2. III. SHE BECOMES AN INACCESSIBLE GHOST

By imperceptible and slow degrees the scene at the dinner-table receded

into the background, behind the vivid presentment of Avice Caro, and

the old, old scenes on Isle Vindilia which were inseparable from her

personality. The dining room was real no more, dissolving under the bold

stony promontory and the incoming West Sea. The handsome marchioness in

geranium-red and diamonds, who was visible to him on his host's right

hand opposite, became one of the glowing vermilion sunsets that he had

watched so many times over Deadman's Bay, with the form of Avice in the

foreground. Between his eyes and the judge who sat next to Nichola, with

a chin so raw that he must have shaved every quarter of an hour during

the day, intruded the face of Avice, as she had glanced at him in their

last parting. The crannied features of the evergreen society lady, who,

if she had been a few years older, would have been as old-fashioned as

her daughter, shaped themselves to the dusty quarries of his and Avice's

parents, down which he had clambered with Avice hundreds of times. The

ivy trailing about the table-cloth, the lights in the tall candlesticks,

and the bunches of flowers, were transmuted into the ivies of the

cliff-built Castle, the tufts of seaweed, and the lighthouses on the

isle. The salt airs of the ocean killed the smell of the viands, and

instead of the clatter of voices came the monologue of the tide off the

Beal.

More than all, Nichola Pine-Avon lost the blooming radiance which she

had latterly acquired; she became a woman of his acquaintance with no

distinctive traits; she seemed to grow material, a superficies of flesh

and bone merely, a person of lines and surfaces; she was a language in

living cipher no more.

When the ladies had withdrawn it was just the same. The soul of

Avice--the only woman he had NEVER loved of those who had loved

him--surrounded him like a firmament. Art drew near to him in the person

of one of the most distinguished of portrait painters; but there was

only one painter for Jocelyn--his own memory. All that was eminent

in European surgery addressed him in the person of that harmless and

unassuming fogey whose hands had been inside the bodies of hundreds of

living men; but the lily-white corpse of an obscure country-girl chilled

the interest of discourse with such a king of operators.

Reaching the drawing-room he talked to his hostess. Though she had

entertained three-and-twenty guests at her table that night she had

known not only what every one of them was saying and doing throughout

the repast, but what every one was thinking. So, being an old friend,

she said quietly, 'What has been troubling you? Something has, I know. I

have been travelling over your face and have seen it there.'

Nothing could less express the meaning his recent news had for him than

a statement of its facts. He told of the opening of the letter and the

discovery of the death of an old acquaintance.

'The only woman whom I never rightly valued, I may almost say!' he

added; 'and therefore the only one I shall ever regret!'

Whether she considered it a sufficient explanation or not the woman of

experiences accepted it as such. She was the single lady of his circle

whom nothing erratic in his doings could surprise, and he often gave her

stray ends of his confidence thus with perfect safety.

He did not go near Mrs. Pine-Avon again; he could not: and on leaving

the house walked abstractedly along the streets till he found himself at

his own door. In his room he sat down, and placing his hands behind his

head thought his thoughts anew.

At one side of the room stood an escritoire, and from a lower drawer

therein he took out a small box tightly nailed down. He forced the cover

with the poker. The box contained a variety of odds and ends, which

Pierston had thrown into it from time to time in past years for future

sorting--an intention that he had never carried out. From the melancholy

mass of papers, faded photographs, seals, diaries, withered flowers,

and such like, Jocelyn drew a little portrait, one taken on glass in the

primitive days of photography, and framed with tinsel in the commonest

way.

It was Avice Caro, as she had appeared during the summer month or two

which he had spent with her on the island twenty years before this time,

her young lips pursed up, her hands meekly folded. The effect of the

glass was to lend to the picture much of the softness characteristic of

the original. He remembered when it was taken--during one afternoon

they had spent together at a neighbouring watering-place, when he had

suggested her sitting to a touting artist on the sands, there being

nothing else for them to do. A long contemplation of the likeness

completed in his emotions what the letter had begun. He loved the woman

dead and inaccessible as he had never loved her in life. He had thought

of her but at distant intervals during the twenty years since that

parting occurred, and only as somebody he could have wedded. Yet now the

times of youthful friendship with her, in which he had learnt every

note of her innocent nature, flamed up into a yearning and passionate

attachment, embittered by regret beyond words.

