A BROWN WOMAN

"But I must be hurrying home now," the girl said, "for it is high time

I were back in the hayfields."

"Fair shepherdess," he implored, "for heaven's sake, let us not cut

short the _pastorelle_ thus abruptly."

"And what manner of beast may that be, pray?"

"'Tis a conventional form of verse, my dear, which we at present

strikingly illustrate. The plan of a _pastorelle_ is simplicity's

self: a gentleman, which I may fairly claim to be, in some fair rural

scene--such as this--comes suddenly upon a rustic maiden of surpassing

beauty. He naturally falls in love with her, and they say all manner

of fine things to each other."

She considered him for a while before speaking. It thrilled him to see

the odd tenderness that was in her face. "You always think of saying

and writing fine things, do you not, sir?"

"My dear," he answered, gravely, "I believe that I was undoubtedly

guilty of such folly until you came. I wish I could make you

understand how your coming has changed everything."

"You can tell me some other time," the girl gaily declared, and was

about to leave him.

His hand detained her very gently. "Faith, but I fear not, for already

my old hallucinations seem to me incredible. Why, yesterday I thought

it the most desirable of human lots to be a great poet"--the gentleman

laughed in self-mockery. "I positively did. I labored every day

toward becoming one. I lived among books, esteemed that I was doing

something of genuine importance as I gravely tinkered with alliteration

and metaphor and antithesis and judicious paraphrases of the ancients.

I put up with life solely because it afforded material for

versification; and, in reality, believed the destruction of Troy was

providentially ordained lest Homer lack subject matter for an epic.

And as for loving, I thought people fell in love in order to exchange

witty rhymes."

His hand detained her, very gently. . . . Indeed, it seemed to him he

could never tire of noting her excellencies. Perhaps it was that

splendid light poise of her head he chiefly loved; he thought so at

least, just now. Or was it the wonder of her walk, which made all

other women he had ever known appear to mince and hobble, like rusty

toys? Something there was assuredly about this slim brown girl which

recalled an untamed and harmless woodland creature; and it was that, he

knew, which most poignantly moved him, even though he could not name

it. Perhaps it was her bright kind eyes, which seemed to mirror the

tranquillity of forests. . . .

"You gentry are always talking of love," she marveled.

"Oh," he said, with acerbity, "oh, I don't doubt that any number of

beef-gorging squires and leering, long-legged Oxford dandies----" He

broke off here, and laughed contemptuously. "Well, you are beautiful,

and they have eyes as keen as mine. And I do not blame you, my dear,

for believing my designs to be no more commendable than theirs--no, not

at all."

But his mood was spoiled, and his tetchy vanity hurt, by the thought of

stout well-set fellows having wooed this girl; and he permitted her to

go without protest.

Yet he sat alone for a while upon the fallen tree-trunk, humming a

contented little tune. Never in his life had he been happier. He did

not venture to suppose that any creature so adorable could love such a

sickly hunchback, such a gargoyle of a man, as he was; but that Sarah

was fond of him, he knew. There would be no trouble in arranging with

her father for their marriage, most certainly; and he meant to attend

to that matter this very morning, and within ten minutes. So Mr.

Alexander Pope was meanwhile arranging in his mind a suitable wording

for his declaration of marital aspirations.

Thus John Gay found him presently and roused him from phrase-spinning.

"And what shall we do this morning, Alexander?" Gay was always

demanding, like a spoiled child, to be amused.

Pope told him what his own plans were, speaking quite simply, but with

his countenance radiant. Gay took off his hat and wiped his forehead,

for the day was warm. He did not say anything at all.

"Well----?" Mr. Pope asked, after a pause.

Mr. Gay was dubious. "I had never thought that you would marry," he

said. "And--why, hang it, Alexander! to grow enamored of a milkmaid is

well enough for the hero of a poem, but in a poet it hints at

injudicious composition."

Mr. Pope gesticulated with thin hands and seemed upon the verge of

eloquence. Then he spoke unanswerably. "But I love her," he said.

John Gay's reply was a subdued whistle. He, in common with the other

guests of Lord Harcourt, at Nuneham Courtney, had wondered what would

be the outcome of Mr. Alexander Pope's intimacy with Sarah Drew. A

month earlier the poet had sprained his ankle upon Amshot Heath, and

this young woman had found him lying there, entirely helpless, as she

returned from her evening milking. Being hale of person, she had

managed to get the little hunchback to her home unaided. And since

then Pope had often been seen with her.

This much was common knowledge. That Mr. Pope proposed to marry the

heroine of his misadventure afforded a fair mark for raillery, no

doubt, but Gay, in common with the run of educated England in 1718, did

not aspire to be facetious at Pope's expense. The luxury was too

costly. Offend the dwarf in any fashion, and were you the proudest

duke at Court or the most inconsiderable rhymester in Petticoat Lane,

it made no difference; there was no crime too heinous for "the great

Mr. Pope's" next verses to charge you with, and, worst of all, there

was no misdoing so out of character that his adroit malignancy could

not make it seem plausible.

Now, after another pause, Pope said, "I must be going now. Will you

not wish me luck?"

"Why, Alexander--why, hang it!" was Mr. Gay's observation, "I believe

that you are human after all, and not just a book in breeches."

