TURNING THE PIANO.

It was with unpleasant feelings I arrived at this knowledge. Beyond

doubt, the piano would be a difficult obstacle, if not a complete

barrier, to my further progress in that direction. It was evidently one

of the grandest of "grand pianos," far larger than the one I remembered

to have stood in my mother's cottage parlour. Its upper side, or table,

was towards me, for it had been placed upon its edge; and I could tell

by the echo given back to my blows that this table was a piece of

mahogany of an inch or more in thickness. It appeared, moreover, to

consist of one solid board, for I could feel no crack or joining over

its whole extent; and to get through this board, therefore, a hole would

have to be made by sheer cutting and carving.

With such a tool as I handled, to make a hole big enough to creep

through, even had it been common deal, would have been a work of no

ordinary magnitude; but through a solid plank of mahogany doubly

hardened by a process of staining and polishing, was a task that

appalled me.

Besides, even could I succeed in doing so--even could I cut through the

table-top--which, though a severe and tedious labour, would not have

been impossible--what then? There were all the inside works to be got

out. I knew little of the arrangement of the interior. I only

remembered having observed a great many pieces of black and white ivory;

and vast numbers of strong wire strings. There were shelves too, and

pieces that ran lengthwise, and upright pieces, and then the pedals--all

of which would be very difficult to detach from their places. Beyond

these, again, there would be a bottom of hard mahogany, to say nothing

of the case on the other side, and through these another aperture would

have to be made to let me out.

Still, other difficulties stared me in the face. Even should I succeed

in getting the works loose, and drawing them out, and disposing of them

behind me, would I then find room enough within the shell of the

instrument to enable me to cut through its opposite side and also the

case, and, still more, to make an entrance into whatever case or box lay

beyond? This was a doubtful point, though not very doubtful. It was

rather too certain that I could not do so.

Still, I might work upwards once I had cleared out the shell; but the

clearing out the shell was of itself the most doubtful point; for that I

feared I should not be able to effect at all.

On the whole, the difficulty of this enterprise quite dismayed me; and

the more I thought about it, the less inclination I felt to attempt it.

After considering it in all its bearings, I abandoned the idea

altogether; and instead of trying to make a breach through the great

wall of mahogany, I resolved upon "turning" it.

I was considerably chagrined at being forced into this resolution, the

more so that I had lost half a day's labour in hewing through the

outside case; and all this, as well as the opening of the end of the

cloth-box, now counted for nothing. But it could not be helped. I had

no time to spend in idle regrets; and, like a besieging general, I

commenced a fresh _reconnaissance_ of the ground, in order to discover

what would be my best route to _outflank_ the fortress.

I was still under the belief that it was a bale of linen that lay on the

top, and this quite hindered me from thinking of going upward. My

attention was turned, therefore, to the right and the left.

I knew that by tunnelling either way I should gain no advantage. It

would not bring me an inch nearer the desired goal; and even after I

should have made a stage in either direction, I should still be only in

the "second tier." This was discouraging enough--more loss of labour

and time--but I dreaded that horrid bale of linen!

One advantage I had gained by knocking out the whole end of the

cloth-case. I have already said there was a space of several inches

between it and the great _coffin_ that contained the piano. Into this

space I could insert my arm beyond the elbow, and ascertain something

about the sort of goods that lay right and left of me.

I did so. I was able to perceive that on each side was a box or case--

both of which, as near as I could guess, were similar to that in which I

was--that is, both were cloth-cases. This would do well enough. I had

now obtained such practice in breaking open these chests, and rifling

them of their contents, that I considered it a mere bagatelle; and I

should not have desired anything better than that the cargo had

consisted entirely of those goods, for which the West of England has

long been so famous.

While groping along the sides of these cases, it occurred to me to raise

my hand upward, and just ascertain how far the bale of linen projected

over the empty cloth-case. To my astonishment it did not project at

all! I say to my astonishment, for those bales I had already examined

were as near as possible of the same size as the cases of broadcloth;

and as this one wanted quite a foot of being "flush" with the inner end

of the case, I concluded I should find it that much over at the other

end. But it was not--not an inch over; and therefore, thought I, it

must be a smaller package than the others.

While making this reflection something suggested that I should

scrutinise the bale more closely. I did so, both with my fingers and

the blade of my knife, and was now agreeably surprised to find that it

was not a _bale_ at all, but a wooden box. It was covered all over with

a soft thick substance--a piece of rush matting--and this it was that

had led to my mistake.

The possibility of tunnelling in a vertical direction was now apparent.

I could easily hew off the rush matting and then deal with the box as I

had done with the others.

Of course, I thought no longer of taking the roundabout way by the right

or the left; but at once changed my intention, and determined to travel

upward.

I need hardly describe how I made my entry into this mat-covered box.

Suffice it to say, that I began by cutting one of the lid boards of the

empty cloth-case, and then drawing it downwards till I pulled it out.

The open space by the side of the ship proved an advantage to me while

making the cross-section, as it allowed me to ply my blade freely

through the planks.

Having succeeded with one board, I was enabled to detach another without

any more hewing; and this gave me enough space to work on the bottom of

the covered case.

By dint of cutting and tearing I soon got the rushes out of the way, and

then the wood was revealed to my touch; and by this delicate sense I

perceived that, like the others, it was a case of common deal.

I only rested a moment before beginning my attack upon it. As it lay

twelve inches from the timbers of the ship, one of its angles was quite

within my reach; and on running my hand along it, I could feel the heads

of the nails, that did not appear to be either numerous or very firmly

driven. This gave me satisfaction, and still more was I rejoiced to

find that there was no hooping upon it. I should, perhaps, be enabled

to prise off one of the boards, and this would save me the long,

wearisome task of cutting it crossways.

At the moment this appeared a fortunate circumstance, and I

congratulated myself upon it. Alas! it proved the cause of a sad

misfortune, that in five minutes had plunged me once more into the

deepest misery.

Half-a-dozen words will explain.

I had inserted the blade of my knife under the board, and was trying if

it felt loose. Not that I believed I could prize it off with this; but

rather to ascertain what resistance there was, in order to look out for

some more proper lever.

To my sorrow, I leant too heavily upon the piece of steel; for a short,

sharp crack, startling me worse than a shot would have done, announced

that _the blade was broken_!

The Boy Tar · 第 121 / 136 题