That kiss which had offended his dignity, which she had so childishly

given him before her consciousness of womanhood had been awakened; what

he would have offered to have a quarter of it now!

Pierston was almost angry with himself for his feelings of this night,

so unreasonably, motivelessly strong were they towards the lost young

playmate. 'How senseless of me!' he said, as he lay in his lonely bed.

She had been another man's wife almost the whole time since he was

estranged from her, and now she was a corpse. Yet the absurdity did not

make his grief the less: and the consciousness of the intrinsic, almost

radiant, purity of this newsprung affection for a flown spirit forbade

him to check it. The flesh was absent altogether; it was love rarefied

and refined to its highest attar. He had felt nothing like it before.

The next afternoon he went down to the club; not his large club, where

the men hardly spoke to each other, but the homely one where they

told stories of an afternoon, and were not ashamed to confess among

themselves to personal weaknesses and follies, knowing well that such

secrets would go no further. But he could not tell this. So volatile and

intangible was the story that to convey it in words would have been as

hard as to cage a perfume.

They observed his altered manner, and said he was in love. Pierston

admitted that he was; and there it ended. When he reached home he looked

out of his bed-room window, and began to consider in what direction from

where he stood that darling little figure lay. It was straight across

there, under the young pale moon. The symbol signified well. The

divinity of the silver bow was not more excellently pure than she, the

lost, had been. Under that moon was the island of Ancient Slingers, and

on the island a house, framed from mullions to chimney-top like the

isle itself, of stone. Inside the window, the moonlight irradiating her

winding-sheet, lay Avice, reached only by the faint noises inherent in

the isle; the tink-tink of the chisels in the quarries, the surging of

the tides in the Bay, and the muffled grumbling of the currents in the

never-pacified Race.

He began to divine the truth. Avice, the departed one, though she had

come short of inspiring a passion, had yet possessed a ground-quality

absent from her rivals, without which it seemed that a fixed and

full-rounded constancy to a woman could not flourish in him. Like his

own, her family had been islanders for centuries--from Norman, Anglian,

Roman, Balearic-British times. Hence in her nature, as in his, was some

mysterious ingredient sucked from the isle; otherwise a racial instinct

necessary to the absolute unison of a pair. Thus, though he might

never love a woman of the island race, for lack in her of the desired

refinement, he could not love long a kimberlin--a woman other than of

the island race, for her lack of this groundwork of character.

Such was Pierston's view of things. Another fancy of his, an artist's

superstition merely, may be mentioned. The Caros, like some other local

families, suggested a Roman lineage, more or less grafted on the stock

of the Slingers. Their features recalled those of the Italian peasantry

to any one as familiar as he was with them; and there were evidences

that the Roman colonists had been populous and long-abiding in and near

this corner of Britain. Tradition urged that a temple to Venus once

stood at the top of the Roman road leading up into the isle; and

possibly one to the love-goddess of the Slingers antedated this. What so

natural as that the true star of his soul would be found nowhere but in

one of the old island breed?

After dinner his old friend Somers came in to smoke, and when they had

talked a little while Somers alluded casually to some place at which

they would meet on the morrow.

'I sha'n't be there,' said Pierston.

'But you promised?'

'Yes. But I shall be at the island--looking at a dead woman's grave.'

As he spoke his eyes turned, and remained fixed on a table near. Somers

followed the direction of his glance to a photograph on a stand.

'Is that she?' he asked.

'Yes.'

'Rather a bygone affair, then?'

Pierston acknowledged it. 'She's the only sweetheart I ever slighted,

Alfred,' he said. 'Because she's the only one I ought to have cared for.

That's just the fool I have always been.'