He thereby voiced a commentary patently uncalled-for, as Mr. Pope

afterward reflected. Mr. Pope was then treading toward the home of old

Frederick Drew. It was a gray morning in late July.

"I love her," Pope had said. The fact was undeniable; yet an

expression of it necessarily halts. Pope knew, as every man must do

who dares conserve his energies to annotate the drama of life rather

than play a part in it, the nature of that loneliness which this

conservation breeds. Such persons may hope to win a posthumous esteem

in the library, but it is at the bleak cost of making life a wistful

transaction with foreigners. In such enforced aloofness Sarah Drew had

come to him--strong, beautiful, young, good and vital, all that he was

not--and had serenely befriended "the great Mr. Pope," whom she viewed

as a queer decrepit little gentleman of whom within a week she was

unfeignedly fond.

"I love her," Pope had said. Eh, yes, no doubt; and what, he fiercely

demanded of himself, was he--a crippled scribbler, a bungling artisan

of phrases--that he should dare to love this splendid and deep-bosomed

goddess? Something of youth awoke, possessing him--something of that

high ardor which, as he cloudily remembered now, had once controlled a

boy who dreamed in Windsor Forest and with the lightest of hearts

planned to achieve the impossible. For what is more difficult of

attainment than to achieve the perfected phrase, so worded that to

alter a syllable of its wording would be little short of sacrilege?

"What whimwhams!" decreed the great Mr. Pope, aloud. "Verse-making is

at best only the affair of idle men who write in their closets and of

idle men who read there. And as for him who polishes phrases, whatever

be his fate in poetry, it is ten to one but he must give up all the

reasonable aims of life for it."

No, he would have no more of loneliness. Henceforward Alexander Pope

would be human--like the others. To write perfectly was much; but it

was not everything. Living was capable of furnishing even more than

the raw material of a couplet. It might, for instance, yield content.

For instance, if you loved, and married, and begot, and died, with the

seriousness of a person who believes he is performing an action of real

importance, and conceded that the perfection of any art, whether it be

that of verse-making or of rope-dancing, is at best a by-product of

life's conduct; at worst, you probably would not be lonely. No; you

would be at one with all other fat-witted people, and there was no

greater blessing conceivable.

Pope muttered, and produced his notebook, and wrote tentatively.

Wrote Mr. Pope:

The bliss of man (could pride that blessing find)

Is not to act or think beyond mankind;

No powers of body or of soul to share

But what his nature and his state can bear.

"His state!" yes, undeniably, two sibilants collided here. "His

wit?"--no, that would be flat-footed awkwardness in the management of

your vowel-sounds; the lengthened "a" was almost requisite. . . . Pope

was fretting over the imbroglio when he absent-mindedly glanced up to

perceive that his Sarah, not irrevocably offended, was being embraced

by a certain John Hughes--who was a stalwart, florid personable

individual, no doubt, but, after all, only an unlettered farmer.

The dwarf gave a hard, wringing motion of his hands. The diamond-Lord

Bolingbroke's gift--which ornamented Pope's left hand cut into the

flesh of his little finger, so cruel was the gesture; and this little

finger was bleeding as Pope tripped forward, smiling. A gentleman does

not incommode the public by obtruding the ugliness of a personal wound.

"Do I intrude?" he queried. "Ah, well! I also have dwelt in Arcadia."

It was bitter to comprehend that he had never done so.

The lovers were visibly annoyed; yet, if an interruption of their

pleasant commerce was decreed to be, it could not possibly have sprung,

as they soon found, from a more sympathetic source.

These were not subtle persons. Pope had the truth from them within ten

minutes. They loved each other; but John Hughes was penniless, and old

Frederick Drew was, in consequence, obdurate.

"And, besides, he thinks you mean to marry her!" said John Hughes.

"My dear man, he pardonably forgets that the utmost reach of my designs

in common reason would be to have her as my kept mistress for a month

or two," drawled Mr. Pope. "As concerns yourself, my good fellow, the

case is somewhat different. Why, it is a veritable romance--an affair

of Daphne and Corydon--although, to be unpardonably candid, the plot of

your romance, my young Arcadians, is not the most original conceivable.

I think that the denouement need not baffle our imaginations."

The dwarf went toward Sarah Drew. The chary sunlight had found the

gold in her hair, and its glint was brightly visible to him. "My

dear--" he said. His thin long fingers touched her capable hand. It

was a sort of caress--half-timid. "My dear, I owe my life to you. My

body is at most a flimsy abortion such as a night's exposure would have

made more tranquil than it is just now. Yes, it was you who found a

caricature of the sort of man that Mr. Hughes here is, disabled,

helpless, and--for reasons which doubtless seemed to you

sufficient--contrived that this unsightly parody continue in existence.

I am not lovable, my dear. I am only a hunchback, as you can see. My

aspirations and my sickly imaginings merit only the derision of a

candid clean-souled being such as you are." His finger-tips touched

the back of her hand again. "I think there was never a maker of

enduring verse who did not at one period or another long to exchange an

assured immortality for a sturdier pair of shoulders. I think--I think

that I am prone to speak at random," Pope said, with his half-drowsy

smile. "Yet, none the less, an honest man, as our kinsmen in Adam

average, is bound to pay his equitable debts."

The Certain Hour (Dizain des Poëtes) · 第 38 / 50 题