excused for forgetting him; when a man at the actual moment sees

things double, we may expect that his view of the past will be rather

muzzy.

Pen saw his condition and laughed, although, perhaps, he was somewhat

mortified. “Don’t you remember me, Captain?” he said. “I am

Pendennis—Arthur Pendennis, of Chatteris.”

The sound of the young man’s friendly voice recalled and steadied Cos’s

tipsy remembrance, and he saluted Arthur, as soon as he knew him, with

a loud volley of friendly greetings. Pen was his dearest boy, his

gallant young friend, his noble collagian, whom he had held in his

inmost heart ever since they had parted—how was his fawther, no, his

mother, and his guardian, the General, the Major? “I preshoom, from

your apparance, you’ve come into your prawpertee; and, bedad, yee’ll

spend it like a man of spirit—I’ll go bail for that. No? not yet come

into your estete? If ye want any thrifle, heark ye, there’s poor old

Jack Costigan has got a guinea or two in his pocket—and, be heavens!

you shall never want, Awthur, me dear boy. What’ll ye have? John, come

hither, and look aloive; give this gentleman a glass of punch, and I’ll

pay for’t.—Your friend? I’ve seen him before. Permit me to have the

honour of making meself known to ye, sir, and requesting ye’ll take a

glass of punch.”

“I don’t envy Sir Charles Mirabel his father-in-law,” thought

Pendennis. “And how is my old friend, Mr. Bows, Captain? Have you any

news of him, and do you see him still?”

“No doubt he’s very well,” said the Captain, jingling his money, and

whistling the air of a song—‘The Little Doodeen’—for the singing of

which he was celebrated at the Fielding’s Head. “Me dear boy—I’ve

forgot your name again—but my name’s Costigan, Jack Costigan, and I’d

loike ye to take as many tumblers of punch in my name as ever ye loike.

Ye know my name; I’m not ashamed of it.” And so the captain went

maundering on.

“It’s pay-day with the General,” said Mr. Hodgen, the bass singer, with

whom Warrington was in deep conversation: “and he’s a precious deal

more than half seas over. He has already tried that ‘Little Doodeen’ of

his, and broke it, too, just before I sang ‘King Death.’ Have you heard

my new song, ‘The Body Snatcher,’ Mr. Warrington?—angcored at Saint

Bartholomew’s the other night—composed expressly for me. Per’aps you or

your friend would like a copy of the song, sir? John, just ’ave the

kyndness to ’and over a ‘Body Snatcher’ ’ere, will yer?—There’s a

portrait of me, sir, as I sing it—as the Snatcher—considered rather

like.”

“Thank you,” said Warrington; “heard it nine times—know it by heart,

Hodgen.”

Here the gentleman who presided at the pianoforte began to play upon

his instrument, and Pen, looking in the direction of the music, beheld

that very Mr. Bows, for whom he had been asking but now, and whose

existence Costigan had momentarily forgotten. The little old man sate

before the battered piano (which had injured its constitution wofully

by sitting up so many nights, and spoke with a voice, as it were, at

once hoarse and faint), and accompanied the singers, or played with

taste and grace in the intervals of the songs.

Bows had seen and recollected Pen at once when the latter came into the

room, and had remarked the eager warmth of the young man’s recognition

of Costigan. He now began to play an air, which Pen instantly

remembered as one which used to be sung by the chorus of villagers in

‘The Stranger,’ just before Mrs. Haller came in. It shook Pen as he

heard it. He remembered how his heart used to beat as that air was

played, and before the divine Emily made her entry. Nobody, save

Arthur, took any notice of old Bows’s playing: it was scarcely heard

amidst the clatter of knives and forks, the calls for poached eggs and

kidneys, and the tramp of guests and waiters.

Pen went up and kindly shook the player by the hand at the end of his

performance; and Bows greeted Arthur with great respect and cordiality.

“What, you haven’t forgot the old tune, Mr. Pendennis?” he said; “I

thought you’d remember it. I take it, it was the first tune of that

sort you ever heard played—wasn’t it, sir? You were quite a young chap

then. I fear the Captain’s very bad to-night. He breaks out on a

pay-day; and I shall have the deuce’s own trouble in getting home. We

live together. We still hang on, sir, in partnership, though Miss

Em—though my lady Mirabel has left the firm.—And so you remember old

times, do you? Wasn’t she a beauty, sir?—Your health and my service to

you,”—and he took a sip at the pewter measure of porter which stood by

his side as he played.