'But if she's dead and buried, you can go to her grave at any time as

well as now, to keep up the sentiment.'

'I don't know that she's buried.'

'But to-morrow--the Academy night! Of all days why go then?'

'I don't care about the Academy.'

'Pierston--you are our only inspired sculptor. You are our Praxiteles,

or rather our Lysippus. You are almost the only man of this generation

who has been able to mould and chisel forms living enough to draw the

idle public away from the popular paintings into the usually deserted

Lecture-room, and people who have seen your last pieces of stuff say

there has been nothing like them since sixteen hundred and--since the

sculptors 'of the great race' lived and died--whenever that was.

Well, then, for the sake of others you ought not to rush off to that

God-forgotten sea-rock just when you are wanted in town, all for a woman

you last saw a hundred years ago.'

'No--it was only nineteen and three quarters,' replied his friend, with

abstracted literalness. He went the next morning.

Since the days of his youth a railway had been constructed along the

pebble bank, so that, except when the rails were washed away by the

tides, which was rather often, the peninsula was quickly accessible. At

two o'clock in the afternoon he was rattled along by this new means of

locomotion, under the familiar monotonous line of bran-coloured stones,

and he soon emerged from the station, which stood as a strange exotic

among the black lerrets, the ruins of the washed-away village, and

the white cubes of oolite, just come to view after burial through

unreckonable geologic years.

In entering upon the pebble beach the train had passed close to the

ruins of Henry the Eighth's or Sandsfoot Castle, whither Avice was to

have accompanied him on the night of his departure. Had she appeared the

primitive betrothal, with its natural result, would probably have taken

place; and, as no islander had ever been known to break that compact,

she would have become his wife.

Ascending the steep incline to where the quarrymen were chipping just

as they had formerly done, and within sound of the great stone saws, he

looked southward towards the Beal.

The level line of the sea horizon rose above the surface of the isle, a

ruffled patch in mid-distance as usual marking the Race, whence many a

Lycidas had gone

'Visiting the bottom of the monstrous world;'

but had not been blest with a poet as a friend. Against the stretch of

water, where a school of mackerel twinkled in the afternoon light, was

defined, in addition to the distant lighthouse, a church with its tower,

standing about a quarter of a mile off, near the edge of the cliff. The

churchyard gravestones could be seen in profile against the same vast

spread of watery babble and unrest.

Among the graves moved the form of a man clothed in a white sheet, which

the wind blew and flapped coldly every now and then. Near him moved six

men bearing a long box, and two or three persons in black followed. The

coffin, with its twelve legs, crawled across the isle, while around and

beneath it the flashing lights from the sea and the school of

mackerel were reflected; a fishing-boat, far out in the Channel, being

momentarily discernible under the coffin also.

The procession wandered round to a particular corner, and halted, and

paused there a long while in the wind, the sea behind them, the surplice

of the priest still blowing. Jocelyn stood with his hat off: he was

present, though he was a quarter of a mile off; and he seemed to hear

the words that were being said, though nothing but the wind was audible.

He instinctively knew that it was none other than Avice whom he was

seeing interred; HIS Avice, as he now began presumptuously to call

her. Presently the little group withdrew from before the sea-shine, and

disappeared.

He felt himself unable to go further in that direction, and turning

aside went aimlessly across the open land, visiting the various spots

that he had formerly visited with her. But, as if tethered to the

churchyard by a cord, he was still conscious of being at the end of

a radius whose pivot was the grave of Avice Caro; and as the dusk

thickened he closed upon his centre and entered the churchyard gate.

Not a soul was now within the precincts. The grave, newly shaped, was

easily discoverable behind the church, and when the same young moon

arose which he had observed the previous evening from his window

in London he could see the yet fresh foot-marks of the mourners and

bearers. The breeze had fallen to a calm with the setting of the sun:

the lighthouse had opened its glaring eye, and, disinclined to leave

a spot sublimed both by early association and present regret, he moved

back to the church-wall, warm from the afternoon sun, and sat down upon

a window-sill facing the grave.

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