Pen had many opportunities of seeing his early acquaintance afterwards,

and of renewing his relations with Costigan and the old musician.

As they sate thus in friendly colloquy, men of all sorts and conditions

entered and quitted the house of entertainment; and Pen had the

pleasure of seeing as many different persons of his race, as the most

eager observer need desire to inspect. Healthy country tradesmen and

farmers, in London for their business, came and recreated themselves

with the jolly singing and suppers of the Back Kitchen,—squads of young

apprentices and assistants, the shutters being closed over the scene of

their labours, came hither for fresh air doubtless,—rakish young

medical students, gallant, dashing, what is called “loudly” dressed,

and (must it be owned?) somewhat dirty,—were here smoking and drinking,

and vociferously applauding the songs; young university bucks were to

be found here, too, with that indescribable genteel simper which is

only learned at the knees of Alma Mater;—and handsome young guardsmen,

and florid bucks from the St. James’s Street Clubs—nay, senators

English and Irish; and even members of the House of Peers.

The bass singer had made an immense hit with his song of ‘The Body

Snatcher,’ and the town rushed to listen to it. The curtain drew aside,

and Mr. Hodgen appeared in the character of the Snatcher, sitting on a

coffin, with a flask of gin before him, with a spade, and a candle

stuck in a skull. The song was sung with a really admirable terrific

humour. The singer’s voice went down so low, that its grumbles rumbled

into the hearer’s awe-stricken soul; and in the chorus he clamped with

his spade, and gave a demoniac “Ha! ha!” which caused the very glasses

to quiver on the table, as with terror. None of the other singers, not

even Cutts himself, as that high-minded man owned, could stand up

before the Snatcher, and he commonly used to retire to Mrs. Cutts’s

private apartments, or into the bar, before that fatal song

extinguished him. Poor Cos’s ditty, ‘The Little Doodeen,’ which Bows

accompanied charmingly on the piano, was sung but to a few admirers,

who might choose to remain after the tremendous resurrectionist chant.

The room was commonly emptied after that, or only left in possession of

a very few and persevering votaries of pleasure.

Whilst Pen and his friend were sitting here together one night, or

rather morning, two habitues of the house entered almost together. “Mr.

Hoolan and Mr. Doolan,” whispered Warrington to Pen, saluting these

gentlemen, and in the latter Pen recognised his friend of the Alacrity

coach, who could not dine with Pen on the day on which the latter had

invited him, being compelled by his professional duties to decline

dinner-engagements on Fridays, he had stated, with his compliments to

Mr. Pendennis.

Doolan’s paper, the Dawn, was lying on the table much bestained by

porter, and cheek-by-jowl with Hoolan’s paper, which we shall call the

Day; the Dawn was Liberal—the Day was ultra-Conservative. Many of our

journals are officered by Irish gentlemen, and their gallant brigade

does the penning among us, as their ancestors used to transact the

fighting in Europe; and engage under many a flag, to be good friends

when the battle is over.

“Kidneys, John, and a glass of stout,” says Hoolan. “How are you,

Morgan? how’s Mrs. Doolan?”

“Doing pretty well, thank ye, Mick, my boy—faith she’s accustomed to

it,” said Doolan. “How’s the lady that owns ye? Maybe I’ll step down

Sunday, and have a glass of punch, Kilburn way.”

“Don’t bring Patsey with you, Mick, for our Georgy’s got the measles,”

said the friendly Morgan, and they straightway fell to talk about

matters connected with their trade—about the foreign mails—about who

was correspondent at Paris, and who wrote from Madrid—about the expense

the Morning Journal was at in sending couriers, about the circulation

of the Evening Star, and so forth.

Warrington, laughing, took the Dawn which was lying before him, and

pointed to one of the leading articles in that journal, which commenced

thus—

“As rogues of note in former days who had some wicked work to

perform,—an enemy to be put out of the way, a quantity of false coin to

be passed, a lie to be told or a murder to be done—employed a

professional perjurer or assassin to do the work, which they were

themselves too notorious or too cowardly to execute: our notorious

contemporary, the Day, engages smashers out of doors to utter forgeries

against individuals, and calls in auxiliary cut-throats to murder the

reputation of those who offend him. A black-vizarded ruffian (whom we

will unmask), who signs the forged name of Trefoil, is at present one

of the chief bravoes and bullies in our contemporary’s establishment.

He is the eunuch who brings the bowstring, and strangles at the order

of the Day. We can convict this cowardly slave, and propose to do so.

The charge which he has brought against Lord Bangbanagher, because he

is a Liberal Irish peer, and against the Board of Poor Law Guardians of

the Bangbanagher Union, is,” etc.

“How did they like the article at your place, Mick?” asked Morgan;

“when the Captain puts his hand to it he’s a tremendous hand at a

smasher. He wrote the article in two hours—in—whew—you know where,

while the boy was waiting.”

“Our governor thinks the public don’t mind a straw about these

newspaper rows, and has told the Docthor to stop answering,” said the

other. “Them two talked it out together in my room. The Docthor would

have liked a turn, for he says it’s such easy writing, and requires no

reading up of a subject: but the governor put a stopper on him.”

“The taste for eloquence is going out, Mick,” said Morgan.

“’Deed then it is, Morgan,” said Mick. “That was fine writing when the

Docthor wrote in the Phaynix, and he and Condy Roony blazed away at

each other day after day.”

“And with powder and shot, too, as well as paper,” says Morgan, “Faith,

the Docthor was out twice, and Condy Roony winged his man.”

“They are talking about Doctor Boyne and Captain Shandon,” Warrington

said, “who are the two Irish controversialists of the Dawn and the Day,

Dr. Boyne being the Protestant champion and Captain Shandon the Liberal

orator. They are the best friends in the world, I believe, in spite of

their newspaper controversies; and though they cry out against the

English for abusing their country, by Jove they abuse it themselves

more in a single article than we should take the pains to do in a dozen

volumes. How are you, Doolan?”

“Your servant, Mr. Warrington—Mr. Pendennis, I am delighted to have the

honour of seeing ye again. The night’s journey on the top of the

Alacrity was one of the most agreeable I ever enjoyed in my life, and

it was your liveliness and urbanity that made the trip so charming. I

have often thought over that happy night, sir, and talked over it to

Mrs. Doolan. I have seen your elegant young friend, Mr. Foker, too,

here, sir, not unfrequently. He is an occasional frequenter of this

hostelry, and a right good one it is. Mr. Pendennis, when I saw you I

was on the Tom and Jerry Weekly Paper; I have now the honour to be

sub-editor of the Dawn, one of the best-written papers of the

empire”—and he bowed very slightly to Mr. Warrington. His speech was

unctuous and measured, his courtesy oriental, his tone, when talking

with the two Englishmen, quite different to that with which he spoke to

his comrade.

“Why the devil will the fellow compliment so?” growled Warrington, with

a sneer which he hardly took the pains to suppress. “Psha—who comes

here?—all Parnassus is abroad to-night: here’s Archer. We shall have

some fun. Well, Archer, House up?”

“Haven’t been there. I have been,” said Archer, with an air of mystery,

“where I was wanted. Get me some supper, John—something substantial. I

hate your grandees who give you nothing to eat. If it had been at

Apsley House, it would have been quite different. The Duke knows what I

like, and says to the Groom of the Chambers, ‘Martin, you will have

some cold beef, not too much done, and a pint bottle of pale ale, and

some brown sherry, ready in my study as usual;—Archer is coming here

this evening.’ The Duke doesn’t eat supper himself, but he likes to see

a man enjoy a hearty meal, and he knows that I dine early. A man can’t

live upon air, be hanged to him.”

“Let me introduce you to my friend, Mr. Pendennis,” Warrington said,

with great gravity. “Pen, this is Mr Archer, whom you have heard me

talk about. You must know Pen’s uncle, the Major, Archer, you who know

everybody?”

“Dined with him the day before yesterday at Gaunt House,” Archer said.

“We were four—the French Ambassador, Steyne, and we two commoners.”

“Why, my uncle is in Scot——” Pen was going to break out, but Warrington

pressed his foot under the table as a signal for him to be quiet.

“It was about the same business that I have been to the palace

to-night,” Archer went on simply, “and where I’ve been kept four hours,

in an anteroom, with nothing but yesterday’s Times, which I knew by

heart, as I wrote three of the leading articles myself; and though the

Lord Chamberlain came in four times, and once holding the royal teacup

and saucer in his hand, he did not so much as say to me, ‘Archer, will

you have a cup of tea?’”

“Indeed! what is in the wind now?” asked Warrington—and turning to Pen,

added, “You know, I suppose, that when there is anything wrong at Court

they always send for Archer.”

“There is something wrong,” said Mr. Archer, “and as the story will be

all over the town in a day or two I don’t mind telling it. At the last

Chantilly races, where I rode Brian Boru for my old friend the Duke de

Saint Cloud—the old King said to me, Archer, I’m uneasy about Saint

Cloud. I have arranged his marriage with the Princess Marie Cunegonde;

the peace of Europe depends upon it—for Russia will declare war if the

marriage does not take place, and the young fool is so mad about Madame

Massena, Marshal Massena’s wife, that he actually refuses to be a party

to the marriage. Well, Sir, I spoke to Saint Cloud, and having got him

into pretty good humour by winning the race, and a good bit of money

into the bargain, he said to me, ‘Archer, tell the Governor I’ll think

of it.’”

“How do you say Governor in French?” asked Pen, who piqued himself on

knowing that language.

“Oh, we speak in English—I taught him when we were boys, and I saved

his life at Twickenham, when he fell out of a punt,” Archer said. “I

shall never forget the Queen’s looks as I brought him out of the water.

She gave me this diamond ring, and always calls me Charles to this

day.”

“Madame Massena must be rather an old woman, Archer,” Warrington said.

“Dev’lish old—old enough to be his grandmother; I told him so,” Archer

answered at once. “But those attachments for old women are the deuce

and all. That’s what the King feels: that’s what shocks the poor Queen

so much. They went away from Paris last Tuesday night, and are living

at this present moment at Jaunay’s Hotel.”

“Has there been a private marriage, Archer?” asked Warrington.

“Whether there has or not I don’t know,” Mr. Archer replied, “all I

know is that I was kept waiting for four hours at the palace; that I

never saw a man in such a state of agitation as the King of Belgium

when he came out to speak to me, and that I’m devilish hungry—and here

comes some supper.”

“He has been pretty well to-night,” said Warrington, as the pair went

home together: “but I have known him in much greater force, and keeping

a whole room in a state of wonder. Put aside his archery practice, that

man is both able and honest—a good man of business, an excellent

friend, admirable to his family as husband, father, and son.”

“What is it makes him pull the long bow in that wonderful manner?”

“An amiable insanity,” answered Warrington. “He never did anybody harm

by his talk, or said evil of anybody. He is a stout politician too, and

would never write a word or do an act against his party, as many of us

do.”

“Of us! Who are we?” asked Pen. “Of what profession is Mr. Archer?”

“Of the Corporation of the Goosequill—of the Press, my boy,” said

Warrington; “of the fourth estate.”

“Are you, too, of the craft, then?” Pendennis said.

“We will talk about that another time,” answered the other. They were

passing through the Strand as they talked, and by a newspaper office,

which was all lighted up and bright. Reporters were coming out of the

place, or rushing up to it in cabs; there were lamps burning in the

editors’ rooms, and above where the compositors were at work: the

windows of the building were in a blaze of gas.

“Look at that, Pen,” Warrington said. “There she is—the great

engine—she never sleeps. She has her ambassadors in every quarter of

the world—her couriers upon every road. Her officers march along with

armies, and her envoys walk into statesmen’s cabinets. They are

ubiquitous. Yonder journal has an agent, at this minute, giving bribes

at Madrid; and another inspecting the price of potatoes in Covent

Garden. Look! here comes the Foreign Express galloping in. They will be

able to give news to Downing Street to-morrow: funds will rise or fall,

fortunes be made or lost; Lord B. will get up, and, holding the paper

in his hand, and seeing the noble marquis in his place, will make a

great speech; and—and Mr. Doolan will be called away from his supper at

the Back Kitchen; for he is foreign sub-editor, and sees the mail on

the newspaper sheet before he goes to his own.”

And so talking, the friends turned into their chambers, as the dawn was

beginning to peep.

The History of Pendennis · 第 31 / 76 章